Tis the Season!
All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!
(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.
The Allegany Arts Council Saville Gallery presents Washington Glass School Co- Director Erwin Timmers in a solo exhibition “Reflections in Glass” from February 5 thru February 26, 2022. Recycling, waste, the environment, and the ways in which all three relate to society are recurring themes in his work.
Said Timmers about his body of work on exhibit: “My work revolves around ideas of sustainable design and consumption in the urgent context of pressing societal changes and deepening global ecological concerns.
My artwork centers on the craft of design, combining modern and traditional fabrication techniques to develop new material-based knowledge and aesthetics of sustainability. My portfolio aims to spark specific kinds of awareness. “
“The objects I sculpt from recycled materials are moments of intersection and influence. As boundary objects, they play with conventions of form and function, material and method, production and consumption. I work less for the purposes of critique, but rather for the potential to generate open and inviting exchanges. An artist, successfully engaged in creative inquiry, notices, seeks out, or otherwise creates the conditions for novel convergence and the overlapping and dissolution of conventional boundaries.
I work at reinforcing metaphors of transformation and change. “
Timmers will also present a talk on how public art transforms communities. The event “Making Our Case For Public Art” is free and open to the public and all are invited to attend. The event will begin with a networking reception at 5:30PM with the program slated to kick off at 6:00PM.
The artists from the Washington Glass School are also on exhibit in a special show, featuring artworks by Tim Tate, Michael Janis, Patricia De Poel Wilberg, April Shelford, Vibha Bhatia and Clayton Lutu.
Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’. Erwin is currently working with architects and designers on several “green” design projects. His work in sustainable design can be seen in some of the large public art projects he has completed, including an award-winning project for the US EPA Ariel Rios South Courtyard Green Infrastructure Project, in Washington, DC, and the public artwork for the LEED certified Safeway supermarket in Bethesda, MD. Montgomery County honored Erwin Timmers as the county’s “Outstanding Artist” in 2018. The Museum of Glass (MOG) in Tacoma, Washington has recently acquired works by Timmers for its permanent collection.
Allegany Arts Council Saville Gallery
9 N. Centre Street
Cumberland, MD 21502
Reflections in Glass
February 5- 26, 2022
Making Our Case for Public Art
Friday, February 25, 2022 • 5:30PM – Cocktail Reception; 6:00PM – Program • Free to attend
ReClaimed・ReUsed・RePurposed – – Sustainable Art for the Planet
Erwin Timmers; “Sitemap”; cast recycled glass, recycled steel, LED lighting, recycled wood
Featuring artwork by Jessica Beels – Robin Bell – Julia Bloom – Gloria Chapa – Pat Goslee – Liz Lescault – Erwin Timmers
ReClaimed ReUsed RePurposed, curated by Molly Ruppert, is the first in a short series of exhibitions focused on the climate crisis facing our world. This show explores the role and work of artists who respect the planet by their use of materials.
The participating artists share a belief in the importance of protecting the planet by respecting the natural world and finding ways to reuse its byproducts by looking at the artistic potential of waste produced of manufacturing, and by reusing the bits and pieces left by the inevitable breakdown of everyday objects.
First Friday Reception: January 3, 6 – 8 pm
Studio Gallery
2108 R St NW
Washington D.C. 20008
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This past summer we had a blog posting about National Geographic‘s newly created “Arts Ambassador for the Environment Award” – given to entertainers that are leaders in environmental and cultural conservation. The award was designed and made by the Washington Glass Studio from recycled glass. The winner for the inaugural award was singer Jack Johnson. We just received a photo of Jack holding his award.
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Safeway Bethesda site construction photo August 22, 2011
Earlier posts on the Washington Glass School Blog featured the design and fabrication of Safeway supermaket’s first public art project – located here in Bethesda and created by the Washington Glass Studio.
Installation of the public artwork has begun. The cast glass panels were made from recycled glass taken from the original supermarket during the demolition phase, and the salvaged glass was cast in a bas-relief method to create translucent panels that referenced fresh herbs – perfect for a new LEED Certified building that would house the trendy Safeway supermarket.
Erwin Timmers installs the cast glass & steel panels.
Evan Morgan affixes the glass panels to the steel framework.
Interior view of the artwork – looking out towards Bradley Ave. Bethesda, MD.
The concept of the panels was to have the artwork allow openings to allow the interior and exterior blur – approx 25% of each building bay is open to allow air flow.
Hardware still-life.
Roche Constructors are the builders of the project – and they have a Safeway webcam. Click on the link and at the top is a time-lapse feature that allows one to see the project’s demo-to-current construction status. Click HERE to jump to the Roche webcam site.
UPDATE: Click HERE to jump to finished project images.
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The Washington Post Sunday Magazine has a great article about how Erwin Timmers is able to source artwork from ordinary cast-offs. Washington Post writer Kris Coronado interviewed Erwin for the “Closer Inspection” column of the magazine, and spent the day at the school with photographer Ben Tankersley, wanting to know the story of seemingly every piece of glass they found.
Washington Post’s Ben Tankersley sets up an impromptu photo studio for Erwin Timmers work
Kris writes: “Erwin Timmers, artist and co-founder of the Washington Glass School in Mount Rainier, has taken recycling to heart. “That’s my carbon footprint,” he jokes, pointing to a depression of his boot set in the large slab of repurposed green glass hung on the wall. “I like using objects that everybody recognizes that are everyday, common items,” he says, “that people don’t really realize what value they have … until they end up in the trash heap.”
Washington Post Magazine “Closer Inspection” Sunday, August 21, 2011
>Solar Sintar
Markus Kayser – Solar Sinter Project from Markus Kayser on Vimeo.
If you have been like me, you spend every possible hour in the studio – head down, working on artwork and projects. The world, my friend, however, has been marching on. New technologies are reshaping how art is made.
In this brave new world, 3D printers top every sculptors must-have list.
The model above is Emmanuel Lattes’ Double Möbius. 3D printed in glass. Glass frit powder is mixed with a binding agent that allows the work to be modeled and built by layers in a 3D printer. The work is then carefully loaded into a kiln and fired, fusing the powder and burning away the binding agent. Tho a bit more fragile and rougher than traditional glass forming, the possibilities of computer assisted sculpture are incredible.
But to put all this progress into perspective, a little history is in order. The first 3D printer was produced by Charles Hull in 1984, who utilized a patented stereolithography method for the print process. The basic approach for 3D printing is to create a layer of polymer for the desired 2D slice, cure that area, and then repeat to build layer-upon-layer. Hull’s technique involved creating a 0.0025-inch layer of liquid photocurable polymer that could be cured with a UV laser.
In 1988, the first commercially available 3D printer was officially launched by 3D Systems, which utilized a photo-optical acrylic resin. In the early 1990s, a number of other methods were developed, including fused deposition modeling that extruded thermoplastics for layering and multi-jet modeling, based on ink-jet printer technology. Techniques have also been developed that use powder and lasers. Over time, a multitude of companies across the world have sprung up offering their high-end printers combined with CAD software and scanners, allowing objects to be either scanned or designed from scratch.
Awesome to get a glimpse of the future of both sculpture and sustainable design.
For more about 3D printing – click HERE to jump to a recent article in The Economist.
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In honor of Earth Day, today’s artist profile is about eco-artist Erwin Timmers.
Erwin has become one of the area’s leading “green artists”. Recycling, waste, the environment and how they relate to society are recurring themes in his work – all of which he blames on his Dutch heritage. Erwin’s main medium is one of the least recycled building materials; float glass or window glass, and he has had to develop new techniques to work with this material.
Originally from Amsterdam, Erwin Timmers moved to California, graduating from Santa Monica College for Design Art and Architecture in 1995. Erwin’s artwork and sculpture has always incorporated recycled materials, and often integrated lighting elements. In 1999 he came to the Washington DC area and along with a new home came a new passion: Glass – creating the perfect marriage of metal and light. Combining this with found and recycled metal, his work carries strong environmental themes.
“Mr Cobrahead”, recycled materials, cast recycled glass
“Love Me, Love Me Not”, recycled steel, cast recycled glass, neon
Seeking to further his knowledge on using recycled glass, Erwin soon found there were few local options that taught glass techniques and recycled glass processes. And with little information available, Erwin became a pioneer in the field, developing his own kiln schedules. Fate would have it that he met up with Tim Tate, who was then starting the foundations for a glass school in Washington, DC. With his experimental approach and his easygoing, accessible teaching attitude, Erwin and Tim started the Washington Glass School in 2001. Erwin developed a number of courses that integrate his love of the materials and his environmental philosophies. His sustainable design knowledge has been sought by other glass schools, and besides courses here at the Washington Glass School, he has been teaching across the country, spreading the word about eco-friendly art.
Erwin Timmers chats with Italian glass Maestro Lino Tagliapietra.
Erwin has also become a leading consultant in LEED Certified artwork. He has received multiple public art commissions and is also featured in numerous private collections. The EPA had commissioned Erwin and the Washington Glass Studio to create an educational sculpture for the courtyard at the EPA’s Washington, DC headquarters.
Low-Impact Demonstration Project, Ariel Rios Courtyard, Washington, DC. Quinn Evans Architects, John Shorb Landscaping
Erwin Timmers and Evan Morgan installing recycled glass panels.
“Self Scrutiny”, cast recyled glass
photos: Anything Photographic
“Self Scrutiny” detail
Erwin’s environmental focused artwork has found an audience, from Miami International Art Fair to local and regional art gallery shows, including and upcoming engagement at Project 4 Gallery this summer. His work showcases the possibility and beauty of recycled material, while encouraging the viewer to consider his or her environmental impact.
Using glass salvaged from a Virginia office building refurbishment, disposable technology and ephemera from recent decades are expressed as though discovered from a future archaeological dig.
photo by Anything Photographic
Erwin will be one of the artists featured in the upcoming LongView Gallery show Artists of the Washington Glass School: The First Ten Years.
Washington Glass School: The First 10 Years
LongView Gallery
1234 9th Street, NW, Washington, DC May 19 – June 19,2011
Artist Reception, May 19th, 6:30-8:30 PM
For other glass artist profiles
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Kris Coronado interviews Erwin Timmers
The Washington Post Magazine columnist Kris Coronado spent the day in the Washington Glass School this week, interviewing Erwin Timmers for an upcoming article on recycling and environmentally conscious artwork.
Above & Below: Washington Post photographer Benjamin Tankersley photos artwork made from recycled glass components.
Erwin talked wth Kris about his background in sustainable design, and how the growing awareness of the limits to our natural resources has led to a greater appreciation and interest in work made with environmentally responsible materials. Post photographer Benjamin Tankersley set up a full photo backdrop to properly document Erwin’s eco-artwork. The Washington Post article is due out in the paper in early June.
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Safeway Bethesda
Rounds VanDuzer Architects
Safeway has started construction of a new supermarket in
As part of the project, Safeway commissioned the Washington Glass Studio to integrate artwork into the architectural façade of the building. The wall of artwork will activate the street along the
The cast recycled glass and steel artwork is integrated into the architectural façade.
Over 30 feet long and 9 feet high, the glass and steel artwork will be a strong element located in
Responding to the architectural design by Rounds VanDuzer Architects the large scale artwork will feature colorful cast recycled glass made from glass salvaged from the original Safeway supermarket on the same site. Ecoartist Erwin Timmers had slogged thru the site demolition, removing glass for the artwork. Erwin’s integration of reconfigured and recycled components has made him a leader in sustainable design and he continues his work in multidisciplinary LEED projects.
Cast recycled window glass sample of custom “fresh herb” design for Safeway.
Above is the “bay leaf” pattern.
UPDATE: Click HERE to jump to images of finished project.
