Fort Wayne Museum of Art’s 54th Annual International Glass Invitational

The Fort Wayne Museum of Art’s annual Summer of Glass exhibition returns this season with the opening of the Habatat International Glass Invitational, now in its 54th year and recognized as the oldest and largest annual contemporary glass exhibition in the United States.

Presented at the Fort Wayne Museum of Art in Indiana, the exhibition gathers leading contemporary glass artists from around the world whose work expands the possibilities of the medium through new forms, techniques, and ideas. Organized by Habatat Galleries, the invitational has long been regarded as one of the major surveys of international studio glass.

Michael Janis figurative glass artwork “A Secret Place I Go” displayed in the Summer of Glass exhibition at the Fort Wayne Museum of Art, featuring contemporary studio glass artists from around the world.

Among the artists selected for this year’s exhibition is Washington Glass School Co-Director Michael Janis, whose cast glass artwork A Secret Place I Go was chosen for inclusion in the juried exhibition.

Janis’ work — known for its layered figurative imagery, narrative complexity, and technically innovative kiln-formed glass processes — continues his exploration of memory, identity, and psychological space through contemporary glass art. The selected piece reflects the artist’s signature approach of combining sculptural depth with painterly imagery embedded within translucent glass.

Cast glass wall artwork by Michael Janis shown in the Habatat International Glass Invitational, highlighting innovative contemporary studio glass techniques and figurative imagery.

The exhibition was juried by Brit Micho, Curator of Exhibitions at the Fort Wayne Museum of Art; James Gerhardt, AACG President and Guggenheim Museum Officer; and Sharon Karmazin, theater producer, arts supporter, and noted glass collector.

Exhibition gallery view of contemporary glass art at the Fort Wayne Museum of Art featuring work by Michael Janis in the 2026 International Glass Invitational.

Artists included in the 2026 exhibition represent an international cross-section of contemporary glass, including Lino Artists included in the 2026 exhibition are Rick Allen, Shelley Allen, Alex Bernstein, Michael Behrens, Geoffrey Bowton, Wendy Saxton Brown, Nancy Callan, Ekin Aytec & Josh Davids, Bandu Dunham, Philip Baldwin & Monica Guggisberg, Willfried Grootens, Michael Janis, Claire Kelley, John Kiley, Laura Kramer, Lucy Lyon, Crista Matteson, Stephen Powell, Toland Sand, Carrie Seid, Lino Tagliapietra, Sarah Vaughn, Littleton Vogel, Brent Kee Young, and Public Choice artist Trina Urrata Weintraub.

Museum installation view featuring contemporary glass artwork by Geoffry Bowton at the Fort Wayne Museum of Art.

Habatat Galleries co-owner and director Aaron Schey described the current moment in contemporary glass as a period of rapid growth and renewed energy:

“I think contemporary glass is experiencing a rebirth. The community is growing, new talent is appearing every day, and artists are sharing ideas and techniques in ways that were never possible before.”

Schey emphasized that increased museum visibility and public engagement remain essential to the future of the medium:

“Glass elevates every space it enters. It interacts with light, architecture, and the viewer in a way few materials can.”

The 54th Annual International Glass Invitational is on view at the Fort Wayne Museum of Art, 311 E Main Street, Fort Wayne, Indiana, from June 20 through August 23, 2026.

Michael Janis’ cast glass work A Secret Place I Go is now on view at the Fort Wayne Museum of Art as part of the 54th Annual International Glass Invitational, organized by Habatat Galleries.

About Michael Janis

Michael Janis is a contemporary glass artist, architect, educator, and Co-Director of the Washington Glass School in Washington, DC. His internationally exhibited artwork combines kiln-cast and pâte de verre glass techniques with figurative imagery influenced by printmaking, street art, and narrative painting. Janis’ work has been exhibited in museums and galleries worldwide and is included in numerous public and private collections.

Michael Janis and Tim Tate Featured at Glass 54 with New Collaborative Work The Common Thread

the handsome sexy artist Michael Janis sits adjacent to the narrative glass artwork sculpture titled "The Common Thread" and collaborator Tim Tate.
Artists Michael Janis and Tim Tate with their glass/mixed media artwork “The Common Thread”. photo by Pete Duvall

This April, Washington Glass School Directors Michael Janis and Tim Tate are featured at Glass 54, Habatat Galleries’ International Contemporary Glass Invitational, held April 22–26 in Royal Oak, Michigan. Known for bringing together leading voices in contemporary glass, the exhibition offers a focused snapshot of where the medium is now—and where it’s heading.

At the heart of this year’s event is a special “show-within-the-show” spotlighting Janis and Tate, whose long-standing dialogue—spanning more than two decades of shared ideas, experimentation, and advocacy—comes into sharp focus through both their individual works and a new collaborative installation, The Common Thread. The piece reflects an ongoing exploration of connection: between artists, between narratives, and between material and meaning.

detail of narrative portrait made in crushed glass powder (frit) in a painterly manner
Detail of “The Common Thread” artwork by Michael Janis & Tim Tate.

For Michael Janis, the works on view mark a continued evolution of his distinctive visual language. Known for his masterful use of sgraffito (drawing with crushed glass frit) and layered glass imagery, Janis creates compositions that are at once graphic and deeply psychological. His figures—often distorted, fragmented, or caught in ambiguous gestures—inhabit charged spaces where identity, perception, and emotional tension intersect.

michael janis' kilnformed glass narrative abstract portrait titled "What Shines Thru"

The new pieces presented at Glass 54 push further into this territory. Faces and bodies emerge through saturated color and bold contour, at times obscured or refracted through reflective and mirrored surfaces. Viewers may find themselves implicated in the work, their own image pulled into the composition—an echo of Janis’ ongoing interest in perception and the instability of truth. These works resist easy narrative, instead offering a kind of visual poetics: suggestive, uneasy, and quietly confrontational.

Tim Tate’s contributions, known for their integration of video, electronics, and sculptural glass forms, provide a compelling counterpoint. Where Janis leans into the psychological and painterly, Tate often engages time-based media and narrative structure, creating works that expand the boundaries of what glass can contain and communicate.

Everything Rises(2026) by artist Tim Tate. photo by Pete Duvall

Together, their collaboration The Common Thread becomes a synthesis of these approaches—a dialogue made tangible. The installation weaves together their shared histories and divergent practices, suggesting that connection is not about sameness, but about resonance across difference.

Presented within the larger context of Glass 54, this focused exhibition offers collectors, curators, and viewers a rare opportunity to experience both the individual strengths and the collaborative energy of two artists who have helped shape the trajectory of contemporary glass.

For more information on the exhibition and the featured presentation, visit:
https://glass54.com/tate-janis

Habatat Detroit Fine Art Q & A with Michael Janis

RSVP now for a Habatat-Zoom event taking place this Saturday, November 16th, at 1:00 p.m. ET.

Join Aaron Schey (aka Mr Glass) Owner and partner of Habatat Detroit Fine Art, for an engaging update on the WGS Director Michael Janis, an innovative member of the esteemed Habatat Family. Janis, who showcased his work at Habatat’s Scope Art Miami booth this year, will provide insights into the latest developments in his career and sculpture.

Ok. what the what is going on?

Notably involved in the arts community near Washington D.C., Janis has been actively creating public sculptures and exploring new artistic endeavors incorporating video technology.

Save the date for March 2024, as Janis will be showcased as a distinguished artist at the Lowe Art Museum in Miami. Additionally, experience his exceptional work during the Glass Coast Weekend in Sarasota, Florida, where he will be personally present to share his artistic journey. Your presence is highly anticipated!

RSVP (free online presentation) link: Meeting Registration – Zoom

Janis/Porto Exhibit Dominates Detroit!

Michael Janis and Tony Porto glass/mixed media exhibit has dominated Michigan’s press as the news agencies and tv shows all feature works by the artists and their story.

Click here to read story in Detroit News.

Detroit News loves the new glass/mixed media works by Michael Janis and Tony Porto!

Local Fox News – Fox 2 – sent reporters into the gallery to interview Director Aaron Schey and get the story on the Not Grandmas Glass (NGG) exhibit and competition as well as an eyeful of the artworks. Click here to jump to one of the three interviews by Fox.

Fox 2 Detroit interviews Habatat Galleries’ Aaron Schey to dish about NGG and works by Michael Janis and Tony Porto.
“Friendship is Magic” and “Say Your Prayers and Take Your Vitamins” glass/mixed media artworks by Michael Janis and Tony Porto are on exhibit at Royal Oak gallery.

Click Here to jump to article about the Janis/Porto exhibit in the Oakland Press.

Click HERE to jump to article on Not Grandmas Glass exhibit in the C & G newspaper.

Open Studio Tours – Washington Glass School and OST 2020!

Mark your virtual calendars! August 22 Open Studio Tours goes ONLINE! See what the artists in the Glass School have been doing over the past months! washington.glass.school.art.fused.craft.america.new.vibha.inclusive.kiln.formed.cast

Final Week of CLICK-IT! Online Exhibition

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

We’re down to the final week the “CLICK-IT!” online exhibit!. Showing works by these talented artists (Teri Bailey, F. Lennox Campello, Jennifer Caldwell, Jason Chakravarty, Cheryl P. Derricotte, Sean Donlon, Sean Hennessey, Joseph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Steve Wanna, & Jeff Zimmer) to the public and hearing the wonderful feedback has been so rewarding. It means a lot to us that we can share their world with the world and an appreciation for the works/sentiments/technical brilliance can be appreciated.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Those who have yet to visit the exhibition should grab the chance to see these truly wonderful works online – click HERE to jump to online exhibit!

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Artists For Racial Justice” exhibit and fundraising for non-profits that can help with equality with art as a tool for healing and peace to help at this time.

Artists for racial.equality.justiceClick HERE to jump to the fundraiser arts page.  

Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

Breaking Glass News!! Tim Tate to be Featured Artist at GLASSTRESS During Venice Biennale!

tim.tate.venice.biennale.glassstress.2019.glass.art.international
Returning for the 58th Biennale di Venezia, the sixth edition of GLASSTRESS brings together a new line-up of leading contemporary artists from Europe, the United States, Latin America, India, and China in an ambitious exhibition exploring the endless creative possibilities of glass.

GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009 as a collateral event of the Venice Biennale, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers and has since become an unparalleled platform showcasing ground-breaking new works in glass.

To celebrate 10 years of GLASSTRESS and 30 years of , the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá, Tim Tate and Xavier Veilhan, amongst others.

 

Tim Tate; "The Endless Cycle"; 36" x 36" x 4"; Glass, Aluminum, Poly-Vitro, electronics

Tim Tate; “The Endless Cycle”; 36″ x 36″ x 4″; Glass, Aluminum, Poly-Vitro, electronics

For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. In another section of the exhibition, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, Laura’s Hands (2011) by Jaume Plensa and A Different Self (2014) by Mat Collishaw. Referring to the making of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’

With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in this very delicate medium in collaboration with Muranese artisans. The output of this unusual encounter defies the stereotypes associated with this ancient craft, ultimately pushing the boundaries of both contemporary art and glass. This year’s edition of GLASSTRESS will also provide visitors with the opportunity to watch Murano glass masters at work at the adjacent glassblowing studio and learn more about Fondazione Berengo’s preservation efforts of this centuries-old artistry of Venetian glass-making.

 

Tim Tate; "The Endless Cycle" detail

Tim Tate; “The Endless Cycle” detail

GLASSTRESS 2019 – PARTICIPATING ARTISTS

 New artists :

Saint Clair Cemin (Brazil), Pedro Friedeberg (Mexico), Carlos Garaicoa (Cuba), Artur Lescher (Brazil), Prune Nourry (France), José Parlá (USA), Pablo Reinoso (Argentina), Valeska Soares (Brazil), Tim Tate (USA), Janaina Tschäpe (Germany), Xavier Veilhan (France), Robert Wilson (USA).

Returning artists :

 Ai Weiwei (China), Monica Bonvicini (Italy), Tony Cragg (UK), Shirazeh Houshiary (Iran), Alicja Kwade (Poland), Karen LaMonte (USA), Paul McCarthy (USA), Vik Muniz (Brazil), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sudarshan Shetty (India), Koen Vanmechelen (Belgium), Erwin Wurm (Austria).

GLASSTRESS Anniversary highlights :

Jean Arp (Germany), Ayman Baalbaki (Lebanon), Miroslaw Balka (Poland), Fiona Banner (UK), Mat Collishaw (UK), César (France), Jake and Dinos Chapman (UK), Tracey Emin (UK), Jan Fabre (Belgium), Kendell Geers (South Africa), Francesco Gennari (Italy), Abdulnasser Gharem (Saudi Arabia), Michael Joo (USA), Ilya & Emilia Kabakov (Russia/USA), Michael Kienzer (Austria), Hye Rim Lee (South Korea), Oksana Mas (Ukraine), Hans Op de Beek (Belgium), Tony Ousler (USA), Javier Pérez (Spain), Antonio Riello (Italy), Bernardì Roig (Spain), Joyce Jane Scott (USA), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Fred Wilson (USA), Dustin Yellin (USA).

glasstress ABOUT GLASSTRESS:

GLASSTRESS was launched in 2009 by Adriano Berengo as an official collateral event of the Biennale di Venezia. Today it is the world’s leading showcase for the collaborative work of contemporary artists and designers with Berengo Studio’s Muranese glass masters. GLASSTRESS runs from May 9 to November 24, 2019

Organized by Fondazione Berengo, GLASSTRESS exhibitions have been presented in prominent museums and institutions worldwide including the Boca Raton Museum of Art, Florida, the London College of Fashion and The Wallace Collection in London, the Art Museum Riga Bourse in Riga, Millesgården Museum in Stockholm, the Museum of Arts and Design (MAD) in New York, the Beirut Exhibition Center (BEC) in Beirut, and the Ptuj City Gallery in Ptuj, Slovenia.

 Click HERE to jump to website.

James Renwick Alliance Presents Artist Sibylle Peretti @ Smithsonian Renwick Gallery

Sibylle Peretti; "Land Mine"; slumped, engraved, painted and silvered glass, paper; 60" x 80" x 0.5"; 2015

Sibylle Peretti; “Land Mine”; slumped, engraved, painted and silvered glass, paper; 60″ x 80″ x 0.5″; 2015

The James Renwick Alliance (JRA) was created as an independent national nonprofit organization to celebrate the achievements of America’s craft artists and to foster scholarship, education and public appreciation of their art.  Founded in 1982, the Alliance helps support our nation’s showcase of 20th century American craft, the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC. 

 figurative glass art, feminist art

Sibylle Peretti; “Twins” cast glass, 18″ x 24″ x 10″; 2010

As part of the JRA Distinguished Artist Series, on  the JRA will welcomes glass sculptor Sibylle Peretti to speak about her work and inspirations at the Renwick Gallery – home to the Smithsonian American Art Museum’s collection of contemporary craft and decorative art.

Sibylle Peretti at work.

Sibylle Peretti at work.

Sibylle Peretti is an artist who grew up surrounded by traditional glassmaking. Trained as a glass designer at the State School for Glass Making in Zwiesel Germany, she learned techniques of enameling, engraving, cutting and designing glass. She expanded the range of her artistic voice as she received an MFA from the Academy of Fine Art in Cologne and was trained as a Glass Designer at the School for Glassmaking in Zwiesel, Germany. Sibylle Peretti lives and works in both New Orleans, LA and Cologne, Germany. Sibylle often works collaboratively with her husband – artist Stephen Paul Day

Sibylle Peretti; "To Know A Hawk" cast glass, 16" x 17" x 13", 2013

Sibylle Peretti; “To Know A Hawk” cast glass, 16″ x 17″ x 13″, 2013

Her work has won numerous awards and endorsements, including grants from the Pollock-Krasner Foundation and the Joan Mitchell Foundation as well as the 2013 United States Artist Fellowship for her glass sculptures and multimedia collages, which combine photography & drawing with surface interventions such as engraving, mirroring and glass slumping. Children and nature, as symbols of innocence and promise, are the central themes in Sibylle’s work.

Her work is included in the permanent collections of the Corning Museum of Glass, Corning, NY; Carnegie Museum of Art (Pittsburgh, PA), Museum of American Glass (Milleville, NJ), Montreal Museum of Fine Arts (Canada), Museum für Kunsthandwerk (Frankfurt, Germany), Hunter Museum (Chattanooga TN), Speed Museum (Louisville,KY), and 21c Museum (Louisville, KY).

The JRA invites the public to join Sibylle Peretti at the newly renovated Smithsonian Renwick Gallery as she talks about her work and career.

Lecture Date: Sunday, May 22, 2016
Time: 2:00 pm – 3:00 pm

Lecture Venue: Grand Salon, Renwick Gallery

The JRA’s mission is to promote education, support and appreciation of craft. If you’d like to learn more about the group, please see the JRA website.

Maurine Littleton Gallery : Body/Building Exhibit

When She was There.michael_janis

Michael Janis; “When She Was There”; kiln formed glass, glass powder imagery; 24 x 15 x 2″

Maurine Littleton Gallery presents BODY/BUILDING, an interdisciplinary exhibit of thought, architecture and art.

Featuring the work of Erwin Eisch, Nancy Genn, Sergei Isupov, Iliya Isopov, Michael Janis, Richard Jolley, Dorothy Simpson Krause, David Dodge Lewis, Stanislav Libensky, Colin Reid, Ginny Ruffner, Joe Sanders, Holis Sigler, James Tanner and Therman Statom, BODY/BUILDING investigates radically different subject matter approached with similar sensibilities. Exploring human and architectural forms through Vitreographs (prints made from glass plates), ceramics and glass sculpture, each artist conveys structure & relationships in literal, figurative and poetic terms.

Sergei_Isopuv_Monkey

Sergei Isupov; “Monkey”

Plato opined that by defining a singular human archetype, it was possible to create environments that would be universally appealing and accessible to all. As our identities become more complex and our relationships with each other more interconnected, mankind still seeks to find a harmony where the body and space blurs. 

Alternately eloquent and visceral, BODY/BUILDING offers a collection of what most fascinates us: our bodies, our buildings and our relationships. The works contained within are inclined to represent just enough so that we, the viewer, are encouraged/obliged to imagine the rest: the rest of the building, the rest of the body, but most importantly, the rest of the story.

BODY/BUILDING

September 12 – October 17, 2014; Opening Reception: September 12, 2014, 5:30 – 7:30 PM

MAURINE LITTLETON GALLERY

1667 WISCONSIN AVENUE, NW / WASHINGTON, DC 20007

"Constructing Content" Exhibit Artists Explore Glass as Sculptural Medium

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Erin Antognoli mixes together steel, glass and imagery in her evocative sculptures.

Constructing Content brings together three artists from the Washington, DC area that explore the ways in which ideas are translated and transformed as artists move from one medium to another. Arriving at kiln-glass from diverse backgrounds, these crossover artists bring new concerns and techniques to the medium. Working at the Washington Glass School, Erin Antognoli, Sean Hennessey and Erwin Timmers are kindred spirits, and their 3 person show opens this weekend at the Delaplaine Arts Center in Maryland.

Sean Hennessey creates narrative cast glass panels.

“We are not in pursuit of the perfect object, or even, necessarily, beautiful objects.” explains painter and sculptor Sean Hennessey, “We are all driven by the narratives that we bring to our work. Our content drives and informs the imagery and the form. We treat glass like another artistic media, using it as an exploration of ideas” 

Erin Antognoli, “Heading West To Find a Bridge”, detail.

“I made the switch to glass and steel sculpture after nearly two decades as a photographer,” explains photographer and sculptor Erin Antognoli, “doing anything by hand seems to have become a lost art. Therefore, as a challenge to the age of digitization, it seemed fitting to me to hand-work the physical sculpture by grinding the glass circles, welding the steel frames, and showcasing handwritten letters.”

Erwin Timmers explores ecological implications in his recycled glass sculpture.

Other artists, through kiln-glass, find a reinforcement of their artistic beliefs. “There is a directness, freedom, and honesty I feel working in glass,” says Washington Glass School co-founder, Erwin Timmers. “I’m not sure I felt quite the same way in my years of sculpting metal.” Erwin works with recycled glass, and environmental integrity informs his work. He feels that material and content are intertwined. “I believe there are no neutral materials,” explains Erwin, “I try to use materials for their intrinsic and philosophical content.”

Sean Hennessey, “Promise Locks” detail.

These artists, with work as diverse as their backgrounds, are brought together because their unique visions have helped build a new direction for glass sculpture.

Erin Antognoli, “The Optimist”

Constructing Content