Syl Mathis @ Workhouse Fine Arts Festival

Fine-Arts-Festival-2016.logo.workhouse

The Workhouse Arts Center in Lornton, VA, announces their 2nd annual Fine Arts Festival with more than 150 of the nation’s best artists. The fair is for 2 days only, at the Workhouse Arts Center in the heart of Northern Virginia – 20 minutes south of Washington D.C.

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Syl Mathis, mixed media & cast glass sculpture, 2016

Look for exciting new cast glass/mixed media artworks by WGS artist Syl Mathis to be featured at the art fair!

 

On Saturday from 12-3p explore the annual education open house with a variety of demos, performances, and hands on activities. The festival will be held rain or shine.

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Syl Mathis, cast glass and mixed media sculpture, 2016

Details
Date:

September 10/11

Time:
11:00 am – 7:30 pm
VENUE
9518 Workhouse Way
Lorton, VA, 22079
Phone:
703-584-2900

Website:
workhousearts.org

James Renwick Alliance Distinguished Artist: Donald Friedlich

Don Friedlich, "Navel Orange Brooch" cast glass

Don Friedlich, “Navel Orange Brooch” cast glass

The James Renwick Alliance (JRA) is committed to advancing scholarship, education and an appreciation of craft art as well as promoting individual achievements of excellence and innovation in craft. The JRA’s mission is to promote education, support and appreciation of craft. Each year, the JRA sponsors its Distinguished Artist Series, where craft artists prominent in their fields conduct workshops and give lectures. Each of the “Distinguished Artist” weekends include a workshop and the artist presents their work in the newly renovated Grand Salon at the Smithsonian Renwick Gallery.

On June 4th & 5th, Donald Friedlich will present and talk about his innovative contemporary jewelry that incorporates cast glass.

Donald Friedlich has been an innovative jeweler for over 40 years. Lauded for his stark, designerly forms and, most recently, for his luminous jewelry pieces in glass and gold, his work can be found in the collections of London’s Victoria and Albert Museum, the Smithsonian American Art Museum and the Corning Museum of Glass. 

Don’s work involves a wide array of techniques in this new jewelry – including artwork inspired by food, which combines four of his passions: food, humor, glass and jewelry. He literally is doing “lost celery casting” and “lost asparagus casting”. By casting these mundane materials in glass Don hopes that the viewer will see them in a new light and realize what beautiful forms they are. 

Don Friedlich, "Asparagus Brooches" cast glass

Don Friedlich, “Asparagus Brooches” cast glass

Some of the other designs are press molded and are in line with his recent series inspired by water and geometry. 

GENERAL INFORMATION:

The JRA Distinguished Artist Workshop will take place on Saturday, June 4th from 9:30am to 12:00. There are still some spaces in the Donald Friedlich workshop on June 4. He will be demonstrating press molding hot glass, creating molds and cold-working techniques. For more information, go to the linkhttps://www.jra.org/events/donald-friedlich

Location of workshop: DC Glassworks

5346 46th Avenue
Hyattsville MD 20781

The Sunday, June 5th lecture is free and open to the public and will take place from 2:00pm – 3:00pm in the newly renovated Grand Salon at the Renwick Gallery.

Debra Ruzinsky Lecture On Kiln Casting Techniques

Debra Ruzinsky talks about the glass work of David Reekie.

Debra Ruzinsky talks about the glass work of David Reekie.

Debra Ruzinsky presented a lecture this weekend at the Washington Glass School on the topic of kiln casting. In her history of studying and teaching around the world gave her heaps of images of world famous glass artists process’ and how they approach mold making, and kiln set-up. 

Deb went into detail of how the molds and intricate details were formed and about long annealing schedules.

Deb went into detail of how the molds and intricate details were formed and about long annealing schedules.

The class loved the opportunity to get the knowledge of the various techniques, and stayed after to chat. Debra’s background in glass and her personal history in art provided a fascinating topic for the after-talk… some of these shocking revelations will be part of some future posts!

 

WGS Glass Lecture “Kiln Casters – A Close Look At The Methods Behind the Madness”

With the success of Debra Ruzinsky’s lecture this past October on the Untold History of Studio Glass – This Saturday, May 31st, is the next installment of glass knowledge!

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Free Lecture – Kiln Casters: A Close Look at the Methods Behind the Madness! (Class 1701)

An exploration of the symbiotic relationship between technique and conceptual thinking as seen through the work of contemporary glass casters.  Slide discussion of artists who focus on cast glass, with an inside look into the techniques they’ve developed to produce their work. The talk will be presented with lots of images and there will be time for discussions.

Speaker: Debra Ruzinsky. Deb received her BA in Design from the University of California at Los Angeles, and her MFA in Glass Sculpture from RIT. She has been working in glass since 1982. She serves on the publications committee of the Glass Art Society, and was Visiting Asst. Professor of Glass at RIT for the 2008-2009 academic calendar year, and has been a visiting lecturer to the Virginia Commonwealth University’s Glass Program. Her work is part of the collection of the Seto City Museum in Seto, Japan, and the Glasmuseet Ebeltoft in Denmark, as well as the RIT Wallace Library Collection.

Saturday, May 31st, from 11am to 12 noon

Email RSVP to washglassschool@aol.com

Happy Birthday USA!

Unbuilt Public Art Proposal –

Concept sketch showing abstracted US flag in the glass verticals.


Rendering of art glass wall.

Way back in the mists of time, (in 2005), the Washington Glass Studio developed a public artwork proposal for a park being created in a new mixed used development in Virginia. In honor of the 4th of July, the underlying themes of the project make this a suitable blog subject.

The original proposal was to create a wall of glass, with each cast glass segment combining to create an abstracted image of the USA flag.  

Color-shifting glass was proposed – and would make the artwork different based on the light in the day or  at night.

The stripes of the abstract flag would be made up of many faces – a metaphor of “Out of many, one” (E pluribus unum). 

Texture and color were to have a strong interplay in the glass


The wall of glass separated the private parkland area from the commercial/retail area. The artwork had to define the zones, yet allow visual contact between. Lighting effects were also planned to make the most of the color-shift glass. The proposed artwork would look different from daytime to night.

A number of design changes took place, and the project did not proceed in this form. Perhaps someday…! 

Architect of the Capitol Blogs On New Cast Glass Doors

The AOC inspects the cast glass interpretation of the ‘Cadmus sculpture maded from the original bronze doors of the Library of Congress.

Cadmus was credited by the ancient Greeks with introducing the original Alphabet or Phoenician alphabet.

The US Architect of the Capitol (AOC) is responsible to the United States Congress and the Supreme Court for the maintenance, operation, development and preservation of 17.4 million square feet of buildings and more than 460 acres of land throughout Capitol Hill. The AOC also provides professional expertise on the preservation of architectural and artistic elements entrusted to its care, and provides recommendations concerning design, construction and maintenance of the facilities and grounds.
The AOC blogs about the new cast glass doors for the Library of Congress, now being installed. 

The original doors, designed by noted American artist, Lee Lawrie in 1938, feature high-relief sculptures of (mythical and real) world figures that have contributed to the written word and communication.

Click HERE to jump to the US AOC blog post.

Debra Ruzinsky Solo Show at VisArts Gallery

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Debra Ruzinsky at her show opening at the Brattleboro Museum.
Images of Deb’s work are also featured in the book ” New Technologies in Glass, by Dr. Vanessa Cutler. 

Debra Ruzinsky - one of the DC area Master Casters, has a solo show at Rockville’s VisArts Center set to open September 14, and run thru October 20th, 2012.  Deb’s artwork that was featured in the Long View Gallery 2011 exhibit of artists of the Washington Glass School had the critic for the Washington Post question his previously held beliefs on what contemporary art should look like, as he stood in front of her work  ”Staring at it [Debra Ruzinsky's cast glass], I feel like a monkey in front of a ball of shiny, shiny tin foil.”  By Michael O’Sullivan, Washington Post, Thursday, May 26, 2011

“Sight”, 2012, kiln cast glass

8” x 8” x 8″

Debra works in kiln-cast glass and mixed-media, producing objects that mix distopian and utopian visions, investigating belief and meaning. Her new series that takes an oblique look at objects imbued with personal meanings. Referencing memorabilia, collectibles, and luxury goods for display, these objects form a fragmented portraiture, with discrete elements creating implications of a whole. 

“Detached” , 2012, kiln-cast glass and mixed media

7”h x 24”w x 1-3/4”d

Portions 
Solo show, opens September 14 
at VisArts - Common Ground Gallery.http://www.visartsatrockville.org/exhibi 
VisArts
155 Gibbs Street, Rockville, MD  20850

Internet, Images and You

>The internet is an interesting place – one the enables commissions to happen between artists, designers and clients from across the country – or even the entire world. As an example – a cast glass-and-steel work by Washington Glass Studio artist/director Michael Janis was seen by an Atlanta-based art consultant looking for artwork for a new hotel being designed by a Hollywood based interiors firm.


The original work “Liar Paradox” – Fred & Susan Sanders collection.
Photo credit: anythingphoto.net



Original schematic architectural lobby design by Cheryl Rowley Design.

In 2006, an Atlanta based art consultancy sourced Michael’s work from the internet and approached him to make a 6′-0″ version of the work to be the central work in the new Kimpton Hotel that was under construction in the Dupont Circle section of Washington, DC. The new hotel was to be designed and embellished to reflect the hotel’s theme of “Art In Motion” The finished three section cast glass-and-steel work titled “The Gravity Between Us” was built and installed in the lobby. The artwork was named Boutique Hotels Magazine’s “Best Artwork” in 2007.


“The Gravity Between Us” glass and steel sculpture by Michael Janis.


Detail of “The Gravity Between Us” by Michael Janis.
Washington, DC Palomar Hotel.



Viewing through the slabs of cast glass to the hotel lobby.

The internet was integral to the commission of the original work. After being made, the digital images of the large scale sculpture continue onwards – online.

A new GOOGLE image search function allows one to search online for specific or similar images. By dropping an image into the search box and it not only finds all “similar” images around the Internets, but also all the websites where that image is being used.

Using that function, it was discovered that many of the images of the Palomar Hotel glass artwork are referenced or are reproduced all over…the world! Below is an image of where the artwork was used as the cover of a Hong Kong book on international boutique hotels. This highlights the importance of having good digital images of any art made – they become the strongest selling card for other work.

Jane Sauer Gallery Serves Up Tim Tate

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Tim Tate:Cooking Without Calories

February 24 – March 14

Jane Sauer Gallery will have a show of Tim Tate’s glass treats scheduled to coincide with Santa Fe’s 15th annual ARTfeast – a Santa Fe event that raises funds for children, education and the arts.

The works continue Tm’s obsession with miniaturization of objects and the relationship of scale – each work looking good enough to eat! My favorite is “Mostly Chocolate” (- finally a sweet that I can enjoy without guilt!)

From Jane Sauer Gallery: “In conjunction with ARTfeast, we are showing Tim Tate’s delightful cast glass delicacies of pie slices, tarts, ice cream cones, cupcakes, cotton candy, and donuts, artfully arranged in a pyramid of trays underneath a glass dome.”

Jane Sauer Gallery is located on Canyon Road in Santa Fe, New Mexico.

Jane Sauer Gallery 652 Canyon Road

Santa Fe, New Mexico 87501

phone: 505-995-8513

Groundhog Day!

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the shadows that have been seen, cannot be unseen

Our Beginner’s Glass Class have produced some awesome work – like the cast glass artwork above, made by a student that came in from Punxsutawney, PA.

Using her mind’s eye memory of Punxsutawney Phil, the groundhog in blue is a timely and striking piece.

Phil – considered to be the world’s most famous prognosticating rodent – is supposed to emerge from his home on Gobbler’s Knob, near Punxsutawney, and if he sees his shadow and returns to his hole, he has predicted six more weeks of winter. If Phil does not see his shadow, he has predicted an early spring.

From the 1993 movie “Groundhog Day
Phil Connors (Bill Murry character): This is pitiful. A thousand people freezing their butts off waiting to worship a rat. What a hype. Groundhog Day used to mean something in this town. They used to pull the hog out, and they used to eat it. You’re hypocrites, all of you!

Here’s to the dream of spring!