Final Week of CLICK-IT! Online Exhibition

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

We’re down to the final week the “CLICK-IT!” online exhibit!. Showing works by these talented artists (Teri Bailey, F. Lennox Campello, Jennifer Caldwell, Jason Chakravarty, Cheryl P. Derricotte, Sean Donlon, Sean Hennessey, Joseph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Steve Wanna, & Jeff Zimmer) to the public and hearing the wonderful feedback has been so rewarding. It means a lot to us that we can share their world with the world and an appreciation for the works/sentiments/technical brilliance can be appreciated.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Those who have yet to visit the exhibition should grab the chance to see these truly wonderful works online – click HERE to jump to online exhibit!

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Artists For Racial Justice” exhibit and fundraising for non-profits that can help with equality with art as a tool for healing and peace to help at this time.

Artists for racial.equality.justiceClick HERE to jump to the fundraiser arts page.  

Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

WGS Featured Artist: Carmen Lozar

CLICK IT! Featured Artist: Carmen Lozar

Carmen Lozar‘s glass sculptures inspires and provoke imagination. Telling stories has always been her primary objective. Some narratives are sad, funny, or thoughtful but artworks are always about celebrating life. Carmen lives in Bloomington-Normal, Illinois where she maintains a studio and is a member of the art faculty at Illinois Wesleyan University. She has taught at Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft. Although she travels abroad to teach and share her love for glass – most recently to Turkey, Italy, and New Zealand – she always returns to her Midwestern roots. 

Washington Glass School blog catches up with Carmen as her work is part of the WGS Contemporary online exhibit “CLICK-IT!” 

Carmen Lozar

Carmen Lozar

Washington Glass School (WGS): Describe your artwork method/process.

Carmen Lozar: I work with rods and tubes of borosilicate glass at a torch.  Flameworking lends itself to small intimate pieces, the type I most enjoy making. The process requires concentration, years of skill building and many, many generous mentors who are willing to share their knowledge. 

Caremen Lozar, "Bubble Gum", 2019, Flameworked glass, found object, 3"x 2"x 6"

Caremen Lozar, “Bubble Gum”, 2019, Flameworked glass, found object, 3″x 2″x 6″

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Carmen Lozar: The work is the show is meant to be intimate and accessible, highlighting human follies in a lighthearted way. The bubble gum pieces are about the sticky messes we continually put ourselves in but also the ridiculous and stretchy nature of glass as a material. To me, much of the work is both funny and sad. 

The ketchup and mustard piece, Fight, is about the continual small spats that my daughters engage in daily. I know that they love each other and work well together but this does not stop them from ongoing sibling rivalry. This piece makes light of their arguments knowing they will pass and, in a way, preserving my sanity.

Carmen Lozar, "Fight", Flameworked glass and found object. 3"H x 8"L x 2"D

Carmen Lozar, “Fight”, Flameworked glass and found object. 3″H x 8″L x 2″D

WGS: How have you handled the Covid lockdown?

Carmen Lozar: I have been oscillating between enjoying a quiet summer and completely freaking out. There is so much to process and digest that I am sure the landscape of what we make will change as a result. I believe an entirely new aesthetic will result as a product of the pandemic and unrest.

Image from Carmen Lozar's sketchbook.

Image from Carmen Lozar’s sketchbook.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?

Carmen Lozar:  I do a lot of planning before I begin a new artwork, usually beginning with several drawings in my sketchbook. I usually stick to the drawing/idea pretty closely although if there are too many repetitive parts in the piece I will simplify. I have a short attention span and making the same objects over and over, while I love the way it looks, is difficult for me.

WGS: if you were not an artist – what would you be?

Carmen Lozar: An allergist.

WGS: What is your rule of thumb in determining when a work is finished?

Carmen Lozar: You get a crazy wonderful rush of adrenaline that you cannot find anywhere else!

Click here to jump to Carmen Lozar’s work in CLICK-IT!
Click HERE to jump to the show.

WGS Featured Artist: Erwin Timmers

CLICK IT! Featured Artist: Erwin Timmers

Erwin Timmers is the co-founder of the Washington Glass Studio and Washington Glass School. Originally from Amsterdam, he moved to California and graduated from Santa Monica College for Design Arts and Architecture. In 1999 he moved to the Washington DC area and since then his sculptural artwork has been on display in Zenith Gallery, Fraser Gallery, and Gallery Neptune. Erwin was named the Montgomery County, MD Executive’s Award Outstanding Artist of the Year in 2018.

His approach to art is multifaceted, incorporating metalwork, innovative lighting and glass design. He teaches glass, lighting, sculpture, and metal work. Industrial salvage and recycling are recurring themes in his work, which he sees as crucial parts to the interaction with one’s surroundings. Recently, the Artisan 4100 - an apartment community opening along Route 1 in Brentwood, MD – commissioned Erwin Timmers to create a major glass and light installation for the new building lobby.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Washington Glass School blog catches up with Erwin as his work is part of the WGS Contemporary online exhibit “CLICK-IT!”.

Washington Glass School (WGS): Describe your artwork method/process.
Erwin Timmers: I cast objects in recycled glass. For this series I have used discarded packaging material, from which I take molds in plaster. The glass then heats up in an electric kiln, melts and takes on the shape of this mold. To finish I chop, and trim the glass and weld the metal frame.

Erwin Timmers, "Patterns of Containment V" cast recycled glass

Erwin Timmers, “Patterns of Containment V” cast recycled glass

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Erwin Timmers: The work features single-use plastic wrappings that viewers may recognize. The grid format formalizes the display of “trash” as art and then I use grids within each frame as well. I hope to give viewers a moment of pause while contemplating the shapes and patterns.

Erwin Timmer: detail "Patterns of Containment"

Erwin Timmer: detail “Patterns of Containment”

WGS: How have you handled the Covid lockdown?

Erwin Timmers: Initially COVID was like snow days we hadn’t had, but with great weather. That was before any financial pressure came into play. It was motivating to see the air pollution worldwide go down, I wish it could stay like that. But at the same time the single use plastic pollution is increasing, giving me even more art base materials…

WGS: What artwork/event has moved you and got you thinking about your own work?
Erwin Timmers: The current civil crisis has been deeply moving. It caused me to rethink and redevelop the direction of my hands symbol series.

WGS: if you were not an artist – what would you be?
Erwin Timmers: Epidemiologist 

Erwin Timmers suits up in his PPE gear to work in the studio.

Erwin Timmers suits up in his PPE gear to work in the studio. Or tend the studio bee-hives.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?
Erwin Timmers: I plan the general idea, but often new ideas and aspects emerge as I work. I try to incorporate these, and I can then evaluate whether they work or not.

WGS: What is your rule of thumb in determining when a work is finished?
Erwin Timmers: When I sign it, it is done…

Click here to jump to Erwin Timmers work in CLICK-IT!
Erwin’s work is part of the companion exhibit/fundraiser – “Artists for Racial Justice” Click HERE to jump to the show.

CLICK-IT Exhibition Opens June 16th @ WGS Contemporary

WGS Contemporary hosts CLICK-IT and Artists for Racial Justice

WGS Contemporary hosts CLICK-IT! and Artists for Racial Justice

With much of the physical art world closing because of Covid-19, artists, galleries and museums have turned to technology and social media to stay open (albeit virtually), allowing visitors from anywhere in the world to interact with and view art.

WGS Contemporary Gallery (located in the DMV’s Gateway Arts District) had to get creative with how to bring art to the world. With so much changing so quickly, artists and arts organizations are still in the process of finding their footing. “With everyone in isolation, art is needed now more than ever to help remind people that we are not alone. Art helps us to dream, escape our current realities, and engage our imaginations in building a better world for tomorrow,” said Gallery Director Teri Swinhart (Bailey). “With this show, we all stand united (six feet apart, of course) and ready to take on these challenges and the new opportunities they present.” 

"Spilt Perfume Set", Artist:  Carmen Lozar

“Spilt Perfume Set”, Artist: Carmen Lozar

"Sea Through The Looking Glass" Artists: Jennifer Caldwell and Jason Chakravarty

“Sea Through The Looking Glass”, Artists: Jennifer Caldwell and Jason Chakravarty

Opening June 16th, WGS Contemporary presents “Click-It!” featuring works by some of the most exciting and inspiring artists, with a broad spectrum of works that showcase the current trends in art and the media specific works.

"Patterns of Containment", Artist: Erwin Timmers

“Patterns of Containment”, Artist: Erwin Timmers

Artists in the show include:

Teri Swinhart (Bailey)
F. Lennox Campello
Jennifer Caldwell
Jason Chakravarty
Cheryl P. Derricotte
Sean Donlon
Sean Hennessey
Joseph Ivacic
Michael Janis
Carmen Lozar
Tim Tate
Erwin Timmers
Steve Wanna
Jeff Zimmer

“By placing artworks of different materials, mediums, and styles in direct conversation, there is opportunity for new dialogues and perspectives,” adds Swinhart. Click-It! will highlight the many parallel and interesting artistic directions these artists bring creating a dynamic environment of exchange online.
“We will be using our online platforms to introduce exciting new art programming that aims to enrich, entertain and inspire during this challenging time.”
A special fundraising event “Artists for Racial Justice” is also scheduled online as a companion show, with the-proceeds for these special works to be donated to the non-profit organizations “Color of Change ” and the “NAACP”.

"Deja Vu" Artist Sean Dolon

“DejaVu”, Artist Sean Donlon

 

WGS Contemporary is a Washington, DC area art and special projects fine arts gallery. WGS Contemporary’s mission is to contribute to thinking about art, new media, technology, and social issues through an open access forum which we hope will facilitate contemporary and innovative projects worldwide. In that process, WGSC will expose the cutting edge work of artists pushing the new media frontiers of art. Projects using robotics, sensory perception, holographic imaging, self-contained video sculptures and others will offer an intelligent and fresh set of artwork that marries technology and art into a new creative dialogue in the visual arts.

 

 

 
Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

American Glass Guild 2020 Conference in Baltimore, Hon!

The American Glass Guild 2020 Conference in Baltimore. MD.

The American Glass Guild 2020 Conference in Baltimore. MD.

The American Glass Guild (AGG) will be holding their 20th Anniversary Conference at the Maritime Conference Center in Baltimore, Maryland May 7-9.

The Baltimore conference is a great place to meet people in the glass arts, to share ideas, techniques and experiences, with the planned glass art auction, artwork exhibition and more. Demos and workshops by international artists including Narcissus Quagliata and Judith Schaechter!– Talks featuring Shawn Waggoner, Tim Carey, Judith Schaecter, Ken Leap and Nancy Gong! WGS Co-Director, Michael Janis, will be a keynote speaker!

The Annual Live AGG Auction raises funds for the James Whitney Memorial Scholarship. Since 2007 the Whitney Memorial Scholarship has handed out over 125 scholarships for glass education. Recipients receive full or partial scholarships for various glass educational opportunities, such as conferences and workshops, or ongoing educational efforts.

The American Glass Guild (AGG) is a non-profit organization whose core mission is to work toward building an environment within the craft that both cultivates novices and facilitates experienced craftspeople and artisans to attain a higher level of expertise. The AGG’s intention is to support and provide speakers for public lectures and seminars, encourage spirited debates, and initiate fact-based research.

Click HERE for more online information.

Breaking Glass News! Jeff Zimmer Wins British Glass Biennale!

The British Glass Biennale is the foremost exhibition of excellence in contemporary glass by artists, designers and craftspeople currently working in Britain. Taking place every two years it is the highlight of the International Festival of Glass.

Winner of the 2019 British Glass Biennale - Jeff Zimmer!

Winner of the 2019 British Glass Biennale – Jeff Zimmer!

So excited to find out that WGS alum Jeff Zimmer has won this prestigious award! Super Congratulations Jeff!

Spring & Summer 2015 Class Schedule

Spring/Summer 2015 Class Schedule

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Class 2000 -  Beginner’s Glass Lover’s Weekend

 glass class dc

As mentioned in the September issue of Washingtonian Magazine – Our most popular class, this is the fastest way to learn all aspects of warm glass in the shortest amount of time! Under the supervision of a professional glass artist you will learn the fundamentals of fusing, slumping and dimensional kiln casting. Everything from bowls and plates to sculptural objects… this is the perfect way for a beginner to learn the basics of glass… and you will leave with several very cool items!

Instructor:      Audrey Wilson

Dates            Session A – Sat/Sun  May 2/3Session B- Sat/Sun June 27/28, Session C – Sat/Sun Aug. 1/2

Time               1pm to 5pm each day
Tuition            $350 per student (all mtls included)  

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Class 2001 – MIG Welding For Dummies!

Welding

Ever wondered about learning to weld? Want to impress your friends, your older brother and that cute bartender? It’s easier than you think! In three evenings you will learn how to lay a bead, and handle all sorts of sharp and dangerous tools. You will be able to complete a small project and leave with lots of ideas and know-how for other projects. This class will teach you the basics of welding, metal work and design, joining, bending and finishing. And you will get dirty!

Instructor :  Erwin Timmers
Dates:          Session A: Thurs eves in April (16,23,30), Session B: Thursday eves in July (9,16,23)

Time :          7pm to 9:30pm

Tuition :       $375 per student

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Class 2002 - Audrey’s Super Bowl Parties!

next step glass fuse bowls


You like bowls?  So do we!  So come join Audrey Wilson at a super Bowl Making party! Email for availability…..and let the bowl making begin!
(email the instructor Audrey directly on this one – studio@washglass.com) 

(max 6 students per session; 3 bowls per student depending on size of bowl)

Instructor :  Audrey Wilson

Dates :   Super Bowl Parties take place on the following dates:

May 23;  July 18;  Aug 8;    Aug 22

Time :    1:30 pm to 4pm

Tuition : $75 for each session if using float glass, $100 for Bullseye glass.

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Class 2003 -  Bas Relief in Glass – Overview  of Deep Relief Dry Plaster Casting

Tired of working flat? Want an easy way to get some real depth into your glass? Here’s a fun class where you will learn one of the easiest yet most versatile methods of kiln casting glass to achieve bas-relief sculpture. This incredible method has endless fine art and architectural applications. In this two day class, we will discuss different types of glass and their firing schedules. Working with color and how it can affect dimensional casting will also be explored. Bring items you may want to cast with this method or choose from our image library. All materials and firings are included.
Instructors :  Sean Hennessey/Audrey Wilson
Dates :         Tues eves (May 19, 26, June 2)

Time :          7pm to 9:30pm

Tuition :       $375 per student

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Class 2004 -Silk Screening and Painting On Glass with Joseph Cavalieri

This workshop will cover numerous painting on glass techniques, some dating from Medieval times, but most developed in modern times. Students will learn hand painting, airbrushing, inking, and silk-screening processes using kiln fired enamels. The main emphasis of the class is silk-screening techniques. A variety of silk-screens with patterns, graphics and photographs will be available for the class to use. The glass is kiln fired to make these images permanent on the top surface of the glass, which is called a polish fuse. Demonstrations on how to frame and light the work will be shown. Three professional practice lectures will be presented to provide insight for beginners and professionals. These include how to “package yourself”,  “market your art”, and “successfully get into artist residencies”.Students can choose to leave the class with one finished work or a stack of painted glass samples, or both!* We will not be making the screens but students have the option of bringing their own silk-screens, and will be directed how to after they sign up.

Instructor :  Joseph Cavalieri

Dates :         Sept 5, 6, 7 over Labor Day Weekend

Time :          10am to 5pm

Tuition :       $500 per student

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Class 2005 – Next Step Fusing – Applying Tack Fused Imagery

Bring your fusing skills to a new level. Beginning fusers will learn to use molds and frit to produce bas relief objects, then will tack fuse them into a patterned bowl on a base glass piece.

Instructor :  Audrey Wilson

Dates :         Tuesday eves. Sept. (8, 15, 22)

Time :          7pm to 9:30pm

Tuition :       $450 per student

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Class 2006- Lighting Up Your Life….Making Lighting For Your Home!

Are you looking to bring some new light into your home? Tired of having the same lamps around? Well, come and make a new one in this class! You will truly display your glass skills in their best light. You’ll learn to cut, fuse and shape glass into the right form. Ceiling or wall fixture; you will have the chance to design your own. You will also learn how to safely wire and install your new lamp. No glass or electrical experience is necessary. We provide the mounting hardware.

Instructor :  Erwin Timmers

Dates :        Thurs eves in May (14,21,28)

Time :  7 pm to 9:30pm

Tuition :      $350

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Class 2007- Next Step MIG Welding

Now that you’ve tried your hand at MIG welding, the hot-glue gun of the metal shop, why not expand your horizons? We will offer a truck load of new techniques. You can compare welding stainless steel vs. aluminum, and pit the plasma cutter vs. oxy-acetylene. You will also improve your MIG skills, and spend more time on grinding, polishing, finishing and patinas. Bring ideas for a small project and you’ll walk home with it. Remember, this is a real, live, active, working shop! You will get dirty. Wear closed-toe shoes and long pants.Prerequisite: MIG welding class or equivalent experience.

Instructor : Erwin Timmers

Dates :      Thurs eve in June (11,18,25)

Time :       7pm to 9:30pm

Tuition :      $375

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Class 2008- Open Studio – Work At Your Own Pace

Beginner's Glass Lovers

Already know the basics of casting or fusing? Open Studio gives each student the opportunity to work independently in a world class studio. Tuition includes a kiln firing per session, clear base glass and colored scrap glass, use of studio tools. Note: students working in dry plaster casting need to schedule cleanup date with studio coordinator.

Instructor :  Studio Staff

Dates :        Wed/Thurs/Sat afternoons (call to confirm appointment)

Time :        1pm to 5pm

Tuition :      $300 for 4 sessions

Smithsonian American Art Museum Features Michael Janis

Smithsonian Distinguished Artist Michael Janis

Michael Janis at the Smithsonian Museum. Photo by Miriam Rosenthal.

a.3.rosenthal.glass.scraffito_class.washington.janis.mike.art.new

Washington Glass School sgraffito workshop. Photo by Miriam Rosenthal.

The James Renwick Alliance (JRA) is an independent national non-profit organization that celebrates the achievements of America’s craft artists and fosters scholarship, education and public appreciation of craft art. The JRA is the exclusive support group of the Renwick Gallery of the Smithsonian American Art Museum, the U.S. national showcase of contemporary American craft. Washington Glass School Co-Director Michael Janis was named “Distinguished Artist” by the JRA. The weekend’s events included a sgraffito glass workshop with Michael held at the Washington Glass School and Michael Janis presented at the Smithsonian Museum’s Turner Auditorium outlining his career, process, and artwork. The talk at the museum was broadcast live and the Smithsonian staff promised that it would be available online soon. 3.michael.janis.smithsonian.american.art.museum.artist_glassThe final event was the JRA hosted dinner on Sunday evening – it was a very busy exciting weekend for the Washington Glass School!4.a.distinguished_artist.james.renwick.alliance.shea.trump.janis_glass_cuddle

Congratulations to Michael – well done and well deserved!

 

Michael Janis @ Smithsonian American Art Museum

american.art.museum.smithsonian_michael_janis.glass.contemporary.craft

Smithsonian’s American Art Museum McEvoy Auditorium will feature Michael Janis starting at 2pm Sunday, May 4th.

Michael Janis was recently featured in American Craft Magazine as “one of a select number of artists in the world creating sgraffito glass art.” The Creative Glass Center of America dubbed him a “Rising
Star of the 21st Century.” His mastery of this difficult technique shows itself in the dreamlike images which he creates by “drawing” with frit powders upon glass which is then fused into painterly panels of
subtle depth and luminosity. This architect-turned-glass-art-star will be made a James Renwick Alliance Distinguished Artist on the weekend of May 3-4.  On Sunday, Michael Janis will present a slide lecture on his work and career at the Smithsonian American Art Museum.michael.janis.smithsonian.american.art.museum

Janis is a Fulbright Scholar and has taught at the UK’s National Glass Centre at Sunderland University. His work is included in the collection of the Art Institute of Chicago and numerous private collections. He will be teaching at Penland School of Craft in August.

Veterans Day: Honoring Those Who Served In The Armed Forces

Above is from a series of works Melissa Kistler created during a class focused on imagery in glass at The Corning Museum of Glass in New York.

In the new post-studio glass landscape, content driven artwork continues to evolve. Often people struggle to tell a story with their artwork, and as artists, work at connecting to the viewer with personal narratives integrated into their work. For this Veterans Day we feature one artist’s successful series that draws from her family story.

Glass artist Melissa Kistler was born and raised in a small rural community in northeastern Pennsylvania. As the daughter of a Master Gunnery Sergeant of the Marine Corps, her work draws from the overlapping spheres of family, the military, and home.

Melissa Kistler; “Mother, Daughter” detail; mirror, print

Utilizing nostalgic references to childhood and memory, she delves into the phenomena of collective identity and the fluidity of the self. Melissa’s work is informed by sociological studies of identity and the military and cultural representations of family and military membership.

Melissa Kistler; “Sailors”mirrored glass, print

Melissa earned her Bachelor of Fine Arts Degree with a concentration in glass from Tyler School of Art at Temple University. She was a recipient of a Creative Arts, Research, and Scholarship Grant from Temple University and has continued her education at the Corning Museum of Glass in New York as a scholarship student. 
She has shown her work in numerous galleries nationally, and recently had her work included in the IGAA exhibit ” The GATHERING: Contemporary Glass from the Heartland,” which opened Oct. 19 at the Indiana University Kokomo Art Gallery. Melissa currently resides in Indianapolis, Indiana, where she continues her work.