Gourd vibes only this Halloween! 🎃 Our fused glass pumpkin is looking smashing—no tricks, just plenty of kiln-fired treats. Happy Halloween from the Washington Glass School—where even our pumpkins are glass acts! 👻🧡🔥
#GlassArt #FusedGlass #Halloween #PumpkinSeason #WashingtonGlassSchool #funclass
Glass53 is the largest and oldest annual glass art experience in the world. Now in its 53rd year, Habatat Galleries in Royal Oak, Michigan, presents an extraordinary gathering of the work of over 100 artists from over 30 countries. Each artist is a visionary whose mastery of glass transcends mere materiality to
embody light, texture, and form in ways that captivate the soul. Habatat seeks to honor not only the works themselves but also the journeys of those who create them. This year’s exhibition is not just a showcase; it’s a living narrative of glass as an ever-evolving art form. From the grand halls of the world’s most prestigious museums to the cultural zeitgeist, glass has emerged from the shadows of traditional craftsmanship into the forefront of contemporary discourse. The featured artists are pioneers and storytellers, each bringing a unique perspective to the medium through bold abstraction, intricate realism, or conceptual deconstruction.
Glass53 Booklet (learn all about Glass53): Click HERE
Glass 53 Invited Artists: Shelley M. Allen, Anthony Amoako-attah, Herb Babcock, Michael Behrens, Alex Bernstein, Martin Blank, Jen Blazina, Christina Bothwell, Geoffrey Bowton, Jannah Bowlus, Latchezar Boyadjiev, Peter Bremers, Karen Browning, Nancy Callan, Eunsuh Choi, Deanna Clayton, Amber Cowan, Simone Crestani, Christopher Day, Cheryl Derricotte, Minhi England, Hannah Gibson, Susan Taylor Glasgow, Wilfried Grootens, Baldwin & Guggisberg, Kim Harty, David Huchthausen, Krista Israel, Tim Jaeger, Michael Janis, Karen Willenbrink-Johnsen, Richard Jolley, Brent Kee Young, Claire Kelly, Kelly O’Dell, Steve Klein, Vladimira Klumpar, Eriko Kobayashi, Laura Kramer, Jiyong Lee, Steve Linn, Littleton & Vogel, László Lukácsi, Boldizsár Lukácsi, Lucy Lyon, Dylan Martinez, Robert Mickelsen, John Miller, Lukas Mjartan, James Mongrain, Karin Mørch, Josepha Gasch-Muche, Kathleen Mulcahy, Barbara Nanning, David Patchen, Maytas Pavlik, Sibylle Peretti, Pohlman & Knowles, Stephen Rolfe Powell, Colin Reid, Kait Rhoads, Bruno Romunelli, Marlene Rose, Martin Rosol, Richard Royal, Toland Sand, Thomas Scoon, John Sharvin, Judith Schaechter, Jeremy Sinkus, Paul Stankard, Ethan Stern, April Surgent, Lino Tagliapietra, Takizawa Kazuki, Michael Taylor, Bensen & Theofanous, Stephanie Trenchard, Carmen Vetter, Elliot Walker, & Trina Urrata Weintraub.
May 3, 2025 – Sep 19, 2025
Habatat Galleries
4400 Fernlee Ave
Royal Oak, MI 48073
Email: info@habatat.com
Phone: 248-554-0590
The Gateway Arts District is the largest in the region, but it is easy to underestimate as many of its artists work in spaces tucked away or without public hours. An exciting element of this event is that visitors can see spaces not always open, view artists’ work and workspaces, and talk to the artists about their practice on this special day of open houses.
The district roughly encompasses a two mile stretch from Mt. Rainier to Hyattsville with most locations on or around Route 1/Rhode Island Avenue. Best to start at the Washington Glass School at 3700 Otis Street. While some intrepid art goers choose to walk, Free shuttles will be operated along the corridor to help people cover more ground. Street parking is available as well at Lots 1, 3, and 4 in Hyattsville. Shuttle routes and a parking map will be available on the OST website.
In addition to visual art, many neighboring businesses will be poised to welcome visitors for food, drink, and further discovery of the many small and creative places within the Gateway Arts District.
After the open studio tour, all are welcome to the outdoor afterparty from 5 pm – 7 pm hosted by Broken Square and featuring music, skateboarding, and a food truck at 3698 Wells Ave, Mount Rainier, MD. If something quieter is your preference, head to Portico Gallery at 3807 Rhode Island Ave, Brentwood, MD 20722 for an end of the day porch hang.
Thank you to our sponsors Prince George’s Arts and Humanities Council, MiXT Food Hall, and Gateway CDC.
The event is FREE and open to the public. Visit https://www.gatewaycdc.org/ost2025 for a map of participating artists and studios to plan your self-guided tour.
Celebrate Creativity at the Washington Glass School Holiday Open Studios!
Join us for the Washington Glass School’s Holiday Open Studios on Saturday, December 14th, from 12-5 PM! Explore a dazzling collection of glass art and other creations by our talented Resident Artists and Instructors, just in time for holiday gift shopping or adding unique pieces to your collection.
Our Open Studios is more than just an art show—it’s a chance to immerse yourself in Mount Rainier’s thriving creative community! Venture beyond our doors to discover inspiring works at nearby studios, including Otis Street Arts, Ampersand, Portico Gallery, Joe Hicks Ceramics, and Janis Goodman Studios.
📍 Location: Washington Glass School
3700 Otis Street, Mount Rainier, MD 20712 (Just over the DC/MD border of Eastern Avenue)
Come for the art, stay for the inspiration. Don’t miss this vibrant celebration of creativity and craftsmanship!
Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.
Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!
Exhibiting Glass International Artists:
Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright
Workhouse Arts Center is located at: 9518 Workhouse Way Lorton, VA 22079
Vulcan Gallery, W-16 1st Floor
On View: November 2, 2024 – January 12, 2025
Winter Open Studios Set for Dec 14th! Mark Your Calendars!
Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to!
Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.
In the aftermath of the 2000 Artomatic show, renowned glass artist Tim Tate and metal/eco-artist Erwin Timmers felt the need to create a space for the growing glass art community in Washington, DC. Their solution was the founding of what was first called “Meltdown”—the future Washington Glass School. The school’s very first class, held on September 13, 2001, came in the shadow of one of the most tragic days in American history. While the founders initially considered canceling the session, the overwhelming desire of the students to move forward created an indelible bond. The class became a healing space, where sadness and fear were channeled into creativity and connection.
From those early days, the Washington Glass School (WGS) has embraced community and resilience as core values. In 2003, the school relocated from its original home—now the Rubell Museum in DC’s Southwest neighborhood—to the Washington Sculpture Center. Michael Janis, an innovative artist who joined the school that year, became a director by 2005. His leadership, alongside Tate and Timmers, continued to steer the school as it grew in reputation.
In 2006, a turning point came when the school’s building was taken by eminent domain to make way for the Washington Nationals’ baseball stadium. Unfazed, the WGS team moved just outside the District to Mount Rainier, Maryland. It’s been their home ever since, where they continue to teach, collaborate, and create public art.
WGS has evolved into a dynamic hub for artistic exploration, encouraging artists to challenge the conventional limits of glass as an art medium. Their collaborative spirit thrives, with glass artists working alongside creatives from other disciplines, producing public art that speaks to the heart of the community.
The Mount Rainier Arts Commission (MRAC) has been networking the area creatives with a monthly “artist’s social” for artists (in all media and forms) that live or work in Mt Rainier- this month’s event is a Social at the Glass School – Wed, 28th Aug, from 6-7:30!
And a perfect chance to chat up the new commissioners about the representation of the arts in our area. These events are a lot of fun and connect!
And a great time to view the new Kelly Towles mural on the side of the Glass school!
Get ready to experience an artistic revolution and discover the future of sculpture. The Montpelier Arts Center of the M-NCPPC, Department of Parks and Recreation in Prince George’s County, proudly presents its 43rd annual invitational sculpture exhibition. Curated by Howard Cohen, this show, titled “Connections and Conversations” features the visionary talents of artists of the Washington Glass School, with a spotlight on the transformative medium of glass, where boundaries are pushed and traditions redefined.
Join us to see how these remarkable artists illuminate the diverse worlds we live in, using glass to spark conversations and create profound connections. This isn’t just an exhibit—it’s a vibrant conversation about our diverse world. Don’t miss this chance to see how glass can tell stories, bridge gaps, and ignite inspiration through community engagement and artistic innovation.
Don’t miss this chance for an unforgettable journey through art, innovation, and community and discover the endless possibilities of glass as a medium.
Connections and Conversations: Works by Artists from the Washington Glass School
Exhibition Dates: June 7 – July 28, 2024
Public Reception: June 7, 2024, 7 – 9 PM
Lunch and Lecture: June 14, 2024, 12 Noon (Reservations Required – Call 301-377-7800)
Montpelier Arts Center
9652 Muirkirk Road Laurel, MD 20708
Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:
“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”
In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024
https://www.washingtonpost.com/entertainment/art/2024/04/05/art-gallery-shows-dc-area/
By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:
…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)
Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik
November 10, 2004
Artomatic runs thru April 28th. 2100 M Street, NW, Washington, DC.