The recent order from President Trump to rescind DEI (Diversity, Equity, and Inclusion) programs has led to a noticeable downplaying of Black History Month across government agencies. The U.S. State Department, for instance, has prohibited public events or messages celebrating the month, which has been a staple of American culture since the 1970s.
Michael Janis’ design for DC Ward 5 Memorial
In contrast, local organizations in Washington, DC, are stepping up to honor Black history and contributions. The Lamond Riggs Library Friends, in collaboration with the DC Office of Planning, is hosting Foundations of Freedom: Recognizing the Enslaved People Who Built the U.S. Capitol. This special event will introduce WGS Director Michael Janis’ design for a new DC Memorial to Honor the Enslaved People Who Built the U.S. Capitol for Ward 5. Along with DC’s Office of Planning staff, Michael will offer an overview of a public art proposal. The program will include storytelling, a discussion of the design process, and a Q&A session to engage the community.
Thursday, February 6, 2025 from 1 pm – 3 pm @ Lamond-Riggs DC Public Library, 5401 South Dakota Ave NE, WDC.
Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.
An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.
Detail of Tim Tate’s work in the “Eclipse” exhibit
Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms. Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”
Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.
Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow. Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”
Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.
Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.
Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”
Eclipse An Athenaeum Sculpture Invitational Curated by Alison Sigethy January 16, 2025 – February 23, 2025 Artist Reception: Friday, January 17, 6 – 8 pm Artist Talk: Sunday, February 23, 2 pm Participating artists: Michael Janis Lori Katz Mike Price Carol Prusa Sarah Hood Salomon Salih Zeki Sayar Murat Sener Michael Enn Sirvet Tim Tate Erwin Timmers Maduka Uduh
The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts. The Athenaeum Gallery 201 Prince Street, Alexandria, VA 22314
Concept 1 design by Michael Janis for DC’s OP & CAH TAP project in Ward 5
WGS Co-Director Michael Janis’ public art design (concept 1 & 2) for DC’s memorial to the Enslaved People that built the US Capitol has many steps before the Mayor’s approval. One can see -and vote! – on the two concepts online :https://engage.dc.gov/JD4865#tab-50371
The DC Commission on the Arts and Humanities (CAH), in collaboration with the DC Office of Planning (OP), awarded Janis the commission create the significant project that aims to shed light on the often overlooked role of over 200 enslaved people whose labor laid the foundation for one of the most iconic symbols of democracy.
Photo of first community input event in Ward 5 site, April 20, 2024
Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:
“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”
In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024
By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:
…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)
Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik
Washington Glass School Co Founder Erwin Timmers outlines the Studio Glass Movement timeline to audience at Artomatic 2024.
In the 1960s, The American Studio Glass movement transformed glass from craft into fine art.
Artomatic helped create the movement, as after the 2000 Artomatic, the Smithsonian Museum acquired artist Tim Tate’s glass sculpture that was on display. Artist Erwin Timmers’ artwork was also on exhibit at that Artomatic, and after that show, the two began to collaborate, later teaming up to start the Washington Glass School & Studio with the funds from the sale of Tate’s glass artwork to the Renwick.
Washington Glass School Co-Founder Tim Tate’s work at Artomatic 2024.
In 2008, Artomatic organized an exhibit at the Washington Glass School, showcasing the unique approaches to glass sculpture in three “glass” cities: Washington, DC; Toledo, Ohio; and Sunderland, England, fostering international partnerships and collaborative ventures.
Glass works by VA-based artist Griffon Dillon on exhibit at Artomatic 2024.
As the 21st century unfolded, artists across various media have shown growing interest in glass as a creative medium, despite its technical challenges. The Washington Glass Scene has emerged as a hub of innovation, elevating glass to a significant position in contemporary art. The Washington Glass School encourages artists to push boundaries and redefine the possibilities of glass as a fine art medium.
There is a great example of works by DC glass creatives on display at Artomatic 2024, open now thru April 28th. Although the glass works are on many of the 8 floors of art, the 5th floor is the central spot to get ones glass fix. Some photos of Washington Glass School’s reception are featured in this post.
Glass artwork by artist Michael Janis seen at Artomatic 2024 on M Street.
Curator Howard Cohen reviewing glass art on exhibit at Artomatic 2024.
Baltimore based art curator Howard Cohen came this past weekend to Artomatic to handpick glass artists from the DC area for a contemporary glass showcase exhibit at Montpelier Art Center this June. Howard was able to talk with many of the artists and get insight to their narratives and process. Looking forward to the upcoming show!
The Art Alliance for Contemporary Glass (AACG) online First Friday Fired Up! program on Friday, March 1, at 1 p.m. ET presents a virtual tour and panel discussion with artists in the current exhibition at the Museum of Glass in Tacoma,A Two-Way Mirror: Double Consciousness in Contemporary Glass by Black Artists. See the works and hear from several of the artists who have used glass to create work that deconstructs social, cultural, gender, and racial identity concerns. The artists range in background from African American, to British, to Puerto Rican. Each artist uses glass to reflect thoughts and bodies that have historically been fraught with exploitation. Due to its reflectivity and translucence, glass is an apt medium to interrogate identity constructs such as the theory of double consciousness presented by W.E.B. Du Bois in his seminal work, The Souls of Black Folk. Artists from the exhibition participating in the panel are Layo Bright, Crystal Campbell, Chris Day, and Leo Tecosky. The panel’s moderator is Jabari Owens-Bailey, Museum of Glass Curatorial Education Program Manager.Layo Bright, from Nigeria, explores migration, legacy, and identity through hybrid portraits, textiles, and mixed media. She has participated in Art Basel Hong Kong, and is the recipient of Pittsburgh Glass Center’s Ron Desmett Award and Urban Glass’ Visiting Artist Fellowship.Crystal Campbell is a 2021 Guggenheim Fellow in Fine Arts, and she uses underlined archival material to consider historical gaps. She received the 2022 Creative Capital award and the Pollock-Krasner Award.Chris Day is a biracial glass and ceramic artist who uses the beauty of glass to make comments on issues of race. He received a special commendation at last year’s British Glass Biennale, and was selected to participate in the prestigious Artrooms Awards in London.Leo Tecosky deconstructs iconography through an impressive range of glass-making techniques. He juxtaposes the complexity of visual language with the fluidity and transparency of glass. He is the recipient of the 36th annual Corning Museum Rakow Commission as well as the 2023 Maxwell/Hanrahan Award in Craft. The AACG FIRED UP program is free and open to the public, so please spread the word and join this engaging and important discussion!
Exhibiting Artists: Anthony Amoako-Attah, Radcliffe Bailey, Layo Bright, Crystal Z. Campbell, Chris Day, Cheryl Derricotte, Alejandro Guzman, Mildred Howard, Jason McDonald, Parfums de Vigny, Ebony G. Patterson, Pellatt & Green, Related Tactics, Salviati and Company, Joyce J. Scott, Shikeith, Therman Statom, Renée Stout, Barbara Earl Thomas, Hank Willis Thomas, Leo Tecosky, Kara Walker, Fred Wilson.
The event includes a pop-up exhibit of over 150 pieces at the Ringling College of Art + Design’s Studio Labs Sound Stage A. Explore four themed curated exhibitions, two solo exhibits, and visit the newly opened Sarasota Art Museum and the Basch Gallery on the Ringling College campus. Additional highlights include a Masterworks Auction, a demonstration by artist John Kiley, artist talks, a Ringling Museum mystery, Habatat-Zoom Live, the Imagine Museum’s Annual Fire and Light Gala.
Hope to see you at the first HUGE glass event of the year!
RSVP now for a Habatat-Zoom event taking place this Saturday, November 16th, at 1:00 p.m. ET.
Join Aaron Schey (aka Mr Glass) Owner and partner of Habatat Detroit Fine Art, for an engaging update on the WGS Director Michael Janis, an innovative member of the esteemed Habatat Family. Janis, who showcased his work at Habatat’s Scope Art Miami booth this year, will provide insights into the latest developments in his career and sculpture.
Ok. what the what is going on?
Notably involved in the arts community near Washington D.C., Janis has been actively creating public sculptures and exploring new artistic endeavors incorporating video technology.
Save the date for March 2024, as Janis will be showcased as a distinguished artist at the Lowe Art Museum in Miami. Additionally, experience his exceptional work during the Glass Coast Weekend in Sarasota, Florida, where he will be personally present to share his artistic journey. Your presence is highly anticipated!
December 9, 2023 from Noon til 5PM – Holiday Open Studios! See some of the best art and design by the area’s most talented makers! A special exhibit of sculpture made by Military Veterans in Washington Glass School’s “Hot Shop Heroes” workshop held in collaboration with the Museum of Glass will be fetured at the WGS Contemporary Gallery, 3700 Otis Street, Mt Rainier, MD 20712. Artist Talk at 1PM.
Tip: Start your tour in the numerical order listed!
