Tag Archives: contemporary craft

Washington Glass School Artists Shine in Contemporary Art Exhibits

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The Washington Glass School is thrilled to celebrate the achievements of two of our talented resident artists, April Shelford and Kate Barfield, whose works have been selected for prestigious contemporary art exhibitions. Their unique glass artworks showcase the innovative spirit and technical mastery that define our studio’s creative community.

Artist: Kate Barfield; “Tribute to Ms. Mailou Jones”, Fused Glass, steel, wood; Photo Credit: Pete Duvall

Kate Barfield’s Vibrant Works at “The Power of Color” Exhibition

Kate Barfield’s captivating glass pieces, Tribute to Ms. Lois Mailou Jones and Rejoice Wind Up Bird, have been selected for the upcoming The Power of Color exhibition, sponsored by MD Fine Arts at the Circle Gallery in Annapolis, Maryland. This show highlights the dynamic use of color in contemporary art, and Kate’s work perfectly embodies this theme. Her piece Tribute to Ms. Lois Mailou Jones pays homage to the renowned Black DC painter, capturing the angular shapes, curves, and vibrant “POW!” of color that defined Jones’ work. Rejoice Wind Up Bird further showcases Kate’s ability to infuse glass with narrative depth and vivid expression. We invite you to visit the Circle Gallery to experience these stunning works in person and see how Kate’s artistry transforms glass into a powerful storytelling medium.  MFA’S Circle Gallery from July 30th – August 23rd, 2025

Artist: April Shelford; “To Monet”, Fused Glass; Photo Credit: Pete Duvall 

April Shelford’s To Monet in “A Sense of Place” Online Exhibition

April Shelford’s evocative piece To Monet has been selected for the A Sense of Place online exhibition, launched on July 7, 2025, by the Contemporary Glass Society (CGS), the UK’s foremost organization supporting glass artists. This global celebration of glass art features 77 international artists, each exploring how glass captures personal and cultural connections to place. April’s To Monet reflects her signature focus on color and pattern, inspired by her meticulous attention to detail and questing curiosity. Her fused glass work, reminiscent of the historian’s craft, assembles diverse elements into a cohesive and meaningful whole, evoking a profound sense of place. This online exhibition offers a unique opportunity to explore April’s work alongside other visionary glass artists from around the world. Visit the CGS website to immerse yourself in this remarkable showcase.

Celebrating Our Artists’ Vision and Craft

Both Kate and April exemplify the Washington Glass School’s commitment to pushing the boundaries of glass as a medium for contemporary art. Their selections for these prestigious exhibitions highlight their individual talents and the vibrant creative energy fostered at our studio. We are incredibly proud of their contributions to the global glass art community and invite you to join us in celebrating their achievements.

Stay tuned for more updates on our artists’ exhibitions and events, and visit the Washington Glass School to discover the transformative power of glass art!

Posted in april shelford, kate barfield | Tagged , ,

Washington Glass School Artists Featured in Major Museum Gift

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Washington Glass School is excited to share that co-directors Michael Janis and Tim Tate are among the artists included in a significant new acquisition by The Baker Museum in Naples, Florida. The museum has received The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics, a gift that brings 74 works by 60 artists into the museum’s permanent collection.

The Baker Museum in Naples, FL

The Sibrack Collection includes works by some of the most influential names in contemporary glass and ceramics, including Dale Chihuly, Judith Schaechter, Amber Cowan, Preston Singletary, Lucio Bubacco—and now, Michael Janis and Tim Tate. This collection spans nearly every major glass technique, from flame-worked to blown and cast, and reflects a deep appreciation for material, form, and light.

The Baker Museum’s decision to fully integrate these works into its broader holdings marks a continued shift in how museums value glass and ceramics—not as separate from fine art, but as essential parts of its story. For Janis and Tate, who have each spent decades advancing contemporary glass as a narrative and conceptual art form, this recognition is especially meaningful.

“Our work is about storytelling through material,” said Michael Janis. “Being included in a collection like this, which treats glass as a vehicle for meaning and not just decoration, affirms why we do what we do.”

Tim Tate added, “What the Sibracks have built is not just a personal collection—it’s a statement about the relevance and emotional range of glass today.”

Rita and Dr Laurence Sibrak

The Sibracks, longtime supporters of Artis—Naples, were first inspired by a 2000 exhibition of Chihuly’s work at the museum. Their decision to make this donation stems from a long commitment to both the institution and the idea that art should be lived with, shared, and accessible to all.

This acquisition places the work of two DC-based artists into one of the most respected collections in the region, further establishing the impact of the Washington Glass School on the national stage. We’re proud to see Michael and Tim’s work recognized alongside such powerful voices in the field and grateful to the Sibracks and the Baker Museum for helping bring greater visibility to the language of glass.

The collection will be celebrated in the upcoming exhibition “The Passion of Collecting: Stories in Glass and Ceramics from the Sibrack Collection,” opening January 10, 2026 at The Baker Museum and remaining on view through the fall.

Following is a complete list of artists in the The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics: Dean Allison, Adrian Arleo, Michael Behrens, Susan Beiner, Alex Bernstein, Charles Birbaum, Christina Bothwell, Peter Bremers, Emily Brock, Lucio Bubacco, Jim Budde, Nancy Callan, Dale Chihuly, A-Mi Choi, Amber Cowan, Dan Dailey, Stefen Dam, Laura Donefer, Michael Glancy, Peter Hora, Agnes Husz, Jannet Iskander, Martin Janecky, Michael Janis, William Kidd, Sabrina Knowles, Velarde Kukuli, K. William LeQuier, Dianne Martin Lublinski, Emma Luna, Robert Mickelsen, Shelley Muzylowski Allen, Harumi Nakashima, Sybelle Peretti, Lindsay Pichaske, Jenny Pohlman, Clyfford Rainey, David Regan, Colin Reid, Ross Richmond, George Rodriquez, Davide Salvadore, Judith Schaechter, Livio Seguso, Preston Singletary, Carmen Spera, Kristen Stingle, April Surgent, Matthew Szösz, Etsuko Tashimu, Tim Tate, Tip Toland, Margit Tóth, Hidenori Tsumori, Sam Tuffnell, Janusz Walentynowicz, Patti Warashina, Ann Wolff, Loretta Yang and Mary Ann Zynsky.

To learn more about the museum and the artists in the collection, visit artisnaples.org.

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“New Connections in Glass” Exhibit at Ice House Gallery

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Washington Glass School resident artist Patricia de Poel Wilberg will be featured in the upcoming “New Connections in Glass” exhibit at the Ice House Gallery in Berkeley Springs, WV. Curated by Maureen Storey, the show runs from May 30 to July 27, 2025, with an Opening Reception on Saturday, May 31, from 6:30 – 8:30 PM.

The exhibition brings together eight exceptional glass artists exploring diverse techniques and perspectives within the medium. Each artist offers a unique lens into the many ways glass can be transformed, manipulated, and used to tell visual stories.

Patricia de Poel Wilberg’s work continues to captivate with her painterly approach to glass. For this exhibit, Patricia debuts a vibrant new series of figurative panels celebrating noted women artists throughout history. These tributes aren’t just portraits—they’re rich, layered interpretations that reference each subject’s distinctive art and style, translated into glass.

Patricia de Poel Wilberg working on her new glass artwork series

Using vitreous enamels and kiln-formed glass, Patricia meticulously builds her panels through multiple firings, fusing and reforming components to create dynamic narratives. Her newest works honor the legacies of women whose creative voices have shaped the art world—brought to life in color, texture, and light.

Evolution of Patricia’s glass artwork tribute to Yayoi Kusama. (The Japanese artist known for their signature use of polka dots and large-scale installations.)

“I wanted to show how the spirit of these artists can be reinterpreted through the language of glass,” Patricia explains. “Each panel is a conversation between their work and mine.”

Featured artists in the show include:
Elizabeth Braun
Rachel Brooks
Mark Hill
Sharon Moffitt
Patricia de Poel Wilberg
Laurie Madsen Snarr
Maureen Storey
Nancy Weisser

We encourage everyone to make the trip to the scenic Ice House Gallery to see this remarkable collection and to support Patricia and her fellow artists. It’s sure to be a stunning and inspiring celebration of innovation in glass.

New Connections in Glass
May 30 – July 27, 2025
Opening Reception: Saturday, May 31, 6:30 – 8:30 PM
Ice House Gallery
138 Independence Street, Berkeley Springs, WV 25411
www.icehousecoop.com

Posted in fused glass, patricia de poel wilberg | Tagged , , ,

Upcoming Washington Glass School Event at the National Building Museum!

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National Building Museum, 401 F Street NW, Washington, DC 20001

Step into the world of architecture, design, and history at the National Building Museum in Washington, D.C. Located at 401 F Street NW, just four blocks from the National Mall.

national building museum features Washington Glass School classes
WGS leads workshop at the National Building Museum.

Washington Glass School Event! :
A Maker’s Workshop: The Art of Mosaics
Join Graciela Granek from The Washington Glass School for a hands-on mosaic workshop inspired by the Visible Vault exhibition. Two sessions are available on May 17: 10:15 a.m.–12:15 p.m. and 2:00 p.m.–4:00 p.m. (NOTE: Both sessions are now SOLD OUT!!)
Don’t miss the chance to explore the stories of the world we design and build. Visit the National Building Museum and be inspired!

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GLA53 – The 53rd Annual International Glass Invitational Award Exhibition Opens May 3rd at Habatat Galleries Complex, Royal Oak, MI.

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Michael Janis glass art featured in Glass 53
WGS artist Michael Janis’ new works are featured int Glass 53. Image by Pete Duvall.

Glass53 is the largest and oldest annual glass art experience in the world. Now in its 53rd year, Habatat Galleries in Royal Oak, Michigan, presents an extraordinary gathering of the work of over 100 artists from over 30 countries. Each artist is a visionary whose mastery of glass transcends mere materiality to
embody light, texture, and form in ways that captivate the soul. Habatat seeks to honor not only the works themselves but also the journeys of those who create them. This year’s exhibition is not just a showcase; it’s a living narrative of glass as an ever-evolving art form. From the grand halls of the world’s most prestigious museums to the cultural zeitgeist, glass has emerged from the shadows of traditional craftsmanship into the forefront of contemporary discourse. The featured artists are pioneers and storytellers, each bringing a unique perspective to the medium through bold abstraction, intricate realism, or conceptual deconstruction.

Glass53 Booklet (learn all about Glass53): Click HERE

Glass 53 Invited Artists: Shelley M. Allen, Anthony Amoako-attah, Herb Babcock, Michael Behrens, Alex Bernstein, Martin Blank, Jen Blazina, Christina Bothwell, Geoffrey Bowton, Jannah Bowlus, Latchezar Boyadjiev, Peter Bremers, Karen Browning, Nancy Callan, Eunsuh Choi, Deanna Clayton, Amber Cowan, Simone Crestani, Christopher Day, Cheryl Derricotte, Minhi England, Hannah Gibson, Susan Taylor Glasgow, Wilfried Grootens, Baldwin & Guggisberg, Kim Harty, David Huchthausen, Krista Israel, Tim Jaeger, Michael Janis, Karen Willenbrink-Johnsen, Richard Jolley, Brent Kee Young, Claire Kelly, Kelly O’Dell, Steve Klein, Vladimira Klumpar, Eriko Kobayashi, Laura Kramer, Jiyong Lee, Steve Linn, Littleton & Vogel, László Lukácsi, Boldizsár Lukácsi, Lucy Lyon, Dylan Martinez, Robert Mickelsen, John Miller, Lukas Mjartan, James Mongrain, Karin Mørch, Josepha Gasch-Muche, Kathleen Mulcahy, Barbara Nanning, David Patchen, Maytas Pavlik, Sibylle Peretti, Pohlman & Knowles, Stephen Rolfe Powell, Colin Reid, Kait Rhoads, Bruno Romunelli, Marlene Rose, Martin Rosol, Richard Royal, Toland Sand, Thomas Scoon, John Sharvin, Judith Schaechter, Jeremy Sinkus, Paul Stankard, Ethan Stern, April Surgent, Lino Tagliapietra, Takizawa Kazuki, Michael Taylor, Bensen & Theofanous, Stephanie Trenchard, Carmen Vetter, Elliot Walker, & Trina Urrata Weintraub.

53nd Annual International Glass Invitational Award Exhibition GLASS53

May 3, 2025 – Sep 19, 2025

Habatat Galleries
4400 Fernlee Ave
Royal Oak, MI 48073

Email: info@habatat.com
Phone: 248-554-0590

Posted in american glass, american studio glass, art glass, art glass today, artists of the washington glass school, contemporary art glass, cool glass, creative glass, fused glass, fused glass imagery, glass art, glass gallery, habatat galleries, imagery in glass, narrative glass, royal oak, studio glass movement, top glass artist, Washington School of Glass | Tagged , , , ,

35th Biennial Exhibition of the Creative Crafts Council

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​Saturday ​March 15 – Saturday May 24, 2025

Thursday, March 20, 2025:   Opening reception and awards ceremony open to the public at the Strathmore Mansion 7-9 pm

The Creative Crafts Council (CCC) celebrates its 35th biennial exhibition supporting the finest crafts from Maryland, Virginia, and Washington, DC. The first biennial had bold beginnings as the Exhibition of Creative Arts at the National Collection of Fine Arts, now known as the National Museum of American Art, and today continues a long tradition of exhibiting at Strathmore.

The 2025 Creative the Crafts Council 35th Exhibition will showcase some of the finest artworks from the Washington DC, Maryland, and Virginia region, featuring ceramics, enamel, fiber, glass, metal, mixed media, wood, book arts, jewelry, and wearable art. The exhibition runs from Saturday, March 15, 2025, to Saturday, May 24, 2025, at the Mansion at Strathmore, located at 10701 Rockville Pike, Rockville, MD.

The Creative Crafts Council (CCC) is an umbrella organization of fine craft guilds that sponsors a juried biennial exhibition of artworks from regional fine craft artists at the Mansion at Strathmore in North Bethesda, Maryland, and supports and promotes craft-making across Washington DC, Maryland, and Virginia. The CCC’s exhibitions of regional craft have been held since 1954.

Meet the Jurors for the 35th CCC Exhibition

Michael Janis, Co-Director of the Washington Glass School & Studio, blends his architectural expertise with a disciplined approach to glass art, managing site-specific and public art commissions since 2005. His narrative artwork, inspired by his multicultural background as the child of Asian/Latino descent, is featured in major museum collections including the Art Institute of Chicago and the Tacoma Museum of Glass. Janis is the Lowe Art Museum’s 2024 Distinguished Artist, currently working on a public art memorial for the Enslaved People Who Built the US Capitol.
Robert Devers is an artist with a multi-faceted practice that includes ceramics, sculpture, painting, and photography. Ceramics remains his essential focus and provides the lens through which the other mediums are engaged and ultimately brought back into play in ceramic practice. Robert Devers received his MFA degree from Cranbrook Academy of Art. He is currently the Coordinator for the Center for Craft Studies at VisArts in Rockville, MD. He has taught at universities in Washington, DC and Maryland and has works in public collections including Smithsonian Renwick Gallery and the Manuel Cargaliero Foundation, Ravello, Italy.
Mary Higgins is an independent curator and consults with working artists on the development of their marketing and digital media presence through her consultancy, Distinct Studios. Throughout her career, she had maintained her artistic practice of drawing and exhibiting throughout the Washington DC region and internationally. She served for five years as a gallery director and curator for the Schlesinger Center at Northern Virginia Community College where she produced or curated more than 80 exhibitions including three site-specific public installations.

The Strathmore Mansion; 10701 Rockville Pike
North Bethesda, MD 20852

Posted in creative crafts council, creative glass, strathmore | Tagged

Eclipse exhibit Artist Talk at the Athenaeum in Alexandria, VA this Sunday, February 23 at 2 PM

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The Athenaeum’s “Sculpture Invitational” Curated by Alison Sigethy, the 11-artist show is heavy on ceramic or glass works, including pieces by Washington Glass School principals Tim Tate, Erwin Timmers, and Michael Janis.

Athenaeum “Eclipse” artists Lori Katz and Michael Janis chat at opening of show.

Art critic Mark Jenkins writes in his review for the online DisCerning Eye about the show: “Tate’s “Vitruvian Lenticular” is literally mutable, since its Leonardo-inspired figures alternately reach to each other or actually touch, depending on the viewer’s vantage point. One of Janis’s glass-panel portraits offers multiple views of a face, suggesting jagged facets of a single personality…” and “…The sense of motion is palpable, as it is with Timmers’s upright circles of recycled glass, jagged and swirling. “Eclipse” showcases solid objects that aspire, or at least allude, to fluidity.”

great art in washington, dc area
Artist Erwin Timmers describes his artwork process and themes.

Artist Talk: Sunday, February 23, 2 pm

Eclipse

An Athenaeum Sculpture Invitational

January 16, 2025 – February 23, 2025

Artist Talk: Sunday, February 23, 2 pm

Participating artists: Michael Janis, Lori Katz, Mike Price, Carol Prusa, Sarah Hood Salomon, Salih Zeki Sayar, Murat Sener, Michael Enn Sirvet, Tim Tate, Erwin Timmers, Maduka Uduh

Curated by Alison Sigethy

Reviews of Eclipse exhibit :

Metro Weekly

The Zebra

DisCerning Eye

Posted in athenaeum, warm glass, washington DC, washington glass school, Washington Glass Studio, Washington School of Glass, wgs contemporary | Tagged ,

Commemoration of the Slaves who Built the US Capitol

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Glass art by Michael Janis

The recent order from President Trump to rescind DEI (Diversity, Equity, and Inclusion) programs has led to a noticeable downplaying of Black History Month across government agencies. The U.S. State Department, for instance, has prohibited public events or messages celebrating the month, which has been a staple of American culture since the 1970s.

Michael Janis’ design for DC Ward 5 Memorial

In contrast, local organizations in Washington, DC, are stepping up to honor Black history and contributions. The Lamond Riggs Library Friends, in collaboration with the DC Office of Planning, is hosting Foundations of Freedom: Recognizing the Enslaved People Who Built the U.S. Capitol. This special event will introduce WGS Director Michael Janis’ design for a new DC Memorial to Honor the Enslaved People Who Built the U.S. Capitol for Ward 5. Along with DC’s Office of Planning staff, Michael will offer an overview of a public art proposal. The program will include storytelling, a discussion of the design process, and a Q&A session to engage the community.

Thursday, February 6, 2025 from 1 pm – 3 pm @ Lamond-Riggs DC Public Library, 5401 South Dakota Ave NE, WDC.

For more information – click on link to jump to DCPL site: https://dclibrary.libnet.info/event/12875262

Posted in african american glass, american craft, american glass, architect of the capitol, architecture, black artists of DC, bullseye, creative economy, creative glass, DC, DC Commission on the Arts and Humanities, future of glass, glass architecture., history project, kiln-formed, martin luther king jr, michael janis, mike janis, Public Art, studio art glass, studio artist, US Department of State, warm glass, washington DC, washington glass school, Washington Glass Studio, 玻璃艺术 | Tagged ,

Virginia Athenaeum Sculpture Invitational features WGS Directors

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Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.

An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.

Detail of Tim Tate’s work in the “Eclipse” exhibit

Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms.
Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”

Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.

Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow.
Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”

Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.

Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.

Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”

Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Talk: Sunday, February 23, 2 pm
Participating artists:
Michael Janis
Lori Katz
Mike Price
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh

The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Street, Alexandria, VA 22314

Posted in contemporary art glass, contemporary artwork, contemporary craft, contemporary sculpture, CONTEMPORARY SURREALISTIC, content driven glass, environmental art, erwin timmers, kiln fused glass, kiln-formed, kiln-formed glass, kilncast, kilncast float glass, scraffito, sgraffito technique, Tim Tate, washington glass school, Washington School of Glass | Tagged , , ,

Update on Public Art for Motiva Greenbelt

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Earlier in the year, Greenbelt Metro Apartments LLC, in partnership with the City of Greenbelt, commissioned WGS artist Erwin Timmers team to create three-dimensional artwork to be installed at Motiva, a new 354-unit residential development in Greenbelt, MD.

Erwin Timmers, original concept design for Motiva

The artwork design was to be a place marker that enlivens the Motiva Greenbelt complex and surrounding area. Erwin Timmers also outlined how sustainable design would be integrated into his design, using recycled glass.

Motiva Concept: Two tall stylized plant shapes will grace the side of the public plaza at the main entrance. The plant “stems” will be the structural elements and have branches coming out the sides which will
hold circular glass flower shapes. The structure will be made of powder coated steel, with a
coloring that shifts from green below to yellow and red above. The plant stems will bow outward
and then come closer together toward the top. They seem to form an entrance or gateway. The
two shapes will be similar, but uniquely different.

Community glass making workshop at the Washington Glass Studio was held earlier this year.

The glass inset panels that form the petal circles will be made with neighborhood community participation, in workshops held at the Washington Glass Studio.

The Greenbelt community enthusiastically joins in making the newest public art for their town. Color selection was treated with the utmost care.

Timmers said that the inspiration for his nature inspired design comes from the MOTIVA complex’s natural surroundings and the environment. Flowering plants that are native to the area include Black-Eyed Susans, Asters, and more. Flowers are often a symbol of growth and opportunity, and the artist said “just as wildflowers need diversity to make a healthy eco-system, so do people…”

Artist Erwin Timmers helps Greenbelt resident volunteer create their first glass masterpiece.
The public art “stems” arrive at Powdercoat studio to receive their colorful finishes.
Steel framework for the glass “petals” are prepped for their protective paint finishes.

The finished install date will be Mid-September – more about this great project as we get photos!!

Posted in erwin timmers, glass public art, motiva greenbelt, Public Art, recycled glass public art | Tagged , , ,