Virginia Athenaeum Sculpture Invitational features WGS Directors

Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.

An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.

Detail of Tim Tate’s work in the “Eclipse” exhibit

Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms.
Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”

Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.

Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow.
Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”

Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.

Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.

Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”

Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Talk: Sunday, February 23, 2 pm
Participating artists:
Michael Janis
Lori Katz
Mike Price
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh

The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Street, Alexandria, VA 22314

Looking Forward to 2025!

To end 2024 on a positive note – We are looking forward to 2025: DC’s new Cedar Hill hospital commissioned Washington Glass Studio to make a ‘DC themed’ glass mural (8 foot x 5 foot high). All our studio artists were invited to make inset panels in their glass style. Just started process fitting out glass panels into the steel framework- here’s a sneak peek! The artwork will be installed early in 2025!! Happy New Year!

Artists involved include: Nancy Kronstadt, Erwin Timmers, Tim Tate, Arden Colley, John Henderson, Patricia de Poel Wilberg, Graciela Granek, April Shelford, Jaelin Jones, Jun Lee, Trish Kent, Chip Montague and Michael Janis.

10th Annual Glass International Opens!

April Shelford “Catch a Wave”

Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.

Kate Barfield “Dream of the Wind-Up Bird”
Patricia de Poel Wilberg

Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!

glass artists . next gen ladies of glass
Washington Glass School artists (L-R) April Shelford, Kate Barfield, Patrica de Poel Wilberg, Arden Colley.

Exhibiting Glass International Artists:
Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright

Workhouse Arts Center is located at: 9518 Workhouse Way Lorton, VA 22079

Vulcan Gallery, W-16 1st Floor
On View: November 2, 2024 – January 12, 2025

Winter Open Studio Is Coming!

Winter Open Studios Set for Dec 14th! Mark Your Calendars!

Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to!
Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.

December Holiday Open Studio Gateway Arts District DC Maryland
Washington Glass School 3700 Otis Street, MD Rainier, MD

Class 5106: Fused Glass Coral Bowls

5106 – Coral Bowls

Instructor: Graciela Granek

Level: Beginner

Date: Sat Jan 25

Time: 1-4 pm

Tuition: $150

Diverse and beautifully mesmerizing, coral provides shelter and creates an environment to help marine life thrive. Inspired by the labyrinth-like patterns of coral found in our oceans, we invite you to make a fascinating interlocking glass design!
Students are provided with a variety of glass colors to choose from, as well as tools to cut and shape the pieces. As one carefully arranges the glass fragments, they can experiment with different patterns and arrangements to create a stunning coral-like design. Beginner level experience.

Happy Holidays from Washington Glass School and Studio

Tis the Season!

All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!

Artists and Educators from the Washington Glass School

(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.

Michael Janis Finalist in 2022 Contemporary Craft Prize

Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.

17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.

Michael Janis glass art - title "Allowing Our Past to Become Part of Ourselves" 60"H x 40' W fused glass, glass powder imagery aluminum

Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.

Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.

The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.

The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA

Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201

Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM

September 9, 2022 – March 18, 2023

This opening is free and open to the public.

ABOUT CONTEMPORARY CRAFT

Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org

Janis & Tate @ Toronto’s Sandra Ainsley Gallery

Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022

Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.

Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.

When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.

“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass

With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.

Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate

They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.

Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints

Sandra Ainsley Gallery
The Warehouse
100 Sunrise Avenue, Unit 150
Toronto, Ontario Canada M4A 1B3

Michael Janis on Art Clinic Online Saturday, June 25th.

On Saturday, June 25th, WGS Co-Director Michael Janis is the guest artist presenting on online talk for the Art Clinic Online @ Glen Echo’s Stone Tower Studio.

sgraffito glass imagery of figure
Michael Janis; “Current State”, 2020. Kilnformed glass, glass powder imagery, 4 panels – each 20” x 30”

The Art Clinic Online (ACO) community aims to create a supportive arts environment in an online setting. The ACO features online presentations where members can ask them questions about their vision and create a forum for the equal exchange of art ideas and art information as well as opportunities.

If you are interested in joining the online presentation, email Mariana for the zoomlink- mkastrin@gmail.com

One Story Is Not Enough – Tim Tate & Michael Janis in Toronto’s Sandra Ainsley Gallery

Sandra Ainsley Gallery, Canada’s leading glass art gallery, presents a collaborative exhibition from Washington Glass School artists Tim Tate and Michael Janis titled “One Story is Not Enough“. The exhibition will feature their individual works along with joint pieces that highlight the narrative sculpture.

L-R: Tim Tate, Sandra Ainsley, Daniel Ainsley at the opening of “One Story Is Not Enough”.

Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.

Michael Janis’ kilncast glass L-R “The Color of Shadows” & “The Place Between Memories”

With these confines, Tim and Michael create works in many techniques, but if you stand slightly back and see their history, a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful. They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.

On Friday, June 17, at 1 PM (Eastern time), the Art Alliance for Contemporary Glass (AACG) will hold an online zoom MeetUp and Tim Tate and Michael Janis will tour exhibition and talk about their careers and process. Join the AACG to watch it live, or else catch it on YouTube after Friday.

Click Here to register.

Sandra Ainsley Gallery, 100 Sunrise Ave, North York, ON M4A 1B3, Canada