Tis the Season!
All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!
(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.
Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.
When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.
They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
Sandra Ainsley Gallery
The Warehouse
100 Sunrise Avenue, Unit 150
Toronto, Ontario Canada M4A 1B3
The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held in the Castello district of Venice, Italy every two years during the summer. This year’s Venice Biennale includes a collateral event – ‘Glasstress’ – held at the historic Berengo Studios in Murano, Italy.
The 59th International Art Exhibition features a sculptural collaboration between DC glass artists Tim Tate, Michael Janis and Brandywine metal sculptor Chris Shea, representing the USA.
Chris Shea’s incredible metal work frames out Tim Tate’s lush fields of cast glass elements (detailed figures, flowers, insects) and in center, a glass sgraffito panel by Michael Janis.
A central concern in “There’s a Big Hole in The Sky” is that viewers need to abandon their apathy towards climate change. This monumental sculpture brings to light the effects of global warming on the earth as most areas will be facing frequent flooding. Despite the growing evidence of climate change, and humanity as the driver of that change, there remains a hardcore 20 percent or so that reject the whole notion of it and a healthy percentage that remain unconvinced that humans are causing it. And on top of those dismal statistics, many believe that climate change does not represent a threat to them. The artwork is an invitation to understand, to act, and to prepare. But if political solutions to climate change don’t materialize soon, it may also be an invitation to come to terms with loss.
From Biennale Press Release
GLASSTRESS 2022
2 JUNE – 27 NOVEMBER 2022
BERENGO ART SPACE FOUNDATION
Venice, 2022
At the same time as the 59th Venice Biennale, the seventh edition of GLASSTRESS, scheduled from June 2 to November 27, 2022, brings together a group of important contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass.
The works will be housed in the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into an evocative exhibition space. On display will be works by artists who have already collaborated and exhibited at GLASSTRESS with Berengo Studio, such as Ai Weiwei, Jimmie Durham, Tony Cragg, Monira Al Qadiri, Thomas Schütte, as well as first-time attendees Vanessa Beecroft, María Magdalena Campos-Pons, Tim Tate, Paloma Varga Weisz and eL Seed, among others.
GLASSTRESS is a project by Adriano Berengo dedicated to promoting new connections between contemporary art and glass. Starting from its debut in 2009 as a side event of the Venice Biennale, over the years GLASSTRESS has made dozens of internationally renowned artists and designers passionate about the traditional craft of Murano glass blowing, who have tried their hand at creating suggestive and innovative works in glass with the support of the masters of Berengo Studio.
GLASSTRESS 2022 – ARTISTS
NEW ARTISTS
Vanessa Beecroft (Italy), María Magdalena Campos-Pons (Cuba), Judy Chicago (United States), Chiara Dynys (Italy), eL Seed (France), Leandro Erlich (Argentina), Ryan Gander (Great Britain), Michael Janis (United States), Alexander Evgenievich Ponomarev (Russia), Laurent Reypens (Belgium), Liam Scully (Great Britain), Chris Shea (United States), Paloma Varga Weisz (Germany), Osman Yousefzada (Great Britain).
RETURNING ARTISTS
Ai Weiwei (China), Monira Al Qadiri (Kuwait), Ayman Baalbaki (Lebanon), Tony Cragg (Great Britain), Jimmie Durham (United States), Jan Fabre (Belgium), Josepha Gasch-Muche (Germany), Kendell Geers ( South Africa), Marya Kazoun (Lebanon / Canada), Brigitte Kowanz (Austria), Karen LaMonte (United States), Tomáš Libertiny (Slovak Republic), Massimo Lunardon (Italy), Federica Marangoni (Italy), Prune Nourry (France), Anne Peabody (United States), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sean Scully (United States), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Tim Tate (United States) , Koen Vanmechelen (Belgium), Robert Wilson (United States), Rose Wylie (Great Britain), Erwin Wurm (Austria).
The Process: Public Art – “Essential Connections”
Washington Glass Studio (WGS) –J-Sol Apartment Complex, 4000 Fairfax Drive, Arlington, VA
Jefferson Apartment Group with Mitsui Fudosan America developed the Arlington, VA corner site formerly home to the sports bar CarPool into a 22-story, LEED Gold-certified high-rise called J-Sol, with residential units atop ground-floor retail and parking. Working with Toronto, Canada art consultant Oni-One Sourcing owner Paula Fleck, the preliminary designs were initiated in April of 2019, well before the pandemic lockdowns. Different concepts for both design and location of artwork to enhance the new J-Sol residential development were presented to the client.
Framing the corner location of the new plaza at Fairfax Drive and North Quincy St. in Arlington, VA, the sculpture is made of almost 100 individual hand cast glass panels set into a bold geometric framework of acute angles that references the sculptural qualities of the new J-Sol building. The sculpture defines the location and creates a new sense of place with the layering of color, light and shadow. Merging architecture and design with their signature material, glass, the overall presentation of the sculpture is aimed to reflect our modern society and urban space.
The varieties of techniques and layers of colors provide complex visual experiences is part of the works’ aesthetic pleasure.
The inspiration for the Arlington public artwork, “Essential Connections” is how much our world has changed. The artwork draws inspiration from our attempt to find new and innovative ways to reach out and connect with each other.
As WGS Co-Director Tim Tate noted of the work: “…Our goal was to create something memorable out of daily patterns of coming and going home.” The rainbow mix of colors – each a strength unto itself – is much more powerful in combined with others. The color palette itself references nature in its yellows, blues and greens, the sun, the water and sky, the grass and trees. Stylized elements of nature will be incorporated into several the crafted glass panels – emphasizing our renewed awareness of our environment.
The artwork’s dynamic shape forms a translucent cornerstone of sorts – inviting all into the plaza for walking, sitting, and all manner of activities conducted in the park. The new artwork help create a place for people to enjoy, feel connected and remember. Using the timeless fundamentals of light and color to define the space we made a vibrant backdrop to define the area with exuberance and life.
The public response has been immediate – during installation many passerbys came up excitedly to the sculpture – wanting to take “selfie shots” at Arlington’s newest landmark.
Project Details:
Location: 4000 Fairfax Dr, Arlington, VA 22203 (N Quincy St & Fairfax Dr)
Washington Glass Studio Public Art Team: Michael Janis, Tim Tate, Erwin Timmers, Christina Helowicz.
Structural Steel: Criss Brothers
Number of Glass Tile Insets: 97
EXHIBITION CALL
The Elizabeth R. Raphael Founder’s Prize Award and Exhibition
Application Deadline: Friday, October 22, 2021
Exhibition: September 9, 2022 – March 18, 2023
In celebration of its 25th anniversary in 1997, Pittsburgh’s Center for Contemporary Craft established a $5,000 prize for excellence in the field of contemporary craft.
This biennial award, which is given in conjunction with a catalogue, video profile and juried exhibition, is funded by the daughters of Elizabeth R. Raphael, the founder of Contemporary Craft and a nationally known figure in the contemporary art scene for many decades. Prizes are selected by medium, with the designated medium changing with each biennial award.
The 2022 prize will be awarded for a work in glass.
MEDIA CRITERIA
The 2022 Elizabeth R. Raphael Founder’s Prize competition is open to all artists working in glass. Emerging artists are especially encouraged to apply.
THEME
The prize will be awarded to a work created between August 2021 and July 2022 that addresses the theme of “transformation.”
JURYING PROCESS
Jurying will take place in two phases. From the initial submissions, a group of finalists will be invited to submit a work on the selected theme for the final jurying and inclusion in the Raphael Prize exhibition. Only one work per artist may be provided for final jurying. Artists are eligible to include work made after August 2021.
DEADLINE
All digital entries must be received by 5 pm Friday, October 22, 2021.
JURORS
A six-member panel will select finalists from the initial submissions, and also select the prize-winning entry. Jurors will include: Heather McElwee, Randi & L. Van V. Dauler, Jr. executive director, Pittsburgh Glass Center, Pittsburgh, PA; Anna Rothfuss, project development manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and storyteller, Pittsburgh, PA; Rachel Saul Rearick, executive director and Kate Lydon, director of exhibitions, Contemporary Craft, Pittsburgh,PA.
ELIGIBILITY
Open to exceptionally talented artists who are in the early, mid or late stages of their career and reside in the United States or abroad.
APPLICATION DETAILS
Application materials must include:
1) Resume (2-page maximum) in doc or pdf format (file size must be under 1MB);
2) 4 Representative Images similar in quality and nature to the work the artist would enter if selected as a finalist, images need not be the exact pieces the artist intends to enter (file size for each image must be under 2MB);
3) Image Details including: title, year, medium, size, retail value
4) Non-refundable Entry Fee* of $45 payable online or via check payable to Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201
Previous Raphael Prize videos may be viewed at: https://contemporarycraft.org/exhibitions/elizabeth-r-raphael-founders-prize.
More information and to apply: https://contemporarycraft.org/exhibitions/elizabeth-r-raphael-founders-prize/
For More Info:
Contemporary Craft has relocated to its new, permanent home in the Upper Lawrenceville neighborhood in Pittsburgh, PA and opened its doors to the public on September 3, 2020.
Through its mission of engaging the public in creative experiences through contemporary craft, the organization offers meaningful art opportunities through four core values:
Providing vital support for artists
Filling critical gaps in public education
Sharing cross-cultural perspectives
Using art to build community.
This Friday, September 3rd, Michigan’s Habatat Galleries presents the opening of Glass Art Fair exhibition at 11:00 a.m. ET. This will be the VIP preview day for the online art fair as it opens to the public virtually the next day. This presentation includes many of available works that will be featured in the Habatat Galleries 50th in-person celebration.
Artists from around the world have been invited to this event and the gallery expects a large turnout since all have been apart for so long. During the pandemic Habatat has been pioneering the world of virtual glass art events including Glass49, GlassArtFair, the new annual Not Grandma’s Glass exhibition, and the highly apropos Viral Glass exhibition. Director Aaron Schey has created a treasure trove of digital presentations over the last year via Habatat Now programs which are viewable on YouTube.
Gallery founder Ferdinand Hampson shares his thoughts about Habatat’s Legacy: Founded in 1971, Habatat has promoted, legitimized, and elevated a new art material to a point of recognition by the art community. Fifty years later we evolved with glass. We continue our efforts towards the mainstream though we are no longer outsiders. Fine art collectors, museums, and noted art publications have in many cases recognized the medium and shared in the excitement of what this material can do and be, in the hands of creative artists worldwide.
Phillips Collection Inside Outside, Upside Down JULY 17-SEPTEMBER 12, 2021.
Virtual Opening and Awards Presentation July 16, 2021, 7-8 PM
Join The Phillips Collection as they celebrate the opening of “Inside Outside, Upside Down” and announce the prize winners of our juried invitational. Click HERE to jump to Phillips Collection Opening Event RSVP page.
This juried invitational celebrates The Phillips Collection’s 100th anniversary in 2021, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.
Inside Outside, Upside Down makes vivid the turmoil, strength, and resiliency of the human spirit in the face of the past year’s global covid-19 pandemic and social upheaval. All artworks in the show are recent works produced between March 2020 and February 2021. Works by WGS artists Tim Tate and Michael Janis have been selected for the exhibition.
Jurors
Phil Hutinet, Founding Publisher of East City Art
Abigail McEwen, Associate Professor of Latin American Art, University of Maryland
Elsa Smithgall, Senior Curator, The Phillips Collection
Renée Stout, DC-based Artist
Guest Curator
Renée Stout is an internationally renowned artist who has been based in Washington, DC, since 1985. Originally trained as a painter with a BFA from Carnegie Mellon University, Stout currently works across a variety of media, including painting, drawing, mixed media, sculpture, photography, and installation. She is the recipient of many awards, including an Adolph and Esther Gottlieb Foundation Award and the Women’s Caucus for Art Lifetime Achievement Award.
Featured Artists
Cathy Abramson
Simone Agoussoye
Maremi Andreozzi
Carol Antezana
Desmond Beach
Julia Bloom
Michael Booker
Kimberly Brammer
Nikki Brugnoli
Florencio Campello
Carlos Carmonamedina
Sandra Chen Weinstein
Peter Cizmadia
Wesley Clark
Dominick Cocozza
Robin Croft
Sora DeVore
Sarah Dolan
Mike Dowley
Nekisha Durrett
Tae Edell
Bria Edwards
Kate Fleming
Chawky Frenn
Amelia Hankin
Michael Hantman
Leslie Holt
Michael Janis
Jane Kell
Jean Jinho Kim
Katherine Knight
Ara Koh
Kokayi
Gary Kret
Kate Kretz
Catherine Levinson
Kirsty Little
Kim Llerena
Aaron Maier-Carretero
Timothy Makepeace
David Mordini
Barbara Muth
Werllayne Nunes
Zsudayka Nzinga
Jennifer O’Connell
John Pan
Judith Peck
Shedrick Pelt
Kristina Penhoet
Marta Pérez García
Lydia Peters
Junko Pinkowski
Dominick Rabrun
Mojdeh Rezaeipour
Marie Ringwald
Janathel Shaw
Joseph Shetler
Nicolas F. Shi
Tim Tate
Julio Valdez
Jessica Valoris
Ian White
Richard L. Williams Jr.
Colin Winterbottom
The Phillips Collection, 1600 21st Street, NW, Washington, DC.
Inside Outside, Upside Down is organized by The Phillips Collection.
This juried invitational is part of the museum’s centennial exhibition, Seeing Differently: The Phillips Collects for a New Century.
Michigan’s Habatat Galleries takes their Glass Coast Weekend virtual for 2021. Habatat has invited 40 of the finest artists working with glass as their art material to participate in this innovative presentation. This exhibition will be online for the entire month of February.
Michigan’s Habatat Galleries takes their Glass Coast Weekend virtual for 2021. Habatat has invited 40 of the finest artists working with glass as their art material to participate in this innovative presentation. This exhibition will be online for the entire month of February.
View the exhibition virtually this Friday, February 5th, at 10:00 a.m. ET
Opening soon: www.GlassCoastWeekend.com
Each artist specializes in exploring color in glass. We encourage all attendees of this virtual experience to learn and explore each artist and share SPLASH 2021 with anyone who loves art.
Imagine Museum in St. Petersburg, FL and Habatat Galleries, Michigan are planning a glass art extravaganza weekend like no other. They are ramping up the fun and entertainment virtually to celebrate the creativity and imagination of our artists and what they provide for us during times like these.
See you at the (virtual) beach!
Washington, DC nonprofit media organization – The DC Line – is dedicated to covering news in Washington, DC. As part of the COVID-19 pandemic news coverage, DC LIne interviewed WGS Co-Director Michael Janis to see how the arts are handling the ongoing lockdowns. Have a read of how the artist and studio have worked thru the lockdown situation. Click here to jump to the DC Line article online.
The DC Line features artwork by Michael Janis that addresses the COVID-19 pandemic.
Many art fairs have been moved online due to the global pandemic. Now, as a way to provide access to the best of art glass – Glass Art Fair has been formed. This new online art fair provides a unique opportunity with virtual experience – where all are invited to learn and explore each artist featured and share on their personal social media. The future has “arrived so much sooner,” said the creator of Glass Art Fair, “If galleries and fairs are closed, how can we sell art? Creating an online art fair platform is something we envisioned as an important part of what we do.”
artist: Tim Tate. Image courtesy Habatat Galleries.
New for 2020, the Glass Art Fair online art fair features over 60 artists creating using glass as their art medium, opening online to the public on Sunday, November 1st, 2020. This art fair will be online the same time as the Sofa Chicago art fair (rebranded Intersect Art Fair).
artist: Michael Janis. Image courtesy Habatat Galleries.
Glass Art Fair hopes collectors on their laptops and iPads will take more time with the work than those darting through a Navy Pier or a Miami beachfront tent. “We have the ability to have multiple images and detail shots – When people are visiting the online platform, they aren’t walking through for 45 seconds. You’re going to have their attention for so much longer.”
artist: Wilfried Grootens. Image courtesy Habatat Galleries.
This online presentation will continue for the month of November with more presentations as works become available. Each artist has the availability to edit and add artwork throughout the month so please check back in for updates often. The works on the site are available for purchase.
artist: Christina Bothwell. Image courtesy Habatat Galleries.
Expect more of what you love at the Glass Art Fair.
artists:
Jennifer Caldwell and Jason Chakravarty. Image courtesy Habatat Galleries.