To end 2024 on a positive note – We are looking forward to 2025: DC’s new Cedar Hill hospital commissioned Washington Glass Studio to make a ‘DC themed’ glass mural (8 foot x 5 foot high). All our studio artists were invited to make inset panels in their glass style. Just started process fitting out glass panels into the steel framework- here’s a sneak peek! The artwork will be installed early in 2025!! Happy New Year!
Artists involved include: Nancy Kronstadt, Erwin Timmers, Tim Tate, Arden Colley, John Henderson, Patricia de Poel Wilberg, Graciela Granek, April Shelford, Jaelin Jones, Jun Lee, Trish Kent, Chip Montague and Michael Janis.
Winter Open Studios Set for Dec 14th! Mark Your Calendars!
Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to! Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.
Washington Glass School 3700 Otis Street, MD Rainier, MD
Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:
“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”
In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024
By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:
…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)
Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik
Step into a world where glass transcends its ordinary form and becomes a canvas of boundless creativity. The Washington Glass Scene on display in Artomatic’s Level 5 invites you to celebrate the kaleidoscopic fusion of artistry and craftsmanship on April 16th, 2024 from 5-7PM. Prepare to be captivated as the magic of glass takes center stage in a creative showcase unlike any other. Join us as we celebrate the transformative power of this versatile medium, where every piece tells a unique story and invites you to explore the depths of imagination. Meet the artists that are making the Washington Glass Scene a distinctive voice and push the boundaries, redefining the possibilities of glass. Event is Free and open to the Public!
After the smashing success of last year’s class, we’re back with an improved version. Dive into the intersection of glass casting and woodblock printing. Participants will embark on a journey merging traditional techniques to create new and unique artworks.
You will learn the fundamentals of woodblock printing, and how to carve intricate designs into wood blocks to produce striking prints. Then we will explore a novel approach: using the woodcut blocks to create molds for casting glass.
This hands-on course explores the fusion of traditional and contemporary printmaking techniques by transforming carved woodcut blocks into glass printing plates.
By the end of the course, students will have produced 4 remarkable artworks: a traditional woodblock print, a cast glass duplicate, and a print piece of each that celebrates the harmonious marriage of these two distinct mediums.
Printmaker Jun LeeArtist/Instructor Arden ColleyPrints from Glass Casting
Diverse and beautifully mesmerizing, coral provides shelter and creates an environment to help marine life thrive. Inspired by the labyrinth-like patterns of coral found in our oceans, we invite you to make a fascinating interlocking glass design! Students are provided with a variety of glass colors to choose from, as well as tools to cut and shape the pieces. As one carefully arranges the glass fragments, they can experiment with different patterns and arrangements to create a stunning coral-like design. Beginner level experience.
The Annual Prince George’s County Juried Exhibition, now in its 34th year, draws on the vast core of visual artists that live, work, or maintain a studio in Prince George’s County. This exhibition also serves to foster an inclusive spirit among the participating artists as well as showcase their talents, skills, and diverse use of mediums. This year’s exhibit is themed “Hope & Healing”, presenting works that reflect and symbolize what connects us as people and what gives faith and optimism for the future of our society.
Washington Glass School is so proud of Resident artist April Shelford – whose work titled “Summer” was selected for the exhibition.
April Shelford, “Summer”, 2022, kilncast glass, steel. Photo by Pete Duvall.
34TH ANNUAL PRINCE GEORGE’S COUNTY JURIED EXHIBITION
Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.
17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.
Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.
Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.
The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.
The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA
Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201
Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM
September 9, 2022 – March 18, 2023
This opening is free and open to the public.
ABOUT CONTEMPORARY CRAFT
Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org
“Compositions In Light” public artwork sculpture at Maryland’s Town Center Phase 2.
Washington Glass Studio was commissioned to make a new, two-part public art sculpture installation for the new mixed use residential development, Ansel, in Rockville, MD. Working with the project’s art consultant Artists Circle Fine Arts, the outlined goals were to enhance the location and the urban environment, as well as creating welcoming and colorful place markers that enlivens Rockville Town Center. The client – Duball, LLC – asked that the street placemaking artwork allow for a sense of fun and discovery.
The site – Ansel, 33 Monroe Street, Rockville, MD
The development was named “Ansel”, as spiritual nod to incredible American photographer Ansel Adams. Adams was considered a master of his craft and his experimentation with light gradations, degrees of exposure, and new techniques. Best known for his dramatic photographs of the American West, Adams achieved a popularity that few other photographers have known. Dedicated to wilderness preservation, he succeeded in changing the way Americans perceived their natural environment.
Ansel Adams
Ansel Adams
American photographer Ansel Adams
Creating a strong visual element for the streetscape – while maintaining clear pedestrian circulation – Washington Glass Studio focused on creating an internally illuminated vertical tower – approx 11′ high.
Prelimary studies of sculpture form – based on the classic camera tripod shape.
Named “Compositions In Light”, the sculpture is made of cast glass and powdercoated metal. The inset glass panels in the artwork incorporates artistic references to renowned photographer Ansel Adams – with artistic takes on his photos of still lifes, architecture, and landscapes; his love of nature, and sculptural interpretations of Adams main instrument – cameras.
Plaster mold in kiln
Christina gets the shot!
Convoluted Positions
Duball crew works in the kilns
First firings in kiln
Ansel Adams’ photographs were the inspiration for the sculpted works within the public art.
The powder coated metal structure is arranged in triangular format to reference the classic photographers camera tripod. The shape also gives greater strength both structurally and in profile. The vertical structure supports the LED lighting and allows an even light to the glass wall panel opposite. The glass panels are inset into a removable grid section that is bolted to the structural frame. Each cast glass panel is set into silicone within metal angle surrounds. The metal base has a removable section to allow access to electrical source to tower.
Co-Director Michael Janis performs the QC.
The steel framework for the Rockville, MD public art sculpture.
Dimensional inset panels made of handmade cast glass presents tactile images of nature and objects that refer to Ansel Adams work and career. The varied nature of the artwork mounted in separate panels would invite investigation and exploration.
Shay Summers coldworks one of the artwork inset panels.
The gorgeous, illuminated tower is made up of colorful, tactile cast glass that defines each corner of the site. The inset glass panels are varied, but color coordinated with accent color panels to give a vibrancy to the design. The tapering form leads viewers eyes upward to a unique finial endcap, a cast sculpture that makes a fun, witty and distinctive statement. Dimensional inset panels made of handmade cast glass presents tactile images of nature and objects that refer to Ansel Adams work and career. The varied nature of the artwork mounted in separate panels would invite investigation and exploration.
Erwin Timmers reviews the artwork installation.
The installation onsite of the glass and steel artwork.
Sparkling in the daytime and backlit with energy efficient LED, the glass artwork in “Compositions in Light” will always be a visible presence on the street. The metalwork and thickness of each glass panel make the artwork strong for a streetscape environment. In the history of American conservation, few have worked as long and as effectively to preserve wilderness and to articulate the “wilderness idea” as Ansel Adams. He spent decades in the battle to protect the environment. Helping reinforce the background of Ansel Adams as an environmental activist are the color directions for the artwork. Blues and greens are the colors most associated with nature and the environment.
The interplay of sculpture, the colors & quality of cast glass and the prominent location makes this an integrated urban design that brings focus to the site. The freestanding nature of the installed artwork encourages visitors and residents to walk around the artwork and experience a dynamic sense of place. A sense of playful fun caps each sculpture and helps define the paired artworks. United by form, colorful towers reinforce their connection to the artwork of Ansel Adams with finials inspired by the master photographer’s artwork.
The artwork at night is lit from within with energy efficient LED.
“Compositions In Light”
Project Address: 33 Monroe St, Rockville, MD 20850
Client: Duball, LLC
Maryland’s Rockville Town Center Phase II includes 400 apartment units; 250 market-rate luxury apartments and 150 senior affordable apartments to be owned and managed by the Housing Opportunities Commission.
Artwork Project Team: Erwin Timmers, Christina Helowicz, Tim Tate, Michael Janis, Shay Summers
