WGS Featured Artist: Carmen Lozar

CLICK IT! Featured Artist: Carmen Lozar

Carmen Lozar‘s glass sculptures inspires and provoke imagination. Telling stories has always been her primary objective. Some narratives are sad, funny, or thoughtful but artworks are always about celebrating life. Carmen lives in Bloomington-Normal, Illinois where she maintains a studio and is a member of the art faculty at Illinois Wesleyan University. She has taught at Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft. Although she travels abroad to teach and share her love for glass – most recently to Turkey, Italy, and New Zealand – she always returns to her Midwestern roots. 

Washington Glass School blog catches up with Carmen as her work is part of the WGS Contemporary online exhibit “CLICK-IT!” 

Carmen Lozar

Carmen Lozar

Washington Glass School (WGS): Describe your artwork method/process.

Carmen Lozar: I work with rods and tubes of borosilicate glass at a torch.  Flameworking lends itself to small intimate pieces, the type I most enjoy making. The process requires concentration, years of skill building and many, many generous mentors who are willing to share their knowledge. 

Caremen Lozar, "Bubble Gum", 2019, Flameworked glass, found object, 3"x 2"x 6"

Caremen Lozar, “Bubble Gum”, 2019, Flameworked glass, found object, 3″x 2″x 6″

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Carmen Lozar: The work is the show is meant to be intimate and accessible, highlighting human follies in a lighthearted way. The bubble gum pieces are about the sticky messes we continually put ourselves in but also the ridiculous and stretchy nature of glass as a material. To me, much of the work is both funny and sad. 

The ketchup and mustard piece, Fight, is about the continual small spats that my daughters engage in daily. I know that they love each other and work well together but this does not stop them from ongoing sibling rivalry. This piece makes light of their arguments knowing they will pass and, in a way, preserving my sanity.

Carmen Lozar, "Fight", Flameworked glass and found object. 3"H x 8"L x 2"D

Carmen Lozar, “Fight”, Flameworked glass and found object. 3″H x 8″L x 2″D

WGS: How have you handled the Covid lockdown?

Carmen Lozar: I have been oscillating between enjoying a quiet summer and completely freaking out. There is so much to process and digest that I am sure the landscape of what we make will change as a result. I believe an entirely new aesthetic will result as a product of the pandemic and unrest.

Image from Carmen Lozar's sketchbook.

Image from Carmen Lozar’s sketchbook.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?

Carmen Lozar:  I do a lot of planning before I begin a new artwork, usually beginning with several drawings in my sketchbook. I usually stick to the drawing/idea pretty closely although if there are too many repetitive parts in the piece I will simplify. I have a short attention span and making the same objects over and over, while I love the way it looks, is difficult for me.

WGS: if you were not an artist – what would you be?

Carmen Lozar: An allergist.

WGS: What is your rule of thumb in determining when a work is finished?

Carmen Lozar: You get a crazy wonderful rush of adrenaline that you cannot find anywhere else!

Click here to jump to Carmen Lozar’s work in CLICK-IT!
Click HERE to jump to the show.

New Fall Class Schedule – Part 2 – Lampworking Classes

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The Washington Glass School’s 2011 Fall Lampworking courses are now available online and enrollment is open. Have a look at the new fun classes!

Class 1108Open Studio For Flameworkers

Already know the basics of flameworking? Want to join others in a social atmosphere while you work? Our Flamework Club gives each student the opportunity to work independently in a world class studio while meeting some great new friends! Materials extra.

Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat / Sun afternoons (call to confirm appointment)

Time : 1:30pm to 5pm

Tuition : $300 for 4 sessions or included with Instructor Classes

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Class 1128Beginning Sculptural Flameworking

Learn the basics of making objects in the flame from borosilicate (Pyrex) glass. This 2-day class will focus on skills that are the basis of working with glass on the torch. You will come away with knowledge and some fine objects too! Rob is an energetic, knowledgeable instructor and artist who is ready and willing to help anyone learn this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat/Sun Sept 10 & 11

Time : 10am-1:30 pm (also includes a free open studio session till 5pm if you wish)

Tuition :$250 plus $50 material fee for instructor

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Class 1129Flameworking with Color

Learn the basics of working with colored borosilicate (Pyrex) glass. This 2-day class will focus on processes for including patterns and designs in glass at the torch. You will come away with the ability to design work with a variety of color application techniques. This is an excellent follow up class to the Introduction to flameworking. Come advance your ability to create through this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat/Sun Dec. 3 & 4

Time : 10am-1:30 pm (also includes a free open studio session till 5pm if you wish)

Tuition : $250 plus $50 material fee for instructor

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For the list of the NEW Fall 2011 Kiln Classes – click HERE

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PayPal Class Registration
Below:


Class registration




New Flamework Class Schedule

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Now that Spring has sprung – its time to get busy! Below are the new Spring/Summer Torchworking class offerings –

Class 1108 – Flamework Club – Open Studio For Flameworkers
Already know the basics of flameworking? Want to join others in a social atmosphere while you work? Our Flamework Club gives each student the opportunity to work independently in a world class studio while meeting some great new friends! Materials extra. Class Limit: 6 students
Instructor : Robert Kincheloe
Dates : Sat/Sun afternoons (call to confirm appointment)
Time : 1:30pm to 5pm
Tuition : $300 for 4 sessions (or included with instructor classes)

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Class 1109 – Flameworkers Weekend Workshop

Develop your sculptural voice through working with glass at the bench torch. This 2-day workshop will focus on advancing your individual skills while allowing you to work on your own personal sculptural projects. In this free-form workshop the participants will be able to not only learn techniques necessary to accomplish their personal projects, but also be able to learn the techniques required by others. The materials fee provides student with an initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. This is a fun way to reinforce your skills while working with other great artists! Class Limit: 6 students
Instructor : Robert Kincheloe
Dates : Session A Sat/Sun April 23 & 24

Session B Sat/Sun May 28 & 29

Session C Sat/Sun June 25 & 26

Time : 11 am – 5pm
Tuition : $250 +$50 material fee (pay material fee to instructor in class)

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Class 1110 – Beginning Sculptural Flameworking
Learn the basics of making objects in the flame from borosilicate (Pyrex) glass. This 2-day class will focus on skills that are the basis of working with glass on the torch. You will come away with knowledge and some fine objects too! Rob is an energetic, knowledgeable instructor and artist who is ready and willing to help anyone learn this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students
Instructor : Robert Kincheloe
Dates : Sat/Sun May 21 & 22
Time : 10 am – 1pm (the 1:30pm
to 5pm open lampwork studio directly following the class is free to any class member)
Tuition : $250 +$50 material fee (pay material fee to instructor in class)

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Class 1111 – Coldworking 101 – How to Grind and Polish


Learn how to incorporate coldworking techniques into your glass art. This 1-day class will focus on skills that are the basis of coldworking glass on the flat lap grinder. You will come away with knowledge and the ability to work safely and effectively with coldworking equipment! Robert will explain and demonstrate how the various pieces of equipment in the studio are used so that the students gain familiarity with what tools are available and how they can be properly utilized for glass art. The materials fee provides student with several “Blank” forms that they can use to practice these techniques. Students are also encouraged to bring small glass items that are less than 2″ in surface are to experiment with. Class Limit: 8 students
Instructor : Robert Kincheloe

Dates : Sat May 7
Time : 1pm to 5pm
Tuition : $130 +$20 material fee (pay material fee to instructor in class)

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PayPal WGS Spring/Summer 2011 Flamework Class Registration

Scroll down & Click on class listing


2011 ISGB Conference in Louisville

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The 2011 International Society of Glass Beadmakers (ISGB) Gathering will take place in Louisville, Kentucky from July 27th – July 31st. This year’s theme is “Diversity and Creativity: Cultural Influences in Glass Beadmaking”.


The ISGB Gathering will feature presentations, gallery tours, workshops and opportunities to network. Our torchworking superstar, Rob Kincheloe will be one of the presenters.

Click here to jump to the ISGB Registration Booklet PDF for a listing of the classes and presenters.

Inspired By Nature – Glass BUGS!

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Glass Insects by Michael Mangiafico

Michael (Fig) Mangiafico graduated with a BFA in glass art from Carnegie Mellon University in 1985. He has been teaching torchworking and glass blowing for over 20 years. He owns and operates his own glass studio in Pittsburgh, PA and has exhibited and taught across the US. Fug is member of the Glass Art Society, The International Society of Glass Beadmakers, and The Pittsburgh Craftmen’s Guild. His work is available in galleries nationwide and has been featured in numerous art magazines and publications – his glass insects are some of the finest examples of lampwork worldwide.

Fig will be one of the superstar lampworkers that will be teaching in the new lampworking program this fall at the Washington Glass School. The weekend class will be held October 9 & 10.

Inspired by nature, Fig will cover covers techniques for sculpting various insects from torchworked glass – both literal renderings of insects and more abstract interpretations.

Students will learn to work with soft glass while observing nature. Students will explore heat control, cane pulling and the basics of soft glass sculpting.

Michael Mangiafico working a demo during the recent ISGB conference in Rochester, NY.


For more information on the upcoming lampworking class click HERE.

Click HERE to jump to Fig’s website.

Sculptural Flameworking Class

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The Sculptural Flamework class and the Flamework Club got a great start to the fall semester here at the Washington Glass School.
Above photo shows the weekend class completely engrossed in their works in the new lampworking stations.
Instructor Robert Kincheloe
has advised that there is still space available in the next beginner class coming up in October and the Club is going strong on Saturdays.

Some killer flamework classes with superstars Liz Mears and Michael “Fig” Mangiafico are coming up real soon!

Glass Bead Conference Opens July 28

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The 2010 International Society of Glass Beadmakers (ISGB) Gathering will take place in Rochester, New York from July 28th – August 1st. This year’s conference theme is “Beyond Boundaries: Origins and Influence of the Glass Bead”. The conference will have tutorials, presentations, workshops, networking opportunities, and awards.

Leah Fairbanks, Michael Mangiafico, Kirsten Rasmussen, Dan Adams and Cynthia Toops are amongst the artists scheduled to present at the gathering.

Our torchworker extraordinaire, Robert Kincheloe, will be sending updates from the conference.

New Class Schedule Part 2 – Special Lampworking Classes

>Lampworking, torchwork, flamework – all mean the same thing – sculpting glass heated over a torch. You will get hooked on the immediate satisfaction that comes from this form of art! The flameworking program at the Washington Glass School has expanded. Take our beginner lampworking classes and build your skill level (and fun level) with the open studio Flamework Club. Or take the next step – with our Intermediate Sculptural Flamework class.

This class session we have brought on some new special classes with super star instructors: Elizabeth Mears and Michael Mangiafico!

Elizabeth Mears is a full time, award winning artist. Whether representational or conceptual, her artwork reflects her strong connection with nature; often combining glass with mixed media. Liz studied and now teaches lampworking techniques at Penland, Pilchuck and Corning Studio. Her book “Flameworking” was published in 2003 by Lark Books. Liz will draw upon her love of nature for her “Lets Make Leaves” class and her “Building Flowers with Bridges class.

Michael Mangiafico (Fig) graduated with a BFA in glass art from Carnegie Mellon University. He has been teaching lampworking and glass blowing for over 20 years. He owns and operates his own glass studio in Pittsburgh, Pa. His work is available in galleries nationwide and has been featured in numerous art magazines and publications. Fig will be teaching an amazing class on creating bugs “Glass Entomology“.

Have a look at the full Fall Lampworking Schedule:

SPECIAL LAMPWORKING CONCENTRATION CLASS SCHEDULE

Class 1032 – FLAMEWORK CLUB – Open Studio for Flameworkers

Already know the basics of flameworking? Want to join others in a social atmosphere while you work? Our Flamework Club gives each student the opportunity to work independently in a world class studio while meeting some great new friends! Materials extra.
Class Limit: 6 students
Instructor: Studio Staff
Dates: Saturday afternoons (call to confirm appointment)
Time: 1:30pm – 5 pm
Tuition: $300 for 4 sessions – or included with Instructor Classes (#1033, 1034, 1035, 1036, 1037)

flamework club


Class 1033 – Beginning Sculptural Flameworking

Learn the basics of making objects in the flame from borosilicate (Pyrex) glass. This 2-day class will focus on skills that are the basis of working with glass on the torch. You will come away with knowledge and some fine objects too! Rob is an energetic, knowledgeable instructor and artist who is ready and willing to help anyone learn this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor: Robert Kincheloe
Dates: Session A Sept 18 & 19, Session B Oct 2 & 3

Time: 10am – 1 pm
Tuition: $250 + $50 material fee

robert.kincheloe.glass


Class 1034 – Intermediate Sculptural Flameworking / Working Hollow

This is a student driven class that will promote techniques not displayed in the beginning class. In this 2-day class, students will learn to work with tubing to create glass sculptures. (materials cost of $50 payable at first class meeting) Class Limit: 6 students

Instructor: Robert Kincheloe
Dates: Saturday / Sunday, November 20 & 21
Time: 10 am – 1 pm
Tuition: $250 + $50 material fee

lampworking.glass


Class 1035 – Glass Entomology – Lampworked Insects with Michael Mangiafico
Students will learn to work with soft glass while observing nature. Students will explore heat control, cane pulling and the basics of soft glass sculpting. His glass insects are some of the finest examples of lampwork worldwide.

Michael Mangiafico has been teaching torchworking and glass blowing since 1993. While his specialty is making glass insects, he also makes beads, marbles, jewelry, vessels, and paperweights. Class Limit: 6 students
Instructor: Michael Mangiafico
Dates: Saturday / Sunday, October 9 & 10
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee

fig studio.glass


Class 1036 – Lets Make Leaves! with Elizabeth Ryland Mears

Why leaves you may ask. We will pay homage to Nature’s small factory (Bio 101…CO2 + chlorophyll, + sunshine = sugar and O2) while we learn to control the bench torch, manipulate hot glass, direct the heat, use tools to create shape and texture, and work with different sizes of clear rod and tube. The focus of our endeavors will be to make “parts” which can be incorporated into larger sculpture at a later time. Class Limit: 6 Students

Instructor: Elizabeth Ryland Mears
Dates: Saturday / Sunday, October 23 & 24
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee

elizabth_ryland_mears


Class 1037 – Building Flowers With Bridges! with Elizabeth Ryland Mears

“Bridges” are to Flameworking what exoskeletons are to beetles…they hold everything together. We will use the technique of “bridging” to make a daisy-like flower. We will make the flower then add the bridging to hold all the parts in place while we thoroughly fuse the glass together in the flame of the bench torch. This technique is invaluable when larger sculpture is created, so we will practice on a smaller object. The instructor will guide you step by step through the process. The bridging is temporary so will be removed to reveal a small object ready for further creative use. Class Limit: 6 Students

Instructor: Elizabeth Ryland Mears
Dates: Saturday / Sunday, November 6 & 7
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee


For more information about classes – or to register and pay for the class using the online PayPal system, click HERE to jump to the school’s website class list.

Daily Art Muse on Elizabeth Ryland Mears

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Large Bundle of Twigs with Knitted Copper Wrap Detail

Glass, Flameworked, Sandblasted, Waxed Linen, Lusters, Copper, Steel
6″h x 26″w x 5″d

The Daily Art Muse blog most recent posting focuses on our own flameworker extraordinaire Elizabeth Mears.
Says Susan Lomuto about Liz’ work “When I found Elizabeth Ryland Mears’ flameworked glass twig bundles and sculptures they resonated with a place deep inside. And so timely, my discovery of Mears’ work. For the last two weeks I have been gathering and collecting bits and pieces of tree branches, bark, pebbles – thinking about how these fragments are as beautiful as the whole. . .”

The Great Wandering

The blog article continues with some of the collaborative work that Liz creates with her daughter L Lindsey Mears. Lindsey is an an artist in her own right creating art books, prints, and assemblages.

Click HERE to jump to the Daily Art Muse blog posting.