Artomatic Event: The Washington Glass Scene, March 16th, 5-7PM

Step into a world where glass transcends its ordinary form and becomes a canvas of boundless creativity. The Washington Glass Scene on display in Artomatic’s Level 5 invites you to celebrate the kaleidoscopic fusion of artistry and craftsmanship on April 16th, 2024 from 5-7PM. Prepare to be captivated as the magic of glass takes center stage in a creative showcase unlike any other. Join us as we celebrate the transformative power of this versatile medium, where every piece tells a unique story and invites you to explore the depths of imagination. Meet the artists that are making the Washington Glass Scene a distinctive voice and push the boundaries, redefining the possibilities of glass. Event is Free and open to the Public!

Artomatic 25th Anniversary Event: Celebrate DC’s Glass Scene!

2100 M Street, Washington, DC 20037

2023 Glass Coast Weekend Big Hit!

The west coast of sunny Florida is where the glass art scene is hot! This past week, Habatat Detroit Fine Art held a glass extravaganza at the Ringling College of Art in beautiful Sarasota, FL. This was be their 8th Annual Glass Coast Weekend (GCW). This year the event paid homage to the past, present, and future of studio glass. The show featured noted artists, lectures, demos and a reception at the Ringling Museum of Art and the 5th Anniversary event at the Imagine Museum in St. Petersburg, FL.

Above is a quick video fly-thru of the main show at Ringling College of Art

The Glass Coast excitement continued up the coast – at Duncan McClellan Gallery, where Washington Glass School artists are featured in the groundbreaking “Dreams & Visions” exhibit (thru March 5).

Michael Janis with glass fans at Duncan McClellan Gallery during reception held for Washington Glass School artists.

WGS Artists Tim Tate and Michael Janis were featured at a series of receptions, lectures and demonstrations held at DMG over the weekend.

Artist Tim Tate narrates to the audience on the hotshop what techniques the gaffer is employing to create Tim’s sacred heart glass sculpture.
Tim Tate’s blown sculpture gets some heat!
Tim Tate’s Sacred Heart sculpture after annealing and cooling. Tim plans on working imagery into the work and presenting a new series of hearts.

Artist Michael Janis had a large audience in attendance for his presentation on “Art in Architecture”, where he talked about his design background and how it influenced his artwork and the public art sculpture made by the Washington Glass Studio.

Michael Janis talks about his pop art work made in collaboration with Chicago artist Tony Porto.
Michael Janis (center) with new collectors Steve and Debbie Lang at DMG reception.

WGS @ DMG = OMG!

Art Glass Afternoon is back! Florida’s Duncan McClellan Gallery (DMG) continues their exhibit of works by artists from the Washington Glass School (WGS). Co-Directors Tim Tate and Michael Janis will be in sunny FLA to participate in talks and demos!

Join Duncan McClellan Gallery Sunday, February 26th, for this ART GLASS filled day- Free and Open to the public!

WGS artist Michael Janis works on a public art project in the Washington Glass Studio.

Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.

Sunday, February 26th, 10am-Noon

Visiting artist Tim Tate will be creating in the Hot Glass Studio.

Don’t miss the rare opportunity to watch this legendary artist at work.

Sunday, February 26, 10am-3pm

Our popular visiting artists’ lecture series returns with talks from Danish Artists of Backhaus-Brown and Egeværk Studios, and Michael Janis and Tim Tate of the Washington Glass School.

Full Schedule

10am-Noon: Glass blowing Demonstration by visiting DC artist Tim Tate in the Hot Glass Studio with Jeremiah Jacobs and the St. Pete Hot Glass team.

Noon- 1pm: The Danish Artists from Glasskibe talk about their collaborative studios and the inspiring body of work they create together

1:-1:30pm: Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.

During this lecture, Janis will talk about how community involvement creates successful public art works. He will also give insight into the inspiration and technique behind his evocative glass powder imagery.

1:30-2:30pm: Tim Tate’s talk at 1:30pm will focus on “Glass in the 21st Century”.

Artists will be available after the talks to visit with you personally!

Glasskibe: The maritime history of Hundested (Denmark) and the imagery of Viking ships passing have inspired two of the harbour’s contemporary craft companies; cabinetmakers Egeværk and glass artist Backhaus & Brown. These two award-winning workshops have combined their masterful crafts in an innovative collaboration; namely a series of unique sculptures named ”Glasskibe” – Viking ships in glass and wood.

Michael Janis developed a focus on glass after working for twenty years as an architect in the United States and Australia. His work has been shown at major galleries and art fairs and is included in the permanent collection of the Art Institute of Chicago, Massachusetts Fuller Craft Museum, Florida’s Imagine Museum, Fort Wayne Museum of Art and Museum of Glass, Tacoma, WA. In 2012, awarded a Fulbright Scholarship, Michael taught at the UK’s University of Sunderland and the UK National Glass Centre. Michael was awarded the Washington, DC Mayor’s Award for Excellence in the Arts in 2016. His collaborative work with Tim Tate was featured at the 2022 Venice Biennale at Glasstress.

Tim Tate has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of several museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. His work has been shown at the Milwaukee Art Museum, the Fuller Museum, the Asheville Art Museum and the Museum of Arts and Design in New York. He was awarded a Fulbright Scholarship and was Artist-In-Residence at the Institute for International Glass Research (IIRG) in the UK. Tim was named “Distinguished Artist in Glass” by the James Renwick Alliance in 2018. He participated in the Venice Biennale Glasstress show with Ai Wei Wei in 2019, the Boca Raton Museum Glasstress in 2021 and again in Murano in 2022. Last year, Tim’s work was featured at the Hermitage, in St. Petersburg, Russia.

Washington Glass Show Exhibition in the gallery: Shown-works by Tim Tate, Michael Janis, Christina Helowicz, Erwin Timmers and Teri Swinhart. (Also shown-Richard Jolley.)

Duncan McClellan Gallery address is:
2342 Emerson Avenue South, St. Petersburg, FL 33712

855-436-4527

DMGlass.com
Gallery Hours: Monday-Saturday: 10am-5pm
Sunday: Noon-4pm

Happy Holidays from Washington Glass School and Studio

Tis the Season!

All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!

Artists and Educators from the Washington Glass School

(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.

2022 Art Basel/Art Miami Features Washington Glass School Artists

Washington Glass School artists are prepping spectacular glass/mixed media artwork to be presented at Context Art Miami – at Alida Anderson Art Projects . New art works by WGS artists Michael Janis, Christina Helowicz, Tim Tate, Erwin Timmers, along with artworks by Lenny Campello, Tony Porto, J Jordan Bruns and Steve Wanna, Marinela de la Hoz and others will be on exhibit at CONTEXT Art Miami Art Fair, space A29.

CONTEXT Art Miami, presented by Art Miami, continues to create and push boundaries on the conversation about contemporary art, The 2022 edition will showcase works from 75 innovative galleries from more than 20 countries, including Japan, Turkey, Australia, France, South Korea and Chile, among others. CONTEXT Art Miami will kick-off during Miami Art Week with an invitation-only VIP preview on Tuesday, November 29 and run through Sunday, December 4, 2022.

Tim Tate: Reflections on Studio Practice

Glass Sculptor and Artist Tim Tate looks back on 20 years of creating a community. He recently put together some of his observations on well, how did we get here?

Artist Tim Tate

“I had been raised in a household filled with craft materials. I rarely saw my mother’s hands empty, always creating something. I inherited this love. I spent my early adult years being trained in the methods revolving around studio glass while attending the 2 weeks to 2-month workshops of Penland, Pilchuck, Corning, Pittsburg, etc. (I had no money to attend grad school …though I yearned for Cranbrook). These years of varied workshops and practitioners was the perfect way to obtain a broad outlook on the entire field. We founded the Washington Glass School in 2001 with very specific goals. Let me see if I can make this clear.

Tim Tate & Joyce Scott work on a new collaborative sculpture at the Washington Glass School.

1). We wanted to be something other than a traditional studio glass shop. From the beginning we realized we wanted a much broader approach; something that reflected the mission of education centers like the Crucible in Oakland and Penland in NC. We embraced mixed media work from the beginning with varied classes in kiln formed glass, steel, electronics, encaustics, etc. Our idea was not to in any way denigrate the rich history of studio glass, but to live just outside of those confines to see what would happen. To step slightly away from the 20th century.

Tim Tate
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.

2). As a gay man in glass, it was apparent that diversity was sorely lacking in every way in the glass world. So we did outreach and advertised our classes in many publications that went to diverse populations, rather than wait for these populations to approach us. This worked very well. Even now we go to the Facebook pages of different neighborhoods to show our class schedules.

Einar and Jamex de la Torre at Washington Glass School 2015
The Brothers De La Torre visit the Washington Glass School in 2015.

3). We have embraced social media in every way possible, from individual and school Facebook and Instagram pages (where we post regularly) to administering a Facebook discussion group. This group is called “21st Century Glass/Conversations and Images/Glass Secessionism” and maintain over 8000 members from 97 countries.

With William Warmus we came up with the original concept of “Glass Secessionism”…to step slightly away from the recognized canon of 20th century glass and to create as much dialog and critical analysis as possible. There have been over 1.5 million words written and over thousands of images shared on this page focusing almost entirely on that theme.

In 2008, Artomatic held an international glass show.

4). We participated in many local shows here in the DC area, such as the spectacular Art-O-Matic show that truly put us on the map. We also curated many shows over the years to include local emerging artists. I have served on a dozen boards and juried dozens of shows and grant applications to stay in the loop and form a community bond. There are 3 Co-Directors here, all sharing a similar mission….to create a large regional, national and international community to foster new growth within our field.

2009 Glass Workshop at Washington Glass School. L-R Cheryl P Derricotte, David Cook, Nicole Puzan.

5). Our first class was on Sept. 13, 2001…. a difficult day in history to start anything being right after 9/11. We thought no one would even attend the first classes. But we discovered something else….no one cancelled. It appeared that while the purchase of art slowed to a trickle around the country, the creation of art thrived. Our first class was filled with artists who wanted to make narrative work about the devastation of that event. From that moment on we embraced narrative work with all our hearts. Works about political events, social injustices and inequalities were common within our sculptural classes, and certainly in my own works. We have now been in operation over 20 years, with over 6000 students. 60% of those were and are women, we have a large population of BIPoC students and we have worked with hundreds of LGTBQ students. We are so very proud of this fact.

My purpose for serving on boards right now is to focus on the building of communities as an artistic practice. I want to take a slight step away from academia as these institutions can become elitist, and I want to be non-elitist as we have been from the beginning. I also like regional boards that focus in the mid-Atlantic.

My personal practice had been deeply imbedded in the world of glass galleries and museums, though frequently as an outsider. I have stepped away from this in the last few months. I have moved towards the fine art world once again, as I had started there. It feels great to go back to my roots, surrounded by a community that reaches far beyond anything we ever anticipated.” – Tim Tate, October, 2022

Joyce J Scott @ The Washington Glass School!

Sharing a laugh in the Glass Studio. L-R Tim Tate, Joyce Scott, Cecelia Wichmann

The legendary artist – Joyce Scott– who was awarded the 2016 MacArthur Foundation “genius grant” is making artwork in the Glass School. Joyce is a printmaker, weaver, sculptor, performance artist, and educator, but she is probably most well known for her work in jewelry, beadwork, and glass. Her art reflects her take on all aspects of American popular culture, her ancestry, and her community.

Artists Tim Tate & Joyce Scott working in the front studio kilns.

Joyce is working with Tim Tate – creating new work for Joyce’s retrospective at the Baltimore Museum of Art. She was joined with Cecilia Wichmann – Associate Curator of Contemporary Art at the Baltimore Museum of Art.

WGS Co-Director Michael Janis describes to Joyce Scott the “one that got away” … in the glass school.
L-R Christina Helowicz, Tim Tate, Joyce Scott, Cecelia Wichmann

Michael Janis Finalist in 2022 Contemporary Craft Prize

Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.

17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.

Michael Janis glass art - title "Allowing Our Past to Become Part of Ourselves" 60"H x 40' W fused glass, glass powder imagery aluminum

Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.

Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.

The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.

The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA

Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201

Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM

September 9, 2022 – March 18, 2023

This opening is free and open to the public.

ABOUT CONTEMPORARY CRAFT

Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org

Janis & Tate @ Toronto’s Sandra Ainsley Gallery

Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022

Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.

Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.

When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.

“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass

With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.

Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate

They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.

Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints

Sandra Ainsley Gallery
The Warehouse
100 Sunrise Avenue, Unit 150
Toronto, Ontario Canada M4A 1B3

Michael Janis on Art Clinic Online Saturday, June 25th.

On Saturday, June 25th, WGS Co-Director Michael Janis is the guest artist presenting on online talk for the Art Clinic Online @ Glen Echo’s Stone Tower Studio.

sgraffito glass imagery of figure
Michael Janis; “Current State”, 2020. Kilnformed glass, glass powder imagery, 4 panels – each 20” x 30”

The Art Clinic Online (ACO) community aims to create a supportive arts environment in an online setting. The ACO features online presentations where members can ask them questions about their vision and create a forum for the equal exchange of art ideas and art information as well as opportunities.

If you are interested in joining the online presentation, email Mariana for the zoomlink- mkastrin@gmail.com