Michael Janis Finalist in 2022 Contemporary Craft Prize

Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.

17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.

Michael Janis glass art - title "Allowing Our Past to Become Part of Ourselves" 60"H x 40' W fused glass, glass powder imagery aluminum

Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.

Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.

The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.

The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA

Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201

Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM

September 9, 2022 – March 18, 2023

This opening is free and open to the public.

ABOUT CONTEMPORARY CRAFT

Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org

Janis & Tate @ Toronto’s Sandra Ainsley Gallery

Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022

Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.

Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.

When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.

“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass

With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.

Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate

They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.

Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints

Sandra Ainsley Gallery
The Warehouse
100 Sunrise Avenue, Unit 150
Toronto, Ontario Canada M4A 1B3

Glass Coast Weekend Opens Feb 4, 2021!

Michigan’s Habatat Galleries takes their Glass Coast Weekend virtual for 2021. Habatat has invited 40 of the finest artists working with glass as their art material to participate in this innovative presentation. This exhibition will be online for the entire month of February.

Habatat Gallery features new works by Michael Janis

Michigan’s Habatat Galleries takes their Glass Coast Weekend virtual for 2021. Habatat has invited 40 of the finest artists working with glass as their art material to participate in this innovative presentation. This exhibition will be online for the entire month of February.

View the exhibition virtually this Friday, February 5th, at 10:00 a.m. ET
Opening soon:  www.GlassCoastWeekend.com

Each artist specializes in exploring color in glass. We encourage all attendees of this virtual experience to learn and explore each artist and share SPLASH 2021 with anyone who loves art.

Imagine Museum in St. Petersburg, FL and Habatat Galleries, Michigan are planning a glass art extravaganza weekend like no other. They are ramping up the fun and entertainment virtually to celebrate the creativity and imagination of our artists and what they provide for us during times like these.

See you at the (virtual) beach!

Habatat Galleries’ 47th International Invitational

Habatat Galleries’ 47th International Glass Invitational Award Exhibition
Thursday, May 2, 2019 to Friday, Jul 5, 2019
Grand Opening May 4th 2019 8:00 pm
Grand Opening to the public is May 4th at 8:00 pm!

Michael Janis; "Intersectionality", kilnformed glass, sgraffito powder technique; 2019

Michael Janis; “Intersectionality”, kilnformed glass, sgraffito powder technique; 2019

Celebrating the life of the artist – Habatat Galleries invites all to the 47th Glass International Award Exhibition taking place at the Habatat Galleries Complex in Royal Oak Michigan. This weekend is the glass highlight of the year and is not to be missed!

Tim Tate; "Dutch Still Life Study"; black light and cast objects; 2019

Tim Tate; “Dutch Still Life Study”; black light and cast objects; 2019

This three day weekend includes an auction, dinners, museum tours, demonstrations, artist talks, the POPnLOCK Show, artists, parties, the largest annual international glass exhibition in the world and much, much more! The theme for the 47th Glass Invitational is An Artist’s Life. Each artist was asked artist to provide a glimpse into their life as an artist and share their thoughts. The catalog is available online HERE – (scroll down and click on artist images for details.)tate.1

Habatat Galleries was established in 1971 in a suburb of Detroit, Michigan. It is the oldest and largest art gallery in the United States devoted exclusively to artists working with glass as their medium. Washington Glass School artists Michael Janis and Tim Tate are again featured in the Invitational Exhibition.Michael_janis.glass.art.large.sculpture.usa.habatat.fused_powder.frit.sgraffito.narrative.imagery

The Exhibition continues through July 5th of 2019.

Smithsonian American Art Museum Features Michael Janis

Smithsonian Distinguished Artist Michael Janis

Michael Janis at the Smithsonian Museum. Photo by Miriam Rosenthal.

a.3.rosenthal.glass.scraffito_class.washington.janis.mike.art.new

Washington Glass School sgraffito workshop. Photo by Miriam Rosenthal.

The James Renwick Alliance (JRA) is an independent national non-profit organization that celebrates the achievements of America’s craft artists and fosters scholarship, education and public appreciation of craft art. The JRA is the exclusive support group of the Renwick Gallery of the Smithsonian American Art Museum, the U.S. national showcase of contemporary American craft. Washington Glass School Co-Director Michael Janis was named “Distinguished Artist” by the JRA. The weekend’s events included a sgraffito glass workshop with Michael held at the Washington Glass School and Michael Janis presented at the Smithsonian Museum’s Turner Auditorium outlining his career, process, and artwork. The talk at the museum was broadcast live and the Smithsonian staff promised that it would be available online soon. 3.michael.janis.smithsonian.american.art.museum.artist_glassThe final event was the JRA hosted dinner on Sunday evening – it was a very busy exciting weekend for the Washington Glass School!4.a.distinguished_artist.james.renwick.alliance.shea.trump.janis_glass_cuddle

Congratulations to Michael – well done and well deserved!

 

Artists To Watch – Jeff Wallin

Jeff Wallin “Improvised Mirror” detail, kilnformed glass. Photo:
Michael Schmitt.

Our second profile in the “Artists To Watch” series is Jeff Wallin.

Jeff has spent his life in the Pacific Northwest. He studied under Professor Keiko Hara at Whitman College, graduating in 1995 with a B.A. in Studio Art. Jeff continued to pursue drawing and painting after moving to Portland, OR. 

Jeff began working directly on glass using live models, eliminating the intermediary step of charcoal/conte drawings which he’d previously used, working directly with glass powders on a glass sheet surface. No preliminary drawings are used, no tests or experiments. Each new work is itself the test, the experiment, the first impression developed and pushed to a final form.

Jeff Wallin’s  introduction to glass came in 1999 at Ray Ahlgren’s FireArt Glass studio, where Jeff continues to work, gaining new understandings in how to apply the challenging medium of glass to his ongoing exploration of the human form. Jeff’s work has been reviewed in the Urban Glass Quarterly, and his work was selected for publication in the Corning New Glass Review. In 2013, he was a teaching assistant for Jessica Loughlin and Kirstie Rea at the Pilchuck School of Glass.

Jeff Wallin and Ray Ahlgren of FireArt Glass create the glass door panels for the US Library of Congress. Photo: Charlie Liebermann. Click HERE to jump to American Craft article on the historic architectural artwork project.

Says Jeff of his work in an architectural glass studio: ” I feel my work [with Ray Ahlgren’s Fire Art Glass Studio] impacts my personal art work, and vice versa.  I often say that working with Ray and being constantly exposed to new projects (even though the work may not apparently have a direct bearing on my approach to art) leads to a level of familiarity with the material that allows me to work more intuitively without getting hung up on the highly technical nature of glass. It helps to understand when being precise is critical to success, and when it’s just getting in the way.  Plus, I think it keeps me looking with fresh eyes at both the projects at Fire Art and my own studio artwork.” 

Jeff Wallin, “Lucretia – After Rembrandt”, kilnformed glass. Photo: Michael Schmitt.

Taking inspiration from emotionally and psychologically complex figure painters such as Francis Bacon and Lucien Frued, Jeff’s portraits have the marks of a painter’s perspective and a painter’s intuition, the relaying of an idea by brush– all that expressed in the language of glass. 

Jeff Wallin, “Judgement (Study from Gentileschi)”, kilnformed glass. Photo: Michael Schmitt.

Talking about how he uses glass to create painterly works of art, Jeff said: “For my investigation of the human form, glass offers an incredible medium for exploring my relationship to this subject. My methods of kiln forming purposefully ignore most of the strict adherence to process normally associated with the medium. The work is driven to completion as part of a dialogue, which begins as a response to the model and then develops in unexpected ways as the work matures over multiple firings in the kiln. My intent is to maintain an attitude of spontaneity and preserve the raw moment when the piece first began…There are no conclusions, only possibilities.”

Jeff Wallin, “Classical Study”, kilnformed glass. Photo: Michael Schmidtt

Jeff has a solo show that opens at Stewart Fine Art in Boca Raton, Florida that opens this week. 
Gallery owner Sonny Stewart said of Jeff’s work: ” [Jeff] is a classically trained artist – the compositions of his work show his knowledge and sensitives… His artwork explores many of the concerns of contemporary painting, but does this exploration with glass. Painting exists in a continuum with centuries of tradition while simultaneously embracing aspects of sculpture, installation and collage… [Jeff’s art] goes beyond pigment on a surface; it’s an approach to making imagery that encompasses the ways in which a material is used to construct the work, how the subject is approached, and even how the idea of the subject is concieved.”

Stewart Fine Art
608 Banyan Trail, Boca Raton, FL 
Jeff Wallin “Glass in the Classical Sense
November 14 – December 11
Opening Reception November 14, 2013

Maverick Mike Returns From Texas

The students in Michael Janis’ “Visualizations in Glass” circle around the instructor.

Our urban cowboy, Professor Janis, returns to Washington, DC after a teaching stint on the wide open ranges of Hot Glass Houston – looking a bit like he was rode hard and put away wet. (Like he normally does, without benefit of photoshop services.) He had a great time, and sent some photos of his frit powder imagery class, and tales of sitting by the campfire with the class. 

The students learned how to create imagery from frit powder.
The students dove right in, creating a series of samples of different techniques.
The class was very focused.
The students each created great images

A light touch…Michael divulged all his secrets of how to create fused layered images from frit powers and other media.
Besides the sgraffito technique, the students learned how to deconstruct an image into separate layers.
The images were assembled and fused into narrative studies – getting the 3 day class ready for larger works that pulled all the techniques together.
Cynthia Gilkey works on a piece that incorporates a tribute to her mother, Rieko.

  

Cynthia’s artwork as she worked.
The finished work.
Glass artist Kathy Jordan Walsh shows off her imagery skills.
A dam built around the glass stack keeps the glass from flowing out during the firing process.
After firing, the colors mature – what a great piece!
The glass sets up their works inside the kiln – listening intently to Cynthia as she outlines how to minimize air bubbles and “edge needles”.
The finished works as they are removed from the kiln.

Was there cattle rustling? Certainly. 

Houston has no zoning – the view from Michael’s hotel. Cow tipping allowed.

Bowling with armadillos…in the glass studio? Natch.

Honkey-Tonks and wet t-shirt contests? Hell yeah – This is Texas, after all!

Opposite from Hot Glass Houston studio is the Red River Dance Hall & Saloon.

A great time was had at a great place!

Afterwards, the class celebrates a fun session.