The upcoming community presentation on June 22nd at the Landon Park Recreation Center will provide a platform for Ward 5 residents to view and discuss the proposed design for the memorial. This event is not only a preview of the memorial but also an invitation for the community to contribute their voices to this landmark project.
The memorial aims to be a poignant reminder of the systemic racism and exploitation that have marred American history, while also celebrating the resilience and enduring legacy of those who were enslaved. Situated in the nation’s capital, this tribute will join the ranks of many other monuments and memorials, enriching the narrative with stories of those who have been historically marginalized. As the Nation’s capital, monuments and commemorative works have typically been focused on or reserved for commemoration to individuals or subjects of national importance within the monumental core, the original L’Enfant City, and mostly in Wards 1, 2, 3, and 6. Many of these subjects participated in slavery, systemic racism, and the mistreatment of, or took actions that suppressed equality for, persons of color, certain groups of people, and women.
In a historic move to acknowledge and honor the invaluable contributions of enslaved individuals who helped build the U.S. Capitol, the DC Commission on the Arts and Humanities (CAH), in collaboration with the DC Office of Planning (OP), has selected WGS Co-Director Michael Janis to design the Ward 5 Public Art Memorial. This significant project aims to shed light on the often-overlooked role of over 200 enslaved people whose labor laid the foundation for one of the most iconic symbols of democracy.
Janis, Co-Director of the Washington Glass School (WGS), has been actively engaging with the DC Ward 5 community to ensure that the memorial resonates with the local residents and accurately reflects the historical significance and human stories behind the Capitol’s construction. This community-centered approach underscores the importance of collective memory and inclusivity in public art.
DC’s Commemorative Works Program reviews proposals submitted by sponsors, but since the program was established in 2001 has received only a handful of applications for local subjects. OP’s Commemorate DC work includes technical assistance to community partners in Wards 4, 5, 7, and 8 to identify commemorative subjects and sites before supporting efforts in Wards 1, 2, 3, and 6. The Office of Planning’s partners are convening meetings with community groups and residents to discuss subjects to commemorate, appropriate sites, and concept designs of commemorative works. Concept designs will be reviewed by the Commemorative Works Committee who will make a recommendation on each proposal to the Mayor and District Council, who have final review and approval. A link to the 4 initial Commemorative projects here.
The DC Public Art Memorial is more than a work of art; it is a symbol of reconciliation, education, and recognition. It will invite all visitors to reflect on the past and encourage ongoing dialogue about equality and justice.
Join Michael Janis, the DC CAH & OP along with the Ward 5 community on June 22nd to participate in the outlining of a project that seeks to honor the past and inspire a future of inclusivity and acknowledgment. This is an important occasion for Washington, DC, and for the nation, as we begin this transformative initiative.
The DC Commission on the Arts and Humanities (CAH) is commemorating the 60th anniversary of the passing of the Civil Rights Act of 1964 through Legacy: Civil Rights At 60. This juried exhibition explores how DC artists have been influenced by this landmark legislation, which aimed to prohibit discrimination based on race, color, religion, sex, or national origin. By visually depicting the material, personal, and direct-action work of the past 60 years, this exhibition is a call to continue pursuing equity and social justice both locally and nationally. The exhibition is a collaborative curation of the CAH and a jury panel including: Karen Baker, Artist and Curator; Fabiola Delgado, Curator and Creative Consultant; Maleke Glee, Executive Director, STABLE Arts; Andrew Johnson, Arts Writer and Editor, Adjunct Faculty at Georgetown University.
Michael Janis’ glass installation titled “How We Take Care of Each Other” is featured in Legacy.
Installed in the gallery are the works of:
Ann Bouie, Anna U Davis, Antarah Crawley, Anthony Le, Antonia Tricarico, Ashley William, Briget Hunnicutt, Connor Czora, Cooper Joslin, Darlene Taylor, Denise Wright, Esther Iverem, Gail Rebhan, Gail Shaw-Clemons, Imar Hutchins, Julio Valdez, Kandace Davis, Karen Ruckman, Kofi Tyus, Lauren Emeritz, Mark Kelner, Mary Belcher, Michael Janis, Paula Stern, Rickie Dean, Roderick Turner, and Sally Canzoneri
CAH is an independent agency in the District of Columbia government that evaluates and initiates action on matters relating to the arts and humanities and encourages programs and the development of programs that promote progress in the arts and humanities. As the designated state arts agency for the District of Columbia, CAH is supported primarily through District government funds and in part by the National Endowment for the Arts, a federal agency.
Environmental Justice Juried Exhibition Grant now open!
DC’s Commision on the Arts + Humanities invites District-based artists to apply for their new Juried Exhibition Grant! (Note: Must be a resident of Washington, DC)
Application deadline: Friday, January 21, 4:00 pm
Exhibition dates: May 9 – July 1, 2022
Exhibition theme: Environmental Justice. In their work, artists may address local and/or global questions of ecology, environmentalism, biodiversity, climate change, stewardship, the relationship of climate justice to social justice, and/or other related concepts and issues.
