Final Week of CLICK-IT! Online Exhibition

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

Works by Jennifer Caldwell & Jason Chakravarty, Jeff Zimmer, F Lennox (Lenny) Campello, Teri Bailey and Steve Wanna.

We’re down to the final week the “CLICK-IT!” online exhibit!. Showing works by these talented artists (Teri Bailey, F. Lennox Campello, Jennifer Caldwell, Jason Chakravarty, Cheryl P. Derricotte, Sean Donlon, Sean Hennessey, Joseph Ivacic, Michael Janis, Carmen Lozar, Tim Tate, Erwin Timmers, Steve Wanna, & Jeff Zimmer) to the public and hearing the wonderful feedback has been so rewarding. It means a lot to us that we can share their world with the world and an appreciation for the works/sentiments/technical brilliance can be appreciated.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Works by Sean Donlon, Michael Janis, Jennifer Caldwell & Jason Chakravarty, Joseph Ivacic and Tim Tate.

Those who have yet to visit the exhibition should grab the chance to see these truly wonderful works online – click HERE to jump to online exhibit!

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Works by Cheryl Derricotte, Sean Hennessey, Erwin Timmers, Jennifer Caldwell & Jason Chakravarty and Carmen Lozar.

Artists For Racial Justice” exhibit and fundraising for non-profits that can help with equality with art as a tool for healing and peace to help at this time.

Artists for racial.equality.justiceClick HERE to jump to the fundraiser arts page.  

Want more than just visual …stimulation? click on link below and get the official “Click It” themesong – music by Donovan Lessard.

WGS Featured Artist: Teri Swinhart

CLICK IT! Featured Artist: Teri Swinhart

Teri Bailey

Teri Swinhart

Teri Swinhart is a multimedia artist holding a BFA in Glass from The University of Wisconsin – Stevens Point and an MFA from The Ohio State University. She thrives in learning, pursuing opportunities to expand her understanding of material at institutions such as Penland School of Crafts, the Corning Museum of Glass, Pilchuck Glass School and the Chrysler Museum of Art. Teri currently lives and works in Washington D.C. as the Studio Coordinator for the Washington Glass School and the Director of WGS Contemporary.

Teri Bailey teaching pâte de verre technique at the Washington Glass School.

Teri Swinhart teaching pâte de verre technique at the Washington Glass School.

Washington Glass School blog catches up with Teri as her work is part of the WGS Contemporary online exhibit “CLICK-IT!”.

Washington Glass School (WGS): Describe your artwork method/process.

Teri Swinhart: The forms for the Sanctuary Series are constructed by precisely layering thin glass strands to imitate weaved textile patterns. The glass strands are lightly melted together and then heated until they slump over a hand-made mold.  Each mold is uniquely carved out of a soft plaster mixture that is removed after firing, creating a negative space within the glass sculpture. I also create a charcoal drawing of my inspiration (a child hiding under a blanket) to help guide the viewer and add visual variety.  

Teri Bailey, "Sanctuary Among Fragility"; Kilnworked Glass, Flat Glass; 6”x7”x4”

Teri Swinhart, “Sanctuary Among Fragility”; Kilnworked Glass, Flat Glass; 6”x7”x4”; concept sketch above finished work.

I combined an assortment of processes to create Seeking Home. This piece includes a hand sculpted figure as well as a glass quilt square. I made the square by sifting ground up glass powder (called frit) through a stencil onto a larger sheet of flat glass. I then fired the sheet and fused the pattern onto the surface. 

Teri Bailey, "Seeking Home"; Glass, Poly-Vitro, Wood; 18”x20”x6”

Teri Swinhart, detail, “Seeking Home”; Glass, Poly-Vitro, Wood; 18”x20”x6”

Delicate Revolution is an installation of over 400 eyehooks that have been corseted together with layers of silk ribbon. This installation changes every time it is presented and is dependent on the space around it.

Teri Bailey: Detail "Delicate Revolution"; Stainless Steel Eyehooks, Ribbon, Wood; 2'x8'x1'

Teri Swinhart, Detail “Delicate Revolution”; Stainless Steel Eyehooks, Ribbon, Wood; 2′x8′x1′

Defiance (in Artists for Racial Justice Fundraiser) is a deep red glass casting of a human neck with its chin raised. The chin proudly jutting out, even though it is fractured and worn. The mold for the piece was made by painting body safe rubber mold material onto my model’s neck, waiting for it to try, then removing the mold and pouring wax into it to create a reproduction. The wax neck is then covered in plaster-silica to create a kilnproof mold. The wax is melted of out the mold and the negative space that it leaves is filled with cold chunks of glass and heated up in a kiln until they melt.

WGS: Describe your work in the show and highlight aspects that the viewers should understand about the work.

Teri Swinhart: The work in this show highlights many of the different processes and materials that I enjoy working with. All of these works highlight my fascination with textiles and their role in the home. Similar to artists like Mary Cassatt, I am drawn to exploring the beautiful intimacy within the home and the personal.

WGS: What artwork/event has moved you and got you thinking about your own work?

Teri Swinhart: The two biggest things influencing my work (and much of the world) right now are COVID and the BLM Movement. So much of the inspiration for my work comes from the emotion and vulnerability of the extremely personal. I am painfully empathetic, so to watch this many people die so brutally leaves me fluctuating between heartbroken, terrified, and enraged. I don’t think I could keep emotions this intense out of my artwork even if I really tried. It has shown me that I need to take a stance on things I have been privileged enough to avoid in the past and use my voice to spread love and promote change. No pressure…

Here's your coffee - & thank-you for wearing a mask!

Here’s your coffee… & thank-you for wearing a mask!

WGS: if you were not an artist – what would you be?

Teri Swinhart: A psychologist… or a barista.

WGS: Do you do a lot of planning in your work – or is there an element of chance while working?

Teri Swinhart: Definitely a little bit of both. I feel like I spend 75% of the time in my sketchbook working through each element of an idea before I begin making, then when I feel comfortable with the plan I begin bringing it to life. I am flexible throughout the process and lots of things change as I lay the materials next to each other and work through the installation… it keeps me on my toes!

Click here to jump to Teri Swinhart’s work in CLICK-IT!

Teri’s work is part of the companion exhibit/fundraiser – “Artists for Racial Justice” Click HERE to jump to the show.

HIP HIP Hooray! Housing Initiative Partnership Celebrates 30 Years

Housing Initiative Partnership, Inc. (HIP) celebrated its 30th Anniversary of Revitalizing Neighborhoods during a Networking Reception on Thursday, November 14, 2019 at the College Park Aviation Museum. housing.initative.awards.glass.art.teri.bailey.artist

The event featured a presentation honoring a few of HIP’s “Affordable Housing Champions” who have helped in service to the community during the organization’s history. HIP is an innovative, green nonprofit developer and counseling agency based in Prince George’s County, Maryland dedicated to revitalizing neighborhoods. HIP creates housing and economic security for low- and moderate-income households and provides services that improve the quality of life in the communities they serve.

WGS Artist Teri Bailey at the HIP Celebration.

WGS Artist Teri Bailey at the HIP Celebration.

Peppermill Community Center Public Art

Peppermill Community Center

Peppermill Community Center with the internally illuminated artwork “Telling Our Story…” by Washington Glass Studio.

The Maryland-National Capital Park and Planning Commission (M-NCPPC) commissioned Washington Glass Studio (WGS) to create a public art sculpture for the new addition to the Peppermill Community Center in Landover, MD.

Shop drawing of sculpture by WGS.

Shop drawing of sculpture by WGS.

Some communities see public art as a way of enhancing or personalizing otherwise impersonal spaces. Others view it as a means to activate civic dialogue or provide a vehicle for the community to express its identity.

These landmarks and special events enhance our experience of a place and our quality of life. They engender a sense of pride and community identity. They reach audiences outside museums, galleries, and theaters, and they add to the beauty of everyday life. They declare the worth of a place and a time in our shared culture.

Erwin Timmers leads a community glass making workshop at the Washington Glass School.

Erwin Timmers leads a community glass making workshop at the Washington Glass School.

As such, the design of the site-specific sculpture by WGS was centered on finding ways to get the community excited and engaged with the convergence of art, history and community. The proposal for the art was based on a 15’H tower of glass and steel that would be internally illuminated with over 100 glass inset panels. The artwork of the insets were to be created by involving the community via a series of glass-making workshops held at the Washington Glass School

A great cross section of community came out to be part of the creation of the new public art for Peppermill Community Center.

A great cross section of community came out to be part of the creation of the new public art for Peppermill Community Center.

The residents and stakeholders were tasked with showing what they felt important to them and what inspired them were made. Images of family, nature, the environment, their neighborhoods, their sports teams were rendered in glass.

All sorts of imagery and glass techniques were employed to great effect.

All sorts of imagery and glass techniques were employed to great effect.

Cast glass images of the social groups – the sewing groups, the cheer squads, the state flag – even a Maryland blue crab were crafted. Historical references to the nearby horse farms and the old roller rink were included in the mix of glass panels. Part of the fun of the artwork is seeing how this mix of images and references all somehow work together.

The tower, titled :"Telling Our Story..." adds a powerfull and dramitic artistic element at the new entry at the community center.

The tower, titled :”Telling Our Story…” adds a powerful and dramatic artistic element at the new entry at the community center.

Shaping places—with landmarks and landscapes, events and ideologies—sets the stage for a critical part of our existence: our connection with our environment; with our past, present, and future; and with other human beings.

The mix of images and stories told create a compelling and inclusive mixture - each distinctive and unique - yet cohesive as a whole.

The mix of images and stories told create a compelling and inclusive mixture – each distinctive and unique – yet cohesive as a whole.

“Telling Our Story…”
Artist: Washington Glass Studio
Project Team: Teri Bailey, Michael Janis, Erwin Timmers, Tim Tate and Lee Kind.
Media: Cast and fused glass, steel, LED lighting, concrete.
Location: Peppermill Community Center, 610 Hill Rd, Landover, MD 20785
Client: The Maryland-National Capital Park and Planning Commission

Teri Swinhart (Bailey) Exhibits @ OSU

Photo of Teri Bailey’s work in Making (or, The Iceberg Paradox) opening June 17th and running until July 2nd.

Photo of Teri Swinhart (Bailey) work in Making (or, The Iceberg Paradox) opening June 17th and running until July 2nd.

New WGS Creative Coordinator – Teri Swinhart (Bailey) – will have two shows openings soon! Both are collaborations being shown at The Urban Arts Space- Hopkins Hall Gallery as part of their summer series. The first is titled Making (or The Iceberg Paradox) running from June 17th – July 2nd with the reception on June 27th from 4-5pm. The second is titled Here/There running from July 29th – August 2nd, with the reception on August 1st from 4-5pm. OSU Hopkins Hall Gallery is located at 128 N Oval Mall, Columbus, OH 43210.

Detail of Teri Bailey’s installation at OSU.

Detail of Teri Swinhart (Bailey) installation at OSU.