Winter Open Studios Set for Dec 14th! Mark Your Calendars!
Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to!
Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.
National Guard Soldiers stand guard at the John Adams Building, Library of Congress, Washington, D.C. National Guard Soldiers and Airmen have traveled to the National Capital Region to provide support leading up to the 59th Presidential Inauguration. (photo: Tech. Sgt. Lucretia Cunningham)
15,000 National Guard troops are now in DC for the scheduled Jan. 20 inauguration of President-elect Joe Biden. But with so many troops in a city that has become a maze of black fencing, cement barriers and dozens of checkpoints, there is an eerie calm in Washington DC, ahead of a feared storm of supporters of President Donald Trump, who don’t believe their candidate lost and are willing to continue the violence.
Photos of the Guard protecting the Library of Congress Adams Building shows the soldiers in front of the cast glass panels made by Washington Glass Studio with Portland’s Fireart Studio. Click Here to jump to the 2012 American Craft interview and photos of the cast glass made and the process to make the architectural artwork.
We are happy that the military is taking no chances with who was coming to protect the inauguration.
On a normal day, it takes about an hour to walk the 2.5 miles down Pennsylvania Avenue to Capitol Hill.
But these are no normal days.
These precautions come a week after a mob of supporters of Trump stormed the U.S. Capitol to try to overturn the results of the presidential election.
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| Sean Hennessey, “Pool of Tears” detail, kilncast glass, paint, integrated video. 24″x12″ |
For the last few months, sculptor Sean Hennessey been working on a series of pieces for a solo show – Reimagining Alice: A MixedMultimedia Series Based On Alice In Wonderland.
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| Sean Hennessey, “Killing Time and Times Revenge” (detail and full image), glass, concrete, found objects, paint, wood, integrated video components |
A graduate of the unique Berea College, Sean worked in professional theater for 10 years as a welder, carpenter, rigger, scenic artist, prop artist, and designer all the while creating his own artwork. Sean has been with the Washington Glass School since 2004 when Tim Tate finally convinced him that glass was cool.
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| Sean Hennessey reviews the cast glass panel fresh out of the kiln. After the annealed panel cools, Sean works the panel with concrete and paints. |
Hennessey’s sculptures are kiln formed slump cast glass panels that he trowels and paints with concrete and stains. His works have a feeling of relics, of archeology, and of the study of the past.
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| Sean Hennessey “The Tweedles” (detail) kilncast glass, paint, EL panel lighting. 24″ x 12″ |
Said Hennessey of the new works being installed his solo show “I wanted to start with the fun, absurdist, creative stories of Lewis Carroll’s tale, using my own imagery, visual language and loose interpretations, riddled with a personal take on metaphors and combine that with materials I have been using and with materials that are very new to me. The desire to include video and lighting in my work was the original impetus for this project”.
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| Sean Hennessey “Finding The Right Key” (detail) kilnfired glass, concrete, paint, EL panel lighting. |
“I equate the concrete with the realities of earth, and life, and the shell that we use to protect ourselves from exposing our soul to the world” Hennessey said his use of unusual medias not normally associated with fine art. “I‘ve been combining glass, paint, steel, wood, concrete, found objects, stencils, LED’s, electroluminescent lighting (EL) and video. All the fun stuff.”
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| Sean Hennessey, “Pool of Tears” (with image detail), kilncast glass, paint, steel, wood, integrated video component |
The series was funded, in part, from a grant Hennessey received from the District of Columbia’s Commission on the Arts and Humanitiesand will be hosted by the architecture firm Weibenson and Dorman in the 410 Goodbuddy Gallery.
Hennessey is one of the artists involved in the renovation of the entry doors of the Library of Congress’ Adams Buildingby the Architect of the Capitol, now under production. One of the East Coast’s leading mold makers, Hennessey has been taking castings of the landmark’s historic bronze doors as part of the process in translating the relief sculptures into cast glass for the building entry.
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| Sean Hennessey, “Drink Me” (detail) |
Sean Hennessey: Reimagining Alice
A MixedMultimedia Series Based On Alice In Wonderland
September 28th – October 26, 2012
Opening Reception Friday, September 28th, from 5-8 PM
410 Florida Avenue, NW, Washington, DC
410 GooDBuddY is an exhibition space can that can be used by a single artist to exhibit their works. It is within the FRINJ neighborhood of Washington, DC, and is partially provided by Wiebenson & Dorman Architects whose studio is located in the same building.
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Earlier in the year our blog documented the cast glass samples being trialed for the signage that would be mounted over the front door at the Washington Glass School.
