Virginia Athenaeum Sculpture Invitational features WGS Directors

Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.

An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.

Detail of Tim Tate’s work in the “Eclipse” exhibit

Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms.
Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”

Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.

Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow.
Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”

Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.

Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.

Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”

Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Talk: Sunday, February 23, 2 pm
Participating artists:
Michael Janis
Lori Katz
Mike Price
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh

The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Street, Alexandria, VA 22314

10th Annual Glass International Opens!

April Shelford “Catch a Wave”

Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.

Kate Barfield “Dream of the Wind-Up Bird”
Patricia de Poel Wilberg

Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!

glass artists . next gen ladies of glass
Washington Glass School artists (L-R) April Shelford, Kate Barfield, Patrica de Poel Wilberg, Arden Colley.

Exhibiting Glass International Artists:
Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright

Workhouse Arts Center is located at: 9518 Workhouse Way Lorton, VA 22079

Vulcan Gallery, W-16 1st Floor
On View: November 2, 2024 – January 12, 2025

Class 5106: Fused Glass Coral Bowls

5106 – Coral Bowls

Instructor: Graciela Granek

Level: Beginner

Date: Sat Jan 25

Time: 1-4 pm

Tuition: $150

Diverse and beautifully mesmerizing, coral provides shelter and creates an environment to help marine life thrive. Inspired by the labyrinth-like patterns of coral found in our oceans, we invite you to make a fascinating interlocking glass design!
Students are provided with a variety of glass colors to choose from, as well as tools to cut and shape the pieces. As one carefully arranges the glass fragments, they can experiment with different patterns and arrangements to create a stunning coral-like design. Beginner level experience.

Michael Janis Finalist in 2022 Contemporary Craft Prize

Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.

17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.

Michael Janis glass art - title "Allowing Our Past to Become Part of Ourselves" 60"H x 40' W fused glass, glass powder imagery aluminum

Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.

Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.

The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.

The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA

Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201

Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM

September 9, 2022 – March 18, 2023

This opening is free and open to the public.

ABOUT CONTEMPORARY CRAFT

Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org

Michael Janis on Art Clinic Online Saturday, June 25th.

On Saturday, June 25th, WGS Co-Director Michael Janis is the guest artist presenting on online talk for the Art Clinic Online @ Glen Echo’s Stone Tower Studio.

sgraffito glass imagery of figure
Michael Janis; “Current State”, 2020. Kilnformed glass, glass powder imagery, 4 panels – each 20” x 30”

The Art Clinic Online (ACO) community aims to create a supportive arts environment in an online setting. The ACO features online presentations where members can ask them questions about their vision and create a forum for the equal exchange of art ideas and art information as well as opportunities.

If you are interested in joining the online presentation, email Mariana for the zoomlink- mkastrin@gmail.com

Pate De Verre Class Fun!

This weekend’s pâte de verre class was a great success! 

Instructor Teri Bailey demonstrates how to apply color frit powder into specific areas for the class.

Instructor Teri Swinhart (Bailey) demonstrates how to apply color frit powder into specific areas for the class.

Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.

Teri Bailey demonstrates proper frit application.

Teri Swinhart demonstrates proper frit application.

The Pâte de verre students made plaster molds in which they would cast the glass.

The Pâte de verre students made plaster molds in which they would cast the glass.

Lively discussion on ways to kilncast glass sculpture was explored by the class.

Lively discussion on ways to kilncast glass sculpture was explored by the class.The students all loved the process and can't wait til the firings are out of the kilns. The students all loved the process and can’t wait til the firings are out of the kilns.

 

The Process: Public Art 900 Thayer in Silver Spring, MD – “Social Fabric”

Public art can strengthen social bonds, especially for culturally diverse neighborhoods.

Corner installation of "Social Fabric" public art at Fenton Apartments in Silver Spring, MD.

Corner installation of “Social Fabric” public art at Fenton Apartments in Silver Spring, MD.

Washington Glass Studio recently completed a public art project in Silver Spring, MD, for a new mixed use development at 900 Thayer Ave

The original 2005 design concept - cast glass panels helped define the architectural entrance to the development.

The original 2005 design concept – cast glass panels helped define the architectural entrance to the “Adele” development.

Washington Glass Studio began creating artwork options for developments on the site, starting in 2005, when the site first was being developed as a residential development called “The Adele”. After a review and approval by Montgomery County Arts Council, the project languished as the real estate market changed.

In 2013, WGS Studio began working with the developers that purchased that project site, Redbrick LMD. Working with the design team, WGS artists were inspired by the rich mixture of ethnic groups in Silver Spring. Imagery and patterns that were based on the cultural fabric and textiles, as well as indigenous weaving and embroidery patterns for tapestries, wraps, blankets and garments.

Fabrics & textiles of the cultures that make up the Silver Spring neighborhoods was the inspiration of the new artwork design for 900 Thayer.

Fabrics & textiles of the cultures that make up the Silver Spring neighborhoods was the inspiration of the new artwork design for 900 Thayer.

 

Artwork on the corner column made up of backlit glass panels would be a colorful reference to the cultures, and add a bright pop of color on the site.

The corner location of the artwork would also frame out the proposed future planned arts development that would be up the road from 900 Thayer, and the Montgomery County Review committee was keen on having the artwork go further – asking if the artwork could be extended all along the ground level of the new development. Happily, Redbrick Developers agreed, and the scope of the artwork was extended along the entire street level and apartment outdoor spaces.

The corner column at 900 Thayer was to have an 11 foot high tower of backlit panels mounted to the surfaces.

The corner column at 900 Thayer was to have an 11 foot high tower of backlit panels mounted to the surfaces.

The project stalled in 2015. In 2017, Chesapeake Realty Partners joined with Redbrick Developer and the Housing Opportunities Commission of Montgomery County in moving forward with the property  proceeded with groundbreaking and construction of the development in June of 2018.

WGS Studio was contacted and engaged to fully develop the design. WGS revisited the idea of incorporating cultural textile and fabric patterns would encourage viewers to appreciate the colorful patterns enlivening the streetscape, as well as promoting a message of open-mindedness, promote tolerance and curiosity about other cultures.

The brightly colored hand-screened glass features patterns were artistically based on Ethiopian textiles, African mudcoths, Central American weavings, European folkloric fabric prints, intricate and colorful ancestral weaving designs from Asia, Native American blankets, and Colonial American quilt patterns. Using identity and culture as the main theme of the building’s public artwork, WGS sought to inspire self-reflection, human connection, and conversation.

Teri Bailey and Patricia De Poel Wilberg work on silkscreening the enamel patterns on glass, to be fired in the kilns after.

Teri Bailey and Patricia De Poel Wilberg work on silkscreening the enamel patterns on glass, to be fired in the kilns after.

The Washington Glass Studio team worked on the production of the glass artwork starting in early 2019. Large silkscreen panels were made to allow the patterns to be enameled and fired in the WGS kilns. WGS Co-Director Erwin Timmers worked on the LED design and integration of the glass artwork.

The enameled glass was fired to keep the high contrast color selections vibrant.

The enameled glass was fired to keep the high contrast color selections vibrant.

Over 60 18″ x 18″ panels were made – and were to be mounted in a variety of multi-panel arrangements.

The installation on site began in October of 2019, and as the building occupancy needed the artwork to be completed to allow for certification, a focused WGS team made short work of the outdoor artwork installation. 

Detail of one of the LED illuminated glass panels at 900 Thayer Ave.

Detail of one of the LED illuminated glass panels at 900 Thayer Ave.

WGS Co-Director Michael Janis is a vision in orange as he preps the LED mounts for the glass.

WGS Co-Director Michael Janis is a vision in orange as he preps the LED mounts for the glass.

WGS Co-Director Erwin Timmers sets the final glass artwork panels in the corner column at the 900 Thayer site.

WGS Co-Director Erwin Timmers sets the final glass artwork panels in the corner column at the 900 Thayer site.

The Fenton Apartment corner column artwork has a strong presence in the daytime, with the LED illumination.

The Fenton Apartment corner column artwork has a strong presence in the daytime, with the LED illumination.

Project Details
Location: 900 Thayer Avenue, Silver Spring MD, 20910
Washington Glass Studio Public Art Team: Michael Janis, Tim Tate, Erwin Timmers, Teri Bailey and Patricia De Poel Wilberg.

Tim Tate & Michael Janis Collaborate

The Collaboration…..

"All That Is Solid Melts Into Air" Michael Janis & Tim Tate; 2019, fused glass, cast glass, sgraffito imagery, steel; 6'-0" x 9'-0"

“All That Is Solid Melts Into Air” Michael Janis & Tim Tate; 2019, fused glass, cast glass, sgraffito imagery, steel; 6′-0″ x 9′-0″; Photo credit: Pete Duvall.

Michael Janis and Tim Tate have worked together as Co-Directors of the Washington Glass School and Studio for more than 15 years, working on their own individual work, teaching and creating a functioning arts studio in the nation’s capital. 

Michael Janis creates imagery with crushed glass powder his signature "sgraffito" technique.

Michael Janis creates imagery with crushed glass powder his signature “sgraffito” technique.

This summer, the two artists decided to build on that rich and storied history by collaborating on an impressive piece that would both combine and challenge their individual, and strongly, narrative work. 

Tim Tate works on the glass panels for the collaborative artwork.

Tim Tate works on the glass panels for the collaborative artwork.

 “All Things Solid Melt Into Air” is the title of their 6’ x 9’ wall installation, comprised of 54 separate kiln cast glass insets. To create this work, the artists made 42 separate bas-relief plaster molds, 12 sgraffito glass powder drawings, 12 lost wax glass castings and 4 months to produce this spectacular and monumental work.

Detail of "All That Is Solid Melts Into Air"

Detail of “All That Is Solid Melts Into Air” Photo credit: Pete Duvall

Referencing mankind’s interaction with nature as the artwork main theme, Tim and Michael set about to produce an experience that people will want to engage with…on a tactile basis.  One can explore each of the olive tinted glass tiles to feel sentiments and poetic visions of the artists, or step back and just enjoy the piece as one would enjoy a bird’s song. They are both immensely proud of this work, which will be shown at the Habatat Prime exhibit during SOFA Expo in Chicago, (October 31, 2019 – November 3, 2019).

Habatat Prime
Location: Roosevelt Collection @ 1023 S. Delano Court East, Chicago, IL 60605
Habatat will have transportation to and from the space that is 3 miles from the Pier.

Habatat Galleries’ 47th International Invitational

Habatat Galleries’ 47th International Glass Invitational Award Exhibition
Thursday, May 2, 2019 to Friday, Jul 5, 2019
Grand Opening May 4th 2019 8:00 pm
Grand Opening to the public is May 4th at 8:00 pm!

Michael Janis; "Intersectionality", kilnformed glass, sgraffito powder technique; 2019

Michael Janis; “Intersectionality”, kilnformed glass, sgraffito powder technique; 2019

Celebrating the life of the artist – Habatat Galleries invites all to the 47th Glass International Award Exhibition taking place at the Habatat Galleries Complex in Royal Oak Michigan. This weekend is the glass highlight of the year and is not to be missed!

Tim Tate; "Dutch Still Life Study"; black light and cast objects; 2019

Tim Tate; “Dutch Still Life Study”; black light and cast objects; 2019

This three day weekend includes an auction, dinners, museum tours, demonstrations, artist talks, the POPnLOCK Show, artists, parties, the largest annual international glass exhibition in the world and much, much more! The theme for the 47th Glass Invitational is An Artist’s Life. Each artist was asked artist to provide a glimpse into their life as an artist and share their thoughts. The catalog is available online HERE – (scroll down and click on artist images for details.)tate.1

Habatat Galleries was established in 1971 in a suburb of Detroit, Michigan. It is the oldest and largest art gallery in the United States devoted exclusively to artists working with glass as their medium. Washington Glass School artists Michael Janis and Tim Tate are again featured in the Invitational Exhibition.Michael_janis.glass.art.large.sculpture.usa.habatat.fused_powder.frit.sgraffito.narrative.imagery

The Exhibition continues through July 5th of 2019.

WGS Glass Lecture “Kiln Casters – A Close Look At The Methods Behind the Madness”

With the success of Debra Ruzinsky’s lecture this past October on the Untold History of Studio Glass – This Saturday, May 31st, is the next installment of glass knowledge!

cast.glass.kiln.washington_DC

Free Lecture – Kiln Casters: A Close Look at the Methods Behind the Madness! (Class 1701)

An exploration of the symbiotic relationship between technique and conceptual thinking as seen through the work of contemporary glass casters.  Slide discussion of artists who focus on cast glass, with an inside look into the techniques they’ve developed to produce their work. The talk will be presented with lots of images and there will be time for discussions.

Speaker: Debra Ruzinsky. Deb received her BA in Design from the University of California at Los Angeles, and her MFA in Glass Sculpture from RIT. She has been working in glass since 1982. She serves on the publications committee of the Glass Art Society, and was Visiting Asst. Professor of Glass at RIT for the 2008-2009 academic calendar year, and has been a visiting lecturer to the Virginia Commonwealth University’s Glass Program. Her work is part of the collection of the Seto City Museum in Seto, Japan, and the Glasmuseet Ebeltoft in Denmark, as well as the RIT Wallace Library Collection.

Saturday, May 31st, from 11am to 12 noon

Email RSVP to washglassschool@aol.com