Breaking Glass News!! Tim Tate to be Featured Artist at GLASSTRESS During Venice Biennale!

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Returning for the 58th Biennale di Venezia, the sixth edition of GLASSTRESS brings together a new line-up of leading contemporary artists from Europe, the United States, Latin America, India, and China in an ambitious exhibition exploring the endless creative possibilities of glass.

GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009 as a collateral event of the Venice Biennale, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers and has since become an unparalleled platform showcasing ground-breaking new works in glass.

To celebrate 10 years of GLASSTRESS and 30 years of , the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá, Tim Tate and Xavier Veilhan, amongst others.

 

Tim Tate; "The Endless Cycle"; 36" x 36" x 4"; Glass, Aluminum, Poly-Vitro, electronics

Tim Tate; “The Endless Cycle”; 36″ x 36″ x 4″; Glass, Aluminum, Poly-Vitro, electronics

For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. In another section of the exhibition, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, Laura’s Hands (2011) by Jaume Plensa and A Different Self (2014) by Mat Collishaw. Referring to the making of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’

With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in this very delicate medium in collaboration with Muranese artisans. The output of this unusual encounter defies the stereotypes associated with this ancient craft, ultimately pushing the boundaries of both contemporary art and glass. This year’s edition of GLASSTRESS will also provide visitors with the opportunity to watch Murano glass masters at work at the adjacent glassblowing studio and learn more about Fondazione Berengo’s preservation efforts of this centuries-old artistry of Venetian glass-making.

 

Tim Tate; "The Endless Cycle" detail

Tim Tate; “The Endless Cycle” detail

GLASSTRESS 2019 – PARTICIPATING ARTISTS

 New artists :

Saint Clair Cemin (Brazil), Pedro Friedeberg (Mexico), Carlos Garaicoa (Cuba), Artur Lescher (Brazil), Prune Nourry (France), José Parlá (USA), Pablo Reinoso (Argentina), Valeska Soares (Brazil), Tim Tate (USA), Janaina Tschäpe (Germany), Xavier Veilhan (France), Robert Wilson (USA).

Returning artists :

 Ai Weiwei (China), Monica Bonvicini (Italy), Tony Cragg (UK), Shirazeh Houshiary (Iran), Alicja Kwade (Poland), Karen LaMonte (USA), Paul McCarthy (USA), Vik Muniz (Brazil), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sudarshan Shetty (India), Koen Vanmechelen (Belgium), Erwin Wurm (Austria).

GLASSTRESS Anniversary highlights :

Jean Arp (Germany), Ayman Baalbaki (Lebanon), Miroslaw Balka (Poland), Fiona Banner (UK), Mat Collishaw (UK), César (France), Jake and Dinos Chapman (UK), Tracey Emin (UK), Jan Fabre (Belgium), Kendell Geers (South Africa), Francesco Gennari (Italy), Abdulnasser Gharem (Saudi Arabia), Michael Joo (USA), Ilya & Emilia Kabakov (Russia/USA), Michael Kienzer (Austria), Hye Rim Lee (South Korea), Oksana Mas (Ukraine), Hans Op de Beek (Belgium), Tony Ousler (USA), Javier Pérez (Spain), Antonio Riello (Italy), Bernardì Roig (Spain), Joyce Jane Scott (USA), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Fred Wilson (USA), Dustin Yellin (USA).

glasstress ABOUT GLASSTRESS:

GLASSTRESS was launched in 2009 by Adriano Berengo as an official collateral event of the Biennale di Venezia. Today it is the world’s leading showcase for the collaborative work of contemporary artists and designers with Berengo Studio’s Muranese glass masters. GLASSTRESS runs from May 9 to November 24, 2019

Organized by Fondazione Berengo, GLASSTRESS exhibitions have been presented in prominent museums and institutions worldwide including the Boca Raton Museum of Art, Florida, the London College of Fashion and The Wallace Collection in London, the Art Museum Riga Bourse in Riga, Millesgården Museum in Stockholm, the Museum of Arts and Design (MAD) in New York, the Beirut Exhibition Center (BEC) in Beirut, and the Ptuj City Gallery in Ptuj, Slovenia.

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James Renwick Alliance Presents Artist Sibylle Peretti @ Smithsonian Renwick Gallery

Sibylle Peretti; "Land Mine"; slumped, engraved, painted and silvered glass, paper; 60" x 80" x 0.5"; 2015

Sibylle Peretti; “Land Mine”; slumped, engraved, painted and silvered glass, paper; 60″ x 80″ x 0.5″; 2015

The James Renwick Alliance (JRA) was created as an independent national nonprofit organization to celebrate the achievements of America’s craft artists and to foster scholarship, education and public appreciation of their art.  Founded in 1982, the Alliance helps support our nation’s showcase of 20th century American craft, the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC. 

 figurative glass art, feminist art

Sibylle Peretti; “Twins” cast glass, 18″ x 24″ x 10″; 2010

As part of the JRA Distinguished Artist Series, on  the JRA will welcomes glass sculptor Sibylle Peretti to speak about her work and inspirations at the Renwick Gallery – home to the Smithsonian American Art Museum’s collection of contemporary craft and decorative art.

Sibylle Peretti at work.

Sibylle Peretti at work.

Sibylle Peretti is an artist who grew up surrounded by traditional glassmaking. Trained as a glass designer at the State School for Glass Making in Zwiesel Germany, she learned techniques of enameling, engraving, cutting and designing glass. She expanded the range of her artistic voice as she received an MFA from the Academy of Fine Art in Cologne and was trained as a Glass Designer at the School for Glassmaking in Zwiesel, Germany. Sibylle Peretti lives and works in both New Orleans, LA and Cologne, Germany. Sibylle often works collaboratively with her husband – artist Stephen Paul Day

Sibylle Peretti; "To Know A Hawk" cast glass, 16" x 17" x 13", 2013

Sibylle Peretti; “To Know A Hawk” cast glass, 16″ x 17″ x 13″, 2013

Her work has won numerous awards and endorsements, including grants from the Pollock-Krasner Foundation and the Joan Mitchell Foundation as well as the 2013 United States Artist Fellowship for her glass sculptures and multimedia collages, which combine photography & drawing with surface interventions such as engraving, mirroring and glass slumping. Children and nature, as symbols of innocence and promise, are the central themes in Sibylle’s work.

Her work is included in the permanent collections of the Corning Museum of Glass, Corning, NY; Carnegie Museum of Art (Pittsburgh, PA), Museum of American Glass (Milleville, NJ), Montreal Museum of Fine Arts (Canada), Museum für Kunsthandwerk (Frankfurt, Germany), Hunter Museum (Chattanooga TN), Speed Museum (Louisville,KY), and 21c Museum (Louisville, KY).

The JRA invites the public to join Sibylle Peretti at the newly renovated Smithsonian Renwick Gallery as she talks about her work and career.

Lecture Date: Sunday, May 22, 2016
Time: 2:00 pm – 3:00 pm

Lecture Venue: Grand Salon, Renwick Gallery

The JRA’s mission is to promote education, support and appreciation of craft. If you’d like to learn more about the group, please see the JRA website.

Maurine Littleton Gallery : Body/Building Exhibit

When She was There.michael_janis

Michael Janis; “When She Was There”; kiln formed glass, glass powder imagery; 24 x 15 x 2″

Maurine Littleton Gallery presents BODY/BUILDING, an interdisciplinary exhibit of thought, architecture and art.

Featuring the work of Erwin Eisch, Nancy Genn, Sergei Isupov, Iliya Isopov, Michael Janis, Richard Jolley, Dorothy Simpson Krause, David Dodge Lewis, Stanislav Libensky, Colin Reid, Ginny Ruffner, Joe Sanders, Holis Sigler, James Tanner and Therman Statom, BODY/BUILDING investigates radically different subject matter approached with similar sensibilities. Exploring human and architectural forms through Vitreographs (prints made from glass plates), ceramics and glass sculpture, each artist conveys structure & relationships in literal, figurative and poetic terms.

Sergei_Isopuv_Monkey

Sergei Isupov; “Monkey”

Plato opined that by defining a singular human archetype, it was possible to create environments that would be universally appealing and accessible to all. As our identities become more complex and our relationships with each other more interconnected, mankind still seeks to find a harmony where the body and space blurs. 

Alternately eloquent and visceral, BODY/BUILDING offers a collection of what most fascinates us: our bodies, our buildings and our relationships. The works contained within are inclined to represent just enough so that we, the viewer, are encouraged/obliged to imagine the rest: the rest of the building, the rest of the body, but most importantly, the rest of the story.

BODY/BUILDING

September 12 – October 17, 2014; Opening Reception: September 12, 2014, 5:30 – 7:30 PM

MAURINE LITTLETON GALLERY

1667 WISCONSIN AVENUE, NW / WASHINGTON, DC 20007

"Constructing Content" Exhibit Artists Explore Glass as Sculptural Medium

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Erin Antognoli mixes together steel, glass and imagery in her evocative sculptures.

Constructing Content brings together three artists from the Washington, DC area that explore the ways in which ideas are translated and transformed as artists move from one medium to another. Arriving at kiln-glass from diverse backgrounds, these crossover artists bring new concerns and techniques to the medium. Working at the Washington Glass School, Erin Antognoli, Sean Hennessey and Erwin Timmers are kindred spirits, and their 3 person show opens this weekend at the Delaplaine Arts Center in Maryland.

Sean Hennessey creates narrative cast glass panels.

“We are not in pursuit of the perfect object, or even, necessarily, beautiful objects.” explains painter and sculptor Sean Hennessey, “We are all driven by the narratives that we bring to our work. Our content drives and informs the imagery and the form. We treat glass like another artistic media, using it as an exploration of ideas” 

Erin Antognoli, “Heading West To Find a Bridge”, detail.

“I made the switch to glass and steel sculpture after nearly two decades as a photographer,” explains photographer and sculptor Erin Antognoli, “doing anything by hand seems to have become a lost art. Therefore, as a challenge to the age of digitization, it seemed fitting to me to hand-work the physical sculpture by grinding the glass circles, welding the steel frames, and showcasing handwritten letters.”

Erwin Timmers explores ecological implications in his recycled glass sculpture.

Other artists, through kiln-glass, find a reinforcement of their artistic beliefs. “There is a directness, freedom, and honesty I feel working in glass,” says Washington Glass School co-founder, Erwin Timmers. “I’m not sure I felt quite the same way in my years of sculpting metal.” Erwin works with recycled glass, and environmental integrity informs his work. He feels that material and content are intertwined. “I believe there are no neutral materials,” explains Erwin, “I try to use materials for their intrinsic and philosophical content.”

Sean Hennessey, “Promise Locks” detail.

These artists, with work as diverse as their backgrounds, are brought together because their unique visions have helped build a new direction for glass sculpture.

Erin Antognoli, “The Optimist”

Constructing Content

Ben & Giselle Huberman = American Style

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The Fall 2012 issue of American Style Magazine features DC contemporary art collectors Ben and Giselle Huberman.

The new Fall issue of American Style Magazine is now out, and one of the feature stories is about Giselle and Ben Huberman and their amazing contemporary art collection that showcases their support of area artists.

Ben & Giselle Huberman have been strong supporters of artists of the Washington Glass School, including Erwin Timmers, Chris Shea, Michael Janis, Sean Hennessey and Tim Tate.
The American Style photo of the Huberman’s Potomac, MD residence shows Michael Janis’ glass sgraffito panel “Cubans Dreaming of Liberty
Giselle and Ben Huberman. Giselle is the president-elect of the James Renwick Alliance.

Within the article (written by Marilyn Millstone with photos by Timothy Jacobsen) are references and glimpses of work by Chris Shea, Michael Janis, Sean Hennessey.
Tim Tate’s “Ode to Joy” has a detailed description. In the mixed media sculpture, cast glass hands spell out in sign language the words to “Ode to Joy” in Beethoven’s Ninth Symphony. A video of a tenor singing Beethoven’s work is inside the domed glass, but without sound – which is how Beethoven would have experienced the song – as he became deaf.

The article has a detailed sidebar about Tim Tate’s “Ode to Joy” sculpture (photo below by anythingphoto.net).

Tim Tate “Ode to Joy” blown & cast glass, original video, electronics

A video of a tenor singing Beethoven’s work is inside the domed glass, but without sound – which is how Beethoven would have experienced the song – as he became deaf. An interesting note – the tenor featured within Tim Tate’s work is artist Sean Hennessey. Besides being a glass/concrete mixed media sculptor, with work in the Huberman’s collection, Sean is an accomplished tenor. Below is the video of Sean singing that is incorporated into the sculpture. Have a look for the magazine at the newstands now!


Untitled from Tim Tate on Vimeo.

Sean Hennessey at GooDBuddY Gallery

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Sean Hennessey, “Pool of Tears” detail, kilncast glass, paint, integrated video. 24″x12″

For the last few months, sculptor Sean Hennessey been working on a series of pieces for a solo show – Reimagining Alice: A MixedMultimedia Series Based On Alice In Wonderland.

Sean Hennessey creates sculptures in glass and concrete that are narratives based on mythologies, religions, personal experiences and whimsy. By using imagery of common and slightly nostalgic items Hennessey tells narratives of hopes and dreams, and of memories and transformations. 
Sean Hennessey,  “Killing Time and Times Revenge” (detail and full image), glass, concrete, found objects, paint, wood, integrated video components

A graduate of the unique Berea College, Sean worked in professional theater for 10 years as a welder, carpenter, rigger, scenic artist, prop artist, and designer all the while creating his own artwork. Sean has been with the Washington Glass School since 2004 when Tim Tate finally convinced him that glass was cool.

Sean Hennessey reviews the cast glass panel fresh out of the kiln. After the annealed panel cools, Sean works the panel with concrete and paints.

Hennessey’s sculptures are kiln formed slump cast glass panels that he trowels and paints with concrete and stains. His works have a feeling of relics, of archeology, and of the study of the past.

Sean Hennessey “The Tweedles” (detail) kilncast glass, paint, EL panel lighting.
24″ x 12″

Said Hennessey of the new works being installed his solo show “I wanted to start with the fun, absurdist, creative stories of Lewis Carroll’s tale, using my own imagery, visual language and loose interpretations, riddled with a personal take on metaphors and combine that with materials I have been using and with materials that are very new to me. The desire to include video and lighting in my work was the original impetus for this project”. 

Sean Hennessey “Finding The Right Key” (detail) kilnfired glass, concrete, paint, EL panel lighting.

 “I equate the concrete with the realities of earth, and life, and the shell that we use to protect ourselves from exposing our soul to the world” Hennessey said his use of unusual medias not normally associated with fine art.I‘ve been combining glass, paint, steel, wood, concrete, found objects, stencils,  LED’s, electroluminescent lighting (EL) and video. All the fun stuff.”

Sean Hennessey, “Pool of Tears” (with image detail), kilncast glass, paint, steel, wood, integrated video component

The series was funded, in part, from a grant Hennessey received from the District of Columbia’s Commission on the Arts and Humanitiesand will be hosted by the architecture firm Weibenson and Dorman in the 410 Goodbuddy Gallery.

Hennessey is one of the artists involved in the renovation of the entry doors of the Library of Congress’ Adams Buildingby the Architect of the Capitol, now under production. One of the East Coast’s leading mold makers, Hennessey has been taking castings of the landmark’s historic bronze doors as part of the process in translating the relief sculptures into cast glass for the building entry.

Sean Hennessey, “Drink Me” (detail)

Sean Hennessey: Reimagining Alice

A MixedMultimedia Series Based On Alice In Wonderland
September 28th – October 26, 2012

Opening Reception Friday, September 28th, from 5-8 PM

410 GooDBuddY Gallery

410 Florida Avenue, NW, Washington, DC

410 GooDBuddY is an exhibition space can that can be used by a single artist to exhibit their works. It is within the FRINJ neighborhood of Washington, DC, and is partially provided by Wiebenson & Dorman Architects whose studio is located in the same building.