Pate De Verre Class Fun!

This weekend’s pâte de verre class was a great success! 

Instructor Teri Bailey demonstrates how to apply color frit powder into specific areas for the class.

Instructor Teri Swinhart (Bailey) demonstrates how to apply color frit powder into specific areas for the class.

Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.

Teri Bailey demonstrates proper frit application.

Teri Swinhart demonstrates proper frit application.

The Pâte de verre students made plaster molds in which they would cast the glass.

The Pâte de verre students made plaster molds in which they would cast the glass.

Lively discussion on ways to kilncast glass sculpture was explored by the class.

Lively discussion on ways to kilncast glass sculpture was explored by the class.The students all loved the process and can't wait til the firings are out of the kilns. The students all loved the process and can’t wait til the firings are out of the kilns.

 

Michael Janis Does (Hot Glass) Houston

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Washington Glass School’s own “Magic Mike” was just down in Houston – performing for the ladies out at the Hot Glass Houston (HGH) – a Bullseye glass Resource Center in Texas.

Michael Janis exposed all his secrets during his weekend review at club Hot Glass Houston. He happily line dances and pole dances (where he got the nickname “Magic Mike”), yet remains mum about what happened at the HGH karoke night…

Michael said there were many ‘naturals’ in the class that took to the sgraffito technique instantly, and HGH’s Bob Paterson sent some photos from the class - 

Michael Janis outlines frit powder sgraffito process to the class.

In the three-day workshop, the artists created imagery using frit powder, enamels, image transfer, stencils, high-fire pens and paints, and later worked at creating depth by kiln-forming a stacked image panel.

TA Cynthia Gilkey sifts frit powder to recreate her puppy Bob in glass.
Bob after his time in a kiln.
Michael demonstrates how to manipulate frit powder. Its so easy!
Hot Glass Houston kilns fill with image laden sheets of glass.
Lynda Stoy’s frit powder sketch awaits kiln firing.
Layered panel component sheets by Marilyn Dishman, Lynda Stoy and  Deborah Enderle are fired to fix the frit powder on the glass and allow for further embellishment.
The class dams each layered imagery panel prior to full fuse firing.
Catherine Coffman assembles her layered panel in the kiln and creates a dam surround.
After firing.
Brooke Colvin’s romantic panel after clean up.
Liz Paul’s glass artwork references a walk thru the woods.

Michael said he had a great time in Texas, and he enjoyed hanging out with the owner Bob Paterson and TA Cynthia Gilkey – although he mentioned a karaoke night debacle, he refused to give details. Click here to jump to Hot Glass Houston’s facebook page. Click HERE to jump to Hot Glass Houston’s website.