Witness Tim Tate’s Infinite Mirror Sculpture

Artist Tim Tate has been pulling traditional craft into new realms and depths. Tim shared his newest series “Witnesses of Wonders” and the work is incredible. In this series,Tim has been using elements that were 3-D printed at Catholic University’s modeling department combined with infinity mirrors to expand the sensation of unlimited space in the artwork. 

From Tim’s artist statement about his series:

Tim Tate, "21st Century Guernica"; Glass, Cast Images, LED; 36" x 36 x 4". In this piece a ring of translucent refugee boats float in the center, all with no where to turn to. The center ring is shared with red poppies, the symbol for war remembrance in England. The outer edge is made up of individual images from the powerful Picasso painting entitled Guernica.

Tim Tate, “21st Century Guernica”; Glass, Cast Images, LED; 36″ x 36 x 4″. In this piece a ring of translucent refugee boats float in the center, all with no where to turn to. The center ring is shared with red poppies, the symbol for war remembrance in England. The outer edge is made up of individual images from the powerful Picasso painting entitled Guernica.

“I try to entice the viewer to look deeply into and completely experience my windows into alternative dimensions. My works create an optical and bodily illusion of infinity through apparently limitless space. There is an intimacy created by viewing deeply into a circular opening, as if peering through a portal to witness another endlessly repeating reality.

Tim Tate, 21st Century Guernica - detail .  Said Tim about the imagery of the refugee boats, " Refugees right now are trying to escape unspeakable atrocities and protect their families who are turned away at country after country. This is the shame of our decade. "

Tim Tate, 21st Century Guernica – detail . Said Tim about the imagery of the refugee boats, ” Refugees right now are trying to escape unspeakable atrocities and protect their families who are turned away at country after country. This is the shame of our decade. “

 

The constant repetition of imagery also speaks to us of timelines: ones that go endlessly into the future or extend endlessly into the past. These repetitions reference society mired into static social patterns, some good, some bad.

Tim Tate. "21st Century Guernica" detail.    "Picasso made his painting in mostly tones of black white and gray "to drain the life out of them". I drenched them in red and returned color to them because this horror is happening right now in this world....in fact this very second." said Tim Tate.

Tim Tate. “21st Century Guernica” detail. “Picasso made his painting in mostly tones of black white and gray “to drain the life out of them”. I drenched them in red and returned color to them because this horror is happening right now in this world….in fact this very second.” said Tim Tate.

We look inside these portals as if seeing into a dream, fully realizing that this is but an illusion. But even though we know it is a illusion that should not stop us from freely examining it, and hopefully seeing another world at the same time.

Tim Tate, "The Endless Cycle"; 36 x 36 x 4"; Glass, Aluminum, Poly-Vitro, electronics

Tim Tate, “The Endless Cycle”; 36 x 36 x 4″; Glass, Aluminum, Poly-Vitro, electronics

Uncomfortable with any single defining time, I prefer sliding through the centuries; from 19th century Victorian techno-fetishism, to mid and late 20th century references to endless mirrors and studio glass to 21st century electronics and political focus. Perhaps all my work can be defined by how uncomfortable I am with definitions.” Tim Tate.

For more images of Tim Tate’s newest works – click HERE to have a look at his website

Tim Tate, "The Endless Cycle". Said Tim about this work: "For every man shown here, 1000 people died last year because of gun violence. For every gun shown here, a child dies every day. A hard lesson we have to learn from Orlando.....only by joining together can we hope to curtail gun violence."

Tim Tate, “The Endless Cycle”. Said Tim about this work: “For every man shown here, 1000 people died last year because of gun violence. For every gun shown here, a child dies every day. A hard lesson we have to learn from Orlando…..only by joining together can we hope to curtail gun violence.”

Washington Glass School At S.O.F.A. Chicago 2014

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Every fall – for the past 20 years – Chicago, IL hosts the internationally acclaimed Sculpture Objects & Functional Art Fair (aka SOFA Chicago).  

The 21st SOFA Chicago will be held November 7 – 9, 2014 at Navy Pier’s Festival Hall where masterworks from top international galleries and dealers from numerous countries will exhibit. Opening night gala preview will be held Thursday, November 6.

Washington Glass School is represented by artists Michael Janis and Allegra Marquart at Maurine Littleton Gallery and Sean Hennessey and Tim Tate are exhibiting at Habatat Galleries Space.

Allegra Marquart, "On The Bus", 2014,  cast glass, enamel OA dimensions 48" L x  24" H.

Allegra Marquart, “On The Bus” (detail), 2014, cast glass, enamel; OA dimensions 48″ L x 24″ H. Photo by Anything Photographic

Allegra Marquart will present a number of her new wall installations. Her new works are not strictly narrative but relate to etchings the artist made years ago when she first moved to the city and began interpreting what she saw on the streets with humor and an eye for juxtaposing disparate situations and individuals.

Sean Hennessey, "The Fur-Suit of Happiness" Cast Glass, Paint, Video (Photo by Anything Photographic)

Sean Hennessey, “The Fur-Suit of Happiness” Cast Glass, Paint, Video
(Photo by Anything Photographic)

Sean Hennessey will be showing his cast glass/ mixed media panels at Habatat Galleries. His new works integrate electronics and videos into the panels.

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Tim Tate, “The Healing Polyopticon”, Poly-Vitro, Glass, Video

Tim Tate will be showing his installation “The Healing Polyopticon” – a 5 ft wide installation consisting of 16 video pieces in varying sizes of cast black frames. Each video is in the form of an eye blinking; each eye different. Surrounding this cluster of 16 video frames are cast black flowers that fills out the 5 ft wide circle . The work is based on a terminal diagnosis he received 30 years ago – and he imagined that he was being kept safe by those who passed before him – all keeping an eye on him thru portals. In this sculpture he portrays people who had effected his life in a positive way…keeping him from passing over, making him safe; imbuing him with self healing energy. This powerful sculpture will at Habatat Galleries space.

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Michael Janis, “Breathing In The Quiet” and “Waiting For The Lover’s Words”, fused glass powder imagery, glass, steel. (Photo by Anything Photographic)

Michael Janis will be showing a number of new works at Maurine Littleton Gallery space. The American Institute of Interior Designers (ASID) chose his work as part of their picks for SOFA Selectswhere highlighted pieces chosen by noted curators, designers, and critics give viewers of the fair way to navigate the huge show.

If you are going to the show – be sure to stop by and visit with the artists – all will be at the Chicago Fair!

Michigan’s Habatat Galleries’ 42 International Glass Invitational Features WGS Artists

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Michigan’s Habatat Galleries presents a grand opening of the oldest and largest glass exhibition in the United States. Over 400 works of contemporary glass art will be on display opening April 26th at 8:00 pm.

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Tim Tate

Located in Royal Oak, Michigan at Habatat Galleries, 2014 marks the 42nd year of this monumental event. The 100 Artists who participate are from over 23 different countries. This exhibition inspired April as Michigan Glass Month which for over 25 years offers 30 or more glass events held throughout the State.

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Sean Hennessey

Three artists from the Washington Glass School – Sean Hennessey, Michael Janis and Tim Tate – are featured in this year’s exhibit.

HABATAT GALLERIES 4400 Fernlee Ave., Royal Oak, Michigan 4807 Click here to jump to pdf of gallery invite. Email: info@habatat.com www.habatat.com

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Michael Janis

Emotional Leak

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The UK has some great glass artists – ones that are moving narrative or content driven glass forward. Erin Dickson and Jeffrey Sarmiento are two such artists, and they had collaborated on this work titled “Emotional Leak”. Both artists work out of England’s University of Sunderland, and with access to waterjet cutters, have exploited that resource to their artistic end. From Erin’s artist statement: “my works takes on…the intersection of glass and architecture. As an architect by training, and more recently a glass designer, I use my own experience to evaluate how glass can be manipulated to suit both intentions. When glass is used in architecture, it is too often viewed as a separate component passed to glass ‘specialists’ or artists for manipulation, it is allowed to become a dissected part of the building. My aim is to remove glass from being just a ‘window’ and enable it to become an architectural design element of its own. My work looks at non-traditional methods of using space and light, using glass to manipulate a viewer’s experience of place.”

 Dickson/Sarmeinto, Emotional Leak, 2011: waterjet cut glass with steel and rubber base about 9.5 x 4 x 4 ft 
Below is a video of the construction of Emotional Leak - 

Emotional Leak Construction from Sarmiento Glass on Vimeo.