With much of the physical art world closing because of Covid-19, artists, galleries and museums have turned to technology and social media to stay open (albeit virtually), allowing visitors from anywhere in the world to interact with and view art.
WGS Contemporary Gallery (located in the DMV’s Gateway Arts District) had to get creative with how to bring art to the world. With so much changing so quickly, artists and arts organizations are still in the process of finding their footing. “With everyone in isolation, art is needed now more than ever to help remind people that we are not alone. Art helps us to dream, escape our current realities, and engage our imaginations in building a better world for tomorrow,” said Gallery Director Teri Bailey. “With this show, we all stand united (six feet apart, of course) and ready to take on these challenges and the new opportunities they present.”
“Spilt Perfume Set”, Artist: Carmen Lozar
“Sea Through The Looking Glass”, Artists: Jennifer Caldwell and Jason Chakravarty
Opening June 16th, WGS Contemporary presents “Click-It!” featuring works by some of the most exciting and inspiring artists, with a broad spectrum of works that showcase the current trends in art and the media specific works.
“Patterns of Containment”, Artist: Erwin Timmers
Artists in the show include:
Teri Bailey F. Lennox Campello Jennifer Caldwell Jason Chakravarty Cheryl P. Derricotte Sean Donlon Sean Hennessey Joseph Ivacic Michael Janis Carmen Lozar Tim Tate Erwin Timmers Steve Wanna Jeff Zimmer
“By placing artworks of different materials, mediums, and styles in direct conversation, there is opportunity for new dialogues and perspectives,” adds Bailey. Click-It! will highlight the many parallel and interesting artistic directions these artists bring creating a dynamic environment of exchange online. “We will be using our online platforms to introduce exciting new art programming that aims to enrich, entertain and inspire during this challenging time.” A special fundraising event “Artists for Racial Justice” is also scheduled online as a companion show, with the-proceeds for these special works to be donated to the non-profit organizations “Color of Change ” and the “NAACP”.
“DejaVu”, Artist Sean Donlon
WGS Contemporary is a Washington, DC area art and special projects fine arts gallery. WGS Contemporary’s mission is to contribute to thinking about art, new media, technology, and social issues through an open access forum which we hope will facilitate contemporary and innovative projects worldwide. In that process, WGSC will expose the cutting edge work of artists pushing the new media frontiers of art. Projects using robotics, sensory perception, holographic imaging, self-contained video sculptures and others will offer an intelligent and fresh set of artwork that marries technology and art into a new creative dialogue in the visual arts.
Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.
This weekend’s pâte de verre class was a great success!
Instructor Teri Bailey demonstrates how to apply color frit powder into specific areas for the class.
Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.
Teri Bailey demonstrates proper frit application.
The Pâte de verre students made plaster molds in which they would cast the glass.
Lively discussion on ways to kilncast glass sculpture was explored by the class. The students all loved the process and can’t wait til the firings are out of the kilns.
Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.
Cassi Hayden, the Senior Visual Media Photographer for The Maryland-National Capital Park and Planning Commission (M-NCPPC) was at Peppermill Village Community Center covering an event recently and found the artwork (made by Washington Glass Studio) in front to be exceptionally beautiful!
Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.
Cassi took some shots attached high-res files for your use. All photos in this posting by: M-NCPPC/Cassi Hayden
The artwork reflects well in the glass of the new center – and on the community that inspired the creation!
Click HERE to see the public art sculpture in the daytime and how the work came to be!
Smithsonian Renwick Museum Curator-In-Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.
Nora Atkinson, Curator-in-Charge of the Smithsonian Renwick Museum and Robyn Kennedy, Smithsonian Renwick Chief Administrator pay a visit to the studio to have a look at the new collaborative glass installation by Tim Tate & Michael Janis.
Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.
The two Renwick Museum leaders wanted a preview of the work titled, “All That Is Solid Melts Into Air” before it heads up to Chicago as part of Habatat Prime pop-up exhibit that is part of SOFA Expo in a few weeks (Oct 31-Nov 3).
Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.
And a walk thru of the Washington Glass School looking at the artists work – what great way to spend a spectacular Friday in DC.
Michael Janis describes his sgraffito glass technique to Smithsonian’s Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.
The Brentwood Arts Exchange serves as an anchor for the arts-based community development of the Prince George’s County Gateway Arts District. Located in the Gateway Arts Center, the Brentwood Arts Exchange will showcase Glass works by Debbi LoCicero, one of the Resident Artists at the Washington Glass School. Opening reception for her show at Brentwood Arts Exchange is Saturday, September 7th at, 9/7- 5-8 pm.
Debbi will be exhibiting glass objects from her “Lace Series”, representing memories of special places and times in the artist’s life.
The piece, titled “We Are All Just Passing Through”, is from her Lace Series.Image is of figures that are within the sculptural cube.
Debbi said about what she feels the artwork expresses: “Memories from our past… feelings about today….. excitement about what the future holds….”
Fall Exhibition
Opening Reception Saturday, September 7, 2019 at 5 PM – 8 PM
One of the fused glass panels made for the new Laurel Library public artwork.
To many, Memorial Day, the federal U.S. holiday that takes place every year on the last Monday of May, is just another excuse for a three-day weekend. It’s also known as the day that marks the official start of summer and as a day devoted to getting great deals at the mall. However, the true meaning of Memorial Day goes far beyond barbecues and mattress sales.
The holiday began after the Civil War, and at that time was known as “Decoration Day.” While it was originally founded to honor the soldiers who died in the Civil War, today, Memorial Day is a day to honor all of the Americans who have died in military service.
Patriotic Americans should take a moment from their day of celebration and leisure to reflect on the brave sacrifices of those who have given their lives for this great nation.
Guard against the impostures of pretended patriotism. George Washington
Erwin Timmers instructs one of the lighting class students.
Erwin Timmer’s artistic lighting class these past few weeks brought some serious color to the studio – really brightening up the studio!
Over the three week class, students completed a number of lighting designs, ranging from pendant to wall sconces and table lamps. Great to see how each created functional art that reflected the tastes and aesthetics of each of the artists. This was certainly a class that put forth the effort in the design!
Vibha’s glass design was dazzling!
Students designed and made the glass as well as assembled the mounting hardware.
Louis Comfort Tiffany would have been jealous of the glass created for the light fixture.
Jerrelee loves her light fixture that relates to her artwork.
Michael Janis at the Smithsonian Museum. Photo by Miriam Rosenthal.
Washington Glass School sgraffito workshop. Photo by Miriam Rosenthal.
TheJames Renwick Alliance(JRA) is an independent national non-profit organization that celebrates the achievements of America’s craft artists and fosters scholarship, education and public appreciation of craft art. The JRA is the exclusive support group of the Renwick Gallery of the Smithsonian American ArtMuseum, the U.S. national showcase of contemporary American craft. Washington Glass School Co-DirectorMichael Janiswas named “Distinguished Artist” by the JRA. The weekend’s eventsincluded a sgraffito glass workshop with Michael held at the Washington Glass School and Michael Janis presented at the Smithsonian Museum’s Turner Auditorium outlining his career, process, and artwork. The talk at the museum was broadcast live and the Smithsonian staff promised that it would be available online soon. The final event was the JRA hosted dinner on Sunday evening – it was a very busy exciting weekend for the WashingtonGlassSchool!
Congratulations to Michael – well done and well deserved!
London, England’s ZeST Contemporary Glass Gallery is hosting BLAST! 2012, the 10th anniversary exhibition of Cohesion Glass Network. Cohesion Glass Network is an initiative supported by the UK’s Sunderland City Council as a way to create a business network for glassmakers and artists.
Tim Tate
To celebrate this landmark, ZeST Gallery has invited eight of Cohesion’s founding members to exhibit their latest artworks and provided the opportunity to select an artist to be a “partner” and show work alongside them.
Roger Tye
These eight artists are Criss Chaney, Dominic Fonde, Zoe Garner, Ruth Lyne, Joanne Mitchell, Claudia Phipps, Roger Tye and Cate Watkinson. They have selected partners whose work they admire, or find complementary to their own, or in some cases they have joined forces to create unique collaborative work, exploring and developing themes and concepts held in common. Some, but not all, of the partner artists are Cohesion members, and all but one of the partners are artists working in glass.
Michael Janis
Cohesion artist Joanne Mitchell chose Washington Glass Studio artist Tim Tate. Cohesion’s Roger Tye is paired with WGS’ Michael Janis. Michael and Tim were both at Cohesion’s studios while in the UK on their Fulbright assignment.
The exhibition features a diverse selection of glass art, including wall-mounted and installation artwork, as well as vessels and sculpture, and embodies a broad spectrum of processes and techniques. The pairings within the show create an exciting dynamic of glass, artistic and otherworldly narratives.
Carrie Fertig
Artist pairings include: Criss Chaney with Robyn Townsend
Michael Janis’ narrative imagery made from crushed frit powder is the cover story in the May/June issue of Glass Art Magazine.
The May / June issue of Glass Art Magazine features a WGS two-fer, with a feature on the ecologically sustainable designs by the “King” of recycling, Erwin Timmers, AND a cover spread on the dreamlike glass panels by Michael Janis.
The Erwin Timmers’ review delves in depth into how Erwin makes sculpture from recycled and diverted waste materials .
“Working Green“, the article by Colleen Bryan, features the leader of the eco-art movement Erwin Timmers , and reviews his environmental philosophy and how Erwin practices his passion in his approach to his artwork and medium. Some great photos by Pete Duvall of Anything Photographic of Erwin’s beautiful glass sculpture work are showcased among the 5-page spread.
Glass Art Magazine Editor Shawn Waggoner writes about Michael Janis’ artwork in the latest issue.
In the cover article “Pushing Powder – Michael Janis’ Glass Frit Drawings“, editor Shawn Waggoner writes about how Michael Janis‘ imagery touches on the subconscious, and that his narrative glass artwork seems to ask questions rather than answer them. Her article also discusses how Michael was able to have his work became part of the US Art in Embassies permanent collection (now on exhibit in Europe), comments about his work from Corning Museum’s curator of Modern Glass, and Michael’s recent Fulbright Scholarship at the University of Sunderland, England, where, as a Fulbright Specialist, he was teaching at the UK’s National Glass Centre.
Click HERE to jump to the Glass Art Magazine website.
If you sign up as a subscriber to Glass Art Magazine – there are subscriber benefits – such as links to articles online on how Michael Janis’ and Tim Tate’s Fulbright Scholarship to the UK’s University of Sunderland worked out and more! Click HERE to jump to the online magazine.
