DCCAH Visual Arts Applicant Exhibition Opens Friday July 29, 2016

The DC Commission on the Arts and Humanities invites all to the

AFP17 Visual Arts Exhibition

featuring applicants of the 2017 Artist Fellowship Program.

Tim Tate, "21st Century Guernica"; Glass, Cast Images, LED; 36" x 36 x 4". In this piece a ring of translucent refugee boats float in the center, all with no where to turn to. The center ring is shared with red poppies, the symbol for war remembrance in England. The outer edge is made up of individual images from the powerful Picasso painting entitled Guernica.

Tim Tate, “21st Century Guernica”; Glass, Cast Images, LED; 36″ x 36 x 4″. In this piece a ring of translucent refugee boats float in the center, all with no where to turn to.

This free exhibition presents some of the District’s finest visual artists applying for the DC Commission on the Arts and Humanities’ FY17 Artist Fellowship Program (AFP) grant. Through the AFP, artists residing in the District may be awarded up to $10,000 in unrestricted support for FY 2017. Each artist has submitted a piece that represents their body of work and artistic perspective.

Washington Glass School artists Tim Tate and Michael Janis will each have artwork on display at the gallery thru Wednesday, August 31, 2016.

The gathering of these artworks in the District’s first operated public gallery captures the broad scope of the dynamic art scene and provides an opportunity for artists to express their visions directly to the panel of peer reviewers evaluating their applications and to the public.

Opening Night Details

Friday, July 29, 2015, 6 – 8 pm

AFP17 Exhibit dates July 29 – August 31, 2016

200istgalleryI (Eye) Street Galleries

200 I Street, SE, Washington, DC 20003
GALLERY HOURS
Monday – Friday
9 am – 5 pm

Smithsonian American Art Museum Features Michael Janis

Smithsonian Distinguished Artist Michael Janis

Michael Janis at the Smithsonian Museum. Photo by Miriam Rosenthal.

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Washington Glass School sgraffito workshop. Photo by Miriam Rosenthal.

The James Renwick Alliance (JRA) is an independent national non-profit organization that celebrates the achievements of America’s craft artists and fosters scholarship, education and public appreciation of craft art. The JRA is the exclusive support group of the Renwick Gallery of the Smithsonian American Art Museum, the U.S. national showcase of contemporary American craft. Washington Glass School Co-Director Michael Janis was named “Distinguished Artist” by the JRA. The weekend’s events included a sgraffito glass workshop with Michael held at the Washington Glass School and Michael Janis presented at the Smithsonian Museum’s Turner Auditorium outlining his career, process, and artwork. The talk at the museum was broadcast live and the Smithsonian staff promised that it would be available online soon. 3.michael.janis.smithsonian.american.art.museum.artist_glassThe final event was the JRA hosted dinner on Sunday evening – it was a very busy exciting weekend for the Washington Glass School!4.a.distinguished_artist.james.renwick.alliance.shea.trump.janis_glass_cuddle

Congratulations to Michael – well done and well deserved!

 

International Glass & Clay – In the Quieter Moments

The opening reception for the International Glass and Clay 2013 was crazy and fun – meeting all the artists was great, but I didn’t focus on the works. My good friend, Patrick Oberman of Artomatic invited me to come back to the show on a quiet afternoon and really look.  This posting is intended to contemplate the media based artwork by the talented artists involved in the International show and see what the works say.

The artwork on exhibit invites investigation.

UK glass artist Roger Tye  – Roger has two works in the exhibit, and they each present very different aspects. His wall piece is lush with color and organic plant forms. The glass tendrils curve around and out of the dimensional piece – its a very pretty and appealing work.

Roger Tye’s blown glass wall sculpture.

His other sculpture “Fold” has a different feel – its much more narrative. All over the moors and fells of the North of England and southern Scotland, there are strange dry-stone structures – similar to what Roger has sculpted. The stone structures (aka ‘sheepfold‘) were designed to provide a shepherd with a place to hold a few sheep and protect from theft. Roger’s sculpture “Fold”, made of cast glass and slate, is a witty contemporary commentary on this concept, complete with security camera.

“Fold” by Roger Tye.

US ceramic artist Jeff Herrity has three of his slipcast ceramic “totems” in the show. Jeff’s mother was a ceramic artist, and these works harken back to his childhood memories that include kitschy bits and bobs and elements created from ceramic molds. He sees the stacked figures as representative of a group of people that are a clan. We are all may different, yet we rely upon each other – for if one goes missing, we all fall.

Jeff Herrity “Totem I”, “Totem II”, “Totem III”

UK glass artist James Maskrey has some exquisite narrative glass works in the show – amongst my favorites:

James Maskrey “The Worst Journey In The World”

His blown works all reference the 1910–1913 British Antarctic Expedition led by Robert Falcon Scott. The ill-fated journey was to recover eggs of the Emperor penguin for scientific study. It was thought at the time that the flightless penguin might shed light on an evolutionary link between reptiles and birds through its embryo.

James Maskrey, “Winter Journey”, “Last Entry”, “The Barrier”.

The series based on the story “Worst Journey in the Worldand asks, but does not answer, the question of whether their suffering was futile, or whether it would inspire future human beings facing very different challenges. 

Nancy Donnelly’s fused glass panels.

US glass artist Nancy Donnelly is exhibiting her beautiful fused glass panels “Thistle & Berries” and “The Night Garden”. Both are made from fused frit powders and enamels fired into panels of glass. Her works have a quiet and thoughtful reserve.

Inge Panneels, “Micro Macro”

UK glass artist Inge Paneels’ fused glass panels are created using waterjet to precisly cut intricate patterns based on aerial imagery of river estuary juxtaposed with blood vessel structure. The fused glass panel highlights the communalities

Joe Hicks “Bottle”

US clay artist Joe Hicks has some beautiful ceramic stoneware with shino glaze. His works anchor the entry space of the gallery.

Philippa Whiteside’s ceramics feature incredible detail. The waterjet cut ceramics tell a story that runs around the cube form in different fonts.
Philippa Whiteside “Hope”

UK ceramic artist Philippa Whiteside works at creating beauty with her detailed clay works. She clearly loves to experiment with surface decoration and texture, and has a fascination with text and words.

Syl Mathis’ boat shaped glass/mixed media forms showcase his master craftsman skills.

US glass artist Syl Mathis‘ artwork has me fall in love with both the glass and the method he displays the kilncast forms. He is very skilled in his metal and stonecarving techniques, and I love his sandcarving of the glass figures.

Syl Mathis, “Ancient Ice”, “Time Bound”.

The artworks by the artists create intriguing and beguiling relationships with the other works on display. Part of the fun of the show is the new juxtapositions of the different styles and approaches of the art. 

Allegra Marquart‘s kilnformed & sandcarved glass panels (L) and Erwin Timmers‘ cast recycled glass sculptures (R) have a great dialog in the gallery.

The International Glass and Clay 2013 exhibit is open through March 23, 2013, at Washington, DC’s Pepco Edison Place Gallery, located at 702 Eighth Street, NW, Washington, DC. The show is organized by Artomatic and the DCCAH.

Pepco Edison Place Gallery

The Art Residency Experience

A Roundtable Discussion

Whether you’ve been on an art residency, or hope to do so in the future, please join members of the Washington Glass School, Flux Studios and invited guests for a roundtable discussion about residencies in the US and abroad.

Learn first hand what other artists have experienced.

  • See what opportunities are available.
  • Discover what others have gained from residencies and how they might apply to you.
  • Share your insights with other artists.

This free discussion is being presented as part of the exhibition, International Glass & Clay 2013 at PEPCO’s Edison Gallery, March 1 – 23, 2013; an exchange between artists from Washington, DC and Sunderland, UK.
 

Date: Wednesday, March 13, 2013

5 – 6 pm Wine Tasting

6 – 7:30 pm Roundtable Discussion


Location:  Edison Place Gallery

702 Eighth Street (between G and H Street), Washington, DC 20068
To RSVP for the free event – click HERE.

Historic Gallery of Glass @ Washington Craft Show 2012

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Maurine Littleton Gallery Exhibit at Washington Convention Center.

The Washington Craft Show was just held this past weekend. The juried event brings nearly 200 Contemporary Craft Artists (glass; furniture; ceramics; silver, bronze, and copper; mixed media; decorative and wearable textiles; jewelry; paper; and wood) to the Washington Convention Center, with an emphasis on quality and originality. 

The Washington Craft Show 2012 included a special 50th Anniversary glass exhibit.

This year, Washington, DC’s celebrated glass gallery – the Maurine Littleton Gallery held a special exhibit that was dedicated to the 50th Anniversary of the American Studio Glass Movement. 

Dale Chihuly glass artwork next to a Thermon Statom ladder.

As a show-within-the-show, the center of the Convention center featured seminal works by the man considered to be the father of the studio glass movement,  Harvey Littleton. The show included works from the famed 1962 Toledo Workshop, where artists were invited to look at glass as a viable sculpture medium. 

Michael Janis examines one of the 1962 Harvey Littleton original blown glass pieces from the Toledo Museum workshop – shown in period photo (inset). 

Some pix from the show: 

William Morris glass artwork foreground.
Visitors gather around Joan Falconer Byrd, author of the new book “Harvey K Littleton: A Life in Glass“. Ms Byrd was one of the show’s speakers at the event. She was one of the first students in the Toledo workshops and was Professor of Art at Western Carolina University.
Contemporary works by the artists of the Washington Glass School were included in the Maurine Littleton exhibit. L-R in above photo, works by Tim Tate, Erwin Timmers & Allegra Marquart.

Alison Sigethy’s glass sculpture.

The show also had some favorite DC craft based media artists exhibiting, like Ani Kasten showing her great ceramics, or Alison Sigethy’s recycled glass sculptures. 

Ani Kasten’s ceramic works.

Click HERE to jump to a photo gallery of artwork seen at the 2012 Washington Craft Show. 

Craft Will Save The World: Renwick Gallery’s 40 Under 40

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Stephanie Liner, Momentos of a Doomed Construct (installation detail), 2012, plywood, foam, Dacron, cotton, adhesive, live model

The Smithsonian Renwick Gallery’s Craft Futures: 40 Under 40 exhibit has just opened this week (on exhibit now thru February 3, 2013), and it is a must-see show! Nicholas Bell, the Curator of American Craft organized the exhibition which features forty artists born since 1972 – the year the Smithsonian established the Renwick Gallery. Evolving notions of craft within traditional media such as ceramics and glass, as well as in fields such as industrial design, installation art, fashion design, and mathematics are explored.

General view of gallery space - Artwork in foreground: Marc Maiorana, Renwick Gate, 2011, iron

Artwork in the exhibition was created since Sept. 11, 2001 and this new work reflects the changed world that exists today, one which poses new challenges and considerations for artists. Nicholas Bell talked about the work and the selection process at a noon lecture on Friday, July 20, outlining some concepts that included  underlying themes that could be seen within the works – including postmodernism, environmental and economic issues, and how the explosion in craft is based on a desire by artisans to try and fix the world via the process of creation. There was also mention of a topic at Nicolas’ talk that I want to investigate more: the ‘sloppy craft movement’ (!) – but that is for a later blog posting.

Some of the standout works seen at the opening nite include:

Stephanie Liner, Momentos of a Doomed Construct (installation detail), 2012, plywood, foam, Dacron, cotton, adhesive, live model.

Stephanie combines clothing and furniture forms into Fabergé egg-like armatures that are as fascinating as they are unnerving. It’s a rare opportunity to see them as they’re intended, with living, breathing (beautiful) woman inside of the bubble, gazing back at you.

Andy Paiko, Spinning Wheel, 2007, blown glass, cocobolo, steel, brass, leather

Great to see Matt Szösz and his inflated fused glass. Matt was recently awarded the Louis Comfort Tiffany Foundation Grant. 

Korean born Bohyun Yoondescribes his work titled “Glass Tube”.

Opening nights are about networking. Above left image in center: Chris Rifkin, Fuller Craft Museum’s board chairman and Right rear image: Perry Price, Director of Education at American Craft Council.

Cristina Córdova, Dulce, 2011, ceramic, paper

Mia Pearlman’s paper works dominate one of the gallery spaces with massive installations and a video.

Olek, Knitting is for Pussies,2005-2011, mixed media, 100% acrylic yarn, live models

Detail from Olek’s ‘Knitting is For Pussies’ installation and of ‘yarn-bombed’ tricycle parked in front of Renwick Museum on Opening Nite.
The opening night gala was a spectacular event – very much with a retro art-happening vibe.

The fun, audacity, interesting & provoking attitudes of the show make it a winner and it should be added to one’s list of gallery/museum to-do lists for Washington, DC this year. Click HERE to jump to the Smithsonian Renwick Gallery website.

Sunderland, England Visits Washington, DC

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clockwise from left: Novie Trump, Tim Tate, George Koch, Oliver “Skip” Dulle, Tom Hurst, Catherine Auld and Erwin Timmers talk about the prospects for an international exhibition of glass and clay. 

Based on the aftermath of Tim Tate & Michael Janis’ successful Fulbright Scholarship assignment to the University of Sunderland, representatives from DC’s sister city (which is Sunderland, England) popped in for proverbial “spot of tea and a bit of a chat” – re: the possibility of another international glass exhibition to be held in DC in Spring 2013. (One may remember the fabulous Glass 3 exhibit hosted by Artomatic in 2008.)  

George Koch, founder and board member of DC’s Cultural Development Corporation, chats with WGS’ Tim Tate 

This time the arts organization is proposing to expand the format to include ceramics and possibly another international partner; all together exhibiting at a downtown DC gallery space. Discussions included international workshops, marketplace events and how cultural tourism could be integrated. The representatives from the UK met at the Washington Glass School and at Flux Studios.

Artist Novie Trump explains the process of a commissioned ceramic installation to the Sunderland delegation.
Dr David Smith, Chief Executive, Sunderland City Council and DC Mayor Vincent Gray sign the Sunderland, UK / Washington, DC Sister City Agreement, February 22, 2012, 

We don’t want to jinx the procedures and process at this early stage, but we are excited at the prospect of such an event! 

DC Artists: DCCAH Announces 2013 Grant Programs

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The DC Commission on the Arts & Humanities offers several funding programs for individuals and nonprofit organizations located in the District of Columbia. Individuals are not required to provide matching funds. Organizations are only required to provide matching funds as indicated

Commission staff conducts general workshops where participants learn useful information about the Commission and the steps to take to submit a grant application. At these workshops, staff and applicants discuss each grant-making opportunity. Workshop dates, times and locations are subject to change.

For more info – click HERE to jump to the DC Commission on the Arts & Humanities online Grants page.

Washington, DC’s Newest Art Gallery Opens

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Gallery 555 Opening Night
photos by Painterly Visions /Anne Marchand


Gallery 555 opened with a flourish this past weekend, with a fantastic exhibition of paintings by Michelle Cormier. Also on exhibit are some great glass pieces by Erwin Timmers, wood pieces by Bruce Fransen, and encaustic works by Ellyn Weiss, amongst other works.

Ellyn Weiss chats up the opening night crowd.

Erwin Timmers works the crowds.

Gallerista Jodi Walsh.


Gallery 555 is located in the lobby of 555 12th Street, NW, Washington, DC
202.393.1409