The west coast of sunny Florida is where the glass art scene is hot! This past week, Habatat Detroit Fine Art held a glass extravaganza at the Ringling College of Art in beautiful Sarasota, FL. This was be their 8th Annual Glass Coast Weekend (GCW). This year the event paid homage to the past, present, and future of studio glass. The show featured noted artists, lectures, demos and a reception at the Ringling Museum of Art and the 5th Anniversary event at the Imagine Museum in St. Petersburg, FL.
Above is a quick video fly-thru of the main show at Ringling College of Art
The Glass Coast excitement continued up the coast – at Duncan McClellan Gallery, where Washington Glass School artists are featured in the groundbreaking “Dreams & Visions” exhibit (thru March 5).
Michael Janis with glass fans at Duncan McClellan Gallery during reception held for Washington Glass School artists.
WGS Artists Tim Tate and Michael Janis were featured at a series of receptions, lectures and demonstrations held at DMG over the weekend.
Artist Tim Tate narrates to the audience on the hotshop what techniques the gaffer is employing to create Tim’s sacred heart glass sculpture.Tim Tate’s blown sculpture gets some heat!Tim Tate’s Sacred Heart sculpture after annealing and cooling. Tim plans on working imagery into the work and presenting a new series of hearts.
Artist Michael Janis had a large audience in attendance for his presentation on “Art in Architecture”, where he talked about his design background and how it influenced his artwork and the public art sculpture made by the Washington Glass Studio.
Michael Janis talks about his pop art work made in collaboration with Chicago artist Tony Porto.Michael Janis (center) with new collectors Steve and Debbie Lang at DMG reception.
All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!
(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.
Glass Sculptor and Artist Tim Tate looks back on 20 years of creating a community. He recently put together some of his observations on well, how did we get here?
Artist Tim Tate
“I had been raised in a household filled with craft materials. I rarely saw my mother’s hands empty, always creating something. I inherited this love. I spent my early adult years being trained in the methods revolving around studio glass while attending the 2 weeks to 2-month workshops of Penland, Pilchuck, Corning, Pittsburg, etc. (I had no money to attend grad school …though I yearned for Cranbrook). These years of varied workshops and practitioners was the perfect way to obtain a broad outlook on the entire field. We founded the Washington Glass School in 2001 with very specific goals. Let me see if I can make this clear.
Tim Tate & Joyce Scott work on a new collaborative sculpture at the Washington Glass School.
1). We wanted to be something other than a traditional studio glass shop. From the beginning we realized we wanted a much broader approach; something that reflected the mission of education centers like the Crucible in Oakland and Penland in NC. We embraced mixed media work from the beginning with varied classes in kiln formed glass, steel, electronics, encaustics, etc. Our idea was not to in any way denigrate the rich history of studio glass, but to live just outside of those confines to see what would happen. To step slightly away from the 20th century.
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.
2). As a gay man in glass, it was apparent that diversity was sorely lacking in every way in the glass world. So we did outreach and advertised our classes in many publications that went to diverse populations, rather than wait for these populations to approach us. This worked very well. Even now we go to the Facebook pages of different neighborhoods to show our class schedules.
The Brothers De La Torre visit the Washington Glass School in 2015.
With William Warmus we came up with the original concept of “Glass Secessionism”…to step slightly away from the recognized canon of 20th century glass and to create as much dialog and critical analysis as possible. There have been over 1.5 million words written and over thousands of images shared on this page focusing almost entirely on that theme.
In 2008, Artomatic held an international glass show.
4). We participated in many local shows here in the DC area, such as the spectacular Art-O-Matic show that truly put us on the map. We also curated many shows over the years to include local emerging artists. I have served on a dozen boards and juried dozens of shows and grant applications to stay in the loop and form a community bond. There are 3 Co-Directors here, all sharing a similar mission….to create a large regional, national and international community to foster new growth within our field.
2009 Glass Workshop at Washington Glass School. L-R Cheryl P Derricotte, David Cook, Nicole Puzan.
5). Our first class was on Sept. 13, 2001…. a difficult day in history to start anything being right after 9/11. We thought no one would even attend the first classes. But we discovered something else….no one cancelled. It appeared that while the purchase of art slowed to a trickle around the country, the creation of art thrived. Our first class was filled with artists who wanted to make narrative work about the devastation of that event. From that moment on we embraced narrative work with all our hearts. Works about political events, social injustices and inequalities were common within our sculptural classes, and certainly in my own works. We have now been in operation over 20 years, with over 6000 students. 60% of those were and are women, we have a large population of BIPoC students and we have worked with hundreds of LGTBQ students. We are so very proud of this fact.
My purpose for serving on boards right now is to focus on the building of communities as an artistic practice. I want to take a slight step away from academia as these institutions can become elitist, and I want to be non-elitist as we have been from the beginning. I also like regional boards that focus in the mid-Atlantic.
My personal practice had been deeply imbedded in the world of glass galleries and museums, though frequently as an outsider. I have stepped away from this in the last few months. I have moved towards the fine art world once again, as I had started there. It feels great to go back to my roots, surrounded by a community that reaches far beyond anything we ever anticipated.” – Tim Tate, October, 2022
Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.
17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.
Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.
Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.
The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.
The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA
Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201
Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM
September 9, 2022 – March 18, 2023
This opening is free and open to the public.
ABOUT CONTEMPORARY CRAFT
Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org
Artworks by : Dr Joyce Scott, Tim Tate, Michael Janis, Soledad Salamé & more!
2022 is the International Year of Glass (IYOG) AND the 60th Anniversary of American Studio Glass Movement. As part of the events celebrating glass, Howard Cohen of Art Alliance for Contemporary Glass has organized a spectacular exhibit of glass artwork during the Glass & Optical Materials Division (GOMD) conference in Baltimore at Coppin State University. This will be the first glass exhibit in Baltimore since 1996! The goals of the show are to showcase ways glass has matured into a sculptural medium, bring a diverse group of renown artists from the Baltimore/Washington region to the arts communities, and students in the area, and amplify artists voices including members of the BIPOC, Hispanic, LGBQT and immigrant communities. The exhibit will feature artwork by Dr Joyce Scott, Tim Tate, Soledad Salamé, Erwin Timmers, and Michael Janis. The exhibition is made possible through the support of the GOMD, the American Ceramic Society, Corning & Owens Corning for funding some of the exhibition costs and to fund the Baltimore scientific outreach to Baltimore City High schools.
The exhibit is scheduled to run from Mid-May through June 2022.
Sad news to report – world-renowned glass artist and painter Erwin Eisch has died at the age of 94. Erwin Eisch fell asleep after midnight in the retirement home in Zwiesel, where he had lived since October. “On January 7, he celebrated a diamond wedding with his wife,” said Katharina Eisch-Angus. The parents Erwin and Gretel Eisch had celebrated the 60th anniversary of their marriage together in the home. The death was unexpected, as Erwin Eisch was in good health. The last few days, when his condition had deteriorated, someone from the family had always been with him.
Erwin Eisch was a pioneer German artist who was considered a founder of studio glass in Europe and the world. He was also a painter, draughtsman, and printmaker. Working with friend and colleague in glass Harvey Littleton, Eisch’s work in glass embodies the ideas of the international Studio Glass movement.
Erwin Eisch’s 8 mold blown works as a tribute to Harvey Littleton in 1976. Corning Museum of Glass
Eisch’s non-traditional approach to glassmaking had a profound impact during the formative years of the American Studio Glass movement, and his relationship with American glass pioneer Harvey K. Littleton forged an important link between European and American studio artists working in glass.
Harvey Littleton and Erwin EischBlown & enameled bowl by Erwin Eisch made in U.S. at U Wisconsin. (ca 1967)
Michael Janis and Tony Porto glass/mixed media exhibit has dominated Michigan’s press as the news agencies and tv shows all feature works by the artists and their story.
Detroit News loves the new glass/mixed media works by Michael Janis and Tony Porto!
Local Fox News – Fox 2 – sent reporters into the gallery to interview Director Aaron Schey and get the story on the Not Grandmas Glass (NGG) exhibit and competition as well as an eyeful of the artworks. Click here to jump to one of the three interviews by Fox.
Fox 2 Detroit interviews Habatat Galleries’ Aaron Schey to dish about NGG and works by Michael Janis and Tony Porto.
“Friendship is Magic” and “Say Your Prayers and Take Your Vitamins” glass/mixed media artworks by Michael Janis and Tony Porto are on exhibit at Royal Oak gallery.
Click Here to jump to article about the Janis/Porto exhibit in the Oakland Press.
This weekend’s pâte de verre class was a great success!
Instructor Teri Swinhart (Bailey) demonstrates how to apply color frit powder into specific areas for the class.
Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.
Teri Swinhart demonstrates proper frit application.
The Pâte de verre students made plaster molds in which they would cast the glass.
Lively discussion on ways to kilncast glass sculpture was explored by the class. The students all loved the process and can’t wait til the firings are out of the kilns.
Mary Van Cline; The Floating Sea of Time; Photosensitive glass, pate de verre, 24 x 20 x 5 in.
Mary Van Cline artwork blends pâte de verre elements with photographic images creating a new quality in dimension. Recently she has focused on the photography aspect to create “The Documenta Project,” which she hopes to build an archive of life-size photographic portraits that capture the unique personalities of the major glass world figures.
Mary Van Cline has been known for her artwork combining photography and glass since 1978.
Since early 2017, she’s been traveling the U.S. to take photographs of glass artists, prominent dealers, collectors and critics in an effort to document and immortalize the unique artistic ecosystem that defines the Studio Glass world. Mary’s goal is support to capture the spirit of the people who enabled and contributed to the glass community using life size photographic images where their gestures and presence will be preserved on large format B&W film, and high-resolution color digital files.
Glass Artist Laura Donefer captured by Mary Van Cline
Mary said that she has taken some 10,000 photos. From each session alone, she took at least 400 photos with the digital camera.
NYC Uber collectors Susan and Fred Sanders
Though almost entirely self-funded so far, Mary hopes that others who appreciate her project and the progress she’s made on her own might approach her with offers of support. This year the project has been invited back to SOFA and, in April, Van Cline hopes to bring it to Detroit during theFlint Museum opening and the Habatat International.
The fact is that such an ambitious project is costly and donations are needed in order for it to continue. The Tacoma Art Museum has agreed to accept nonprofit donations on behalf of Van Cline, and transfer any funding directly to the project with no fee.
WGS Glass Artists Michael Janis & Tim Tate documented for the Documenta Project
Donations can be mailed to the Tacoma Art Museum at the following address:
