Flameworker Simone Crestani

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Them!

Italian flameworker Simone Crestani will be teaching workshops at the new Chrysler Museum of Art Glass Workshop. Simone has been working at Rob Kincheloe’s new torch studio out in Virginia.

Simone Crestani


The glass bug has bitten many – and to make fact clear, Simone has made the bug physical.


The glass will ultimately be filled with neon and charged.


The glass bug anneals at the glass school – shown here sleeping on a nice soft bed of fiberfrax blanket.


Things are all great – until the bug gets all aggressive and charges Rob. Oh, the humanity!

New Fall Class Schedule – Part 2 – Lampworking Classes

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The Washington Glass School’s 2011 Fall Lampworking courses are now available online and enrollment is open. Have a look at the new fun classes!

Class 1108Open Studio For Flameworkers

Already know the basics of flameworking? Want to join others in a social atmosphere while you work? Our Flamework Club gives each student the opportunity to work independently in a world class studio while meeting some great new friends! Materials extra.

Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat / Sun afternoons (call to confirm appointment)

Time : 1:30pm to 5pm

Tuition : $300 for 4 sessions or included with Instructor Classes

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Class 1128Beginning Sculptural Flameworking

Learn the basics of making objects in the flame from borosilicate (Pyrex) glass. This 2-day class will focus on skills that are the basis of working with glass on the torch. You will come away with knowledge and some fine objects too! Rob is an energetic, knowledgeable instructor and artist who is ready and willing to help anyone learn this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat/Sun Sept 10 & 11

Time : 10am-1:30 pm (also includes a free open studio session till 5pm if you wish)

Tuition :$250 plus $50 material fee for instructor

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Class 1129Flameworking with Color

Learn the basics of working with colored borosilicate (Pyrex) glass. This 2-day class will focus on processes for including patterns and designs in glass at the torch. You will come away with the ability to design work with a variety of color application techniques. This is an excellent follow up class to the Introduction to flameworking. Come advance your ability to create through this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor : Robert Kincheloe

Dates : Sat/Sun Dec. 3 & 4

Time : 10am-1:30 pm (also includes a free open studio session till 5pm if you wish)

Tuition : $250 plus $50 material fee for instructor

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For the list of the NEW Fall 2011 Kiln Classes – click HERE

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PayPal Class Registration
Below:



Class registration




A Bit of A Tease

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Next month, the LongView Gallery will present : “Artists of the Washington Glass School – The First Ten Years“. In bringing The First Ten Years to Washington, DC, LongView Gallery asks artists and audience alike to cast aside traditional notions of glass art and participate in a new form of dialogue; one that looks to the future and not the past. This exhibition is still in the process of being curated by the gallery, but one of the works submitted is so amazing, below is a sneak peak of the show.

Elizabeth Ryland Mears and William “Tex” Forrest have created a collaborative sculpture piece. The illuminated work is over 6′ tall, made of flameworked glass, steel wire & fabric.


Liz Mears & Tex Forrest’ design sketch

Full-size sample

Liz & Tex at the glass school for a photo shoot of the finished sculpture

Elizabeth Mears shows the tactile detail of the glass….”embellishments”

The finished work – photography by Anything Photographic.
Detail of the lampworked glass

The First Ten Years is intended to celebrate – and instigate– the new directions contemporary glass is exploring through various artistic metaphors. Featured artists include: Tim Tate, Michael Janis, Erwin Timmers, Elizabeth Mears, Syl Mathis, Lea Topping, Robert Kincheloe and others.

Washington Glass School: The First 10 Years

LongView Gallery

1234 9th Street, NW, Washington, DC
May 19 – June 19,2011

Artist Reception, May 19th, 6:30-8:30 PM

Glass Sparks: Robert Wyckliffe Kincheloe

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Glass artist Robert Wyckliffe Kincheloe is focused on blending a variety of techniques to create sculptural works in glass. Rob has studied all forms of glass including scientific flameworking, sculptural flameworking, fusing, kiln-casting, glass blowing, hot casting, cold-working, and the blending of techniques for sculptural assembly. His focus is flameworked and cold-worked borosilicate glass and he has been pioneering the use of kiln-casting borosilicate glass for use in flameworking.


Robert Kincheloe demo at Penland School of Crafts 2011

Robert has studied and taught glass techniques at many centers, including Virginia Tech Scientific Glass Lab, Penland School of Crafts, the Carslisle School of Glass, Pilchuck Glass School, and The Bullseye Research Lab. For several years, Rob has been part of the technical staff involved with the International Society of Glass Beadmakers annual Gathering. He was selected as a Glass Craft Emerging Artist for spring 2010 in The Flow Magazine. Robert was also been published in the spring 2011 edition of The Flow magazine for his techniques on incorporation of kiln-casting of Borosilicate components in Flameworked Sculptures. He has another tutorial on cold-working techniques coming out in the summer 2011 edition of The Flow Magazine.He has been the Studio Coordinator and a Resident Artist at the Washington Glass School for the last year.

Robert heads up the flameworking program at the Washington Glass School, where he is adding new levels of glass instruction and working at crossing over techniques to those already offered at WGS.

Robert Kincheloe Tree of Life, 2010



Robert Kincheloe Holding onto Possibilities, 2010

Holding onto Possibilities” was made for the The Flow Magazine’s Spring 2011 Tutorial: Flameworking with Kiln-cast Borosilicate Glass.



Robert Kincheloe Shine On Your Love Light, 2011
Kiln-cast glass, Steel, and LED lighting.


Robert actively teaches and promotes the progress of glass arts as a creative medium. This summer Rob will be teaching and presenting at the 2011
ISGB Gathering in Louisville, KY. He will be assisting Elizabeth Ryland Mears at the Pittsburgh Glass Center for her summer flameworking intensive. Robert will also be presenting cold-working techniques for flameworking at the Art Glass Invitational in Hilliards, PA.

Click HERE to jump to Robert Kincheloe’s website.


Robert will be one of the featured artists at Longview Gallery ‘s exhibition in honor of Washington Glass School’s 10 year anniversary: Washington Glass School: The First 10 Years

LongView Gallery

1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM


For other glass artist profiles:

Diane Cabe

Sean Hennessey

Teddie Hathaway

Elizabeth Mears

Jeff Zimmer

Allegra Marquart

Jackie Greeves

Michael Mangiafico Flamework Workshop

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Michael Mangiafico works thru the detailed steps to create incredibly articulated lampworked sculpture.

Michael Mangiafico (aka ‘Fig’) has been working thru an awesome workshop at the Washington Glass School this weekend, taking students on a journey thru the insect world, working with them to make glass bugs.

Fig shows how to do an ant right.

Soon glass ants are everywhere!

And they became unintentionally irradiated and thus become THEM!

Inspired By Nature – Glass BUGS!

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Glass Insects by Michael Mangiafico

Michael (Fig) Mangiafico graduated with a BFA in glass art from Carnegie Mellon University in 1985. He has been teaching torchworking and glass blowing for over 20 years. He owns and operates his own glass studio in Pittsburgh, PA and has exhibited and taught across the US. Fug is member of the Glass Art Society, The International Society of Glass Beadmakers, and The Pittsburgh Craftmen’s Guild. His work is available in galleries nationwide and has been featured in numerous art magazines and publications – his glass insects are some of the finest examples of lampwork worldwide.

Fig will be one of the superstar lampworkers that will be teaching in the new lampworking program this fall at the Washington Glass School. The weekend class will be held October 9 & 10.

Inspired by nature, Fig will cover covers techniques for sculpting various insects from torchworked glass – both literal renderings of insects and more abstract interpretations.

Students will learn to work with soft glass while observing nature. Students will explore heat control, cane pulling and the basics of soft glass sculpting.

Michael Mangiafico working a demo during the recent ISGB conference in Rochester, NY.


For more information on the upcoming lampworking class click HERE.

Click HERE to jump to Fig’s website.

New Class Schedule Part 2 – Special Lampworking Classes

>Lampworking, torchwork, flamework – all mean the same thing – sculpting glass heated over a torch. You will get hooked on the immediate satisfaction that comes from this form of art! The flameworking program at the Washington Glass School has expanded. Take our beginner lampworking classes and build your skill level (and fun level) with the open studio Flamework Club. Or take the next step – with our Intermediate Sculptural Flamework class.

This class session we have brought on some new special classes with super star instructors: Elizabeth Mears and Michael Mangiafico!

Elizabeth Mears is a full time, award winning artist. Whether representational or conceptual, her artwork reflects her strong connection with nature; often combining glass with mixed media. Liz studied and now teaches lampworking techniques at Penland, Pilchuck and Corning Studio. Her book “Flameworking” was published in 2003 by Lark Books. Liz will draw upon her love of nature for her “Lets Make Leaves” class and her “Building Flowers with Bridges class.

Michael Mangiafico (Fig) graduated with a BFA in glass art from Carnegie Mellon University. He has been teaching lampworking and glass blowing for over 20 years. He owns and operates his own glass studio in Pittsburgh, Pa. His work is available in galleries nationwide and has been featured in numerous art magazines and publications. Fig will be teaching an amazing class on creating bugs “Glass Entomology“.

Have a look at the full Fall Lampworking Schedule:

SPECIAL LAMPWORKING CONCENTRATION CLASS SCHEDULE

Class 1032 – FLAMEWORK CLUB – Open Studio for Flameworkers

Already know the basics of flameworking? Want to join others in a social atmosphere while you work? Our Flamework Club gives each student the opportunity to work independently in a world class studio while meeting some great new friends! Materials extra.
Class Limit: 6 students
Instructor: Studio Staff
Dates: Saturday afternoons (call to confirm appointment)
Time: 1:30pm – 5 pm
Tuition: $300 for 4 sessions – or included with Instructor Classes (#1033, 1034, 1035, 1036, 1037)

flamework club


Class 1033 – Beginning Sculptural Flameworking

Learn the basics of making objects in the flame from borosilicate (Pyrex) glass. This 2-day class will focus on skills that are the basis of working with glass on the torch. You will come away with knowledge and some fine objects too! Rob is an energetic, knowledgeable instructor and artist who is ready and willing to help anyone learn this fascinating art form. The materials fee provides student with initial pack of glass, fuel for the torches and the loan of a full set of hand tools. Additional glass and supplies are available for purchase as the class progresses. Take this class more than once to reinforce your skills! Class Limit: 6 students

Instructor: Robert Kincheloe
Dates: Session A Sept 18 & 19, Session B Oct 2 & 3

Time: 10am – 1 pm
Tuition: $250 + $50 material fee

robert.kincheloe.glass


Class 1034 – Intermediate Sculptural Flameworking / Working Hollow

This is a student driven class that will promote techniques not displayed in the beginning class. In this 2-day class, students will learn to work with tubing to create glass sculptures. (materials cost of $50 payable at first class meeting) Class Limit: 6 students

Instructor: Robert Kincheloe
Dates: Saturday / Sunday, November 20 & 21
Time: 10 am – 1 pm
Tuition: $250 + $50 material fee

lampworking.glass


Class 1035 – Glass Entomology - Lampworked Insects with Michael Mangiafico
Students will learn to work with soft glass while observing nature. Students will explore heat control, cane pulling and the basics of soft glass sculpting. His glass insects are some of the finest examples of lampwork worldwide.

Michael Mangiafico has been teaching torchworking and glass blowing since 1993. While his specialty is making glass insects, he also makes beads, marbles, jewelry, vessels, and paperweights. Class Limit: 6 students
Instructor: Michael Mangiafico
Dates: Saturday / Sunday, October 9 & 10
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee

fig studio.glass


Class 1036 – Lets Make Leaves! with Elizabeth Ryland Mears

Why leaves you may ask. We will pay homage to Nature’s small factory (Bio 101…CO2 + chlorophyll, + sunshine = sugar and O2) while we learn to control the bench torch, manipulate hot glass, direct the heat, use tools to create shape and texture, and work with different sizes of clear rod and tube. The focus of our endeavors will be to make “parts” which can be incorporated into larger sculpture at a later time. Class Limit: 6 Students

Instructor: Elizabeth Ryland Mears
Dates: Saturday / Sunday, October 23 & 24
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee

elizabth_ryland_mears


Class 1037 – Building Flowers With Bridges! with Elizabeth Ryland Mears

“Bridges” are to Flameworking what exoskeletons are to beetles…they hold everything together. We will use the technique of “bridging” to make a daisy-like flower. We will make the flower then add the bridging to hold all the parts in place while we thoroughly fuse the glass together in the flame of the bench torch. This technique is invaluable when larger sculpture is created, so we will practice on a smaller object. The instructor will guide you step by step through the process. The bridging is temporary so will be removed to reveal a small object ready for further creative use. Class Limit: 6 Students

Instructor: Elizabeth Ryland Mears
Dates: Saturday / Sunday, November 6 & 7
Time: 10 am – 1 pm
Tuition: $300 + $50 material fee


For more information about classes – or to register and pay for the class using the online PayPal system, click HERE to jump to the school’s website class list.

Daily Art Muse on Elizabeth Ryland Mears

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Large Bundle of Twigs with Knitted Copper Wrap Detail

Glass, Flameworked, Sandblasted, Waxed Linen, Lusters, Copper, Steel
6″h x 26″w x 5″d

The Daily Art Muse blog most recent posting focuses on our own flameworker extraordinaire Elizabeth Mears.
Says Susan Lomuto about Liz’ work “When I found Elizabeth Ryland Mears’ flameworked glass twig bundles and sculptures they resonated with a place deep inside. And so timely, my discovery of Mears’ work. For the last two weeks I have been gathering and collecting bits and pieces of tree branches, bark, pebbles – thinking about how these fragments are as beautiful as the whole. . .”

The Great Wandering

The blog article continues with some of the collaborative work that Liz creates with her daughter L Lindsey Mears. Lindsey is an an artist in her own right creating art books, prints, and assemblages.

Click HERE to jump to the Daily Art Muse blog posting.