The west coast of sunny Florida is where the glass art scene is hot! This past week, Habatat Detroit Fine Art held a glass extravaganza at the Ringling College of Art in beautiful Sarasota, FL. This was be their 8th Annual Glass Coast Weekend (GCW). This year the event paid homage to the past, present, and future of studio glass. The show featured noted artists, lectures, demos and a reception at the Ringling Museum of Art and the 5th Anniversary event at the Imagine Museum in St. Petersburg, FL.
Above is a quick video fly-thru of the main show at Ringling College of Art
The Glass Coast excitement continued up the coast – at Duncan McClellan Gallery, where Washington Glass School artists are featured in the groundbreaking “Dreams & Visions” exhibit (thru March 5).
Michael Janis with glass fans at Duncan McClellan Gallery during reception held for Washington Glass School artists.
WGS Artists Tim Tate and Michael Janis were featured at a series of receptions, lectures and demonstrations held at DMG over the weekend.
Artist Tim Tate narrates to the audience on the hotshop what techniques the gaffer is employing to create Tim’s sacred heart glass sculpture.Tim Tate’s blown sculpture gets some heat!Tim Tate’s Sacred Heart sculpture after annealing and cooling. Tim plans on working imagery into the work and presenting a new series of hearts.
Artist Michael Janis had a large audience in attendance for his presentation on “Art in Architecture”, where he talked about his design background and how it influenced his artwork and the public art sculpture made by the Washington Glass Studio.
Michael Janis talks about his pop art work made in collaboration with Chicago artist Tony Porto.Michael Janis (center) with new collectors Steve and Debbie Lang at DMG reception.
Art Glass Afternoon is back! Florida’s Duncan McClellan Gallery (DMG) continues their exhibit of works by artists from the Washington Glass School (WGS). Co-Directors Tim Tate and Michael Janis will be in sunny FLA to participate in talks and demos!
Join Duncan McClellan Gallery Sunday, February 26th, for this ART GLASS filled day- Free and Open to the public!
WGS artist Michael Janis works on a public art project in the Washington Glass Studio.
Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.
Sunday, February 26th, 10am-Noon
Visiting artist Tim Tate will be creating in the Hot Glass Studio.
Don’t miss the rare opportunity to watch this legendary artist at work.
Sunday, February 26, 10am-3pm
Our popular visiting artists’ lecture series returns with talks from Danish Artists of Backhaus-Brown and Egeværk Studios, and Michael Janis and Tim Tate of the Washington Glass School.
Full Schedule
10am-Noon: Glass blowing Demonstration by visiting DC artist Tim Tate in the Hot Glass Studio with Jeremiah Jacobs and the St. Pete Hot Glass team.
Noon- 1pm: The Danish Artists from Glasskibe talk about their collaborative studios and the inspiring body of work they create together
1:-1:30pm: Michael Janis will give a presentation on how his background as an architect and designer influences both his personal art and the Washington Glass Studio’s site-specific art installations.
During this lecture, Janis will talk about how community involvement creates successful public art works. He will also give insight into the inspiration and technique behind his evocative glass powder imagery.
1:30-2:30pm: Tim Tate’s talk at 1:30pm will focus on “Glass in the 21st Century”.
Artists will be available after the talks to visit with you personally!
Glasskibe: The maritime history of Hundested (Denmark) and the imagery of Viking ships passing have inspired two of the harbour’s contemporary craft companies; cabinetmakers Egeværk and glass artist Backhaus & Brown. These two award-winning workshops have combined their masterful crafts in an innovative collaboration; namely a series of unique sculptures named ”Glasskibe” – Viking ships in glass and wood.
Michael Janis developed a focus on glass after working for twenty years as an architect in the United States and Australia. His work has been shown at major galleries and art fairs and is included in the permanent collection of the Art Institute of Chicago, Massachusetts Fuller Craft Museum, Florida’s Imagine Museum, Fort Wayne Museum of Art and Museum of Glass, Tacoma, WA. In 2012, awarded a Fulbright Scholarship, Michael taught at the UK’s University of Sunderland and the UK National Glass Centre. Michael was awarded the Washington, DC Mayor’s Award for Excellence in the Arts in 2016. His collaborative work with Tim Tate was featured at the 2022 Venice Biennale at Glasstress.
Tim Tate has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of several museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. His work has been shown at the Milwaukee Art Museum, the Fuller Museum, the Asheville Art Museum and the Museum of Arts and Design in New York. He was awarded a Fulbright Scholarship and was Artist-In-Residence at the Institute for International Glass Research (IIRG) in the UK. Tim was named “Distinguished Artist in Glass” by the James Renwick Alliance in 2018. He participated in the Venice Biennale Glasstress show with Ai Wei Wei in 2019, the Boca Raton Museum Glasstress in 2021 and again in Murano in 2022. Last year, Tim’s work was featured at the Hermitage, in St. Petersburg, Russia.
Washington Glass Show Exhibition in the gallery: Shown-works by Tim Tate, Michael Janis, Christina Helowicz, Erwin Timmers and Teri Swinhart. (Also shown-Richard Jolley.)
Duncan McClellan Gallery address is: 2342 Emerson Avenue South, St. Petersburg, FL 33712
Duncan McClellan Gallery in St Petersburg, FL features Washington Glass Studio artists in “Dreams and Visions” Opening Jan 12 thru March 5.
“Dreams & Visions” at Duncan McClellan Gallery, St Petersburg, FL. Now thru Mar 15, 2023.
“Dreams and Visions” features glass artwork that grapples with the truths of contemporary reality while employing familiar narrative motifs found in pop culture, myths and legends. Featuring artworks by Christina Helowicz, Michael Janis, Tony Porto, Teri Swinhart, Tim Tate, and Erwin Timmers.
View of Duncan McClellan Gallery featuring artists from the Washington Glass School.
Erwin Timmers will teach a hands-on workshop for kiln casting on January 21st, 2023.
Located in the Warehouse Arts District – A showcase for US & international glass artists.
All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!
(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.
Washington Glass School artists are prepping spectacular glass/mixed media artwork to be presented at Context Art Miami – at Alida Anderson Art Projects . New art works by WGS artists Michael Janis, Christina Helowicz, Tim Tate, Erwin Timmers, along with artworks by Lenny Campello, Tony Porto, J Jordan Bruns and Steve Wanna, Marinela de la Hoz and others will be on exhibit at CONTEXT Art Miami Art Fair, space A29.
CONTEXT Art Miami, presented by Art Miami, continues to create and push boundaries on the conversation about contemporary art, The 2022 edition will showcase works from 75 innovative galleries from more than 20 countries, including Japan, Turkey, Australia, France, South Korea and Chile, among others. CONTEXT Art Miami will kick-off during Miami Art Week with an invitation-only VIP preview on Tuesday, November 29 and run through Sunday, December 4, 2022.
Erwin Timmers, “In Case of Emergency”; 2022, cast recycled glass, steel. Photo by Pete Duvall.
Erwin Timmers is the Co-founder and Director of the Washington Glass School. His work references sociological and environmental issues of concern to him, primarily how we, as a society, consume and discard precious resources. For this topic, the choice of materials becomes a more important discussion, so Erwin endeavors to use recycled materials to express concepts and ideas of recycling and use of the environment. Recycled glass is difficult to use, so he has had to develop new and experimental techniques to exploit the characteristics of this material. A Show of Hands explores personal and cultural traits as they relate to present day social trends. Technological “advances” have changed the landscape in human interaction, and social media focuses on aspects of cultural loss, fake news, mass manipulation, and diversion and division. This series is about the expression of nonverbal and abstract themes like trust, communication, and connection. Erwin’s portfolio showcases the possibility and beauty of recycled material, while encouraging the viewer to consider his or her environmental impact.
Erwin Timmers “A Show of Hands” Featuring Artists of the Washington Glass School
Artist Discussion with Erwin Timmers – November 12th, 2:00 PM – 4:00 PM
Exhibits for Erwin Timmers, the Resident Artists, and Gallery 209 will run from November 1st through November 22nd. Viewing hours are 10:00 AM – 4:00 PM, Monday-Saturday, and Sundays by chance or appointment.
Artists & Makers Studios on Parklawn Drive in Rockville, established in October 2014 by artist and arts community builder Judith HeartSong, is a 13,000 sq. ft. facility is home to 87 artists, and 80 student artists. A&M Studios is dedicated to providing a supportive and vibrant environment for artists to realize their creative goals – through studio practice, collaboration, education, opportunities, networking and connecting with the community beyond.
Glass Sculptor and Artist Tim Tate looks back on 20 years of creating a community. He recently put together some of his observations on well, how did we get here?
Artist Tim Tate
“I had been raised in a household filled with craft materials. I rarely saw my mother’s hands empty, always creating something. I inherited this love. I spent my early adult years being trained in the methods revolving around studio glass while attending the 2 weeks to 2-month workshops of Penland, Pilchuck, Corning, Pittsburg, etc. (I had no money to attend grad school …though I yearned for Cranbrook). These years of varied workshops and practitioners was the perfect way to obtain a broad outlook on the entire field. We founded the Washington Glass School in 2001 with very specific goals. Let me see if I can make this clear.
Tim Tate & Joyce Scott work on a new collaborative sculpture at the Washington Glass School.
1). We wanted to be something other than a traditional studio glass shop. From the beginning we realized we wanted a much broader approach; something that reflected the mission of education centers like the Crucible in Oakland and Penland in NC. We embraced mixed media work from the beginning with varied classes in kiln formed glass, steel, electronics, encaustics, etc. Our idea was not to in any way denigrate the rich history of studio glass, but to live just outside of those confines to see what would happen. To step slightly away from the 20th century.
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.
2). As a gay man in glass, it was apparent that diversity was sorely lacking in every way in the glass world. So we did outreach and advertised our classes in many publications that went to diverse populations, rather than wait for these populations to approach us. This worked very well. Even now we go to the Facebook pages of different neighborhoods to show our class schedules.
The Brothers De La Torre visit the Washington Glass School in 2015.
With William Warmus we came up with the original concept of “Glass Secessionism”…to step slightly away from the recognized canon of 20th century glass and to create as much dialog and critical analysis as possible. There have been over 1.5 million words written and over thousands of images shared on this page focusing almost entirely on that theme.
In 2008, Artomatic held an international glass show.
4). We participated in many local shows here in the DC area, such as the spectacular Art-O-Matic show that truly put us on the map. We also curated many shows over the years to include local emerging artists. I have served on a dozen boards and juried dozens of shows and grant applications to stay in the loop and form a community bond. There are 3 Co-Directors here, all sharing a similar mission….to create a large regional, national and international community to foster new growth within our field.
2009 Glass Workshop at Washington Glass School. L-R Cheryl P Derricotte, David Cook, Nicole Puzan.
5). Our first class was on Sept. 13, 2001…. a difficult day in history to start anything being right after 9/11. We thought no one would even attend the first classes. But we discovered something else….no one cancelled. It appeared that while the purchase of art slowed to a trickle around the country, the creation of art thrived. Our first class was filled with artists who wanted to make narrative work about the devastation of that event. From that moment on we embraced narrative work with all our hearts. Works about political events, social injustices and inequalities were common within our sculptural classes, and certainly in my own works. We have now been in operation over 20 years, with over 6000 students. 60% of those were and are women, we have a large population of BIPoC students and we have worked with hundreds of LGTBQ students. We are so very proud of this fact.
My purpose for serving on boards right now is to focus on the building of communities as an artistic practice. I want to take a slight step away from academia as these institutions can become elitist, and I want to be non-elitist as we have been from the beginning. I also like regional boards that focus in the mid-Atlantic.
My personal practice had been deeply imbedded in the world of glass galleries and museums, though frequently as an outsider. I have stepped away from this in the last few months. I have moved towards the fine art world once again, as I had started there. It feels great to go back to my roots, surrounded by a community that reaches far beyond anything we ever anticipated.” – Tim Tate, October, 2022
“There’s A Big Hole In The Sky” – Collaborative sculpture by Tim Tate, Michael Janis, and Chris Shea.
The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held in the Castello district of Venice, Italy every two years during the summer. This year’s Venice Biennale includes a collateral event – ‘Glasstress’ – held at the historic Berengo Studios in Murano, Italy.
The 59th International Art Exhibition features a sculptural collaboration between DC glass artists Tim Tate, Michael Janis and Brandywine metal sculptor Chris Shea, representing the USA.
Detail of Tate,Janis,Shea artwork showing cast glass and metalwork .
Chris Shea’s incredible metal work frames out Tim Tate’s lush fields of cast glass elements (detailed figures, flowers, insects) and in center, a glass sgraffito panel by Michael Janis.
A central concern in “There’s a Big Hole in The Sky” is that viewers need to abandon their apathy towards climate change. This monumental sculpture brings to light the effects of global warming on the earth as most areas will be facing frequent flooding. Despite the growing evidence of climate change, and humanity as the driver of that change, there remains a hardcore 20 percent or so that reject the whole notion of it and a healthy percentage that remain unconvinced that humans are causing it. And on top of those dismal statistics, many believe that climate change does not represent a threat to them. The artwork is an invitation to understand, to act, and to prepare. But if political solutions to climate change don’t materialize soon, it may also be an invitation to come to terms with loss.
Image of installation at Berengo Studios in Murano, Italy.
From Biennale Press Release
GLASSTRESS 2022
2 JUNE – 27 NOVEMBER 2022
BERENGO ART SPACE FOUNDATION
Venice, 2022
At the same time as the 59th Venice Biennale, the seventh edition of GLASSTRESS, scheduled from June 2 to November 27, 2022, brings together a group of important contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass.
The works will be housed in the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into an evocative exhibition space. On display will be works by artists who have already collaborated and exhibited at GLASSTRESS with Berengo Studio, such as Ai Weiwei, Jimmie Durham, Tony Cragg, Monira Al Qadiri, Thomas Schütte, as well as first-time attendees Vanessa Beecroft, María Magdalena Campos-Pons, Tim Tate, Paloma Varga Weisz and eL Seed, among others.
GLASSTRESS is a project by Adriano Berengo dedicated to promoting new connections between contemporary art and glass. Starting from its debut in 2009 as a side event of the Venice Biennale, over the years GLASSTRESS has made dozens of internationally renowned artists and designers passionate about the traditional craft of Murano glass blowing, who have tried their hand at creating suggestive and innovative works in glass with the support of the masters of Berengo Studio.
GLASSTRESS 2022 – ARTISTS
NEW ARTISTS
Vanessa Beecroft (Italy), María Magdalena Campos-Pons (Cuba), Judy Chicago (United States), Chiara Dynys (Italy), eL Seed (France), Leandro Erlich (Argentina), Ryan Gander (Great Britain), Michael Janis (United States), Alexander Evgenievich Ponomarev (Russia), Laurent Reypens (Belgium), Liam Scully (Great Britain), Chris Shea (United States), Paloma Varga Weisz (Germany), Osman Yousefzada (Great Britain).
RETURNING ARTISTS
Ai Weiwei (China), Monira Al Qadiri (Kuwait), Ayman Baalbaki (Lebanon), Tony Cragg (Great Britain), Jimmie Durham (United States), Jan Fabre (Belgium), Josepha Gasch-Muche (Germany), Kendell Geers ( South Africa), Marya Kazoun (Lebanon / Canada), Brigitte Kowanz (Austria), Karen LaMonte (United States), Tomáš Libertiny (Slovak Republic), Massimo Lunardon (Italy), Federica Marangoni (Italy), Prune Nourry (France), Anne Peabody (United States), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sean Scully (United States), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Tim Tate (United States) , Koen Vanmechelen (Belgium), Robert Wilson (United States), Rose Wylie (Great Britain), Erwin Wurm (Austria).
Fired Up! is a survey exhibition highlighting the diversity and innovation of artists working in contemporary glass around the mid-Atlantic Region, and features works by Chul Hyun Ahn, Anthony Corradetti, Oletha DeVane, John Henderson, Michael Janis, Emily Lamb, Tim McFadden, Soledad Salamé, Dr. Joyce J. Scott, Tim Tate, and Erwin Timmers.
Fired Up! includes objects and installations as distinct as their makers, examining glass as a sculptural medium for art and the many messages the media is capable of imparting. The United Nations General Council announced that 2022 be declared a United Nations International Year of Glass (IYOG), to celebrate the essential role glass has in Society. Fired Up! is part of the events commemorating the IYOG, the 2022 Glass & Optical Materials Division (GOMD) Conference in Baltimore, the 60th Anniversary of the American Studio Glass Movement. The exhibition brings a distinct group of renown artists to students and admirers who wish to discover the creative possibilities in glass, while amplifying artists voices including members of the BIPOC, Latinx, LGBQT and immigrant communities. This exhibition is made possible through the support of the GOMD, the American Ceramic Society, and Corning & Owens Corning who helped fund outreach to Baltimore City High schools.
Planned and Co-Curated by Howard Cohen of Art Alliance for Contemporary Glass with Amy Raehse of Goya Contemporary Gallery, this will be the first major glass sculpture exhibit in Baltimore since 1996.
View of Green Community Gateway by Washington Glass Studio
The District of Columbia Public Library (DCPL) is a dynamic source of information, programs, books and services, among them is their Makers Program, that includes a Fabrication Lab. The Martin Luther King, Jr. Memorial Library’s “Fab Lab”, complete with 3D printers, a laser cutter, soldering equipment, other machines is part of a new movement of public libraries embracing the “maker movement.” DCPL’s maker program is the largest of its kind in a public library, as they see the program as a force to bring together makers, artists, and creative people of all types and from all fields and backgrounds, encouraging cross-disciplinary cooperation. As part of the public engagement, the DCPL Makers & DIY Program is hosting a series of artists lectures at the newly refurbished MLK Memorial Library auditorium.
Image of Community workshop at Washington Glass School.
On Saturday, May 21, 2022, from 1:00pm – 2:00pm, Michael Janis, co-director of the Washington Glass School, will give a lecture on how the Washington Glass Studio created the “Green Community Gateway” with art made with the help of the community in Ward 7.
The “Green Community Gateway”, public art sculpture marks the symbolic entrance to the Kenilworth/Parkside section of DC’s Ward 7. Through a series of glass “quilting bees”, Washington Glass Studio brought together neighborhood residents, students of the high school, and the staff of the newly constructed Unity Healthcare facility to make glass art that would become an integral part of the arch.
This lecture program will take place in the auditorium at the Martin Luther King Jr. Memorial Library, 901 G St. NW, Washington, DC 20001. Register at bit.ly/labsclasses.
The renovated Martin Luther King Jr. Memorial Library in Washington, DC, originally designed by Mies van der Rohe, the landmark library was rejuvenated by Mecanoo and OTJ Architects.
