The Art Alliance for Contemporary Glass (AACG) is a not-for-profit organization and leading resource for glass collectors, art enthusiasts, artists, gallerists, museum personnel, and educators on all things related to glass art. The AACG has coming up this Friday, March 6 on online zoom talk.
Collector’s Edge presents “The Thrill of the Hunt: Collecting in a Digital Age”, a conversation about how discovery, instinct, and decision-making shape contemporary collecting today.
Reserve your spot today! Free & Open to the public
• Sarah Traver, President and Director of Traver Gallery
• Charles Shepard, President & CEO of the Fort Wayne Museum of Art
• Jerry Paulson, AACG member and collector
• Ray Chimienti, AACG Board member and collector
• Moderator: Brit Micho; Curator, Fort Wayne Museum of Art
Collector’s Edge presents “The Thrill of the Hunt: Collecting in a Digital Age”, a conversation about how discovery, instinct, and decision-making shape contemporary collecting today. As more and more of the collecting journey unfolds through online access, how do collectors navigate that process and have confidence in their decisions, when work is not always viewed in person before a purchase?
AACG is bringing together a gallerist, museum director, established collector, and newer collector, to hold a dynamic panel discussion exploring how relationships, education, and trust come together to guide the collecting experience in an increasingly digital world.
We’ve begun laying out and trimming the community-made glass panels for the Kempsville public art project—an exciting moment where the collective story starts to come into focus. Our attention now turns to the sculpture’s narrative bas-relief panels.
The quick studio flyover shows us evaluating the works side by side, spotting patterns, rhythms, and powerful adjacencies. The panels tell stories of local flora and fauna, historic buildings, heroic and difficult histories, Indigenous and colonial narratives, local teams, and contemporary life.
Choosing which panels make the final sculpture will be the hardest part—every piece matters. Harbor of Stories is becoming a true communal portrait of Kempsville.
The holidays are officially creeping in, and Maryland Art Place (MAP) is kicking things off with one of our favorite annual events: the UNDER $2500 Benefit Exhibition & Sale. Even better — two of our own, Director Erwin Timmers and Resident Artist April Shelford, will have artwork featured in this year’s show.
If you’ve never been to UNDER $2500, picture this: a buzzing gallery, artworks flying off the walls (literally — it’s first-come, first-served), collectors mixing with artists, and an overall “grab a drink, grab some art, grab a bow” kind of night. It’s festive, fast-paced, and an easy way to support local artists while knocking out some holiday gifting.
Event Schedule
Opening Night Benefit (ticketed) 📅 Friday, November 21 ⏰ 6–10 p.m. 🎟️ Tickets: $40
Last Chance Sale (free!) 📅 Saturday, November 22 ⏰ 12–4 p.m.
Virtual Exhibition & Sale 📅 November 22, 10 a.m. – Black Friday, November 28, Midnight (Art goes live online right at 10 a.m. — register ahead!)
MAP has revamped the event as UNDER $2500 this year, acknowledging that rising material costs have pushed artwork prices upward across the board. By expanding the pricing range, the show highlights a broader mix of work while still keeping things accessible for new and seasoned collectors.
Erwin Timmers, “Crackle”, cast recycled glass
Expect holiday trees, an open bar, light snacks, and some jolly tunes to keep the energy going. Plus: gift wrapping on site. Yes, they are enabling your “one for me, one for someone else” habit.
April Shelford, “Take This Broken Wing”, kiln-fused glass
We’re proud to see Erwin and April representing Washington Glass School in this year’s exhibition — and can’t wait for everyone to see what they’ve created.
For tickets, virtual sale registration, or sponsorship options, visit MAP’s event page.
This fall, the Washington Glass School (WGS) in Mt. Rainier, MD is honored to host the second session of Hot Shop Heroes, a powerful collaboration with the Museum of Glass (MOG) in Tacoma, WA. The program brings military veterans into the glass studio for a unique and inspiring journey of creative arts therapy.
Over the coming months, veterans will work side by side with WGS artists to create glass and steel sculptures. For many participants—some navigating the long road of recovery from combat-related injuries and trauma—the workshop provides much more than technical skills. The studio becomes a space of connection, trust, and expression. Veterans bond with one another while discovering the transformative qualities of melted glass: its fragility, resilience, and potential for reinvention.
The program underscores the healing power of the arts. Each workshop session offers not only hands-on training but also a shared experience of collaboration, focus, and renewal.
The veterans’ artworks will be on display at the Washington Glass School Winter Open House on December 13, 2025—a celebration of creativity, community, and the enduring strength of those who have served.
This past weekend, the City of Greenbelt, Maryland, celebrated the dedication of a stunning new public sculpture, The Beauty in a Garden Comes from More Than One Flower, created by Washington Glass School Co-Director and eco-artist Erwin Timmers.
Crafted from steel and recycled glass, the sculpture’s graceful petals carry a story far beyond their materials — they are the handiwork of the very community the artwork now welcomes. In a series of hands-on glass work sessions at the Washington Glass School in Mount Rainier, MD, residents of the new Motiva apartments and their Greenbelt neighbors joined Erwin in creating the vivid glass infill panels that make the piece glow with life and individuality.
“The concept was always about unity through diversity,” says Erwin. “Just like a garden thrives because it has many flowers, a community flourishes because of its different voices, talents, and hearts.”
The project, sponsored by Motiva, blossomed into more than just a public art commission — it became a joyful, collaborative journey. Over the course of multiple workshops, participants experimented with recycled glass, learned kiln-forming techniques, and left their personal creative mark on the sculpture.
The finished work now stands as both an artistic landmark and a symbol of connection — an invitation for all who pass by to remember that beauty is born from many hands working together.
đź’š Washington Glass School is proud to have been part of this community-centered creation, bringing people into the making process and showing how recycled materials can tell vibrant new stories.
Congratulations to Erwin, to all the participating residents, and to Greenbelt Recreation Arts for championing public art that grows from — and for — the community.
This Friday, August 1, The Art of the Art Clinic Online opens at Glen Echo Park’s Popcorn Gallery, showcasing an impressive lineup of over 30 artists from the DC-area Art Clinic Online (ACO) community—including Washington Glass School artists Erwin Timmers, Tim Tate, and Michael Janis.
Presented as part of Glen Echo’s First Friday Art Walk (6–8 PM), this group exhibition runs through September 28 and offers a compelling glimpse into the diversity of creative voices shaping the region.
📍 Popcorn Gallery Glen Echo Park 7300 MacArthur Blvd, Glen Echo, MD Free + open to the public
Founded in 2020, ACO has become a vibrant platform for community, conversation, and exchange among artists throughout the DMV. Every other Saturday, the group hosts online sessions where a featured artist presents their work and engages in lively dialogue with participants. The program’s inclusive spirit and broad range of voices are central to its mission—and now, those connections come off-screen and into the gallery space.
The Art of the Art Clinic Online is a reflection of the many practices and perspectives nurtured through ACO’s ongoing work, and we’re proud to see WGS artists included in this thoughtful and energetic survey.
Participating Artists Include: Blair Anderson, Maremi Andreozzi, Sondra Arkin, Julia Bloom, F. Lenox Campello, Eric Celarier, Aishwariya Chandrasekar, Schroeder Cherry, Jeffery Everett, Kate Fleming, Erin Fostel, Barbara Epstein Gruber, Ric Garcia, Sarah Jamison, Michael Janis, Robert Knudsen, Christine Lashley, Kyujin Lee, Laurel Lukaszewski, Akemi Maegawa, Dana Jeri Maier, Lindsay Mueller, Cory Oberndorfer, David Page, Erin Raedeke, Ephraim Rubenstein, Nicole M. Santiago, Tim Tate, Valerie Theberge, Erwin Timmers, Bennett Vadnais, Steve Wanna, Dawn Whitmore, and Andrew Wodzianski.
Make time to visit Glen Echo Park this summer—you’ll find a rich cross-section of the region’s creative talent and a strong sense of community threaded through every work on view.
The Washington Glass School is thrilled to celebrate the achievements of two of our talented resident artists, April Shelford and Kate Barfield, whose works have been selected for prestigious contemporary art exhibitions. Their unique glass artworks showcase the innovative spirit and technical mastery that define our studio’s creative community.
Artist: Kate Barfield; “Tribute to Ms. Mailou Jones”, Fused Glass, steel, wood; Photo Credit: Pete Duvall
Kate Barfield’s Vibrant Works at “The Power of Color” Exhibition
Kate Barfield’s captivating glass pieces, Tribute to Ms. Lois Mailou Jones and Rejoice Wind Up Bird, have been selected for the upcoming The Power of Color exhibition, sponsored by MD Fine Arts at the Circle Gallery in Annapolis, Maryland. This show highlights the dynamic use of color in contemporary art, and Kate’s work perfectly embodies this theme. Her piece Tribute to Ms. Lois Mailou Jones pays homage to the renowned Black DC painter, capturing the angular shapes, curves, and vibrant “POW!” of color that defined Jones’ work. Rejoice Wind Up Bird further showcases Kate’s ability to infuse glass with narrative depth and vivid expression. We invite you to visit the Circle Gallery to experience these stunning works in person and see how Kate’s artistry transforms glass into a powerful storytelling medium. MFA’S Circle Gallery from July 30th – August 23rd, 2025
Artist: April Shelford; “To Monet”, Fused Glass; Photo Credit: Pete Duvall
April Shelford’s To Monet in “A Sense of Place” Online Exhibition
April Shelford’s evocative piece To Monet has been selected for the A Sense of Place online exhibition, launched on July 7, 2025, by the Contemporary Glass Society (CGS), the UK’s foremost organization supporting glass artists. This global celebration of glass art features 77 international artists, each exploring how glass captures personal and cultural connections to place. April’s To Monet reflects her signature focus on color and pattern, inspired by her meticulous attention to detail and questing curiosity. Her fused glass work, reminiscent of the historian’s craft, assembles diverse elements into a cohesive and meaningful whole, evoking a profound sense of place. This online exhibition offers a unique opportunity to explore April’s work alongside other visionary glass artists from around the world. Visit the CGS website to immerse yourself in this remarkable showcase.
Celebrating Our Artists’ Vision and Craft
Both Kate and April exemplify the Washington Glass School’s commitment to pushing the boundaries of glass as a medium for contemporary art. Their selections for these prestigious exhibitions highlight their individual talents and the vibrant creative energy fostered at our studio. We are incredibly proud of their contributions to the global glass art community and invite you to join us in celebrating their achievements.
Stay tuned for more updates on our artists’ exhibitions and events, and visit the Washington Glass School to discover the transformative power of glass art!
Washington Glass School is excited to share that co-directors Michael Janis and Tim Tate are among the artists included in a significant new acquisition by The Baker Museum in Naples, Florida. The museum has received The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics, a gift that brings 74 works by 60 artists into the museum’s permanent collection.
The Baker Museum in Naples, FL
The Sibrack Collection includes works by some of the most influential names in contemporary glass and ceramics, including Dale Chihuly, Judith Schaechter, Amber Cowan, Preston Singletary, Lucio Bubacco—and now, Michael Janis and Tim Tate. This collection spans nearly every major glass technique, from flame-worked to blown and cast, and reflects a deep appreciation for material, form, and light.
The Baker Museum’s decision to fully integrate these works into its broader holdings marks a continued shift in how museums value glass and ceramics—not as separate from fine art, but as essential parts of its story. For Janis and Tate, who have each spent decades advancing contemporary glass as a narrative and conceptual art form, this recognition is especially meaningful.
“Our work is about storytelling through material,” said Michael Janis. “Being included in a collection like this, which treats glass as a vehicle for meaning and not just decoration, affirms why we do what we do.”
Tim Tate added, “What the Sibracks have built is not just a personal collection—it’s a statement about the relevance and emotional range of glass today.”
Rita and Dr Laurence Sibrak
The Sibracks, longtime supporters of Artis—Naples, were first inspired by a 2000 exhibition of Chihuly’s work at the museum. Their decision to make this donation stems from a long commitment to both the institution and the idea that art should be lived with, shared, and accessible to all.
This acquisition places the work of two DC-based artists into one of the most respected collections in the region, further establishing the impact of the Washington Glass School on the national stage. We’re proud to see Michael and Tim’s work recognized alongside such powerful voices in the field and grateful to the Sibracks and the Baker Museum for helping bring greater visibility to the language of glass.
The collection will be celebrated in the upcoming exhibition “The Passion of Collecting: Stories in Glass and Ceramics from the Sibrack Collection,” opening January 10, 2026 at The Baker Museum and remaining on view through the fall.
Following is a complete list of artists in the The Dr. Laurence and Rita Sibrack Collection of Contemporary Glass and Ceramics: Dean Allison, Adrian Arleo, Michael Behrens, Susan Beiner, Alex Bernstein, Charles Birbaum, Christina Bothwell, Peter Bremers, Emily Brock, Lucio Bubacco, Jim Budde, Nancy Callan, Dale Chihuly, A-Mi Choi, Amber Cowan, Dan Dailey, Stefen Dam, Laura Donefer, Michael Glancy, Peter Hora, Agnes Husz, Jannet Iskander, Martin Janecky, Michael Janis, William Kidd, Sabrina Knowles, Velarde Kukuli, K. William LeQuier, Dianne Martin Lublinski, Emma Luna, Robert Mickelsen, Shelley Muzylowski Allen, Harumi Nakashima, Sybelle Peretti, Lindsay Pichaske, Jenny Pohlman, Clyfford Rainey, David Regan, Colin Reid, Ross Richmond, George Rodriquez, Davide Salvadore, Judith Schaechter, Livio Seguso, Preston Singletary, Carmen Spera, Kristen Stingle, April Surgent, Matthew Szösz, Etsuko Tashimu, Tim Tate, Tip Toland, Margit Tóth, Hidenori Tsumori, Sam Tuffnell, Janusz Walentynowicz, Patti Warashina, Ann Wolff, Loretta Yang and Mary Ann Zynsky.
To learn more about the museum and the artists in the collection, visit artisnaples.org.
Washington Glass School resident artist John Henderson’s captivating glass artwork is featured in the upcoming exhibition The Evidence of Things Now Seen, presented by Black Artists of DC (BADC) and Tres RaĂces Arts. This powerful show, running from Saturday, May 24, 2025, to Tuesday, June 17, 2025, at Arena Stage at the Mead Center for American Theater (1101 6th Street, SW, Washington, DC), celebrates the richness of Black life through themes of belonging, equality, legacy, liberation, love, and joy.
Jon Henderson, kiln fused glass on exhibit at Arena Stage
Curated by Gia Harewood, the exhibition draws inspiration from the profound legacy of American writer and civil rights activist James Baldwin, whose work fearlessly illuminated truths about identity and humanity. John Henderson’s glass art, known for its color and emotive depth, resonates deeply with these themes, offering viewers a unique perspective on the Black experience through the transformative medium of glass.
A special talk about the works will take on June 11, 2025, from 6:30–7:30 PM, about the stories behind the works. Don’t miss this opportunity to experience John Henderson’s artistry and the collective brilliance of BADC and Tres RaĂces Arts in this inspiring exhibition.
Event Details: The Evidence of Things Now Seen
Exhibition Dates: May 24–June 17, 2025
Location: Arena Stage, 1101 6th Street, SW, Washington, DC
Talk: June 11, 2025, 6:30–7:30 PM
Celebrate Black creativity and explore “The Evidence of Things Now Seen”. Click HERE to see online catalog of the show!