Joyce Scott & Tim Tate; “NOW”, 6′ x 9′; cast glass, mixed media. Photo by Pete Duvall.
Now that Joyce Scott’s 50-year retrospective has been announced, we can share this image of the Dr Joyce Scott/Tim Tate collaborative mural that has been in creation for over 6 months! What a joy to get to work with this huge icon of contemporary art and MacArthur Fellow!
Artist Joyce Scott, Goya Contemporary Gallery Exec Director Amy Eva Raehse and Tim Tate work on the collaborative mural at Washington Glass Studio, 2023.
Titled “NOW” the work measures 9ft W x 6ft H and the mixed media, cast glass wall focuses on topics around racial inequality, women’s rights and LGTBQ+ issues.
Detail of panel in “NOW” by Dr Joyce Scott and Tim Tate.
Said Tim about the work – “This is a once in a lifetime project, and I couldn’t be prouder of any piece I have ever made.”
Detail of panel in “NOW” by Dr Joyce Scott and Tim Tate.
The artwork is available at Goya Contemporary in Baltimore and will be on display there in Sept or Oct. (Check with gallery).
Saturday, July 22nd, from 10:30 am til 11:30 am – join Queer Glass Artist and Co-Director of the Washington Glass School, Tim Tate as he talks about his art work and his upcoming “Utopian Queer Futurism” exhibit on Art Clinic Online. The episode will be hosted by Jamianne Jacobim, Executive Director of the James Renwick Alliance.
Want more?! Watch ACO presentation of Eco-artist and WGS’s Co-Founder Erwin Timmers work and inspirations on youtube. Click on image below:
Watch WGS Co-Founder Erwin Timmers’ ACO talk on youtube.
All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!
(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.
Miami’s Longest Running International Art Fair Art Miami and sister fair CONTEXT Art Miami featured artwork by many artists from the Washington Glass Studio.
View into part of the Alida Anderson Art Projects space in Miami
On Tuesday, November 29, 2022, almost 20,000 guests came to the opening of the 10th edition of the sister fair to Art Miami. CONTEXT Art Miami is dedicated to the development and reinforcement of emerging and mid-career artists, and the vibrant contemporary and modern art fair was the natural setting for the works carried by Alida Anderson Art Projects (AAAP).
Tim Tate’s endless mirror series are a favorite of visitors to the fair.
This year’s AAAP booth at CONTEXT Art Miami showed works by glass mixed media artwork by Christina Helowicz, Michael Janis, Tony Porto, Tim Tate and Erwin Timmers. It also featured mixed media works by J Jordan Bruns, Lenny Campello, and Steve Wanna.
Tony Porto chats up collector group describing the collaborative sculptures made with Michael Janis.
Some Art Miami Highlights:
Christina Helowicz installs her blown glass /mixed media sculpture at the Art Miami fair.Erwin Timmers with a San Francisco collector that acquired his cast recycled artwork for her collection.Nora Atkinson, Curator-in-Charge for the Smithsonian’s Renwick Gallery flanked by Michael Janis & Tony Porto.Lenny Campello (center) describes Michael Janis’ new glass panel artwork.Christina Helowicz, Director of Alida Anderson Art Projects talks about Steve Wanna’s paintings.
The artists at CONTEXT Art Miami raise their glass in toast! Salud! Amor! Dinero! Clockwise from left bottom: Steve Wanna, Erwin Timmers, Michael Janis, J Jordan Bruns, Christina Helowicz, Tony Porto, Lenny Campello, Joe Ivacic, Danny Marder.
Glass Sculptor and Artist Tim Tate looks back on 20 years of creating a community. He recently put together some of his observations on well, how did we get here?
Artist Tim Tate
“I had been raised in a household filled with craft materials. I rarely saw my mother’s hands empty, always creating something. I inherited this love. I spent my early adult years being trained in the methods revolving around studio glass while attending the 2 weeks to 2-month workshops of Penland, Pilchuck, Corning, Pittsburg, etc. (I had no money to attend grad school …though I yearned for Cranbrook). These years of varied workshops and practitioners was the perfect way to obtain a broad outlook on the entire field. We founded the Washington Glass School in 2001 with very specific goals. Let me see if I can make this clear.
Tim Tate & Joyce Scott work on a new collaborative sculpture at the Washington Glass School.
1). We wanted to be something other than a traditional studio glass shop. From the beginning we realized we wanted a much broader approach; something that reflected the mission of education centers like the Crucible in Oakland and Penland in NC. We embraced mixed media work from the beginning with varied classes in kiln formed glass, steel, electronics, encaustics, etc. Our idea was not to in any way denigrate the rich history of studio glass, but to live just outside of those confines to see what would happen. To step slightly away from the 20th century.
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.
2). As a gay man in glass, it was apparent that diversity was sorely lacking in every way in the glass world. So we did outreach and advertised our classes in many publications that went to diverse populations, rather than wait for these populations to approach us. This worked very well. Even now we go to the Facebook pages of different neighborhoods to show our class schedules.
The Brothers De La Torre visit the Washington Glass School in 2015.
With William Warmus we came up with the original concept of “Glass Secessionism”…to step slightly away from the recognized canon of 20th century glass and to create as much dialog and critical analysis as possible. There have been over 1.5 million words written and over thousands of images shared on this page focusing almost entirely on that theme.
In 2008, Artomatic held an international glass show.
4). We participated in many local shows here in the DC area, such as the spectacular Art-O-Matic show that truly put us on the map. We also curated many shows over the years to include local emerging artists. I have served on a dozen boards and juried dozens of shows and grant applications to stay in the loop and form a community bond. There are 3 Co-Directors here, all sharing a similar mission….to create a large regional, national and international community to foster new growth within our field.
2009 Glass Workshop at Washington Glass School. L-R Cheryl P Derricotte, David Cook, Nicole Puzan.
5). Our first class was on Sept. 13, 2001…. a difficult day in history to start anything being right after 9/11. We thought no one would even attend the first classes. But we discovered something else….no one cancelled. It appeared that while the purchase of art slowed to a trickle around the country, the creation of art thrived. Our first class was filled with artists who wanted to make narrative work about the devastation of that event. From that moment on we embraced narrative work with all our hearts. Works about political events, social injustices and inequalities were common within our sculptural classes, and certainly in my own works. We have now been in operation over 20 years, with over 6000 students. 60% of those were and are women, we have a large population of BIPoC students and we have worked with hundreds of LGTBQ students. We are so very proud of this fact.
My purpose for serving on boards right now is to focus on the building of communities as an artistic practice. I want to take a slight step away from academia as these institutions can become elitist, and I want to be non-elitist as we have been from the beginning. I also like regional boards that focus in the mid-Atlantic.
My personal practice had been deeply imbedded in the world of glass galleries and museums, though frequently as an outsider. I have stepped away from this in the last few months. I have moved towards the fine art world once again, as I had started there. It feels great to go back to my roots, surrounded by a community that reaches far beyond anything we ever anticipated.” – Tim Tate, October, 2022
Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022
Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.
Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.
When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass
With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.
Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate
They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints
Sandra Ainsley Gallery The Warehouse 100 Sunrise Avenue, Unit 150 Toronto, Ontario Canada M4A 1B3
View of Fondazione Berengo Art Space, Campiello della Pescheria 4
Bill just returned from visiting Venice and can give us great insights into how glass is being used in art today by artists from around the world. He will also talk about Glasstress, a project by Adriano Berengo to further Berengo’s mission to promote the use of glass in the world of contemporary art. The first Glasstress exhibition was launched in 2009 to establish a new platform for art made with glass and was founded as a collateral event of the Venice Biennale. This is the seventh edition of Glasstress, where Berengo Studios has brought together a group of leading contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass. The works are hosted inside the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into a suggestive exhibition space.
Sandra Ainsley Gallery, Canada’s leading glass art gallery, presents a collaborative exhibition from Washington Glass School artists Tim Tate and Michael Janis titled “One Story is Not Enough“. The exhibition will feature their individual works along with joint pieces that highlight the narrative sculpture.
L-R: Tim Tate, Sandra Ainsley, Daniel Ainsley at the opening of “One Story Is Not Enough”.
Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
Michael Janis’ kilncast glass L-R “The Color of Shadows” & “The Place Between Memories”
With these confines, Tim and Michael create works in many techniques, but if you stand slightly back and see their history, a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful. They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
On Friday, June 17, at 1 PM (Eastern time), the Art Alliance for Contemporary Glass (AACG) will hold an online zoom MeetUp and Tim Tate and Michael Janis will tour exhibition and talk about their careers and process. Join the AACG to watch it live, or else catch it on YouTube after Friday.
“There’s A Big Hole In The Sky” – Collaborative sculpture by Tim Tate, Michael Janis, and Chris Shea.
The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held in the Castello district of Venice, Italy every two years during the summer. This year’s Venice Biennale includes a collateral event – ‘Glasstress’ – held at the historic Berengo Studios in Murano, Italy.
The 59th International Art Exhibition features a sculptural collaboration between DC glass artists Tim Tate, Michael Janis and Brandywine metal sculptor Chris Shea, representing the USA.
Detail of Tate,Janis,Shea artwork showing cast glass and metalwork .
Chris Shea’s incredible metal work frames out Tim Tate’s lush fields of cast glass elements (detailed figures, flowers, insects) and in center, a glass sgraffito panel by Michael Janis.
A central concern in “There’s a Big Hole in The Sky” is that viewers need to abandon their apathy towards climate change. This monumental sculpture brings to light the effects of global warming on the earth as most areas will be facing frequent flooding. Despite the growing evidence of climate change, and humanity as the driver of that change, there remains a hardcore 20 percent or so that reject the whole notion of it and a healthy percentage that remain unconvinced that humans are causing it. And on top of those dismal statistics, many believe that climate change does not represent a threat to them. The artwork is an invitation to understand, to act, and to prepare. But if political solutions to climate change don’t materialize soon, it may also be an invitation to come to terms with loss.
Image of installation at Berengo Studios in Murano, Italy.
From Biennale Press Release
GLASSTRESS 2022
2 JUNE – 27 NOVEMBER 2022
BERENGO ART SPACE FOUNDATION
Venice, 2022
At the same time as the 59th Venice Biennale, the seventh edition of GLASSTRESS, scheduled from June 2 to November 27, 2022, brings together a group of important contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass.
The works will be housed in the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into an evocative exhibition space. On display will be works by artists who have already collaborated and exhibited at GLASSTRESS with Berengo Studio, such as Ai Weiwei, Jimmie Durham, Tony Cragg, Monira Al Qadiri, Thomas Schütte, as well as first-time attendees Vanessa Beecroft, María Magdalena Campos-Pons, Tim Tate, Paloma Varga Weisz and eL Seed, among others.
GLASSTRESS is a project by Adriano Berengo dedicated to promoting new connections between contemporary art and glass. Starting from its debut in 2009 as a side event of the Venice Biennale, over the years GLASSTRESS has made dozens of internationally renowned artists and designers passionate about the traditional craft of Murano glass blowing, who have tried their hand at creating suggestive and innovative works in glass with the support of the masters of Berengo Studio.
GLASSTRESS 2022 – ARTISTS
NEW ARTISTS
Vanessa Beecroft (Italy), María Magdalena Campos-Pons (Cuba), Judy Chicago (United States), Chiara Dynys (Italy), eL Seed (France), Leandro Erlich (Argentina), Ryan Gander (Great Britain), Michael Janis (United States), Alexander Evgenievich Ponomarev (Russia), Laurent Reypens (Belgium), Liam Scully (Great Britain), Chris Shea (United States), Paloma Varga Weisz (Germany), Osman Yousefzada (Great Britain).
RETURNING ARTISTS
Ai Weiwei (China), Monira Al Qadiri (Kuwait), Ayman Baalbaki (Lebanon), Tony Cragg (Great Britain), Jimmie Durham (United States), Jan Fabre (Belgium), Josepha Gasch-Muche (Germany), Kendell Geers ( South Africa), Marya Kazoun (Lebanon / Canada), Brigitte Kowanz (Austria), Karen LaMonte (United States), Tomáš Libertiny (Slovak Republic), Massimo Lunardon (Italy), Federica Marangoni (Italy), Prune Nourry (France), Anne Peabody (United States), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sean Scully (United States), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Tim Tate (United States) , Koen Vanmechelen (Belgium), Robert Wilson (United States), Rose Wylie (Great Britain), Erwin Wurm (Austria).
State Hermitage Museum in St Petersburg, Russia opened a stunning new exhibit: GLASSTRESS. WINDOW TO THE FUTURE, that runs from 11 September to 31 October 2021. The latest edition of Glasstress, the internationally acclaimed exhibition that showcases artworks made with glass by contemporary artists, is a joint venture by The State Hermitage Museum with Fondazione Berengo and Berengo Studio, and features an array of award-winning artists from around the world.
This isn’t the first time Berengo Studio has worked with the Hermitage. In fact, back in 2015 the exhibition Glasstress 2015 Gotika, was organized by the State Hermitage and held in the Palazzo Franchetti in Venice during the Venice Biennale. The display included items from the museum’s collection – armour, religious objects, and other works of applied art made in the Gothic and Neo-Gothic styles – that were presented in a dialogue with pieces created by contemporary artists in Murano at Berengo Studio. This year, the works of over fifty contemporary world renown artists created works inspired by “the future”.
Glasstress. Window to the Future is one of the museum’s largest exhibitions of contemporary art, occupying more than ten halls, including the monumental expanse of the Grand Enfilade and White Hall, as well as the intimate spaces of the Courtyard Gallery and the Red Halls in the General Staff Building. They will become the setting for miniature sculptures, large-scale installations, chandeliers several metres in size and even video art. The works reflect the artists’ striking complex ideas and show how glass can be “pushed out of its comfort zone” and combined with other materials.
Participating artists: Ai Weiwei, Erdağ Aksel, Polly Apfelbaum, Charles Avery, Miroslaw Balka, Fiona Banner, Renate Bertlmann, Monica Bonvicini, Penny Byrne, Loris Cecchini, César, Jake & Dinos Chapman, Mat Collishaw, Petah Coyne, Tony Cragg, Jimmie Durham, Jan Fabre, Josepha Gasch-Muche, Kendell Geers, Abdulnasser Gharem, Michael Joo, Ilya & Emilia Kabakov, Marya Kazoun, Karen Lamonte, Vik Muniz, Hans Op De Beeck, Tony Oursler, Mimmo Paladino, Cornelia Parker, Anne Peabody, Jaume Plensa, Laure Prouvost, Qiu Zhijie, Antonio Riello, Sean Scully, Wael Shawky, Sudarshan Shetty, Song Dong, Lino Tagliapietra, Tim Tate, Pascale Marthine Tayou, Kaneuji Teppei, Gavin Turk, Koen Vanmechelen, Joana Vasconcelos, Fred Wilson, Wu Jian’an, Erwin Wurm, Yin Xiuzhen.