Michael Janis and Tim Tate Featured at Glass 54 with New Collaborative Work The Common Thread

the handsome sexy artist Michael Janis sits adjacent to the narrative glass artwork sculpture titled "The Common Thread" and collaborator Tim Tate.
Artists Michael Janis and Tim Tate with their glass/mixed media artwork “The Common Thread”. photo by Pete Duvall

This April, Washington Glass School Directors Michael Janis and Tim Tate are featured at Glass 54, Habatat Galleries’ International Contemporary Glass Invitational, held April 22–26 in Royal Oak, Michigan. Known for bringing together leading voices in contemporary glass, the exhibition offers a focused snapshot of where the medium is now—and where it’s heading.

At the heart of this year’s event is a special “show-within-the-show” spotlighting Janis and Tate, whose long-standing dialogue—spanning more than two decades of shared ideas, experimentation, and advocacy—comes into sharp focus through both their individual works and a new collaborative installation, The Common Thread. The piece reflects an ongoing exploration of connection: between artists, between narratives, and between material and meaning.

detail of narrative portrait made in crushed glass powder (frit) in a painterly manner
Detail of “The Common Thread” artwork by Michael Janis & Tim Tate.

For Michael Janis, the works on view mark a continued evolution of his distinctive visual language. Known for his masterful use of sgraffito (drawing with crushed glass frit) and layered glass imagery, Janis creates compositions that are at once graphic and deeply psychological. His figures—often distorted, fragmented, or caught in ambiguous gestures—inhabit charged spaces where identity, perception, and emotional tension intersect.

michael janis' kilnformed glass narrative abstract portrait titled "What Shines Thru"

The new pieces presented at Glass 54 push further into this territory. Faces and bodies emerge through saturated color and bold contour, at times obscured or refracted through reflective and mirrored surfaces. Viewers may find themselves implicated in the work, their own image pulled into the composition—an echo of Janis’ ongoing interest in perception and the instability of truth. These works resist easy narrative, instead offering a kind of visual poetics: suggestive, uneasy, and quietly confrontational.

Tim Tate’s contributions, known for their integration of video, electronics, and sculptural glass forms, provide a compelling counterpoint. Where Janis leans into the psychological and painterly, Tate often engages time-based media and narrative structure, creating works that expand the boundaries of what glass can contain and communicate.

Everything Rises(2026) by artist Tim Tate. photo by Pete Duvall

Together, their collaboration The Common Thread becomes a synthesis of these approaches—a dialogue made tangible. The installation weaves together their shared histories and divergent practices, suggesting that connection is not about sameness, but about resonance across difference.

Presented within the larger context of Glass 54, this focused exhibition offers collectors, curators, and viewers a rare opportunity to experience both the individual strengths and the collaborative energy of two artists who have helped shape the trajectory of contemporary glass.

For more information on the exhibition and the featured presentation, visit:
https://glass54.com/tate-janis

A Year in Reflection: Glass, Community, and Care

lyrics by Tim Tate

A brief look back at a year shaped by community, care, and creativity at Washington Glass School. This video reflects the artists, collaborations, and shared work that carried us through 2025. Even in these uncertain times, we take care of each other here, using glass as a language of connection.

The new year opens with hope and possibilities, as 2026 brings Washington Glass School’s 25th anniversary and a special season of classes, exhibitions, and collaborations planned.

Tim Tate & Joyce Scott = ? The Art of Glass

Goya Contemporary – where for the past 25 years has built a progressive reputation for creating visionary, historically relevant exhibitions, features glass artists Joyce Scott and Tim Tate together in a show titled “Now: Collaborations by Joyce J Scott and Tim Tate“. The centerpiece of the show is a 9ft long cast glass wall entitled “Now”. This was a 7-month project with Joyce and Tim that deals with societal issues that were being discussed in our culture while we were producing it. Issues included racism, homophobia, misogyny and the war in Ukraine.

Goya Contemporary

Mill Centre Studio 214, 3000 Chestnut Avenue, Baltimore, Maryland 21211

NOW: Collaborations by Joyce J. Scott and Tim Tate
Reception: April 20, 2024, 4:00 – 6:00 pm
April 12- June 12, 2024

Washington Post on the DC Glass Scene Seen at Artomatic

Washington Post article on 2024 Artomatic exhibit

Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:

“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”

In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024

https://www.washingtonpost.com/entertainment/art/2024/04/05/art-gallery-shows-dc-area/

By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:

…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)

Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik

November 10, 2004

https://www.washingtonpost.com/archive/lifestyle/2004/11/11/artomatic-2004-hanging-is-too-good-for-it/353b4ecd-8d74-475b-9386-63d5acd048db/

Artomatic runs thru April 28th. 2100 M Street, NW, Washington, DC.

Artomatic Event: The Washington Glass Scene, March 16th, 5-7PM

Step into a world where glass transcends its ordinary form and becomes a canvas of boundless creativity. The Washington Glass Scene on display in Artomatic’s Level 5 invites you to celebrate the kaleidoscopic fusion of artistry and craftsmanship on April 16th, 2024 from 5-7PM. Prepare to be captivated as the magic of glass takes center stage in a creative showcase unlike any other. Join us as we celebrate the transformative power of this versatile medium, where every piece tells a unique story and invites you to explore the depths of imagination. Meet the artists that are making the Washington Glass Scene a distinctive voice and push the boundaries, redefining the possibilities of glass. Event is Free and open to the Public!

Artomatic 25th Anniversary Event: Celebrate DC’s Glass Scene!

2100 M Street, Washington, DC 20037

2023 Glass Coast Weekend Big Hit!

The west coast of sunny Florida is where the glass art scene is hot! This past week, Habatat Detroit Fine Art held a glass extravaganza at the Ringling College of Art in beautiful Sarasota, FL. This was be their 8th Annual Glass Coast Weekend (GCW). This year the event paid homage to the past, present, and future of studio glass. The show featured noted artists, lectures, demos and a reception at the Ringling Museum of Art and the 5th Anniversary event at the Imagine Museum in St. Petersburg, FL.

Above is a quick video fly-thru of the main show at Ringling College of Art

The Glass Coast excitement continued up the coast – at Duncan McClellan Gallery, where Washington Glass School artists are featured in the groundbreaking “Dreams & Visions” exhibit (thru March 5).

Michael Janis with glass fans at Duncan McClellan Gallery during reception held for Washington Glass School artists.

WGS Artists Tim Tate and Michael Janis were featured at a series of receptions, lectures and demonstrations held at DMG over the weekend.

Artist Tim Tate narrates to the audience on the hotshop what techniques the gaffer is employing to create Tim’s sacred heart glass sculpture.
Tim Tate’s blown sculpture gets some heat!
Tim Tate’s Sacred Heart sculpture after annealing and cooling. Tim plans on working imagery into the work and presenting a new series of hearts.

Artist Michael Janis had a large audience in attendance for his presentation on “Art in Architecture”, where he talked about his design background and how it influenced his artwork and the public art sculpture made by the Washington Glass Studio.

Michael Janis talks about his pop art work made in collaboration with Chicago artist Tony Porto.
Michael Janis (center) with new collectors Steve and Debbie Lang at DMG reception.

WGS @ DMG = OMG!

Art Glass Afternoon is back! Florida’s Duncan McClellan Gallery (DMG) continues their exhibit of works by artists from the Washington Glass School (WGS). Co-Directors Tim Tate and Michael Janis will be in sunny FLA to participate in talks and demos!

Join Duncan McClellan Gallery Sunday, February 26th, for this ART GLASS filled day- Free and Open to the public!

WGS artist Michael Janis works on a public art project in the Washington Glass Studio.

Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.

Sunday, February 26th, 10am-Noon

Visiting artist Tim Tate will be creating in the Hot Glass Studio.

Don’t miss the rare opportunity to watch this legendary artist at work.

Sunday, February 26, 10am-3pm

Our popular visiting artists’ lecture series returns with talks from Danish Artists of Backhaus-Brown and Egeværk Studios, and Michael Janis and Tim Tate of the Washington Glass School.

Full Schedule

10am-Noon: Glass blowing Demonstration by visiting DC artist Tim Tate in the Hot Glass Studio with Jeremiah Jacobs and the St. Pete Hot Glass team.

Noon- 1pm: The Danish Artists from Glasskibe talk about their collaborative studios and the inspiring body of work they create together

1:-1:30pm: Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.

During this lecture, Janis will talk about how community involvement creates successful public art works. He will also give insight into the inspiration and technique behind his evocative glass powder imagery.

1:30-2:30pm: Tim Tate’s talk at 1:30pm will focus on “Glass in the 21st Century”.

Artists will be available after the talks to visit with you personally!

Glasskibe: The maritime history of Hundested (Denmark) and the imagery of Viking ships passing have inspired two of the harbour’s contemporary craft companies; cabinetmakers Egeværk and glass artist Backhaus & Brown. These two award-winning workshops have combined their masterful crafts in an innovative collaboration; namely a series of unique sculptures named ”Glasskibe” – Viking ships in glass and wood.

Michael Janis developed a focus on glass after working for twenty years as an architect in the United States and Australia. His work has been shown at major galleries and art fairs and is included in the permanent collection of the Art Institute of Chicago, Massachusetts Fuller Craft Museum, Florida’s Imagine Museum, Fort Wayne Museum of Art and Museum of Glass, Tacoma, WA. In 2012, awarded a Fulbright Scholarship, Michael taught at the UK’s University of Sunderland and the UK National Glass Centre. Michael was awarded the Washington, DC Mayor’s Award for Excellence in the Arts in 2016. His collaborative work with Tim Tate was featured at the 2022 Venice Biennale at Glasstress.

Tim Tate has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of several museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. His work has been shown at the Milwaukee Art Museum, the Fuller Museum, the Asheville Art Museum and the Museum of Arts and Design in New York. He was awarded a Fulbright Scholarship and was Artist-In-Residence at the Institute for International Glass Research (IIRG) in the UK. Tim was named “Distinguished Artist in Glass” by the James Renwick Alliance in 2018. He participated in the Venice Biennale Glasstress show with Ai Wei Wei in 2019, the Boca Raton Museum Glasstress in 2021 and again in Murano in 2022. Last year, Tim’s work was featured at the Hermitage, in St. Petersburg, Russia.

Washington Glass Show Exhibition in the gallery: Shown-works by Tim Tate, Michael Janis, Christina Helowicz, Erwin Timmers and Teri Swinhart. (Also shown-Richard Jolley.)

Duncan McClellan Gallery address is:
2342 Emerson Avenue South, St. Petersburg, FL 33712

855-436-4527

DMGlass.com
Gallery Hours: Monday-Saturday: 10am-5pm
Sunday: Noon-4pm

Happy Holidays from Washington Glass School and Studio

Tis the Season!

All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!

Artists and Educators from the Washington Glass School

(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.

2022 Art Basel/Art Miami Features Washington Glass School Artists

Washington Glass School artists are prepping spectacular glass/mixed media artwork to be presented at Context Art Miami – at Alida Anderson Art Projects . New art works by WGS artists Michael Janis, Christina Helowicz, Tim Tate, Erwin Timmers, along with artworks by Lenny Campello, Tony Porto, J Jordan Bruns and Steve Wanna, Marinela de la Hoz and others will be on exhibit at CONTEXT Art Miami Art Fair, space A29.

CONTEXT Art Miami, presented by Art Miami, continues to create and push boundaries on the conversation about contemporary art, The 2022 edition will showcase works from 75 innovative galleries from more than 20 countries, including Japan, Turkey, Australia, France, South Korea and Chile, among others. CONTEXT Art Miami will kick-off during Miami Art Week with an invitation-only VIP preview on Tuesday, November 29 and run through Sunday, December 4, 2022.