The Art of Annealing: Why This Cooling Step Makes or Breaks Your Glass

Face crack of the century!

Glass may look solid, but without careful handling it can betray you—cracking days (or even years) later if one essential step is skipped. That step is annealing: the slow, deliberate cooling of glass that relieves hidden stresses and gives your work strength, stability, and staying power.

In this post, we take you inside the annealing process—what it is, why it matters, and how to do it right.

What Exactly Is Glass Annealing?

Annealing is the controlled process of slowly cooling hot glass so that internal stresses can relax. Skip it, and you risk your work shattering at the slightest bump—even if it already feels cool to the touch.

The Science in Brief

Glass is an amorphous solid—its molecules are frozen in a liquid-like disorder. Unlike ice or metal, it doesn’t shift neatly between solid and liquid. Instead, it softens gradually with heat and stiffens gradually as it cools.
Cool it too fast, and stresses lock in, making the glass brittle.
Cool it in a carefully managed way, and those stresses dissipate—leaving your work durable and resilient.

The Critical Temperature Points

  • Annealing point: The “sweet spot” (around 900–1000 °F for many art glasses) where the glass can release stresses while holding its form.
  • Strain point: The lower range where molecular movement stops, locking the stress-free structure into place.

What Happens If You Don’t Anneal?

  • Structural weakness → tiny fractures form.
  • Spontaneous breakage → glass can shatter unexpectedly.
  • Thermal shock risk → poor resistance to heating/cooling cycles.
  • Lost artistry → hours of effort undone by fragility.
In the James Bond movie “Spectre”, MI-6 Chief “M” quotes the French saying: “it is the fate of glass to break”… so lets not tempt fate…

General Steps of the Annealing Process

1. Cool to the annealing range – quickly bring hot glass down to ~900–1000 °F.

2. Hold/Soak – stay at that temperature: ~1 hour per ¼ inch of thickness.

3. Slow cool through the strain point – reduce gradually (about 300 °F/hour or slower for thicker glass).

4. Final cool to room temp – once below the strain point, you can let the kiln finish cooling more rapidly.

⚠️ Pro tip: You can never over-anneal, but you can definitely under-anneal. When in doubt, anneal longer.

Success Keys for Annealing

  • Be precise – consistent kiln temps matter.
  • Be patient – don’t peek!
  • Be safe – never handle until fully cooled.

The Payoff

When annealed correctly, your glass rewards you with:
✨ Strength & stability
✨ Thermal shock resistance
✨ Dimensional integrity (no warping or distortions)

In other words, annealing is what ensures your artistry survives beyond the kiln.

Hot Shop Heroes Returns to Washington Glass School!

This fall, the Washington Glass School (WGS) in Mt. Rainier, MD is honored to host the second session of Hot Shop Heroes, a powerful collaboration with the Museum of Glass (MOG) in Tacoma, WA. The program brings military veterans into the glass studio for a unique and inspiring journey of creative arts therapy.

washington glass school director Michael Janis with military veterans work in the kiln

Over the coming months, veterans will work side by side with WGS artists to create glass and steel sculptures. For many participants—some navigating the long road of recovery from combat-related injuries and trauma—the workshop provides much more than technical skills. The studio becomes a space of connection, trust, and expression. Veterans bond with one another while discovering the transformative qualities of melted glass: its fragility, resilience, and potential for reinvention.

The program underscores the healing power of the arts. Each workshop session offers not only hands-on training but also a shared experience of collaboration, focus, and renewal.

The veterans’ artworks will be on display at the Washington Glass School Winter Open House on December 13, 2025—a celebration of creativity, community, and the enduring strength of those who have served.

WOMEN ARTISTS OF THE DMV – A Historic 16-Venue, 300+ Artist Exhibition

Washington Glass School is proud to share that several of our artists are featured in the groundbreaking exhibition “Women Artists of the DMV”!

This fall, curator and artist F. Lennox “Lenny” Campello launches a historic 16-venue, 300+ artist survey across DC, Maryland, and Virginia—celebrating the creativity and impact of women artists in our region.

WGS artists, including April Shelford, Trish Kent, Diane Cabe, Erin Antognoli, Patricia de Poel Wilberg, and Kate Barfield are amongst the talented voices included in this unprecedented show—equal parts cultural intervention and historical record.

📖 Read more via East City Art: https://www.eastcityart.com/features/dmvwomen2025/

WGS’ New Sculpture Blossoms in Greenbelt

This past weekend, the City of Greenbelt, Maryland, celebrated the dedication of a stunning new public sculpture, The Beauty in a Garden Comes from More Than One Flower, created by Washington Glass School Co-Director and eco-artist Erwin Timmers.

Crafted from steel and recycled glass, the sculpture’s graceful petals carry a story far beyond their materials — they are the handiwork of the very community the artwork now welcomes. In a series of hands-on glass work sessions at the Washington Glass School in Mount Rainier, MD, residents of the new Motiva apartments and their Greenbelt neighbors joined Erwin in creating the vivid glass infill panels that make the piece glow with life and individuality.

“The concept was always about unity through diversity,” says Erwin. “Just like a garden thrives because it has many flowers, a community flourishes because of its different voices, talents, and hearts.”

The project, sponsored by Motiva, blossomed into more than just a public art commission — it became a joyful, collaborative journey. Over the course of multiple workshops, participants experimented with recycled glass, learned kiln-forming techniques, and left their personal creative mark on the sculpture.

The finished work now stands as both an artistic landmark and a symbol of connection — an invitation for all who pass by to remember that beauty is born from many hands working together.

💚 Washington Glass School is proud to have been part of this community-centered creation, bringing people into the making process and showing how recycled materials can tell vibrant new stories.

Congratulations to Erwin, to all the participating residents, and to Greenbelt Recreation Arts for championing public art that grows from — and for — the community.

Washington Glass School Artists Featured in “The Art of the Art Clinic Online” Exhibition at Glen Echo Park

This Friday, August 1, The Art of the Art Clinic Online opens at Glen Echo Park’s Popcorn Gallery, showcasing an impressive lineup of over 30 artists from the DC-area Art Clinic Online (ACO) community—including Washington Glass School artists Erwin Timmers, Tim Tate, and Michael Janis.

Presented as part of Glen Echo’s First Friday Art Walk (6–8 PM), this group exhibition runs through September 28 and offers a compelling glimpse into the diversity of creative voices shaping the region.

📍 Popcorn Gallery
Glen Echo Park
7300 MacArthur Blvd, Glen Echo, MD
Free + open to the public

Founded in 2020, ACO has become a vibrant platform for community, conversation, and exchange among artists throughout the DMV. Every other Saturday, the group hosts online sessions where a featured artist presents their work and engages in lively dialogue with participants. The program’s inclusive spirit and broad range of voices are central to its mission—and now, those connections come off-screen and into the gallery space.

The Art of the Art Clinic Online is a reflection of the many practices and perspectives nurtured through ACO’s ongoing work, and we’re proud to see WGS artists included in this thoughtful and energetic survey.

Participating Artists Include:
Blair Anderson, Maremi Andreozzi, Sondra Arkin, Julia Bloom, F. Lenox Campello, Eric Celarier, Aishwariya Chandrasekar, Schroeder Cherry, Jeffery Everett, Kate Fleming, Erin Fostel, Barbara Epstein Gruber, Ric Garcia, Sarah Jamison, Michael Janis, Robert Knudsen, Christine Lashley, Kyujin Lee, Laurel Lukaszewski, Akemi Maegawa, Dana Jeri Maier, Lindsay Mueller, Cory Oberndorfer, David Page, Erin Raedeke, Ephraim Rubenstein, Nicole M. Santiago, Tim Tate, Valerie Theberge, Erwin Timmers, Bennett Vadnais, Steve Wanna, Dawn Whitmore, and Andrew Wodzianski.

Make time to visit Glen Echo Park this summer—you’ll find a rich cross-section of the region’s creative talent and a strong sense of community threaded through every work on view.

Washington Glass School Artists Shine in Contemporary Art Exhibits

The Washington Glass School is thrilled to celebrate the achievements of two of our talented resident artists, April Shelford and Kate Barfield, whose works have been selected for prestigious contemporary art exhibitions. Their unique glass artworks showcase the innovative spirit and technical mastery that define our studio’s creative community.

Artist: Kate Barfield; “Tribute to Ms. Mailou Jones”, Fused Glass, steel, wood; Photo Credit: Pete Duvall

Kate Barfield’s Vibrant Works at “The Power of Color” Exhibition

Kate Barfield’s captivating glass pieces, Tribute to Ms. Lois Mailou Jones and Rejoice Wind Up Bird, have been selected for the upcoming The Power of Color exhibition, sponsored by MD Fine Arts at the Circle Gallery in Annapolis, Maryland. This show highlights the dynamic use of color in contemporary art, and Kate’s work perfectly embodies this theme. Her piece Tribute to Ms. Lois Mailou Jones pays homage to the renowned Black DC painter, capturing the angular shapes, curves, and vibrant “POW!” of color that defined Jones’ work. Rejoice Wind Up Bird further showcases Kate’s ability to infuse glass with narrative depth and vivid expression. We invite you to visit the Circle Gallery to experience these stunning works in person and see how Kate’s artistry transforms glass into a powerful storytelling medium.  MFA’S Circle Gallery from July 30th – August 23rd, 2025

Artist: April Shelford; “To Monet”, Fused Glass; Photo Credit: Pete Duvall 

April Shelford’s To Monet in “A Sense of Place” Online Exhibition

April Shelford’s evocative piece To Monet has been selected for the A Sense of Place online exhibition, launched on July 7, 2025, by the Contemporary Glass Society (CGS), the UK’s foremost organization supporting glass artists. This global celebration of glass art features 77 international artists, each exploring how glass captures personal and cultural connections to place. April’s To Monet reflects her signature focus on color and pattern, inspired by her meticulous attention to detail and questing curiosity. Her fused glass work, reminiscent of the historian’s craft, assembles diverse elements into a cohesive and meaningful whole, evoking a profound sense of place. This online exhibition offers a unique opportunity to explore April’s work alongside other visionary glass artists from around the world. Visit the CGS website to immerse yourself in this remarkable showcase.

Celebrating Our Artists’ Vision and Craft

Both Kate and April exemplify the Washington Glass School’s commitment to pushing the boundaries of glass as a medium for contemporary art. Their selections for these prestigious exhibitions highlight their individual talents and the vibrant creative energy fostered at our studio. We are incredibly proud of their contributions to the global glass art community and invite you to join us in celebrating their achievements.

Stay tuned for more updates on our artists’ exhibitions and events, and visit the Washington Glass School to discover the transformative power of glass art!

Washington Glass School Artists Featured in Major Museum Gift

Washington Glass School is excited to share that co-directors Michael Janis and Tim Tate are among the artists included in a significant new acquisition by The Baker Museum in Naples, Florida. The museum has received The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics, a gift that brings 74 works by 60 artists into the museum’s permanent collection.

The Baker Museum in Naples, FL

The Sibrack Collection includes works by some of the most influential names in contemporary glass and ceramics, including Dale Chihuly, Judith Schaechter, Amber Cowan, Preston Singletary, Lucio Bubacco—and now, Michael Janis and Tim Tate. This collection spans nearly every major glass technique, from flame-worked to blown and cast, and reflects a deep appreciation for material, form, and light.

The Baker Museum’s decision to fully integrate these works into its broader holdings marks a continued shift in how museums value glass and ceramics—not as separate from fine art, but as essential parts of its story. For Janis and Tate, who have each spent decades advancing contemporary glass as a narrative and conceptual art form, this recognition is especially meaningful.

“Our work is about storytelling through material,” said Michael Janis. “Being included in a collection like this, which treats glass as a vehicle for meaning and not just decoration, affirms why we do what we do.”

Tim Tate added, “What the Sibracks have built is not just a personal collection—it’s a statement about the relevance and emotional range of glass today.”

Rita and Dr Laurence Sibrak

The Sibracks, longtime supporters of Artis—Naples, were first inspired by a 2000 exhibition of Chihuly’s work at the museum. Their decision to make this donation stems from a long commitment to both the institution and the idea that art should be lived with, shared, and accessible to all.

This acquisition places the work of two DC-based artists into one of the most respected collections in the region, further establishing the impact of the Washington Glass School on the national stage. We’re proud to see Michael and Tim’s work recognized alongside such powerful voices in the field and grateful to the Sibracks and the Baker Museum for helping bring greater visibility to the language of glass.

The collection will be celebrated in the upcoming exhibition “The Passion of Collecting: Stories in Glass and Ceramics from the Sibrack Collection,” opening January 10, 2026 at The Baker Museum and remaining on view through the fall.

Following is a complete list of artists in the The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics: Dean Allison, Adrian Arleo, Michael Behrens, Susan Beiner, Alex Bernstein, Charles Birbaum, Christina Bothwell, Peter Bremers, Emily Brock, Lucio Bubacco, Jim Budde, Nancy Callan, Dale Chihuly, A-Mi Choi, Amber Cowan, Dan Dailey, Stefen Dam, Laura Donefer, Michael Glancy, Peter Hora, Agnes Husz, Jannet Iskander, Martin Janecky, Michael Janis, William Kidd, Sabrina Knowles, Velarde Kukuli, K. William LeQuier, Dianne Martin Lublinski, Emma Luna, Robert Mickelsen, Shelley Muzylowski Allen, Harumi Nakashima, Sybelle Peretti, Lindsay Pichaske, Jenny Pohlman, Clyfford Rainey, David Regan, Colin Reid, Ross Richmond, George Rodriquez, Davide Salvadore, Judith Schaechter, Livio Seguso, Preston Singletary, Carmen Spera, Kristen Stingle, April Surgent, Matthew Szösz, Etsuko Tashimu, Tim Tate, Tip Toland, Margit Tóth, Hidenori Tsumori, Sam Tuffnell, Janusz Walentynowicz, Patti Warashina, Ann Wolff, Loretta Yang and Mary Ann Zynsky.

To learn more about the museum and the artists in the collection, visit artisnaples.org.

“New Connections in Glass” Exhibit at Ice House Gallery

Washington Glass School resident artist Patricia de Poel Wilberg will be featured in the upcoming “New Connections in Glass exhibit at the Ice House Gallery in Berkeley Springs, WV. Curated by Maureen Storey, the show runs from May 30 to July 27, 2025, with an Opening Reception on Saturday, May 31, from 6:30 – 8:30 PM.

The exhibition brings together eight exceptional glass artists exploring diverse techniques and perspectives within the medium. Each artist offers a unique lens into the many ways glass can be transformed, manipulated, and used to tell visual stories.

Patricia de Poel Wilberg’s work continues to captivate with her painterly approach to glass. For this exhibit, Patricia debuts a vibrant new series of figurative panels celebrating noted women artists throughout history. These tributes aren’t just portraits—they’re rich, layered interpretations that reference each subject’s distinctive art and style, translated into glass.

Patricia de Poel Wilberg working on her new glass artwork series

Using vitreous enamels and kiln-formed glass, Patricia meticulously builds her panels through multiple firings, fusing and reforming components to create dynamic narratives. Her newest works honor the legacies of women whose creative voices have shaped the art world—brought to life in color, texture, and light.

Evolution of Patricia’s glass artwork tribute to Yayoi Kusama. (The Japanese artist known for their signature use of polka dots and large-scale installations.)

“I wanted to show how the spirit of these artists can be reinterpreted through the language of glass,” Patricia explains. “Each panel is a conversation between their work and mine.”

Featured artists in the show include:
Elizabeth Braun
Rachel Brooks
Mark Hill
Sharon Moffitt
Patricia de Poel Wilberg
Laurie Madsen Snarr
Maureen Storey
Nancy Weisser

We encourage everyone to make the trip to the scenic Ice House Gallery to see this remarkable collection and to support Patricia and her fellow artists. It’s sure to be a stunning and inspiring celebration of innovation in glass.

New Connections in Glass
May 30 – July 27, 2025
Opening Reception: Saturday, May 31, 6:30 – 8:30 PM
Ice House Gallery
138 Independence Street, Berkeley Springs, WV 25411
www.icehousecoop.com

Upcoming Washington Glass School Event at the National Building Museum!

National Building Museum, 401 F Street NW, Washington, DC 20001

Step into the world of architecture, design, and history at the National Building Museum in Washington, D.C. Located at 401 F Street NW, just four blocks from the National Mall.

national building museum features Washington Glass School classes
WGS leads workshop at the National Building Museum.

Washington Glass School Event! :
A Maker’s Workshop: The Art of Mosaics
Join Graciela Granek from The Washington Glass School for a hands-on mosaic workshop inspired by the Visible Vault exhibition. Two sessions are available on May 17: 10:15 a.m.–12:15 p.m. and 2:00 p.m.–4:00 p.m. (NOTE: Both sessions are now SOLD OUT!!)
Don’t miss the chance to explore the stories of the world we design and build. Visit the National Building Museum and be inspired!

GLA53 – The 53rd Annual International Glass Invitational Award Exhibition Opens May 3rd at Habatat Galleries Complex, Royal Oak, MI.

Michael Janis glass art featured in Glass 53
WGS artist Michael Janis’ new works are featured int Glass 53. Image by Pete Duvall.

Glass53 is the largest and oldest annual glass art experience in the world. Now in its 53rd year, Habatat Galleries in Royal Oak, Michigan, presents an extraordinary gathering of the work of over 100 artists from over 30 countries. Each artist is a visionary whose mastery of glass transcends mere materiality to
embody light, texture, and form in ways that captivate the soul. Habatat seeks to honor not only the works themselves but also the journeys of those who create them. This year’s exhibition is not just a showcase; it’s a living narrative of glass as an ever-evolving art form. From the grand halls of the world’s most prestigious museums to the cultural zeitgeist, glass has emerged from the shadows of traditional craftsmanship into the forefront of contemporary discourse. The featured artists are pioneers and storytellers, each bringing a unique perspective to the medium through bold abstraction, intricate realism, or conceptual deconstruction.

Glass53 Booklet (learn all about Glass53): Click HERE

Glass 53 Invited Artists: Shelley M. Allen, Anthony Amoako-attah, Herb Babcock, Michael Behrens, Alex Bernstein, Martin Blank, Jen Blazina, Christina Bothwell, Geoffrey Bowton, Jannah Bowlus, Latchezar Boyadjiev, Peter Bremers, Karen Browning, Nancy Callan, Eunsuh Choi, Deanna Clayton, Amber Cowan, Simone Crestani, Christopher Day, Cheryl Derricotte, Minhi England, Hannah Gibson, Susan Taylor Glasgow, Wilfried Grootens, Baldwin & Guggisberg, Kim Harty, David Huchthausen, Krista Israel, Tim Jaeger, Michael Janis, Karen Willenbrink-Johnsen, Richard Jolley, Brent Kee Young, Claire Kelly, Kelly O’Dell, Steve Klein, Vladimira Klumpar, Eriko Kobayashi, Laura Kramer, Jiyong Lee, Steve Linn, Littleton & Vogel, László Lukácsi, Boldizsár Lukácsi, Lucy Lyon, Dylan Martinez, Robert Mickelsen, John Miller, Lukas Mjartan, James Mongrain, Karin Mørch, Josepha Gasch-Muche, Kathleen Mulcahy, Barbara Nanning, David Patchen, Maytas Pavlik, Sibylle Peretti, Pohlman & Knowles, Stephen Rolfe Powell, Colin Reid, Kait Rhoads, Bruno Romunelli, Marlene Rose, Martin Rosol, Richard Royal, Toland Sand, Thomas Scoon, John Sharvin, Judith Schaechter, Jeremy Sinkus, Paul Stankard, Ethan Stern, April Surgent, Lino Tagliapietra, Takizawa Kazuki, Michael Taylor, Bensen & Theofanous, Stephanie Trenchard, Carmen Vetter, Elliot Walker, & Trina Urrata Weintraub.

53nd Annual International Glass Invitational Award Exhibition GLASS53

May 3, 2025 – Sep 19, 2025

Habatat Galleries
4400 Fernlee Ave
Royal Oak, MI 48073

Email: info@habatat.com
Phone: 248-554-0590