Happy Holidays from Washington Glass School and Studio

Tis the Season!

All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!

Artists and Educators from the Washington Glass School

(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.

Tim Tate: Reflections on Studio Practice

Glass Sculptor and Artist Tim Tate looks back on 20 years of creating a community. He recently put together some of his observations on well, how did we get here?

Artist Tim Tate

“I had been raised in a household filled with craft materials. I rarely saw my mother’s hands empty, always creating something. I inherited this love. I spent my early adult years being trained in the methods revolving around studio glass while attending the 2 weeks to 2-month workshops of Penland, Pilchuck, Corning, Pittsburg, etc. (I had no money to attend grad school …though I yearned for Cranbrook). These years of varied workshops and practitioners was the perfect way to obtain a broad outlook on the entire field. We founded the Washington Glass School in 2001 with very specific goals. Let me see if I can make this clear.

Tim Tate & Joyce Scott work on a new collaborative sculpture at the Washington Glass School.

1). We wanted to be something other than a traditional studio glass shop. From the beginning we realized we wanted a much broader approach; something that reflected the mission of education centers like the Crucible in Oakland and Penland in NC. We embraced mixed media work from the beginning with varied classes in kiln formed glass, steel, electronics, encaustics, etc. Our idea was not to in any way denigrate the rich history of studio glass, but to live just outside of those confines to see what would happen. To step slightly away from the 20th century.

Tim Tate
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.

2). As a gay man in glass, it was apparent that diversity was sorely lacking in every way in the glass world. So we did outreach and advertised our classes in many publications that went to diverse populations, rather than wait for these populations to approach us. This worked very well. Even now we go to the Facebook pages of different neighborhoods to show our class schedules.

Einar and Jamex de la Torre at Washington Glass School 2015
The Brothers De La Torre visit the Washington Glass School in 2015.

3). We have embraced social media in every way possible, from individual and school Facebook and Instagram pages (where we post regularly) to administering a Facebook discussion group. This group is called “21st Century Glass/Conversations and Images/Glass Secessionism” and maintain over 8000 members from 97 countries.

With William Warmus we came up with the original concept of “Glass Secessionism”…to step slightly away from the recognized canon of 20th century glass and to create as much dialog and critical analysis as possible. There have been over 1.5 million words written and over thousands of images shared on this page focusing almost entirely on that theme.

In 2008, Artomatic held an international glass show.

4). We participated in many local shows here in the DC area, such as the spectacular Art-O-Matic show that truly put us on the map. We also curated many shows over the years to include local emerging artists. I have served on a dozen boards and juried dozens of shows and grant applications to stay in the loop and form a community bond. There are 3 Co-Directors here, all sharing a similar mission….to create a large regional, national and international community to foster new growth within our field.

2009 Glass Workshop at Washington Glass School. L-R Cheryl P Derricotte, David Cook, Nicole Puzan.

5). Our first class was on Sept. 13, 2001…. a difficult day in history to start anything being right after 9/11. We thought no one would even attend the first classes. But we discovered something else….no one cancelled. It appeared that while the purchase of art slowed to a trickle around the country, the creation of art thrived. Our first class was filled with artists who wanted to make narrative work about the devastation of that event. From that moment on we embraced narrative work with all our hearts. Works about political events, social injustices and inequalities were common within our sculptural classes, and certainly in my own works. We have now been in operation over 20 years, with over 6000 students. 60% of those were and are women, we have a large population of BIPoC students and we have worked with hundreds of LGTBQ students. We are so very proud of this fact.

My purpose for serving on boards right now is to focus on the building of communities as an artistic practice. I want to take a slight step away from academia as these institutions can become elitist, and I want to be non-elitist as we have been from the beginning. I also like regional boards that focus in the mid-Atlantic.

My personal practice had been deeply imbedded in the world of glass galleries and museums, though frequently as an outsider. I have stepped away from this in the last few months. I have moved towards the fine art world once again, as I had started there. It feels great to go back to my roots, surrounded by a community that reaches far beyond anything we ever anticipated.” – Tim Tate, October, 2022

May 14th Open Studios- Save the Date!

Save The Date! May 14th is the proposed date for Washington Glass School Open Studio Tour! Many of the surrounding art studios and galleries will be participating! We will follow health protocols – and it will be great to see all in real life! Come and see what’s new and what has been shaking at the studio!

Final Week of CLICK-IT! Online Exhibition

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

We’re down to the final week the “CLICK-IT!” online exhibit!. Showing works by these talented artists (Teri Bailey, F. Lennox Campello, Jennifer Caldwell, Jason Chakravarty, Cheryl P. Derricotte, Sean Donlon, Sean Hennessey, Joseph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Steve Wanna, & Jeff Zimmer) to the public and hearing the wonderful feedback has been so rewarding. It means a lot to us that we can share their world with the world and an appreciation for the works/sentiments/technical brilliance can be appreciated.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Those who have yet to visit the exhibition should grab the chance to see these truly wonderful works online – click HERE to jump to online exhibit!

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Artists For Racial Justice” exhibit and fundraising for non-profits that can help with equality with art as a tool for healing and peace to help at this time.

Artists for racial.equality.justiceClick HERE to jump to the fundraiser arts page.  

Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

WGS Featured Artist: Erwin Timmers

CLICK IT! Featured Artist: Erwin Timmers

Erwin Timmers is the co-founder of the Washington Glass Studio and Washington Glass School. Originally from Amsterdam, he moved to California and graduated from Santa Monica College for Design Arts and Architecture. In 1999 he moved to the Washington DC area and since then his sculptural artwork has been on display in Zenith Gallery, Fraser Gallery, and Gallery Neptune. Erwin was named the Montgomery County, MD Executive’s Award Outstanding Artist of the Year in 2018.

His approach to art is multifaceted, incorporating metalwork, innovative lighting and glass design. He teaches glass, lighting, sculpture, and metal work. Industrial salvage and recycling are recurring themes in his work, which he sees as crucial parts to the interaction with one’s surroundings. Recently, the Artisan 4100 – an apartment community opening along Route 1 in Brentwood, MD – commissioned Erwin Timmers to create a major glass and light installation for the new building lobby.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Washington Glass School blog catches up with Erwin as his work is part of the WGS Contemporary online exhibit “CLICK-IT!”.

Washington Glass School (WGS): Describe your artwork method/process.
Erwin Timmers: I cast objects in recycled glass. For this series I have used discarded packaging material, from which I take molds in plaster. The glass then heats up in an electric kiln, melts and takes on the shape of this mold. To finish I chop, and trim the glass and weld the metal frame.

Erwin Timmers, "Patterns of Containment V" cast recycled glass

Erwin Timmers, “Patterns of Containment V” cast recycled glass

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Erwin Timmers: The work features single-use plastic wrappings that viewers may recognize. The grid format formalizes the display of “trash” as art and then I use grids within each frame as well. I hope to give viewers a moment of pause while contemplating the shapes and patterns.

Erwin Timmer: detail "Patterns of Containment"

Erwin Timmer: detail “Patterns of Containment”

WGS: How have you handled the Covid lockdown?

Erwin Timmers: Initially COVID was like snow days we hadn’t had, but with great weather. That was before any financial pressure came into play. It was motivating to see the air pollution worldwide go down, I wish it could stay like that. But at the same time the single use plastic pollution is increasing, giving me even more art base materials…

WGS: What artwork/event has moved you and got you thinking about your own work?
Erwin Timmers: The current civil crisis has been deeply moving. It caused me to rethink and redevelop the direction of my hands symbol series.

WGS: if you were not an artist – what would you be?
Erwin Timmers: Epidemiologist 

Erwin Timmers suits up in his PPE gear to work in the studio.

Erwin Timmers suits up in his PPE gear to work in the studio. Or tend the studio bee-hives.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?
Erwin Timmers: I plan the general idea, but often new ideas and aspects emerge as I work. I try to incorporate these, and I can then evaluate whether they work or not.

WGS: What is your rule of thumb in determining when a work is finished?
Erwin Timmers: When I sign it, it is done…

Click here to jump to Erwin Timmers work in CLICK-IT!
Erwin’s work is part of the companion exhibit/fundraiser – “Artists for Racial Justice” Click HERE to jump to the show.

CLICK-IT Exhibition Opens June 16th @ WGS Contemporary

WGS Contemporary hosts CLICK-IT and Artists for Racial Justice

WGS Contemporary hosts CLICK-IT! and Artists for Racial Justice

With much of the physical art world closing because of Covid-19, artists, galleries and museums have turned to technology and social media to stay open (albeit virtually), allowing visitors from anywhere in the world to interact with and view art.

WGS Contemporary Gallery (located in the DMV’s Gateway Arts District) had to get creative with how to bring art to the world. With so much changing so quickly, artists and arts organizations are still in the process of finding their footing. “With everyone in isolation, art is needed now more than ever to help remind people that we are not alone. Art helps us to dream, escape our current realities, and engage our imaginations in building a better world for tomorrow,” said Gallery Director Teri Swinhart (Bailey). “With this show, we all stand united (six feet apart, of course) and ready to take on these challenges and the new opportunities they present.” 

"Spilt Perfume Set", Artist:  Carmen Lozar

“Spilt Perfume Set”, Artist: Carmen Lozar

"Sea Through The Looking Glass" Artists: Jennifer Caldwell and Jason Chakravarty

“Sea Through The Looking Glass”, Artists: Jennifer Caldwell and Jason Chakravarty

Opening June 16th, WGS Contemporary presents “Click-It!” featuring works by some of the most exciting and inspiring artists, with a broad spectrum of works that showcase the current trends in art and the media specific works.

"Patterns of Containment", Artist: Erwin Timmers

“Patterns of Containment”, Artist: Erwin Timmers

Artists in the show include:

Teri Swinhart (Bailey)
F. Lennox Campello
Jennifer Caldwell
Jason Chakravarty
Cheryl P. Derricotte
Sean Donlon
Sean Hennessey
Joseph Ivacic
Michael Janis
Carmen Lozar
Tim Tate
Erwin Timmers
Steve Wanna
Jeff Zimmer

“By placing artworks of different materials, mediums, and styles in direct conversation, there is opportunity for new dialogues and perspectives,” adds Swinhart. Click-It! will highlight the many parallel and interesting artistic directions these artists bring creating a dynamic environment of exchange online.
“We will be using our online platforms to introduce exciting new art programming that aims to enrich, entertain and inspire during this challenging time.”
A special fundraising event “Artists for Racial Justice” is also scheduled online as a companion show, with the-proceeds for these special works to be donated to the non-profit organizations “Color of Change ” and the “NAACP”.

"Deja Vu" Artist Sean Dolon

“DejaVu”, Artist Sean Donlon

 

WGS Contemporary is a Washington, DC area art and special projects fine arts gallery. WGS Contemporary’s mission is to contribute to thinking about art, new media, technology, and social issues through an open access forum which we hope will facilitate contemporary and innovative projects worldwide. In that process, WGSC will expose the cutting edge work of artists pushing the new media frontiers of art. Projects using robotics, sensory perception, holographic imaging, self-contained video sculptures and others will offer an intelligent and fresh set of artwork that marries technology and art into a new creative dialogue in the visual arts.

 

 

 
Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

Glass 48 Opens May 8!

Glass 48 opens Friday May 8 @ 1:00 pm ( Eastern time).

Glass 48 opens Friday May 8 @ 1:00 pm ( Eastern time).

The pandemic has changed many planned arts events across the world. Habatat Galleries has adapted their planned Glass48 International event to an online presentation so the exhibition can be viewed from anywhere. This monumental experience will allow all visitors to view presentation from anywhere in the world. This experience includes personalized videos of each artists work and will also feature studio tours.

WGS Artists Tim Tate and Michael Janis are featured in the International exhibit – and they each have video presentations of their individual work and of their collaborative work.

Mary Van Cline’s Documenta Project Presents: EXPOSED!

Mary Van Cline’s “Documenta Project,” is an ongoing photographic quest to capture the images (and personalities) of the unique community of artists, dealers, and collectors who coalesced around glass as an art medium. As the Documenta Project celebrates 3 years of photographing the community of the global Studio Glass Movement, it has become an important historical archive of Portraits documenting artists, collectors, gallery owners and curators.

This year, at the arts extravaganza that is SOFA Expo – Mary will present a lecture and event, titled: Exposed!

Lecture at SOFA Chicago 2019 Friday, November 1st, 2019; 3-4pm (right after AACG sponsored lecture)

Janusz Walentynowicz

Janusz Walentynowicz

Come see the “out takes” and behind the scenes action of the Photo Shoots that help make the Portraits so engaging, and enjoy an informal visual historical narrative. After all, LAUGHING MATTERS!

aaron.schey.corey.hampson.glass.art.habatatSOFA Chicago

Festival Hall, Navy Pier
600 East Grand Avenue
Chicago, IL 60611

Opening Night Preview
Thursday, October 31, 2019
VIP Preview  |  5 – 9 pm
Public Preview | 7 – 9 pm

Stars & Stripes Let Freedom Ring!

Take time on this special day to understand what independence means to you. Happy July 4th! 

Those who deny freedom to others deserve it not for themselves.  -Abraham Lincoln

Those who deny freedom to others deserve it not for themselves.
-Abraham Lincoln

Let each one of us make a promise, that as long as we live, we will be good citizens of our country in the best of our capabilities and we will help America grow into a better nation with each passing day.

Whoever would overthrow the liberty of a nation must begin by subduing the freeness of speech. – Benjamin Franklin

Some Like It Hot @ Pittsburgh’s Morgan Contemporary Gallery

 

“Luminescence” and “Stillness” by Michael Janis on exhibit at Morgan Contemporary Glass Gallery

“Luminescence” and “Stillness” by Michael Janis on exhibit at Morgan Contemporary Glass Gallery

 Some Like It Hot! shows hot-sculpting, cold-working, and everything in-between, tying together a showcase reminiscent of the oncoming summer, featuring 10 skilled artists: Jen Blazina, Sarah Gilbert, Scott Goss, Jaime Guerrero, Joe Ivacic, Michael Janis, Brent Marshall, Doug Randall, Mare Saare and Rob Stern. Opening reception 5:30- 8:30 p.m. June 8. 

morgan contemporary glass gallery

5833 Ellsworth Ave Pittsburgh, PA 15232