Gourd vibes only this Halloween! 🎃 Our fused glass pumpkin is looking smashing—no tricks, just plenty of kiln-fired treats. Happy Halloween from the Washington Glass School—where even our pumpkins are glass acts! 👻🧡🔥
#GlassArt #FusedGlass #Halloween #PumpkinSeason #WashingtonGlassSchool #funclass
Featuring Artists from the “Exercises for Emerging Artists” Program – E22: Glass for Social Justice
Washington Glass School is hosted this year’s Exercises for Emerging Artists program with Transformer DC – and the resulting exhibition, A Litany for Survival, opens July 26, 2025 at Transformer Gallery.
Now in its 22nd year, Transformer’s Exercises for Emerging Artists is a landmark mentorship program designed to support DC-based emerging artists at pivotal moments in their creative and professional development. Each year focuses on a different discipline, and for 2025, the spotlight is on glass as a medium for social justice.
E22: Glass for Social Justice brings together four powerful voices in the DMV art scene — Arden Colley, C.S. Corbin, Tina Villadolid, and Nilou Kazemzadeh — for an intensive four-month residency of glassmaking and critique sessions, hosted here at the Washington Glass School. Under the lead mentorship of WGS co-founder Tim Tate, the participating artists explored deep relief dry plaster casting techniques in glass — a kiln-forming process that allows for nuanced, sculptural impressions rich in symbolism and narrative.
The exhibition’s title, A Litany for Survival, is drawn from the celebrated poem by Audre Lorde and sets the tone for the work on view: pieces that disrupt dominant narratives, honor resilience, and speak to the layered complexities of identity, memory, and activism. As the artists write in a shared statement:
“Translucent, metamorphic, solid yet fragile, glass speaks to the fluidity and complexity of our self-determination… So it is better to speak / remembering / we were never meant to survive.”
This year’s program was coordinated by Camille DeSanto, Exhibitions & Programs Coordinator at Transformer, with guest mentorship from an exceptional group of artists and curators including Therman Statom, Diana Baird N’Diaye, Cheryl Derricotte, Joyce Scott, Jabari Owens-Bailey, Jennifer Scanlan, and Geoffrey Bowton.
Founded in 2001, the Washington Glass School continues to champion community-based glass education, expanding the boundaries of what glass art can be. Said Tate: “I have learned that glass can shatter silence, that castings can hold history, and that the hands that make are also hands that heal. This knowledge rewired my spirit — I began to see my art as a tool, not just for expression, but for disruption, truth, and change.” We are honored to collaborate with Transformer to help shape the next generation of artists pushing the medium forward.
A Litany for Survival
Part of Transformer’s E22: Glass for Social Justice
🗓 July 26 – September 6, 2025
📍Transformer Gallery, 1404 P Street NW, Washington, DC
Don’t miss this powerful and timely exhibition. Visit transformerdc.org for more info.
The Gateway Arts District is the largest in the region, but it is easy to underestimate as many of its artists work in spaces tucked away or without public hours. An exciting element of this event is that visitors can see spaces not always open, view artists’ work and workspaces, and talk to the artists about their practice on this special day of open houses.
The district roughly encompasses a two mile stretch from Mt. Rainier to Hyattsville with most locations on or around Route 1/Rhode Island Avenue. Best to start at the Washington Glass School at 3700 Otis Street. While some intrepid art goers choose to walk, Free shuttles will be operated along the corridor to help people cover more ground. Street parking is available as well at Lots 1, 3, and 4 in Hyattsville. Shuttle routes and a parking map will be available on the OST website.
In addition to visual art, many neighboring businesses will be poised to welcome visitors for food, drink, and further discovery of the many small and creative places within the Gateway Arts District.
After the open studio tour, all are welcome to the outdoor afterparty from 5 pm – 7 pm hosted by Broken Square and featuring music, skateboarding, and a food truck at 3698 Wells Ave, Mount Rainier, MD. If something quieter is your preference, head to Portico Gallery at 3807 Rhode Island Ave, Brentwood, MD 20722 for an end of the day porch hang.
Thank you to our sponsors Prince George’s Arts and Humanities Council, MiXT Food Hall, and Gateway CDC.
The event is FREE and open to the public. Visit https://www.gatewaycdc.org/ost2025 for a map of participating artists and studios to plan your self-guided tour.
The Athenaeum’s “Sculpture Invitational” Curated by Alison Sigethy, the 11-artist show is heavy on ceramic or glass works, including pieces by Washington Glass School principals Tim Tate, Erwin Timmers, and Michael Janis.
Art critic Mark Jenkins writes in his review for the online DisCerning Eye about the show: “Tate’s “Vitruvian Lenticular” is literally mutable, since its Leonardo-inspired figures alternately reach to each other or actually touch, depending on the viewer’s vantage point. One of Janis’s glass-panel portraits offers multiple views of a face, suggesting jagged facets of a single personality…” and “…The sense of motion is palpable, as it is with Timmers’s upright circles of recycled glass, jagged and swirling. “Eclipse” showcases solid objects that aspire, or at least allude, to fluidity.”
Artist Talk: Sunday, February 23, 2 pm
Eclipse
An Athenaeum Sculpture Invitational
January 16, 2025 – February 23, 2025
Artist Talk: Sunday, February 23, 2 pm
Participating artists: Michael Janis, Lori Katz, Mike Price, Carol Prusa, Sarah Hood Salomon, Salih Zeki Sayar, Murat Sener, Michael Enn Sirvet, Tim Tate, Erwin Timmers, Maduka Uduh
Curated by Alison Sigethy
Reviews of Eclipse exhibit :
The recent order from President Trump to rescind DEI (Diversity, Equity, and Inclusion) programs has led to a noticeable downplaying of Black History Month across government agencies. The U.S. State Department, for instance, has prohibited public events or messages celebrating the month, which has been a staple of American culture since the 1970s.
In contrast, local organizations in Washington, DC, are stepping up to honor Black history and contributions. The Lamond Riggs Library Friends, in collaboration with the DC Office of Planning, is hosting Foundations of Freedom: Recognizing the Enslaved People Who Built the U.S. Capitol. This special event will introduce WGS Director Michael Janis’ design for a new DC Memorial to Honor the Enslaved People Who Built the U.S. Capitol for Ward 5. Along with DC’s Office of Planning staff, Michael will offer an overview of a public art proposal. The program will include storytelling, a discussion of the design process, and a Q&A session to engage the community.
Thursday, February 6, 2025 from 1 pm – 3 pm @ Lamond-Riggs DC Public Library, 5401 South Dakota Ave NE, WDC.
For more information – click on link to jump to DCPL site: https://dclibrary.libnet.info/event/12875262
Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.
An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.
Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms.
Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”
Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow.
Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”
Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.
Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”
Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Talk: Sunday, February 23, 2 pm
Participating artists:
Michael Janis
Lori Katz
Mike Price
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh
The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Street, Alexandria, VA 22314
To end 2024 on a positive note – We are looking forward to 2025: DC’s new Cedar Hill hospital commissioned Washington Glass Studio to make a ‘DC themed’ glass mural (8 foot x 5 foot high). All our studio artists were invited to make inset panels in their glass style. Just started process fitting out glass panels into the steel framework- here’s a sneak peek! The artwork will be installed early in 2025!! Happy New Year!
Artists involved include: Nancy Kronstadt, Erwin Timmers, Tim Tate, Arden Colley, John Henderson, Patricia de Poel Wilberg, Graciela Granek, April Shelford, Jaelin Jones, Jun Lee, Trish Kent, Chip Montague and Michael Janis.
Celebrate Creativity at the Washington Glass School Holiday Open Studios!
Join us for the Washington Glass School’s Holiday Open Studios on Saturday, December 14th, from 12-5 PM! Explore a dazzling collection of glass art and other creations by our talented Resident Artists and Instructors, just in time for holiday gift shopping or adding unique pieces to your collection.
Our Open Studios is more than just an art show—it’s a chance to immerse yourself in Mount Rainier’s thriving creative community! Venture beyond our doors to discover inspiring works at nearby studios, including Otis Street Arts, Ampersand, Portico Gallery, Joe Hicks Ceramics, and Janis Goodman Studios.
📍 Location: Washington Glass School
3700 Otis Street, Mount Rainier, MD 20712 (Just over the DC/MD border of Eastern Avenue)
Come for the art, stay for the inspiration. Don’t miss this vibrant celebration of creativity and craftsmanship!
Happy Holidays All!
Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.
Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!
Exhibiting Glass International Artists:
Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright
Workhouse Arts Center is located at: 9518 Workhouse Way Lorton, VA 22079
Vulcan Gallery, W-16 1st Floor
On View: November 2, 2024 – January 12, 2025