Category Archives: glass art

Pate De Verre Class Fun!

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This weekend’s pâte de verre class was a great success! 

Instructor Teri Bailey demonstrates how to apply color frit powder into specific areas for the class.

Instructor Teri Bailey demonstrates how to apply color frit powder into specific areas for the class.

Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.

Teri Bailey demonstrates proper frit application.

Teri Bailey demonstrates proper frit application.

The Pâte de verre students made plaster molds in which they would cast the glass.

The Pâte de verre students made plaster molds in which they would cast the glass.

Lively discussion on ways to kilncast glass sculpture was explored by the class.

Lively discussion on ways to kilncast glass sculpture was explored by the class.The students all loved the process and can't wait til the firings are out of the kilns. The students all loved the process and can’t wait til the firings are out of the kilns.

 

Posted in craft design art, creative glass, frit powder, fused glass, fused glass class, girls in glass, glass art, glass class, glass sculpture, kiln fused glass, kiln-formed, kilnformed, Pâte de verre, studio art glass, studio glass, super bowls, twenty first century sculpture, Uncategorized, warm glass, washington DC, Washington School of Glass, стекло искусство новое, فن الزجاج الجديد, 美国新艺术雕塑

Peppermill Village at Night – The City of Lights!

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Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.

Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.

Cassi Hayden, the Senior Visual Media Photographer for The Maryland-National Capital Park and Planning Commission (M-NCPPC) was at Peppermill Village Community Center covering an event recently and found the artwork (made by Washington Glass Studio) in front to be exceptionally beautiful!

Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.

Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.

Cassi took some shots attached high-res files for your use.  All photos in this posting by: M-NCPPC/Cassi Hayden

The artwork reflects well in the glass of the new center - and on the community that inspired the creation!

The artwork reflects well in the glass of the new center – and on the community that inspired the creation!

Click HERE to see the public art sculpture in the daytime and how the work came to be!

Posted in 21st century glass, 21st century sculpture, alec simpson, art glass, Art In Public Places, bullseye glass, community entrepreneurial model, contemporary art glass, contemporary sculpture, cool glass, creative glass, erwin timmers, fused glass, fused glass sculpture, glass and steel sculpture, glass art, glass sculpture, kiln-formed glass, m-ncppc, maryland, Prince George's County, Public Art, Tim Tate, twenty first century sculpture, usa, warm glass, washington glass school, Washington School of Glass, wgs projects

Tim Tate & Michael Janis Collaborate

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The Collaboration…..

"All That Is Solid Melts Into Air" Michael Janis & Tim Tate; 2019, fused glass, cast glass, sgraffito imagery, steel; 6'-0" x 9'-0"

“All That Is Solid Melts Into Air” Michael Janis & Tim Tate; 2019, fused glass, cast glass, sgraffito imagery, steel; 6′-0″ x 9′-0″; Photo credit: Pete Duvall.

Michael Janis and Tim Tate have worked together as Co-Directors of the Washington Glass School and Studio for more than 15 years, working on their own individual work, teaching and creating a functioning arts studio in the nation’s capital. 

Michael Janis creates imagery with crushed glass powder his signature "sgraffito" technique.

Michael Janis creates imagery with crushed glass powder his signature “sgraffito” technique.

This summer, the two artists decided to build on that rich and storied history by collaborating on an impressive piece that would both combine and challenge their individual, and strongly, narrative work. 

Tim Tate works on the glass panels for the collaborative artwork.

Tim Tate works on the glass panels for the collaborative artwork.

 “All Things Solid Melt Into Air” is the title of their 6’ x 9’ wall installation, comprised of 54 separate kiln cast glass insets. To create this work, the artists made 42 separate bas-relief plaster molds, 12 sgraffito glass powder drawings, 12 lost wax glass castings and 4 months to produce this spectacular and monumental work.

Detail of "All That Is Solid Melts Into Air"

Detail of “All That Is Solid Melts Into Air” Photo credit: Pete Duvall

Referencing mankind’s interaction with nature as the artwork main theme, Tim and Michael set about to produce an experience that people will want to engage with…on a tactile basis.  One can explore each of the olive tinted glass tiles to feel sentiments and poetic visions of the artists, or step back and just enjoy the piece as one would enjoy a bird’s song. They are both immensely proud of this work, which will be shown at the Habatat Prime exhibit during SOFA Expo in Chicago, (October 31, 2019 – November 3, 2019).

Habatat Prime
Location: Roosevelt Collection @ 1023 S. Delano Court East, Chicago, IL 60605
Habatat will have transportation to and from the space that is 3 miles from the Pier.

Posted in chicago, collaborative, contemporary art glass, contemporary artwork, cool glass, dry plaster casting, fullbright scholar, glass and steel sculpture, glass art, habatat galleries, kiln-formed, sofa chicago, sofa expo

Smithsonian Museum Curators Visit Washington Glass School

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Smithsonian Renwick Museum Curator-In_Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.

Smithsonian Renwick Museum Curator-In-Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.

Nora Atkinson, Curator-in-Charge of the Smithsonian Renwick Museum and Robyn Kennedy, Smithsonian Renwick Chief Administrator pay a visit to the studio to have a look at the new collaborative glass installation by Tim Tate & Michael Janis.

Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.

Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.

The two Renwick Museum leaders wanted a preview of the work titled, “All That Is Solid Melts Into Air” before it heads up to Chicago as part of Habatat Prime pop-up exhibit that is part of SOFA Expo in a few weeks (Oct 31-Nov 3).

Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.

Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.

And a walk thru of the Washington Glass School looking at the artists work – what great way to spend a spectacular Friday in DC.

Michael Janis describes his sgraffito glass technique to Smithsonian's Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.

Michael Janis describes his sgraffito glass technique to Smithsonian’s Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.

 

Posted in fused glass, glass art, glass sculpture, glass wall, mike janis, navy pier, renwick gallery, s.o.f.a. chicago, sgrafitto, smithsonian, smithsonian american art museum, sofa chicago, sofa expo, twenty first century glass, united states, warm glass, washington DC, washington glass school, Washington School of Glass | Tagged , , ,

Habatat Galleries’ 47th International Invitational

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Habatat Galleries’ 47th International Glass Invitational Award Exhibition
Thursday, May 2, 2019 to Friday, Jul 5, 2019
Grand Opening May 4th 2019 8:00 pm
Grand Opening to the public is May 4th at 8:00 pm!

Michael Janis; "Intersectionality", kilnformed glass, sgraffito powder technique; 2019

Michael Janis; “Intersectionality”, kilnformed glass, sgraffito powder technique; 2019

Celebrating the life of the artist – Habatat Galleries invites all to the 47th Glass International Award Exhibition taking place at the Habatat Galleries Complex in Royal Oak Michigan. This weekend is the glass highlight of the year and is not to be missed!

Tim Tate; "Dutch Still Life Study"; black light and cast objects; 2019

Tim Tate; “Dutch Still Life Study”; black light and cast objects; 2019

This three day weekend includes an auction, dinners, museum tours, demonstrations, artist talks, the POPnLOCK Show, artists, parties, the largest annual international glass exhibition in the world and much, much more! The theme for the 47th Glass Invitational is An Artist’s Life. Each artist was asked artist to provide a glimpse into their life as an artist and share their thoughts. The catalog is available online HERE – (scroll down and click on artist images for details.)tate.1

Habatat Galleries was established in 1971 in a suburb of Detroit, Michigan. It is the oldest and largest art gallery in the United States devoted exclusively to artists working with glass as their medium. Washington Glass School artists Michael Janis and Tim Tate are again featured in the Invitational Exhibition.Michael_janis.glass.art.large.sculpture.usa.habatat.fused_powder.frit.sgraffito.narrative.imagery

The Exhibition continues through July 5th of 2019.

Posted in glass art, glass frit powder imagery, habatat galleries, international, invitational, kiln fused glass, kiln-formed, kiln-formed glass, стекло искусство новое, فن الزجاج الجديد, アメリカのガラス芸術

Public Art for Peppermill Community Center Brings Residents to Washington Glass School

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Peppermill Village's new community center will feature a glass and steel sculpture inset with glass artwork made by the community.

Peppermill Village’s new community center will feature a glass and steel sculpture inset with glass artwork made by the community.

Maryland-National Capital Park and Planning Commission (M-NCPPC), Department of Parks and Recreation awarded Washington Glass Studio the commission to design, fabricate and install a work of art in the form of a sculpture that has the potential to become a landmark for the Peppermill Community. The new soaring glass and steel structure will be internally illuminated and feature glass panels made by the Peppermill community. The first of three planned community glass-making workshops took place this weekend at the Washington Glass School.

The Washington Glass School was filled with residents of Peppermill Village, MD - all making glass and having a great time!

The Washington Glass School was filled with residents of Peppermill Village, MD – all making glass and having a great time!

We will post more photos of the workshops and the progress of the sculpture as the work proceeds!

Everyone got into expressing themselves in glass and telling their story for the public art sculpture.

Everyone got into expressing themselves in glass and telling their story for the public art sculpture.

Co-Director Erwin Timmers enthuses about fused glass to the Peppermill group.

Co-Director Erwin Timmers enthuses about fused glass to the Peppermill group.

Posted in erwin timmers, fused glass sculpture, glass and steel sculpture, glass art, m-ncppc, Public Art | Tagged

Breaking Glass News!! Tim Tate to be Featured Artist at GLASSTRESS During Venice Biennale!

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tim.tate.venice.biennale.glassstress.2019.glass.art.international
Returning for the 58th Biennale di Venezia, the sixth edition of GLASSTRESS brings together a new line-up of leading contemporary artists from Europe, the United States, Latin America, India, and China in an ambitious exhibition exploring the endless creative possibilities of glass.

GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009 as a collateral event of the Venice Biennale, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers and has since become an unparalleled platform showcasing ground-breaking new works in glass.

To celebrate 10 years of GLASSTRESS and 30 years of , the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá, Tim Tate and Xavier Veilhan, amongst others.

 

Tim Tate; "The Endless Cycle"; 36" x 36" x 4"; Glass, Aluminum, Poly-Vitro, electronics

Tim Tate; “The Endless Cycle”; 36″ x 36″ x 4″; Glass, Aluminum, Poly-Vitro, electronics

For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. In another section of the exhibition, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, Laura’s Hands (2011) by Jaume Plensa and A Different Self (2014) by Mat Collishaw. Referring to the making of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’

With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in this very delicate medium in collaboration with Muranese artisans. The output of this unusual encounter defies the stereotypes associated with this ancient craft, ultimately pushing the boundaries of both contemporary art and glass. This year’s edition of GLASSTRESS will also provide visitors with the opportunity to watch Murano glass masters at work at the adjacent glassblowing studio and learn more about Fondazione Berengo’s preservation efforts of this centuries-old artistry of Venetian glass-making.

 

Tim Tate; "The Endless Cycle" detail

Tim Tate; “The Endless Cycle” detail

GLASSTRESS 2019 – PARTICIPATING ARTISTS

 New artists :

Saint Clair Cemin (Brazil), Pedro Friedeberg (Mexico), Carlos Garaicoa (Cuba), Artur Lescher (Brazil), Prune Nourry (France), José Parlá (USA), Pablo Reinoso (Argentina), Valeska Soares (Brazil), Tim Tate (USA), Janaina Tschäpe (Germany), Xavier Veilhan (France), Robert Wilson (USA).

Returning artists :

 Ai Weiwei (China), Monica Bonvicini (Italy), Tony Cragg (UK), Shirazeh Houshiary (Iran), Alicja Kwade (Poland), Karen LaMonte (USA), Paul McCarthy (USA), Vik Muniz (Brazil), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sudarshan Shetty (India), Koen Vanmechelen (Belgium), Erwin Wurm (Austria).

GLASSTRESS Anniversary highlights :

Jean Arp (Germany), Ayman Baalbaki (Lebanon), Miroslaw Balka (Poland), Fiona Banner (UK), Mat Collishaw (UK), César (France), Jake and Dinos Chapman (UK), Tracey Emin (UK), Jan Fabre (Belgium), Kendell Geers (South Africa), Francesco Gennari (Italy), Abdulnasser Gharem (Saudi Arabia), Michael Joo (USA), Ilya & Emilia Kabakov (Russia/USA), Michael Kienzer (Austria), Hye Rim Lee (South Korea), Oksana Mas (Ukraine), Hans Op de Beek (Belgium), Tony Ousler (USA), Javier Pérez (Spain), Antonio Riello (Italy), Bernardì Roig (Spain), Joyce Jane Scott (USA), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Fred Wilson (USA), Dustin Yellin (USA).

glasstress ABOUT GLASSTRESS:

GLASSTRESS was launched in 2009 by Adriano Berengo as an official collateral event of the Biennale di Venezia. Today it is the world’s leading showcase for the collaborative work of contemporary artists and designers with Berengo Studio’s Muranese glass masters. GLASSTRESS runs from May 9 to November 24, 2019

Organized by Fondazione Berengo, GLASSTRESS exhibitions have been presented in prominent museums and institutions worldwide including the Boca Raton Museum of Art, Florida, the London College of Fashion and The Wallace Collection in London, the Art Museum Riga Bourse in Riga, Millesgården Museum in Stockholm, the Museum of Arts and Design (MAD) in New York, the Beirut Exhibition Center (BEC) in Beirut, and the Ptuj City Gallery in Ptuj, Slovenia.

 Click HERE to jump to website.

Posted in art glass today, contemporary art glass, contemporary sculpture, content driven glass, creative glass, glass art, GLASSSTRESS, GLASSTRESS, international, mixed media glass, Tim Tate, twenty first century glass, united states | Tagged , , ,

Celebrating Dr Martin Luther King Day

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We pause to reflect on the meaning of Martin Luther King Jr Day. MLK day is one that celebrates the iconic leader and the legacy of a man who brought hope and healing to America. We commemorate Dr. King’s inspiring words, because his voice and his vision filled a great void in our nation, and answered our collective longing to become a country that truly lived by its noblest principles.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Martin Luther King, Jr.

“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.”  Martin Luther King, Jr.

 

 

Posted in glass art | Tagged

Glass Art Magazine Features WGS Co-Director Michael Janis

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janis.michael.glass.art.magazine.leatherbarrow.usa.mixed_media.sculptureGlass Art Magazine had profiled WGS artist Michael Janis recently for their podcast series “Talking Out Your Glass“. The Glass Art celebrates warm, cold and hot glass in multiplatforms – and had presented profiles in print magazines that are issued bi-monthy.

In the new January/February issue, some incredible articles – including a great read on Michael Janis’ works events, and fascinating profile on pioneering glass artist Ginny Ruffner’s distinguished career. 

Have a listen to the Michael Janis podcast HERE - and click HERE to jump to Glass Art magazines site to get a subscription to the latest info on glass and glass education.

Posted in ginny ruffner, glass art, glass art magazine, mike janis