Update on Public Art for Motiva Greenbelt

Earlier in the year, Greenbelt Metro Apartments LLC, in partnership with the City of Greenbelt, commissioned WGS artist Erwin Timmers team to create three-dimensional artwork to be installed at Motiva, a new 354-unit residential development in Greenbelt, MD.

Erwin Timmers, original concept design for Motiva

The artwork design was to be a place marker that enlivens the Motiva Greenbelt complex and surrounding area. Erwin Timmers also outlined how sustainable design would be integrated into his design, using recycled glass.

Motiva Concept: Two tall stylized plant shapes will grace the side of the public plaza at the main entrance. The plant “stems” will be the structural elements and have branches coming out the sides which will
hold circular glass flower shapes. The structure will be made of powder coated steel, with a
coloring that shifts from green below to yellow and red above. The plant stems will bow outward
and then come closer together toward the top. They seem to form an entrance or gateway. The
two shapes will be similar, but uniquely different.

Community glass making workshop at the Washington Glass Studio was held earlier this year.

The glass inset panels that form the petal circles will be made with neighborhood community participation, in workshops held at the Washington Glass Studio.

The Greenbelt community enthusiastically joins in making the newest public art for their town. Color selection was treated with the utmost care.

Timmers said that the inspiration for his nature inspired design comes from the MOTIVA complex’s natural surroundings and the environment. Flowering plants that are native to the area include Black-Eyed Susans, Asters, and more. Flowers are often a symbol of growth and opportunity, and the artist said “just as wildflowers need diversity to make a healthy eco-system, so do people…”

Artist Erwin Timmers helps Greenbelt resident volunteer create their first glass masterpiece.
The public art “stems” arrive at Powdercoat studio to receive their colorful finishes.
Steel framework for the glass “petals” are prepped for their protective paint finishes.

The finished install date will be Mid-September – more about this great project as we get photos!!

Ribbon Cutting at Bladensburg Library

Bladensburg Library – Architect: Gant Brunnett Architects

The official ribbon citation ceremony of the new Prince George’s County Memorial Library Bladensburg Branch (4820 Annapolis Rd, Bladensburg, MD, at 11 am). The ceremony featured remarks from PGCMLS Interim CEO Richard AmRhein, County Executive Angela D. Alsobrooks, Prince George’s County Councilwoman Jolene Ivey (District 5), Bladensburg Mayor Takisha James, PGCMLS Board of Library Trustees President Angela D. Smith, and PGCMLS Chief Operating Officer for Support Services Michael Gannon.

The glass mural, titled “Reading the Water” by Washington Glass School is the centerpiece of the new library.

At the heart of this artwork is a message about the importance of environmental stewardship and the need to protect our natural resources. Much of the glass mural is made using recycled glass and components. By drawing attention to the beauty and fragility of water, “Reading The Water” encourages viewers to reflect on their own relationship with the natural world and to consider how they can contribute to a more sustainable future.

Kisha Mason, PG Arts & Humanities Council at the lectern enthuses about the artwork. WGS artists Erwin Timmers and Michael Janis.
recycled glass, sustainable design for public art in Maryland Bladensburg Library
View to artwork from balcony at Bladensburg Library, Bladensburg, MD.
WGS artists/Co-Directors Michael Janis and Erwin Timmers at Bladensburg Library

Ribbon Cutting of Bladensburg Library

The official ribbon cutting ceremony takes place Nov 1st, 2023 at 11 am.

Join the official ribbon citation ceremony of the new Prince George’s County Memorial Library Bladensburg Branch (4820 Annapolis Rd, Bladensburg, MD) on Wednesday, Nov 1st at 11 AM.

The best part of the new library is the public art – in the form of the large (12’H x 6’W) glass mural titled “Reading the Waters” made the artists of the Washington Glass Studio.

Artist Michael Janis works on one of the glass panels that make up “Reading the Water” public art commission.
Layout of glass art work in the Washington Glass Studio.

Washington Glass Studio’s “Reading The Water” is an artwork that explores the interconnection between water and human life, and the critical role that water plays in shaping our environment and sustaining our communities. As a glass mural created for the Bladensburg library, this artwork is an invitation for viewers to pause and contemplate the beauty and complexity of water.

Rhonda Dallas, Exec Director Prince George’s County Arts and Humanities Council and Michael Gannon, Chief Operating Officer for Support Services at PG County’s Memorial Library System review the artwork.

Inspired by the natural patterns and movements of water, “Reading The Water” incorporates organic shapes and flowing lines that evoke the rhythm and flow of rivers, lakes, and oceans. As artists, our aim was to capture the fluidity and dynamic movement of water, while also showcasing the intricate patterns and textures that emerge from its currents. The use of translucent and transparent glass further creates a dynamic visual experience that changes with the shifting light and angles of the sun.

Artist Erwin Timmers gives the installed artwork special attention.

At the heart of this artwork is a message about the importance of environmental stewardship and the need to protect our natural resources. Much of the glass mural is made using recycled glass and components. By drawing attention to the beauty and fragility of water, “Reading The Water” encourages viewers to reflect on their own relationship with the natural world and to consider how they can contribute to a more sustainable future.

mike janis and erwin timmers install public art in Prince Georges County, MD.
Michael Janis and Erwin Timmers talk about the artwork with construction worker fan.

Ultimately, “Reading The Water” is a celebration of the elemental power and beauty of water, and a tribute to the vital role that it plays in shaping our lives and our world. As viewers engage with this glass mural, they are invited to immerse themselves in the flow of water and to discover the many stories that it has to tell. Just like the books on shelves in the new Bladensburg Library, the individual panels of kilnfired glass are separate stories awaiting the viewer to discover and find themselves transported to another place.
Our hope is that this glass mural will inspire library visitors to reflect on the wonders of nature, and to appreciate the important role that water plays in our lives. By bringing together art and science, “Reading The Water” invites us to explore and appreciate the world around us, and to find joy in the simple pleasures of life.

“Reflections in Glass”, Solo show by Erwin Timmers at Allegany Arts Gallery

The Allegany Arts Council Saville Gallery presents Washington Glass School Co- Director Erwin Timmers in a solo exhibition “Reflections in Glass” from February 5 thru February 26, 2022. Recycling, waste, the environment, and the ways in which all three relate to society are recurring themes in his work.

Erwin Timmers cast recycled glass sculpture in the Saville Gallery, Cumberland, MD.

Said Timmers about his body of work on exhibit: “My work revolves around ideas of sustainable design and consumption in the urgent context of pressing societal changes and deepening global ecological concerns.
My artwork centers on the craft of design, combining modern and traditional fabrication techniques to develop new material-based knowledge and aesthetics of sustainability. My portfolio aims to spark specific kinds of awareness. “

“The objects I sculpt from recycled materials are moments of intersection and influence. As boundary objects, they play with conventions of form and function, material and method, production and consumption. I work less for the purposes of critique, but rather for the potential to generate open and inviting exchanges. An artist, successfully engaged in creative inquiry, notices, seeks out, or otherwise creates the conditions for novel convergence and the overlapping and dissolution of conventional boundaries.
I work at reinforcing metaphors of transformation and change. “

recycled glass

Timmers will also present a talk on how public art transforms communities. The event “Making Our Case For Public Art” is free and open to the public and all are invited to attend. The event will begin with a networking reception at 5:30PM with the program slated to kick off at 6:00PM.

The artists from the Washington Glass School are also on exhibit in a special show, featuring artworks by Tim Tate, Michael Janis, Patricia De Poel Wilberg, April Shelford, Vibha Bhatia and Clayton Lutu.

Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’. Erwin is currently working with architects and designers on several “green” design projects. His work in sustainable design can be seen in some of the large public art projects he has completed, including an award-winning project for the US EPA Ariel Rios South Courtyard Green Infrastructure Project, in Washington, DC, and the public artwork for the LEED certified Safeway supermarket in Bethesda, MD. Montgomery County honored Erwin Timmers as the county’s “Outstanding Artist” in 2018. The Museum of Glass (MOG) in Tacoma, Washington has recently acquired works by Timmers for its permanent collection.

Allegany Arts Council Saville Gallery
9 N. Centre Street
Cumberland, MD 21502
Reflections in Glass
February 5- 26, 2022

Making Our Case for Public Art
Friday, February 25, 2022 • 5:30PM – Cocktail Reception; 6:00PM – Program • Free to attend

WGS Featured Artist: Erwin Timmers

CLICK IT! Featured Artist: Erwin Timmers

Erwin Timmers is the co-founder of the Washington Glass Studio and Washington Glass School. Originally from Amsterdam, he moved to California and graduated from Santa Monica College for Design Arts and Architecture. In 1999 he moved to the Washington DC area and since then his sculptural artwork has been on display in Zenith Gallery, Fraser Gallery, and Gallery Neptune. Erwin was named the Montgomery County, MD Executive’s Award Outstanding Artist of the Year in 2018.

His approach to art is multifaceted, incorporating metalwork, innovative lighting and glass design. He teaches glass, lighting, sculpture, and metal work. Industrial salvage and recycling are recurring themes in his work, which he sees as crucial parts to the interaction with one’s surroundings. Recently, the Artisan 4100 – an apartment community opening along Route 1 in Brentwood, MD – commissioned Erwin Timmers to create a major glass and light installation for the new building lobby.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Artist Erwin Timmers installs Artisan 4100 Building artwork commission.

Washington Glass School blog catches up with Erwin as his work is part of the WGS Contemporary online exhibit “CLICK-IT!”.

Washington Glass School (WGS): Describe your artwork method/process.
Erwin Timmers: I cast objects in recycled glass. For this series I have used discarded packaging material, from which I take molds in plaster. The glass then heats up in an electric kiln, melts and takes on the shape of this mold. To finish I chop, and trim the glass and weld the metal frame.

Erwin Timmers, "Patterns of Containment V" cast recycled glass

Erwin Timmers, “Patterns of Containment V” cast recycled glass

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Erwin Timmers: The work features single-use plastic wrappings that viewers may recognize. The grid format formalizes the display of “trash” as art and then I use grids within each frame as well. I hope to give viewers a moment of pause while contemplating the shapes and patterns.

Erwin Timmer: detail "Patterns of Containment"

Erwin Timmer: detail “Patterns of Containment”

WGS: How have you handled the Covid lockdown?

Erwin Timmers: Initially COVID was like snow days we hadn’t had, but with great weather. That was before any financial pressure came into play. It was motivating to see the air pollution worldwide go down, I wish it could stay like that. But at the same time the single use plastic pollution is increasing, giving me even more art base materials…

WGS: What artwork/event has moved you and got you thinking about your own work?
Erwin Timmers: The current civil crisis has been deeply moving. It caused me to rethink and redevelop the direction of my hands symbol series.

WGS: if you were not an artist – what would you be?
Erwin Timmers: Epidemiologist 

Erwin Timmers suits up in his PPE gear to work in the studio.

Erwin Timmers suits up in his PPE gear to work in the studio. Or tend the studio bee-hives.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?
Erwin Timmers: I plan the general idea, but often new ideas and aspects emerge as I work. I try to incorporate these, and I can then evaluate whether they work or not.

WGS: What is your rule of thumb in determining when a work is finished?
Erwin Timmers: When I sign it, it is done…

Click here to jump to Erwin Timmers work in CLICK-IT!
Erwin’s work is part of the companion exhibit/fundraiser – “Artists for Racial Justice” Click HERE to jump to the show.

Washington Glass Presents to James Renwick Alliance

Clemmer Montague – President of the James Renwick Alliance introduces the panel of speakers to the audience.

The James Renwick Alliance (JRA) is dedicated to advancing scholarship and education on contemporary American craft and to encouraging connoisseurship and collecting. The Alliance assists the Smithsonian American Art Museum’s Renwick Gallery in adding to its permanent collection of American craft, supports scholarly research in contemporary American craft and pursues other activities in support of the studio craft movement. As part if this goal, the JRA held a talk on the process and inspirations that made up Washington Glass Studio’s recently completed Safeway Bethesda public art project. The talk was much more popular than the organizers had anticipated, as there was standing room only. Readers of the Glass School blog are familiar with the development of the project. Here are some shots of the event – photos by Miriam Rosenthal of ThirdEyePhotography.


Safeway’s Renee Montgomery, Safeway’s Eastern Division, Area Real Estate Manager outlines the Safeway’s approach towards supporting and integrating American craft artwork in its buildings.


Michael Janis outlines the concepts employed by the glass studio.


The audience is transfixed by the sheer poetry of the project .


Here Michael describes how eco-artist Erwin Timmers is planning to save the planet with his sustainable design artwork – one piece at a time.

This is the part where Erwin sings ♪ Here I Come To Save The Day! ♫

The talk continued with a tour of the Safeway public art project onsite, hosted by Tim Tate and Erwin Timmers. For more information about the James Renwick Alliance events – click HERE.

James Renwick Alliance Hosts Review Of Safeway Bethesda Public Art

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The James Renwick Alliance is hosting a presentation of how Safeway supermarkets support American Craft with their new public art project in Bethsda, MD. The process and inspirations of the artwork will be reviewed in the talk. Find out about tickets by clicking on the link!

The JRA is an independent national nonprofit organization dedicated to advancing scholarship and education on contemporary American craft, to supporting activities directed toward this purpose, and to encouraging connoisseurship and collecting. The Alliance assists the Smithsonian American Art Museum’s Renwick Gallery in adding to its permanent collection of American craft of artistic significance and superior workmanship, supports scholarly research in contemporary American craft, sponsors public educational activities, and pursues other activities in support of the studio craft movement.

More info on the event:
Ticket cost is a tax deductible nonrefundable contribution of $15 per person and space is limited. Please RSVP to the JRA office by phone or email (301.907.3888 or admin@jra.org) by 5 p.m. on Monday, December 5 by 5 p.m.

Safeway Bethesda Opens In Grand Style

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Safeway Bethesda located at Bradley Boulevard and Arlington Road on Wednesday night.


The Safeway Bethesda supermarket – that features Safeway’s first public art project – celebrated its grand opening with a lavish gala that featured bands, celebrity chefs, public officials, television celebrities, and most importantly, artwork.


Safeway Bethesda Bradley Avenue façade. Comments on the building artwork include one that “Safeway’s kundalini has risen”


The process the Washington Glass Studio employed for the creation of the bas-relief artwork walls made from glass salvaged from the original supermarket building (1956- 2010) has been documented in a number of previous
postings, including the installation of the artwork (and time-lapse imagery of the building construction).


Special lighting emphasizes the dry stack stonework.

The opening was a great vernissage – in a supermarket. (By the way, walking thru the freezer section of a supermarket, while listening to a live jazz combo performing one aisle over & gourmet appetizers made by guest celebrity chefs, and being offered fine champagne by waiters is a surreal experience – all cool, but very unusual.)

Champagne?… why yes, thanks…


Why is that an ICE sculpture?… It should be glass.

Jazz performed amongst the seasonal goods.

One of the cool event accouterments was the carved pumpkin displays. The artist based the pumpkin carvings on the building’s cast glass panels – a nice switch on the traditional glass pumpkins.
The night also featured artwork displays; the work by sculptor Judy Sutton Moore was exhibited on the staircase, and work by the Washington Glass School was featured in the rotunda.


Featured artists: Washington Glass School


WUSA – channel 9 news anchor Andrea Roane was the master of ceremonies.

Andrea received a gift of one of the WGS cast glass tile squares, and showed the artwork the next morning during her broadcast.

Project data:
Client: Safeway Inc.
Architect: Rounds Vanduzer
Builder: Roche Constructors
Completion: Oct 2011
Artwork team: Erwin Timmers, Michael Janis, Tim Tate, M L Duffy, Chris Duffy, Robert Kincheloe, Evan Morgan, Susan Lomuto, George Anderton.