The west coast of sunny Florida is where the glass art scene is hot! This past week, Habatat Detroit Fine Art held a glass extravaganza at the Ringling College of Art in beautiful Sarasota, FL. This was be their 8th Annual Glass Coast Weekend (GCW). This year the event paid homage to the past, present, and future of studio glass. The show featured noted artists, lectures, demos and a reception at the Ringling Museum of Art and the 5th Anniversary event at the Imagine Museum in St. Petersburg, FL.
Above is a quick video fly-thru of the main show at Ringling College of Art
The Glass Coast excitement continued up the coast – at Duncan McClellan Gallery, where Washington Glass School artists are featured in the groundbreaking “Dreams & Visions” exhibit (thru March 5).
Michael Janis with glass fans at Duncan McClellan Gallery during reception held for Washington Glass School artists.
WGS Artists Tim Tate and Michael Janis were featured at a series of receptions, lectures and demonstrations held at DMG over the weekend.
Artist Tim Tate narrates to the audience on the hotshop what techniques the gaffer is employing to create Tim’s sacred heart glass sculpture.Tim Tate’s blown sculpture gets some heat!Tim Tate’s Sacred Heart sculpture after annealing and cooling. Tim plans on working imagery into the work and presenting a new series of hearts.
Artist Michael Janis had a large audience in attendance for his presentation on “Art in Architecture”, where he talked about his design background and how it influenced his artwork and the public art sculpture made by the Washington Glass Studio.
Michael Janis talks about his pop art work made in collaboration with Chicago artist Tony Porto.Michael Janis (center) with new collectors Steve and Debbie Lang at DMG reception.
Washington Glass School artists are prepping spectacular glass/mixed media artwork to be presented at Context Art Miami – at Alida Anderson Art Projects . New art works by WGS artists Michael Janis, Christina Helowicz, Tim Tate, Erwin Timmers, along with artworks by Lenny Campello, Tony Porto, J Jordan Bruns and Steve Wanna, Marinela de la Hoz and others will be on exhibit at CONTEXT Art Miami Art Fair, space A29.
CONTEXT Art Miami, presented by Art Miami, continues to create and push boundaries on the conversation about contemporary art, The 2022 edition will showcase works from 75 innovative galleries from more than 20 countries, including Japan, Turkey, Australia, France, South Korea and Chile, among others. CONTEXT Art Miami will kick-off during Miami Art Week with an invitation-only VIP preview on Tuesday, November 29 and run through Sunday, December 4, 2022.
View of Green Community Gateway by Washington Glass Studio
The District of Columbia Public Library (DCPL) is a dynamic source of information, programs, books and services, among them is their Makers Program, that includes a Fabrication Lab. The Martin Luther King, Jr. Memorial Library’s “Fab Lab”, complete with 3D printers, a laser cutter, soldering equipment, other machines is part of a new movement of public libraries embracing the “maker movement.” DCPL’s maker program is the largest of its kind in a public library, as they see the program as a force to bring together makers, artists, and creative people of all types and from all fields and backgrounds, encouraging cross-disciplinary cooperation. As part of the public engagement, the DCPL Makers & DIY Program is hosting a series of artists lectures at the newly refurbished MLK Memorial Library auditorium.
Image of Community workshop at Washington Glass School.
On Saturday, May 21, 2022, from 1:00pm – 2:00pm, Michael Janis, co-director of the Washington Glass School, will give a lecture on how the Washington Glass Studio created the “Green Community Gateway” with art made with the help of the community in Ward 7.
The “Green Community Gateway”, public art sculpture marks the symbolic entrance to the Kenilworth/Parkside section of DC’s Ward 7. Through a series of glass “quilting bees”, Washington Glass Studio brought together neighborhood residents, students of the high school, and the staff of the newly constructed Unity Healthcare facility to make glass art that would become an integral part of the arch.
This lecture program will take place in the auditorium at the Martin Luther King Jr. Memorial Library, 901 G St. NW, Washington, DC 20001. Register at bit.ly/labsclasses.
The renovated Martin Luther King Jr. Memorial Library in Washington, DC, originally designed by Mies van der Rohe, the landmark library was rejuvenated by Mecanoo and OTJ Architects.
Michael Janis, “Healing Words” 2009, kilnformed glass, glass powder imagery, 37″ x 19″ x 2″, Collection Museum of Glass.
A long-time Museum of Glass Trustee, Potomac, MD-based glass-art collector Robert Minkoff selected MOG to house his art collection before passing away in September 2020. Developed through decades of patronage and philanthropy, the collection celebrates the incredible diversity of glass art and its possibilities in the field of contemporary art. With the addition of Robert Minkoff’s personal collection, the Museum’s glass holdings are now the largest in the Western United States.
Organized by Museum of Glass and curated by Katie Buckingham, ‘Boundless Curiosity’ follows Minkoff’s love of glass and tells vibrant stories of glass’s evolution from a studio craft material. “The Minkoff Collection is a transformational gift to the Museum” said curator Katie Buckingham. “We are excited about the opportunity to widen the story of glass art and show compelling narrative sculptural work”.
MOG’s contemporary glass collection concentrates on how medium of glass interacts with modern day art. Citing “glass secessionism” (as defined by Tim Tate and William Warmus in their “21st Century Glass Conversations and Images” online group) there is a movement in glass art away from “technique” towards “artistic vision” and concept. Said Curator Buckingham “we all look forward to including the artworks by the Washington Glass School directors – the 3 Musketeers of Glass.”
Washington Glass School artists Erwin Timmers, Tim Tate and Michael Janis (aka aka- Athos, Porthos and Aramis)
Works by noted glass artists Dale Chihuly, Lino Tagliapietra, Debora Moore, Therman Statom, Amber Cowan, Susan Taylor Glasgow, Shane Ferro, Paul Stankard, and Laura Donefer round out the exhibit in the main gallery of the Museum. The Minkoff collection exhibition will kick off the Glass Art Society (GAS) 2022 international conference held in Tacoma, WA this May.
About Museum of Glass
Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Opened in 2002, the Museum has established a reputation for hosting impactful and engaging artist residencies, organizing nationally traveling exhibitions, and creating unique programs for visitors while building a growing permanent collection chronicling the development of modern and contemporary glass.
Museum of Glass provides an environment for artists and the public to ignite creativity, fuel discovery, and enrich their lives through glass and glassmaking. MOG’s glass holdings are now the largest in the Western United States.
“Essential Connections” by Washington Glass Studio, 18’L x 4’H, cast glass, LED. 2021
The Process: Public Art – “Essential Connections” Washington Glass Studio (WGS) –J-Sol Apartment Complex, 4000 Fairfax Drive, Arlington, VA
Daytime view of “Essential Connections” sculpture in Arlington, VA.
Jefferson Apartment Group with Mitsui Fudosan America developed the Arlington, VA corner site formerly home to the sports bar CarPool into a 22-story, LEED Gold-certified high-rise called J-Sol, with residential units atop ground-floor retail and parking. Working with Toronto, Canada art consultant Oni-One Sourcing owner Paula Fleck, the preliminary designs were initiated in April of 2019, well before the pandemic lockdowns. Different concepts for both design and location of artwork to enhance the new J-Sol residential development were presented to the client.
Original concept sketch
Erwin Timmers and Michael Janis review the structural steel.
Framing the corner location of the new plaza at Fairfax Drive and North Quincy St. in Arlington, VA, the sculpture is made of almost 100 individual hand cast glass panels set into a bold geometric framework of acute angles that references the sculptural qualities of the new J-Sol building. The sculpture defines the location and creates a new sense of place with the layering of color, light and shadow. Merging architecture and design with their signature material, glass, the overall presentation of the sculpture is aimed to reflect our modern society and urban space.
Meticulously fitting glass into framework.
The varieties of techniques and layers of colors provide complex visual experiences is part of the works’ aesthetic pleasure.
An exploration of color, texture and pattern overlay.
The inspiration for the Arlington public artwork, “Essential Connections” is how much our world has changed. The artwork draws inspiration from our attempt to find new and innovative ways to reach out and connect with each other.
Night view of “Essential Connections” sculpture by Washington Glass Studio.
As WGS Co-Director Tim Tate noted of the work: “…Our goal was to create something memorable out of daily patterns of coming and going home.” The rainbow mix of colors – each a strength unto itself – is much more powerful in combined with others. The color palette itself references nature in its yellows, blues and greens, the sun, the water and sky, the grass and trees. Stylized elements of nature will be incorporated into several the crafted glass panels – emphasizing our renewed awareness of our environment.
The colors and patterns define this public space in Arlington, VA.
The artwork’s dynamic shape forms a translucent cornerstone of sorts – inviting all into the plaza for walking, sitting, and all manner of activities conducted in the park. The new artwork help create a place for people to enjoy, feel connected and remember. Using the timeless fundamentals of light and color to define the space we made a vibrant backdrop to define the area with exuberance and life.
The public response has been immediate – during installation many passerbys came up excitedly to the sculpture – wanting to take “selfie shots” at Arlington’s newest landmark.
The artworks’ youngest fan points out their favorite glass panel inset. DC art enthusiast Anthony Adero strikes a casual pose at the new sculpture.
Project Details:
Location: 4000 Fairfax Dr, Arlington, VA 22203 (N Quincy St & Fairfax Dr) Washington Glass Studio Public Art Team: Michael Janis, Tim Tate, Erwin Timmers, Christina Helowicz.
Erwin Timmers and Christina Helowicz the sculpture’s internal LED lighting.
Structural Steel: Criss Brothers Number of Glass Tile Insets: 97
WGS installation team L-R: Michael Janis, Ryan Henderson, Christina Helowicz, Erwin Timmers
This Friday, September 3rd, Michigan’s Habatat Galleries presents the opening of Glass Art Fair exhibition at 11:00 a.m. ET. This will be the VIP preview day for the online art fair as it opens to the public virtually the next day. This presentation includes many of available works that will be featured in the Habatat Galleries 50th in-person celebration.
Michael Janis’ kilncast glass is featured in Habatat Galleries 50th Anniversary exhibit.
Artists from around the world have been invited to this event and the gallery expects a large turnout since all have been apart for so long. During the pandemic Habatat has been pioneering the world of virtual glass art events including Glass49, GlassArtFair, the new annual Not Grandma’s Glass exhibition, and the highly apropos Viral Glass exhibition. Director Aaron Schey has created a treasure trove of digital presentations over the last year via Habatat Now programs which are viewable on YouTube.
Gallery founder Ferdinand Hampson shares his thoughts about Habatat’s Legacy: Founded in 1971, Habatat has promoted, legitimized, and elevated a new art material to a point of recognition by the art community. Fifty years later we evolved with glass. We continue our efforts towards the mainstream though we are no longer outsiders. Fine art collectors, museums, and noted art publications have in many cases recognized the medium and shared in the excitement of what this material can do and be, in the hands of creative artists worldwide.
Tim Tate and Michael Janis’ collaborative work – “The Poetry of Everyday Objects” is featured.
The COVID-19 epidemic has been an unprecedented challenge to the art world. WGS Contemporaryart gallery is working thru the issues that have stopped the gallery from being open bring artwork made by some of the hottest glass, mixed media sculptors, painters and ceramic artists to the world.
The WGS Contemporary gallery is excited to bring lots of fine art sculpture right to your living room! Be sure to check out CLICK IT! – a virtual gallery experience that will be made live – opening June 16th on ourwebsite!
Look for (very affordable!) by artists that include: Teri Bailey, J. Jordan Bruns, F. Lennox Campello, Jason Chakravarty & Jennifer Caldwell, Cheryl P. Derricotte, Sean Dolon, Sean Hennessey, Joesph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Jodi Walsh, Steve Wanna, and Jeff Zimmer!
WGS Contemporary’s mission is to contribute to thinking about art, new media, technology, and social issues through an open access forum which we hope will facilitate contemporary and innovative projects worldwide. In that process, WGSC will expose the cutting edge work of artists pushing the new media frontiers of art.
Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.
The 9/11 anniversary always puts everyone in the Washington Glass School in a reflective mood.
Originally named “Meltdown” an original class schedule.
Washington Glass School started in 2001 (the original name of the school was “Meltdown”) with its first class scheduled for September 13th, 2001, at the Millennium Arts Center in SW Washington, DC.
After the tragedy of 9/11, Director Tim Tate and Erwin Timmers contacted the students – sure that no-one was going to go to a glass class in Washington, DC. All the students asked that the class continue – as they wanted some sense of normalcy and wanted to work at creating something.
Artist Diane Cooper Cabe was a student in the first class. Said Diane : “Being at Meltdown during that stressful, sad time with warm-hearted folks and creative work to do helped us all heal.” Photo circa 2002.
In 2003, the school was reorganized and moved to the Washington Sculpture on Half Street in SE. Renamed “The Washington Glass School” remained at that location until the city used eminent domain to clear the area (and demolish the building) to make room for the new Nationals baseball stadium.
Washington Glass School circa 2004.
In 2006, The Washington Glass School moved to Mount Rainier, MD, and to its current facility in 2007.
We look back on the memories of the past 18 years with a bittersweet mixture of pride, sentiment, and fondness for those days and love for those who have passed on.
And then take a deep breath and get back on to work.
A 2002 Washington Post newspaper article about the glass program – features Cheryl Derricotte and Erwin Timmers.
The view of the Atlantic Ocean from SCOPE Art Fair 2017
It may snow along the East Coast this weekend, but down at Art Basel Miami Beach, it was all sunshine and beach parties and artwork and music everywhere. A fun thing about Miami is you get to spend hours in Lyfts and cabs going across causeways to and from the beach exhibits.
Washington Glass School artists were represented at a number of the incredible art fairs that took place during Art Basel / Miami Art Fair week.
Erwin Timmers new work was dazzling!
At Context Art Miami – Alida Anderson Art Project showed artists Erwin Timmers, Laura Beth Konopinski and Audrey Wilson.
Audrey Wilson and Laura Beth Konopinski at Context
Congrats to our own Laura Beth Konopinski, who was selected by Julian Navarro, the fair director as one of the standout women artists at the fair!
Tim Tate’s works shone brightly at SCOPE Miami
Tim Tate and Michael Janis were featured by Habatat Galleries at two art fairs – SCOPE Miami and Form Art Fair. Tim’s new wall pieces were a hit at SCOPE – with many reacting to the artwork’s content.
Tim’s work was the most photo’d works at Miami Beach.
The newest art fair “Form” opened across the street from Art Basel. Run by the same group that presents SOFA Chicago, the artwork focused on media specific art.
Michael Janis’ work at Habatat Galleries space at the FORM Art Fair.
There was alot of glitz and glamour and celebrity-sightings during the week.
Artist Chuck Close came thru the show.
As did these glitterati.
When Art Basel first came to Miami in 2002, it was a satellite art fair and an end-of-the-year anchor to the Basel, Switzerland main event held in the summer. But in a perfect storm of palm trees, parties, a surge of interest in art (or at least the lucrative art market), and an Instagram explosion, it’s now become the biggest annual art event in North America, attended by some 85,000 people. And as the fair morphs into two dozen satellite fairs and a weeklong full calendar of art and fashion happenings, it’s also a venue to show how the art by a new generation of artists is being made.
Aerial view of US Capitol on the Mall, Washington, DC. Library of Congress is center bottom of photo.
The Washington Glass Studio (WGS) has started the creation of the new cast sculptural glass doors for the Library of Congress (LOC) in Washington, DC. The design of the project started in 2004, when the Architect of the Capitol (AOC) first asked WGS about advise on their initial proposal to replace the original historic bronze doors of the LOC Adams Building, as the doors required security and changes to be code-compliant. The AOC also sought to reference the artistic heritage of the original doors in this important United States building.
One of the original bronze door pairs by sculptor Lee Lawrie
The original (11′-0″H) bronze doors had functional issues and will be retained in their present hold-open position, recessed into architectural niches. The 16 sculpted bronze doors feature high-relief sculptures by American artist Lee Lawrie, whose best known work is the architectural sculpture on and around New York’s Rockefeller Center. Lawrie’s bronze doors were designed to commemorate the history of the written word, depicting gods of writing as well as real-life Native American Sequoyah.
Lee Lawrie, 1877-1963, American sculptor, best known for his architectural work at NY’s Rockefeller Center, especially for the free-standing “Atlas” sculpture.
Ogma and Sequoyah, sculpted bronze figures by Lee Lawrie. Door detail, Library of Congress John Adams Building, Washington, DC.
The new door design incorporates cast glass panels mounted within a bronze framework, incorporating current egress and security requirements. The kilnformed sculptural glass will be made from molds taken off the original door sculptures. Using clearBullseye glass to cast, the sculpted glass panels will then be laminated to tempered glass for safety. The new glass doors will create a contemporaryluminosity to the building entrances, while keeping thecharacter of the historiclandmark structure.
original bronze doors – east side (top) Design of new bronze and cast glass doors – west side (bottom)
The scale of the project has prompted a collaboration between Washington Glass Studio and Fireart Glass Studio in Portland, OR. The project “dream-team” includes (Bullseye Glass co-founder) Ray Ahlgren, Erwin Timmers, Michael Janis, Tim Tate and Sean Hennessey. Master mold caster, Sean Hennessey, has started the project, creating the molds from the existing bronze doors in-situ. Some photos of that process will be posted later.
