Michael Janis Finalist in 2022 Contemporary Craft Prize

Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.

17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.

Michael Janis glass art - title "Allowing Our Past to Become Part of Ourselves" 60"H x 40' W fused glass, glass powder imagery aluminum

Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.

Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.

The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.

The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA

Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201

Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM

September 9, 2022 – March 18, 2023

This opening is free and open to the public.

ABOUT CONTEMPORARY CRAFT

Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org

Sean Robinson @ Cid Bolduc Gallery

WGS Studio artist Sean Robinson responded to the call for artists at Cid Bolduc Gallery in Provincetown, MA. Sean’s glass art was immediately selected for exhibition for the month of July! Congrats Sean!!

Artist Sean Robinson works his magic with glass at Cid Bolduc Gallery.

The Cid Bolduc Gallery (CBG) is located at 53 Badford Street in Provincetown, MA.

CBG is open for the 2022 season on Thursday, Friday and Saturday from noon to 5 p.m.

DC’s MLK Jr Library Features Washington Glass Studio on Public Art

View of Green Community Gateway by Washington Glass Studio

The District of Columbia Public Library (DCPL) is a dynamic source of information, programs, books and services, among them is their Makers Program, that includes a Fabrication Lab. The Martin Luther King, Jr. Memorial Library’s “Fab Lab”, complete with 3D printers, a laser cutter, soldering equipment, other machines is part of a new movement of public libraries embracing the “maker movement.” DCPL’s maker program is the largest of its kind in a public library, as they see the program as a force to bring together makers, artists, and creative people of all types and from all fields and backgrounds, encouraging cross-disciplinary cooperation. As part of the public engagement, the DCPL Makers & DIY Program is hosting a series of artists lectures at the newly refurbished MLK Memorial Library auditorium.

Image of Community workshop at Washington Glass School.

On Saturday, May 21, 2022, from 1:00pm – 2:00pm, Michael Janis, co-director of the Washington Glass School, will give a lecture on how the Washington Glass Studio created the “Green Community Gateway” with art made with the help of the community in Ward 7.

The “Green Community Gateway”, public art sculpture marks the symbolic entrance to the Kenilworth/Parkside section of DC’s Ward 7. Through a series of glass “quilting bees”, Washington Glass Studio brought together neighborhood residents, students of the high school, and the staff of the newly constructed Unity Healthcare facility to make glass art that would become an integral part of the arch.

This lecture program will take place in the auditorium at the Martin Luther King Jr. Memorial Library, 901 G St. NW, Washington, DC 20001. Register at bit.ly/labsclasses

The renovated Martin Luther King Jr. Memorial Library in Washington, DC, originally designed by Mies van der Rohe, the landmark library was rejuvenated by Mecanoo and OTJ Architects.

Washington (State) Museum of Glass Showcases Washington (DC) Glass School Directors

Sculptures by each of the Washington Glass School Directors – Tim Tate, Erwin Timmers and Michael Janis- were acquired for the permanent collection of the Tacoma Museum of Glass (MOG).

Michael Janis, “Healing Words” 2009, kilnformed glass, glass powder imagery, 37″ x 19″ x 2″, Collection Museum of Glass.

A long-time Museum of Glass Trustee, Potomac, MD-based glass-art collector Robert Minkoff selected MOG to house his art collection before passing away in September 2020. Developed through decades of patronage and philanthropy, the collection celebrates the incredible diversity of glass art and its possibilities in the field of contemporary art.  With the addition of Robert Minkoff’s personal collection, the Museum’s glass holdings are now the largest in the Western United States.

The artworks by the Washington Glass School artists will be part of a yearlong exhibit Boundless Curiosity: A Journey with Robert Minkoff, opening April 2, 2022.

Organized by Museum of Glass and curated by Katie Buckingham, ‘Boundless Curiosity’ follows Minkoff’s love of glass and tells vibrant stories of glass’s evolution from a studio craft material. “The Minkoff Collection is a transformational gift to the Museum” said curator Katie Buckingham. “We are excited about the opportunity to widen the story of glass art and show compelling narrative sculptural work”.

MOG’s contemporary glass collection concentrates on how medium of glass interacts with modern day art. Citing “glass secessionism” (as defined by Tim Tate and William Warmus in their “21st Century Glass Conversations and Images” online group) there is a movement in glass art away from “technique” towards “artistic vision” and concept. Said Curator Buckingham “we all look forward to including the artworks by the Washington Glass School directors – the 3 Musketeers of Glass.”

Washington Glass School artists Erwin Timmers, Tim Tate and Michael Janis (aka aka- Athos, Porthos and Aramis)

Works by noted glass artists Dale Chihuly, Lino Tagliapietra, Debora Moore, Therman Statom, Amber Cowan, Susan Taylor Glasgow, Shane Ferro, Paul Stankard, and Laura Donefer round out the exhibit in the main gallery of the Museum. The Minkoff collection exhibition will kick off the Glass Art Society (GAS) 2022 international conference held in Tacoma, WA this May.

About Museum of Glass

Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Opened in 2002, the Museum has established a reputation for hosting impactful and engaging artist residencies, organizing nationally traveling exhibitions, and creating unique programs for visitors while building a growing permanent collection chronicling the development of modern and contemporary glass. 

Museum of Glass provides an environment for artists and the public to ignite creativity, fuel discovery, and enrich their lives through glass and glassmaking. MOG’s glass holdings are now the largest in the Western United States.

BOUNDLESS CURIOSITY: A JOURNEY WITH ROBERT MINKOFF

Opening April 2, 2022 thru 2023

Museum of Glass, 1801 Dock Street, Tacoma, WA 98402

www.museumofglass.org

Glass Art Magazine Features Erwin Timmers

WGS Co-Director Erwin Timmers is interviewed by Vicki Schneider in the hot-off-the-press issue of Glass Art Magazine. Erwin talks about his unique technique and if he shares his intellectual property or if he guards his glass secrets. Read his interview in the March/April issue of Glass Art Magazine. Photos by Pete Duvall.

The Process: Public Art – “Essential Connections” in Arlington, VA

“Essential Connections” by Washington Glass Studio, 18’L x 4’H, cast glass, LED. 2021

The Process: Public Art – “Essential Connections”
Washington Glass Studio (WGS) –J-Sol Apartment Complex, 4000 Fairfax Drive, Arlington, VA

Daytime view of “Essential Connections” sculpture in Arlington, VA.

Jefferson Apartment Group with Mitsui Fudosan America developed the Arlington, VA corner site formerly home to the sports bar CarPool into a 22-story, LEED Gold-certified high-rise called J-Sol, with residential units atop ground-floor retail and parking. Working with Toronto, Canada art consultant Oni-One Sourcing owner Paula Fleck, the preliminary designs were initiated in April of 2019, well before the pandemic lockdowns. Different concepts for both design and location of artwork to enhance the new J-Sol residential development were presented to the client.

Original concept sketch
Erwin Timmers and Michael Janis review the structural steel.


Framing the corner location of the new plaza at Fairfax Drive and North Quincy St. in Arlington, VA, the sculpture is made of almost 100 individual hand cast glass panels set into a bold geometric framework of acute angles that references the sculptural qualities of the new J-Sol building. The sculpture defines the location and creates a new sense of place with the layering of color, light and shadow. Merging architecture and design with their signature material, glass, the overall presentation of the sculpture is aimed to reflect our modern society and urban space.

Meticulously fitting glass into framework.

The varieties of techniques and layers of colors provide complex visual experiences is part of the works’ aesthetic pleasure.

Public art detail
An exploration of color, texture and pattern overlay.

The inspiration for the Arlington public artwork, “Essential Connections” is how much our world has changed. The artwork draws inspiration from our attempt to find new and innovative ways to reach out and connect with each other.

Night view of “Essential Connections” sculpture by Washington Glass Studio.

As WGS Co-Director Tim Tate noted of the work: “…Our goal was to create something memorable out of daily patterns of coming and going home.” The rainbow mix of colors – each a strength unto itself – is much more powerful in combined with others. The color palette itself references nature in its yellows, blues and greens, the sun, the water and sky, the grass and trees. Stylized elements of nature will be incorporated into several the crafted glass panels – emphasizing our renewed awareness of our environment.

The colors and patterns define this public space in Arlington, VA.

The artwork’s dynamic shape forms a translucent cornerstone of sorts – inviting all into the plaza for walking, sitting, and all manner of activities conducted in the park. The new artwork help create a place for people to enjoy, feel connected and remember. Using the timeless fundamentals of light and color to define the space we made a vibrant backdrop to define the area with exuberance and life.

The public response has been immediate – during installation many passerbys came up excitedly to the sculpture – wanting to take “selfie shots” at Arlington’s newest landmark.

The artworks’ youngest fan points out their favorite glass panel inset.
DC art enthusiast Anthony Adero strikes a casual pose at the new sculpture.

Project Details:

Location: 4000 Fairfax Dr, Arlington, VA 22203 (N Quincy St & Fairfax Dr)
Washington Glass Studio Public Art Team: Michael Janis, Tim Tate, Erwin Timmers, Christina Helowicz.

Erwin Timmers and Christina Helowicz the sculpture’s internal LED lighting.

Structural Steel: Criss Brothers
Number of Glass Tile Insets: 97

WGS installation team L-R: Michael Janis, Ryan Henderson, Christina Helowicz, Erwin Timmers

2020 Prince George’s County Juried Exhibition: Symbiotic Presence

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The 2020 Prince George’s County Juried Exhibition: Symbiotic Presence is installed at the Brentwood Arts Exchange. A diverse array of works from glass sculpture, to painting, to video art represents this year’s theme of the strength and willpower of artists, bringing people together to help heal fractured communities.

View of Brentwoood Arts Exchange installation of Symbiotic Presence.

View of Brentwoood Arts Exchange installation of Symbiotic Presence.

Maryland’s Prince George’s County artists will tell their stories and explore our community relationships in this year’s county juried exhibition, featuring work from thirty-two local artists. 

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Erwin Timmers’ cast recycled glass sculpture “One Another” is featured in the exhibit. Works by four Washington Glass School artists are exhibited.

This exhibition was juried by Shanti Norris. The Prince George’s County Juried exhibition is sponsored by The Maryland-National Capital Park and Planning Commission (M-NCPPC), Department of Parks and Recreation, Prince George’s County, Arts and Cultural Heritage Division. This exhibition will be physically installed at Brentwood Arts Exchange Main Gallery and presented digitally for online viewing.

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Virtual Gallery Tour and Artist Talk via Facebook Live: Saturday, January 9 at 2 pm

November 9, 2020 – January 9, 2021

A video walk-thru is online – click on link below to jump to video

2020 Prince George’s County Juried Exhibition:Symbiotic Presence

The Future of Art: Glass Art Fair 2020

Many art fairs have been moved online due to the global pandemic. Now, as a way to provide access to the best of art glass – Glass Art Fair has been formed. This new online art fair provides a unique opportunity with virtual experience – where all are invited to learn and explore each artist featured and share on their personal social media. The future has “arrived so much sooner,” said the creator of Glass Art Fair,  “If galleries and fairs are closed, how can we sell art? Creating an online art fair platform is something we envisioned as an important part of what we do.”

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artist: Tim Tate. Image courtesy Habatat Galleries.

New for 2020, the Glass Art Fair online art fair features over 60 artists creating using glass as their art medium, opening online to the public on Sunday, November 1st, 2020. This art fair will be online the same time as the Sofa Chicago art fair (rebranded Intersect Art Fair).

GlassArtFair2020.michael_janis.glass.sgraffito.art.contemporary

artist: Michael Janis. Image courtesy Habatat Galleries.


Glass Art Fair hopes collectors on their laptops and iPads will take more time with the work than those darting through a Navy Pier or a Miami beachfront tent. 
“We have the ability to have multiple images and detail shots – When people are visiting the online platform, they aren’t walking through for 45 seconds. You’re going to have their attention for so much longer.”

GlassArtFair2020.wilfried.grootens

artist: Wilfried Grootens. Image courtesy Habatat Galleries.

This online presentation will continue for the month of November with more presentations as works become available. Each artist has the availability to edit and add artwork throughout the month so please check back in for updates often. The works on the site are available for purchase.

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artist: Christina Bothwell. Image courtesy Habatat Galleries.

Expect more of what you love at the Glass Art Fair.

artists:  Jennifer Caldwell and Jason Chakravarty. Image courtesy Habatat Galleries.

artists:
Jennifer Caldwell and Jason Chakravarty. Image courtesy Habatat Galleries.

Final Week of CLICK-IT! Online Exhibition

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

We’re down to the final week the “CLICK-IT!” online exhibit!. Showing works by these talented artists (Teri Bailey, F. Lennox Campello, Jennifer Caldwell, Jason Chakravarty, Cheryl P. Derricotte, Sean Donlon, Sean Hennessey, Joseph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Steve Wanna, & Jeff Zimmer) to the public and hearing the wonderful feedback has been so rewarding. It means a lot to us that we can share their world with the world and an appreciation for the works/sentiments/technical brilliance can be appreciated.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Those who have yet to visit the exhibition should grab the chance to see these truly wonderful works online – click HERE to jump to online exhibit!

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Artists For Racial Justice” exhibit and fundraising for non-profits that can help with equality with art as a tool for healing and peace to help at this time.

Artists for racial.equality.justiceClick HERE to jump to the fundraiser arts page.  

Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

WGS Featured Artist: Teri Swinhart

CLICK IT! Featured Artist: Teri Swinhart

Teri Bailey

Teri Swinhart

Teri Swinhart is a multimedia artist holding a BFA in Glass from The University of Wisconsin – Stevens Point and an MFA from The Ohio State University. She thrives in learning, pursuing opportunities to expand her understanding of material at institutions such as Penland School of Crafts, the Corning Museum of Glass, Pilchuck Glass School and the Chrysler Museum of Art. Teri currently lives and works in Washington D.C. as the Studio Coordinator for the Washington Glass School and the Director of WGS Contemporary.

Teri Bailey teaching pâte de verre technique at the Washington Glass School.

Teri Swinhart teaching pâte de verre technique at the Washington Glass School.

Washington Glass School blog catches up with Teri as her work is part of the WGS Contemporary online exhibit “CLICK-IT!”.

Washington Glass School (WGS): Describe your artwork method/process.

Teri Swinhart: The forms for the Sanctuary Series are constructed by precisely layering thin glass strands to imitate weaved textile patterns. The glass strands are lightly melted together and then heated until they slump over a hand-made mold.  Each mold is uniquely carved out of a soft plaster mixture that is removed after firing, creating a negative space within the glass sculpture. I also create a charcoal drawing of my inspiration (a child hiding under a blanket) to help guide the viewer and add visual variety.  

Teri Bailey, "Sanctuary Among Fragility"; Kilnworked Glass, Flat Glass; 6”x7”x4”

Teri Swinhart, “Sanctuary Among Fragility”; Kilnworked Glass, Flat Glass; 6”x7”x4”; concept sketch above finished work.

I combined an assortment of processes to create Seeking Home. This piece includes a hand sculpted figure as well as a glass quilt square. I made the square by sifting ground up glass powder (called frit) through a stencil onto a larger sheet of flat glass. I then fired the sheet and fused the pattern onto the surface. 

Teri Bailey, "Seeking Home"; Glass, Poly-Vitro, Wood; 18”x20”x6”

Teri Swinhart, detail, “Seeking Home”; Glass, Poly-Vitro, Wood; 18”x20”x6”

Delicate Revolution is an installation of over 400 eyehooks that have been corseted together with layers of silk ribbon. This installation changes every time it is presented and is dependent on the space around it.

Teri Bailey: Detail "Delicate Revolution"; Stainless Steel Eyehooks, Ribbon, Wood; 2'x8'x1'

Teri Swinhart, Detail “Delicate Revolution”; Stainless Steel Eyehooks, Ribbon, Wood; 2’x8’x1′

Defiance (in Artists for Racial Justice Fundraiser) is a deep red glass casting of a human neck with its chin raised. The chin proudly jutting out, even though it is fractured and worn. The mold for the piece was made by painting body safe rubber mold material onto my model’s neck, waiting for it to try, then removing the mold and pouring wax into it to create a reproduction. The wax neck is then covered in plaster-silica to create a kilnproof mold. The wax is melted of out the mold and the negative space that it leaves is filled with cold chunks of glass and heated up in a kiln until they melt.

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Teri Swinhart: The work in this show highlights many of the different processes and materials that I enjoy working with. All of these works highlight my fascination with textiles and their role in the home. Similar to artists like Mary Cassatt, I am drawn to exploring the beautiful intimacy within the home and the personal.

WGS: What artwork/event has moved you and got you thinking about your own work?

Teri Swinhart: The two biggest things influencing my work (and much of the world) right now are COVID and the BLM Movement. So much of the inspiration for my work comes from the emotion and vulnerability of the extremely personal. I am painfully empathetic, so to watch this many people die so brutally leaves me fluctuating between heartbroken, terrified, and enraged. I don’t think I could keep emotions this intense out of my artwork even if I really tried. It has shown me that I need to take a stance on things I have been privileged enough to avoid in the past and use my voice to spread love and promote change. No pressure…

Here's your coffee - & thank-you for wearing a mask!

Here’s your coffee… & thank-you for wearing a mask!

WGS: if you were not an artist – what would you be?

Teri Swinhart: A psychologist… or a barista.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?

Teri Swinhart: Definitely a little bit of both. I feel like I spend 75% of the time in my sketchbook working through each element of an idea before I begin making, then when I feel comfortable with the plan I begin bringing it to life. I am flexible throughout the process and lots of things change as I lay the materials next to each other and work through the installation… it keeps me on my toes!

Click here to jump to Teri Swinhart’s work in CLICK-IT!

Teri’s work is part of the companion exhibit/fundraiser – “Artists for Racial Justice” Click HERE to jump to the show.