Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.
Kate Barfield “Dream of the Wind-Up Bird”Patricia de Poel Wilberg
Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!
Washington Glass School artists (L-R) April Shelford, Kate Barfield, Patrica de Poel Wilberg, Arden Colley.
Exhibiting Glass International Artists: Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright
Winter Open Studios Set for Dec 14th! Mark Your Calendars!
Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to! Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.
Washington Glass School 3700 Otis Street, MD Rainier, MD
Washington Glass School ca 2004, located in the Washington Sculpture Center in SE DC.
In the aftermath of the 2000 Artomatic show, renowned glass artist Tim Tate and metal/eco-artist Erwin Timmers felt the need to create a space for the growing glass art community in Washington, DC. Their solution was the founding of what was first called “Meltdown”—the future Washington Glass School. The school’s very first class, held on September 13, 2001, came in the shadow of one of the most tragic days in American history. While the founders initially considered canceling the session, the overwhelming desire of the students to move forward created an indelible bond. The class became a healing space, where sadness and fear were channeled into creativity and connection.
Meltdown Studio class schedule 2001Early light fixture class (ca 2002) shows off their finished works.
From those early days, the Washington Glass School (WGS) has embraced community and resilience as core values. In 2003, the school relocated from its original home—now the Rubell Museum in DC’s Southwest neighborhood—to the Washington Sculpture Center. Michael Janis, an innovative artist who joined the school that year, became a director by 2005. His leadership, alongside Tate and Timmers, continued to steer the school as it grew in reputation.
Future WGS Director Michael Janis (center) in his first class at Washington Glass School, 2003.Michael Janis works with students from DC’s Stuart Hobson Middle School (ca 2004).
In 2006, a turning point came when the school’s building was taken by eminent domain to make way for the Washington Nationals’ baseball stadium. Unfazed, the WGS team moved just outside the District to Mount Rainier, Maryland. It’s been their home ever since, where they continue to teach, collaborate, and create public art.
WGS Directors (L-R Michael Janis, Tim Tate, Erwin Timmers)
WGS has evolved into a dynamic hub for artistic exploration, encouraging artists to challenge the conventional limits of glass as an art medium. Their collaborative spirit thrives, with glass artists working alongside creatives from other disciplines, producing public art that speaks to the heart of the community.
In 2024, DC artist Kelly Towles painted a mural “I ❤ Glass” on the facade of the glass school.
L-R: The Divided States of America; Trish Kent, Le Singe; Patricia de Poel Wilberg, Rejoice O Windup Bird; Kate Barfield, Twisting, John Henderson
Get ready to experience an artistic revolution and discover the future of sculpture. The Montpelier Arts Center of the M-NCPPC, Department of Parks and Recreation in Prince George’s County, proudly presents its 43rd annual invitational sculpture exhibition. Curated by Howard Cohen, this show, titled “Connections and Conversations” features the visionary talents of artists of the Washington Glass School, with a spotlight on the transformative medium of glass, where boundaries are pushed and traditions redefined.
Echoes; Michael Janis
Join us to see how these remarkable artists illuminate the diverse worlds we live in, using glass to spark conversations and create profound connections. This isn’t just an exhibit—it’s a vibrant conversation about our diverse world. Don’t miss this chance to see how glass can tell stories, bridge gaps, and ignite inspiration through community engagement and artistic innovation.
Don’t miss this chance for an unforgettable journey through art, innovation, and community and discover the endless possibilities of glass as a medium.
Connections and Conversations: Works by Artists from the Washington Glass School
Exhibition Dates: June 7 – July 28, 2024
Public Reception: June 7, 2024, 7 – 9 PM
Lunch and Lecture: June 14, 2024, 12 Noon (Reservations Required – Call 301-377-7800)
Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:
“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”
In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024
By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:
…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)
Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik
Washington Glass School Co Founder Erwin Timmers outlines the Studio Glass Movement timeline to audience at Artomatic 2024.
In the 1960s, The American Studio Glass movement transformed glass from craft into fine art.
Artomatic helped create the movement, as after the 2000 Artomatic, the Smithsonian Museum acquired artist Tim Tate’s glass sculpture that was on display. Artist Erwin Timmers’ artwork was also on exhibit at that Artomatic, and after that show, the two began to collaborate, later teaming up to start the Washington Glass School & Studio with the funds from the sale of Tate’s glass artwork to the Renwick.
Washington Glass School Co-Founder Tim Tate’s work at Artomatic 2024.
In 2008, Artomatic organized an exhibit at the Washington Glass School, showcasing the unique approaches to glass sculpture in three “glass” cities: Washington, DC; Toledo, Ohio; and Sunderland, England, fostering international partnerships and collaborative ventures.
Glass works by VA-based artist Griffon Dillon on exhibit at Artomatic 2024.
As the 21st century unfolded, artists across various media have shown growing interest in glass as a creative medium, despite its technical challenges. The Washington Glass Scene has emerged as a hub of innovation, elevating glass to a significant position in contemporary art. The Washington Glass School encourages artists to push boundaries and redefine the possibilities of glass as a fine art medium.
There is a great example of works by DC glass creatives on display at Artomatic 2024, open now thru April 28th. Although the glass works are on many of the 8 floors of art, the 5th floor is the central spot to get ones glass fix. Some photos of Washington Glass School’s reception are featured in this post.
Glass artwork by artist Michael Janis seen at Artomatic 2024 on M Street.
Curator Howard Cohen reviewing glass art on exhibit at Artomatic 2024.
Baltimore based art curator Howard Cohen came this past weekend to Artomatic to handpick glass artists from the DC area for a contemporary glass showcase exhibit at Montpelier Art Center this June. Howard was able to talk with many of the artists and get insight to their narratives and process. Looking forward to the upcoming show!
One last look at the work inside the kiln – before firing.
Is it true that all octopuses are born in Octo-ber? Well, here is the ultimate proof! Artist Tana just completed her spectacular 36′ round octopus/sea life themed glass panel at the Washington Glass School! The finished glass panel will octo-py our hearts!!
This past week’s Hot Shop Heroes™ workshop was great fun! Our military veterans had the incredible opportunity to connect with the talented glass artist and fellow veteran, Geoffrey Bowton, in a fascinating video meeting.
Geoffrey shared his unique glass art techniques and took us on a remarkable journey of healing through the mesmerizing world of glass art.
Geoffrey Bowton (top left) talks about his work and journey to the veterans at the Washington Glass School.
And that was just the beginning! After the inspiring conversation, we dove into hands-on workshops in fused glass and welding. The energy and creativity in the room were truly remarkable.
Instructors Tim Tate (L) and Jennifer Lindstrom (R) work with the Hot Shop Heroes vets in making their first glass piece.
The 8 week program continues, where the veterans will continue to explore their artistic talents and healing through art.
Lead glass instructor, Patricia De Poel Wilberg, takes the vets thru their first fused glass workshop.
Mark your calendars for the grand finale! On December 9th, we’ll be showcasing the incredible artwork created by our talented students at the Open Studios exhibit. You won’t want to miss it!
Stay tuned for more updates and be part of this inspiring journey with us.
About DC’s Hot Shop Heroes:
DC’s Veteran’s Affairs has partnered with the Washington Glass School (WGS) and the Museum of Glass (MOG) in Tacoma, WA. to bring the restorative power of art to active duty patients and Veterans diagnosed with traumatic brain injury and post-traumatic stress disorders.
Started in 2013 at Takoma’s MOG, the Hot Shop Heroes program has been dedicated to teaching glass safety procedures, fundamental glassmaking techniques and team building skills. In one of the first partnerships with the MOG, WGS will add metal working and special glass casting techniques to the intensive arts encounter.
WASHINGTON, D.C. and TACOMA, WASHINGTON — The Washington Glass School in Mount Rainier, MD is proud to announce a groundbreaking collaboration with the Museum of Glass in Tacoma, Washington, aimed at enhancing the lives of military personnel and veterans through the transformative power of Hot Shop Heroes™. As one of the first collaborations of its kind for the Museum of Glass, this partnership underscores their dedication to expanding the horizons of glass artistry. By combining the Washington Glass School’s expertise in glass art instruction with the Museum of Glass’s world-class facilities and resources, this alliance of the two Washingtons (State and District of Columbia) promises to create a nurturing and enriching environment where veterans can discover the healing potential of working with glass.
Hot Shop Heroes is a pioneering program that has been instrumental in aiding military personnel and veterans in their journey to heal from traumatic experiences and injuries sustained during combat. The program creates a supportive environment where participants work collaboratively, forging bonds with one another while exploring the captivating art of molten glass. The blend of social interaction, shared goals, and creative expression within the Hot Shop Heroes program offers a unique and therapeutic experience that has been proven to promote healing and personal growth.
According to the American Art Therapy Association, the debilitating effects of post-traumatic stress can affect up to 18-percent of soldiers deployed to Iraq and Afghanistan. For many, the use of medication, cognitive behavioral therapy (CBT), or eye movement desensitization and reprocessing (EMDR) can be helpful in treating this condition, but the addition of art therapy has shown to be invaluable to an individual’s recovery.
This remarkable initiative started as a Museum of Glass created opportunity for military members and their families to engage in hands-on art activities, glassblowing demonstrations, and gallery exhibitions, has evolved into a program specially designed to assist active-duty and retired service men and women in their transition to civilian life. The program has demonstrated that the concentration and camaraderie required for glassblowing can be profoundly therapeutic, particularly for individuals with traumas and injuries stemming from their military service.
Since its inception in the fall of 2013, the Hot Shop Heroes program has been dedicated to teaching kiln formed glass safety procedures, fundamental glassmaking techniques, welding experience, and team building skills.The program’s objectives are to provide participants with improved dexterity, fine motor coordination, and core strength, all while fostering self-esteem, nurturing creativity, and stimulating imagination through artistic participation. Today, Hot Shop Heroes remains a cornerstone educational program at the Museum of Glass, transforming lives through art.
The Hot Shop Heroes program offers glassmaking and metal shop courses to participating soldiers and veterans, catering to introductory and intermediate skill levels. With classes tailored to different levels of glassmaking experience, Hot Shop Heroes empowers participants to refine their abilities, extending the reach of their skill sets beyond the walls of the Glass Studio and into new job opportunities.
To sustain and expand this life-changing program, Hot Shop Heroes relies on external funding to provide classes at no cost to participating students. As of 2023, over 750 soldiers and veterans have benefited from the Hot Shop Heroes program, and this collaboration between the Washington Glass School and the Museum of Glass aims to extend the reach of this transformative initiative to even more individuals in need.
For more information about the Hot Shop Heroes program and this exciting collaboration between the Washington Glass School and the Museum of Glass, please visit http://washingtonglassschool.com/school
The Washington Glass School, located in Mt Rainier, MD is a renowned educational program in the Nation’s Capital area, operating as the sculptural glass education and resource center for the mid-Atlantic region, serving students, artists and the general public. Founded in 2001 by passionate glass artists, the school offers a wide range of classes, workshops, and educational programs aimed at fostering creativity and innovation in the world of glass sculpture.
About Museum of Glass:
The Museum of Glass, situated in Tacoma, Washington, is a premier institution dedicated to the appreciation and exploration of glass art. With a world-class collection and a mission to engage and inspire a broad and diverse audience, the Museum of Glass is a hub for creativity, education, and artistic expression.
The National Capital Art Glass Guild (NCAGG) was founded in 1978 as a community of artisans interested in art glass. Every year Guild members conduct classes in many glass techniques and present programs to interested schools, organizations, and community groups.
WGS Artists at NCAGG Exhibit L-R Patricia de Poel Wiberg, Kate Barfield, April Shelford, Graciela Granek, Michael Janis, John Henderson.
The juried NCAGG member show at the Strathmore Mansion features outstanding works by area glassmakers in multiple styles – and many works by WGS artists!
Patricia de Poel WilbergApril ShelfordKate Barfield
The show runs through October 28, 2023
April Shelford in awe of Erwin Timmers’ cast sculptures.
