2025 GATEWAY OPEN STUDIOS TOUR Saturday, May 10, 2025 from 12 – 5 pm

The Gateway Arts District is the largest in the region, but it is easy to underestimate as many of its artists work in spaces tucked away or without public hours. An exciting element of this event is that visitors can see spaces not always open, view artists’ work and workspaces, and talk to the artists about their practice on this special day of open houses.

The district roughly encompasses a two mile stretch from Mt. Rainier to Hyattsville with most locations on or around Route 1/Rhode Island Avenue. Best to start at the Washington Glass School at 3700 Otis Street.  While some intrepid art goers choose to walk, Free shuttles will be operated along the corridor to help people cover more ground. Street parking is available as well at Lots 1, 3, and 4 in Hyattsville. Shuttle routes and a parking map will be available on the OST website.

In addition to visual art, many neighboring businesses will be poised to welcome visitors for food, drink, and further discovery of the many small and creative places within the Gateway Arts District.

After the open studio tour, all are welcome to the outdoor afterparty from 5 pm – 7 pm hosted by Broken Square and featuring music, skateboarding, and a food truck at 3698 Wells Ave, Mount Rainier, MD. If something quieter is your preference, head to Portico Gallery at 3807 Rhode Island Ave, Brentwood, MD 20722 for an end of the day porch hang.

Thank you to our sponsors Prince George’s Arts and Humanities Council, MiXT Food Hall, and Gateway CDC.

The event is FREE and open to the public. Visit https://www.gatewaycdc.org/ost2025 for a map of participating artists and studios to plan your self-guided tour.

Haters Gonna Hate, Hate, Hate

Artist Tim Tate submits today’s post about keeping true to one’s vision – in spite of naysayers saying…. well, …nay!

A lesson for other artists, that I learned the hard way. Last year this time I was being shouted down as publicly as possible in national publications about the need to secede from past models . Last year I was accused of oversimplifying at best and misrepresenting at worst, of being guilty of revisionist history and narrow definitions……just to start. How dare a non-academic make such declarative statements and disrespect the past.

This year I have the director of a major museum critiquing my work in the best terms possible. This year one of my pieces will be named a “National Treasure” by the Smithsonian. This year I will be showing some of the best work I have ever made in some of the best venues in the world.

This is not stated to whine about the past nor brag on the present. I am just using this juxta-position to illustrate that as artists, we are surrounded by other people’s opinions about our work. Most of the time we close our ears to the good and the bad, but when its people or institutions whom we respect who are attacking us, its tough not to question your own direction.

The trick is to keep on that path you truly believe is right. Those who try to shout you down will soon fade. If you truly believe in your work and love it, so too shall others. Never change your thoughts, directions or work just because others try to drive you in that direction. Better to spend that negative energy towards finding people who believe as you do….who love your work as much as you do.

Slowly you will find the audience you have always hoped for…it just takes time and perseverance. See you at the fairs.

Tim Tate

tater

Allegra Marquart

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Allegra Marquart’s is a print artist who is now translating her work into glass. Allegra creates whimsical, allegorical stories that are sand carved into colored glass panels that she makes. Her story panels were the hit of Chicago SOFA 2008, and her work is represented by Maurine Littleton Gallery in Georgetown.

Look at more of Allegra’s work on her website – click here

Allegra will be showing at Palm Beach 3 Contemporary Art Fair in January, 2009.

Studio Artists at Work

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Syl Mathis is one of the Washington Glass School ‘studio artists’.

His finely crafted boats are highly sought after for their poetic compositions.

Syl creates plaster silica molds and loads with glass. He fires the glass for at least two days, and then cold-works the cast glass.

Tough guy – but cries at the slightest glass cut.