Peppermill Village at Night – The City of Lights!

Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.

Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.

Cassi Hayden, the Senior Visual Media Photographer for The Maryland-National Capital Park and Planning Commission (M-NCPPC) was at Peppermill Village Community Center covering an event recently and found the artwork (made by Washington Glass Studio) in front to be exceptionally beautiful!

Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.

Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.

Cassi took some shots attached high-res files for your use.  All photos in this posting by: M-NCPPC/Cassi Hayden

The artwork reflects well in the glass of the new center - and on the community that inspired the creation!

The artwork reflects well in the glass of the new center – and on the community that inspired the creation!

Click HERE to see the public art sculpture in the daytime and how the work came to be!

Peppermill Community Center Public Art

Peppermill Community Center

Peppermill Community Center with the internally illuminated artwork “Telling Our Story…” by Washington Glass Studio.

The Maryland-National Capital Park and Planning Commission (M-NCPPC) commissioned Washington Glass Studio (WGS) to create a public art sculpture for the new addition to the Peppermill Community Center in Landover, MD.

Shop drawing of sculpture by WGS.

Shop drawing of sculpture by WGS.

Some communities see public art as a way of enhancing or personalizing otherwise impersonal spaces. Others view it as a means to activate civic dialogue or provide a vehicle for the community to express its identity.

These landmarks and special events enhance our experience of a place and our quality of life. They engender a sense of pride and community identity. They reach audiences outside museums, galleries, and theaters, and they add to the beauty of everyday life. They declare the worth of a place and a time in our shared culture.

Erwin Timmers leads a community glass making workshop at the Washington Glass School.

Erwin Timmers leads a community glass making workshop at the Washington Glass School.

As such, the design of the site-specific sculpture by WGS was centered on finding ways to get the community excited and engaged with the convergence of art, history and community. The proposal for the art was based on a 15’H tower of glass and steel that would be internally illuminated with over 100 glass inset panels. The artwork of the insets were to be created by involving the community via a series of glass-making workshops held at the Washington Glass School

A great cross section of community came out to be part of the creation of the new public art for Peppermill Community Center.

A great cross section of community came out to be part of the creation of the new public art for Peppermill Community Center.

The residents and stakeholders were tasked with showing what they felt important to them and what inspired them were made. Images of family, nature, the environment, their neighborhoods, their sports teams were rendered in glass.

All sorts of imagery and glass techniques were employed to great effect.

All sorts of imagery and glass techniques were employed to great effect.

Cast glass images of the social groups – the sewing groups, the cheer squads, the state flag – even a Maryland blue crab were crafted. Historical references to the nearby horse farms and the old roller rink were included in the mix of glass panels. Part of the fun of the artwork is seeing how this mix of images and references all somehow work together.

The tower, titled :"Telling Our Story..." adds a powerfull and dramitic artistic element at the new entry at the community center.

The tower, titled :”Telling Our Story…” adds a powerful and dramatic artistic element at the new entry at the community center.

Shaping places—with landmarks and landscapes, events and ideologies—sets the stage for a critical part of our existence: our connection with our environment; with our past, present, and future; and with other human beings.

The mix of images and stories told create a compelling and inclusive mixture - each distinctive and unique - yet cohesive as a whole.

The mix of images and stories told create a compelling and inclusive mixture – each distinctive and unique – yet cohesive as a whole.

“Telling Our Story…”
Artist: Washington Glass Studio
Project Team: Teri Bailey, Michael Janis, Erwin Timmers, Tim Tate and Lee Kind.
Media: Cast and fused glass, steel, LED lighting, concrete.
Location: Peppermill Community Center, 610 Hill Rd, Landover, MD 20785
Client: The Maryland-National Capital Park and Planning Commission

Smithsonian Museum Curators Visit Washington Glass School

Smithsonian Renwick Museum Curator-In_Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.

Smithsonian Renwick Museum Curator-In-Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.

Nora Atkinson, Curator-in-Charge of the Smithsonian Renwick Museum and Robyn Kennedy, Smithsonian Renwick Chief Administrator pay a visit to the studio to have a look at the new collaborative glass installation by Tim Tate & Michael Janis.

Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.

Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.

The two Renwick Museum leaders wanted a preview of the work titled, “All That Is Solid Melts Into Air” before it heads up to Chicago as part of Habatat Prime pop-up exhibit that is part of SOFA Expo in a few weeks (Oct 31-Nov 3).

Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.

Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.

And a walk thru of the Washington Glass School looking at the artists work – what great way to spend a spectacular Friday in DC.

Michael Janis describes his sgraffito glass technique to Smithsonian's  Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.

Michael Janis describes his sgraffito glass technique to Smithsonian’s Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.

 

Breaking Glass News! Jeff Zimmer Wins British Glass Biennale!

The British Glass Biennale is the foremost exhibition of excellence in contemporary glass by artists, designers and craftspeople currently working in Britain. Taking place every two years it is the highlight of the International Festival of Glass.

Winner of the 2019 British Glass Biennale - Jeff Zimmer!

Winner of the 2019 British Glass Biennale – Jeff Zimmer!

So excited to find out that WGS alum Jeff Zimmer has won this prestigious award! Super Congratulations Jeff!

Building Worlds @ GRACE

The Greater Reston Arts Center (GRACE) in Northern Virginia’s town of Reston,  presents Building Worlds - an exhibit of artwork that focuses on the role of science fiction, scientific fact, and fantasy in the changing nature of our relationship to our fears, ideals, and questions about being human.

Laura Beth Konopinski, "Hang:Purge"; glass; 2018

Laura Beth Konopinski, “Hang:Purge”; glass; 2018; photo by Pete Duvall

The artists in this exhibition create their own worlds, including cultural references and artifacts, to question the assumptions of history-making and truth-telling. Building Worlds features the work of Michael Booker, Rachel Guardiola, Timothy Harper, Laura Beth Konopinski, and Katherine Tzu-Lan Mann.

Opening Reception and Curator’s Talk: July 21, 5–7pm

Building Worlds
July 21- September 15, 2018
Greater Reston Arts Center
12001 Market Street, Suite #103, Reston, VA 20190
703.471.9242

National Liberty Museum To Blast-Off With Spacelab Exhibit of Glass Art

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SPACELAB: An Interstellar Exhibit of Glass Art
On display at Philadelphia’s National Liberty Museum from July 6 – September 7, 2018

SPACELAB is a one-of-a-kind showcase of glass art that explores the great unknown – outer space. This collection of artwork examines human relationships with the universe, including space travel; extraterrestrial beings and intergalactic discoveries; the vastness and mystery of space; and much more. The innovative nature of glassmaking makes it the perfect medium for this subject, which has captured imaginations since the dawn of humankind. The featured work ranges from whimsical and mystical to elegant and awe-inspiring. WGS’ Laura Beth Konopinski is one of the featured artists in the exhibit. 

Laura Beth Konopinski; "her Inner space given Out"; Blown and recycled glass, torchworked and sculpted, enamel, preserved organic materials, 4.5in x 4.5in x 8.5in

Laura Beth Konopinski; “her Inner space given Out”; Blown and recycled glass, torchworked and sculpted, enamel, preserved organic materials, 4.5in x 4.5in x 8.5in

Friday, July 6 is the Opening Reception of SPACELAB. The public is invited to see a  preview the show, meet featured artists, and see a performance by the over-the-top glam rock band, OOLALA.  The event is free with a suggested donation of $10 to support the Museum’s public programming.   RESERVE NOW!

The National Liberty Museum’s mission of supporting glass art positions the institution as a unique venue to celebrate and discuss issues relevant to the international glass community.

Artists Accepted for this Exhibit:

NLM_logo_245321 Chestnut Street
Philadelphia, PA 19106

For more info – click link to jump to Liberty Museum website http://www.libertymuseum.org/glass-art/glassaccess-exhibits/spacelab-exhibit/

New Glass Museum opens in Sunny St. Pete!

Imagine Museum's  ribbon cutting on Tuesday, January 23rd at 10:30 a.m.

Imagine Museum’s grand opening ribbon cutting will be on Tuesday, January 23rd @ 10:30 a.m.

The brand-new Imagine Museum opens January 23, 2018 in Saint Petersburg, Florida, near the Morean Arts Center, which has a permanent collection of Dale Chihuly’s glass artwork.

The vision for the museum comes via its benefactor, Trish Duggan, a glass collector and artist in her own right. Duggan wanted to create a space with both aesthetic and civic significance, a cultural institution dedicated to her medium of choice: glass. The new museum’s primary collection will focus on the explosive growth and diversification of the studio glass movement in America since the 1960’s, and extends to new directions in contemporary glass.

The collection of the museum seeks to present an historical Family Tree of the American Studio Glass Movement from the 1960’s to the present. This 55-year phenomenon is represented by 55 prominent glass artists who exemplify its vitality. The collection comprises almost 500 extraordinary works that highlight the connections and influences among studio glass pioneers through to the present. The museum’s collection was acquired with the help of Corey Hampson, president and owner of Michigan’s Habatat Galleries, who was acting as a “curatorial advisor.” 

imagine,museumImagine Museum
1901 Central Avenue
Saint Petersburg, Florida 33713

 

Workhouse Glass National 2015

lorton.glass.national.maurine_littleton.2015.usa.art.virginiaLorton, Virginia’s Workhouse Arts Center opened its 1st Annual Workhouse Glass National Exhibition reception this past weekend. The exhibit was created from an “Open Call” for functional and/or sculptural glass artworks, juried by the legendary gallerist, Maurine Littleton.

Featuring a range of contemporary glass artwork currently being created throughout the United States of America, Washington Glass School is proud that works by two WGS Resident Artists, Veta Carney and Diane Cooper Cabe were among the artwork selected for the exhibit. Congratulation to all the artists!

Artists exhibiting:
Paul Heller, Elizabeth James, Sandi Martina, Nancy Nicholson, Biba Schutz, Barbara Atkinson, Suellen Black, Diane Cooper Cabe, Veta Carney, Eli Cecil, Lauren Cummings,, Dick Ditore, Jean Fernandes, Rhonda Gilbert, Charlie Holden, Jaye Houle, Benjamin Johnson, Winn Jones, Rollin Karg, Laura Beth Konopinski, Andrew Madvin, Ursula Marcum, Jennifer Nauck, Steven Ramsey, Mary Richardson, Scott Slagerman, Paul Swartwood, Natalie Tyler and Janet Wittenberg

Workhouse Glass National 2015

Now thru  - January 17, 2016

9518 Workhouse Way, Lorton, VA 22079

Glass as Sculptural Medium Talk at ISC Conference

international.sculpture

The ISC conference returns to New Orleans for the 24th International Sculpture Conference: Sculpture, Culture, and Community, being held from October 1-4, 2014. This conference will feature panel discussions, keynote speakers, ARTSlams, optional tours, and networking events, and will explore how sculpture and the arts can rejuvenate communities and economies.

One of the panel discussions, “Glass as Sculptural Medium in the 21st Century” is sure to be one to see! Moderated by Patrick Blythe, the panelists include Tulane University Professor Gene Koss, arts writer/critic/historian/scuba diver William Warmus, and WGS Professor Tim Tate.

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If you are going to the vibrant city of New Orleans for the ISC conference – make sure your calendars marked for Friday’s talk starting at 2:30 pm at the Ogden Museum of Southern Art.

The Process: Public Art and Placemaking

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DC Ward 7 Green Community Arch sculpture located at the new Unity Healthcare Building.

One of the Washington Glass Studio’s most ambitious public art projects has just completed installation. The DC Commission on the Arts & Humanities commissioned the sculpture for the new Unity Healthcare facility in Washington, DC, and the glass-and-steel artwork was installed without a problem this week.

Michael Janis bolts the panels to the top of the public art sculpture before the work is hoisted into place.

Michael Janis bolts the panels to the top of the public art sculpture before the work is hoisted into place.

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Concept design for the Green Community Gateway Arch

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The public artwork concept was designed and engineered to a high level.

The design of the public artwork was intended to mark the symbolic entrance to the Kenilworth / Parkside section of DC’s Ward 7. This area (near Caeser Chavez charter school, the Kenilworth Aquatic Gardens and the Anacostia Freeway) was recently identified as a DC Promise neighborhood – and its experiencing a renewed investment in neighborhood revitalization. After meeting with community representatives, the WGS team focused on themes that were strongly held. A “Community Gateway Arch” became the vision for the placemaking sculpture that would help identify the new environment. The glass panel insets in the 16′ tall sculpture would be made with the help of the neighborhood residents, students of the high school, and the staff of the new Unity Healthcare facility. The Washington Glass Studio worked with the DC Creates! Public Art Program selection committee, the DCCAH Council, Unity Parkside Health Care, the Ward 7 ANC and the community and held a series of glass “quilting-bees” and made a communal environment where community and art were not separate. 

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Artist Erwin Timmers oversaw the structural integration of support framework, LED lighting and glass panel insets.

The 16′ high x 14′ wide sculpture lit internally with LED lighting was one of the largest outdoor artworks installed to date for the Washington Glass Studio, and much went into the design, engineering and the fabrication of the steel framework. 

DCCAH invitation to Ward 7 to make glass at WGS

DCCAH invitation to Ward 7 to make glass at WGS

In early 2014, with the structural foundation for the artwork finished and the steel framework underway, the call went out to the community to come make glass. By directly involving the public in the creation of the new landmark, the space would resonate because the artwork would have meaning to all – as everyone had the chance to tell their story.  The glass workshops were packed. Many of the people that came to work in glass returned to each of the scheduled dates – they loved working in glass and wanted to see how the artwork changed once fired. 

DC ANC Commissioner Willie H. Woods, Jr and DCCAH Exec Director Lionell Thomas were among the community enlisted to interact with the glass artwork.

DC ANC Ward 7 Commissioner Willie H. Woods, Jr and DCCAH Exec Director Lionell Thomas were among the community enlisted to interact with the glass artwork.

By having many area residents making the glass art insets, the sculpture has an increased sense of local identity. The artwork arch stimulates curiosity, inspired some of the budding artists to consider new artistic avenues and on occasion, create a smile.

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Many voices told many stories in the inset panels that made up the glass quilt archway.

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Opposite view of Washington, DC’s Green Community Arch.

The formal opening ceremony of the Anacostia Arch with DC Mayor Gray is now being scheduled. We will update on the school’s FB page and on the blog!

Project Details

  • Location: Corner Hayes Street & Kenilworth Terrace, NE; Washington, DC 20019
  • Washington Glass Studio Public Art Team: Michael Janis, Tim Tate, Erwin Timmers, Audrey Wilson, Derek Thomas, Miles Lark, Cris Chaney and Robyn Townsend
  • Structural Engineers: Holbert Apple Associates, Inc and Wolfman and Associates
  • Structural Steel: Iron Kingdom
  • Number of Glass Tile Insets: Over 300
  • Weight of Sculpture: 2000 lbs