Michael Janis on Art Clinic Online Saturday, June 25th.

On Saturday, June 25th, WGS Co-Director Michael Janis is the guest artist presenting on online talk for the Art Clinic Online @ Glen Echo’s Stone Tower Studio.

sgraffito glass imagery of figure
Michael Janis; “Current State”, 2020. Kilnformed glass, glass powder imagery, 4 panels – each 20” x 30”

The Art Clinic Online (ACO) community aims to create a supportive arts environment in an online setting. The ACO features online presentations where members can ask them questions about their vision and create a forum for the equal exchange of art ideas and art information as well as opportunities.

If you are interested in joining the online presentation, email Mariana for the zoomlink- mkastrin@gmail.com

2022 Venice Biennale Showcases DC Area Artists

Michael Janis Tim Tate Chris Shea venice biennale 2022 glasstress
“There’s A Big Hole In The Sky” – Collaborative sculpture by Tim Tate, Michael Janis, and Chris Shea. 

The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held in the Castello district of VeniceItaly every two years during the summer. This year’s Venice Biennale includes a collateral event – ‘Glasstress’ – held at the historic Berengo Studios in Murano, Italy.

The 59th International Art Exhibition features a sculptural collaboration between DC glass artists Tim Tate, Michael Janis and Brandywine metal sculptor Chris Shea, representing the USA.

21st century glass sculpture art
Detail of Tate,Janis,Shea artwork showing cast glass and metalwork .

Chris Shea’s incredible metal work frames out Tim Tate’s lush fields of cast glass elements (detailed figures, flowers, insects) and in center, a glass sgraffito panel by Michael Janis.

A central concern in “There’s a Big Hole in The Sky” is that viewers need to abandon their apathy towards climate change. This monumental sculpture brings to light the effects of global warming on the earth as most areas will be facing frequent flooding. Despite the growing evidence of climate change, and humanity as the driver of that change, there remains a hardcore 20 percent or so that reject the whole notion of it and a healthy percentage that remain unconvinced that humans are causing it. And on top of those dismal statistics, many believe that climate change does not represent a threat to them. The artwork is an invitation to understand, to act, and to prepare. But if political solutions to climate change don’t materialize soon, it may also be an invitation to come to terms with loss.

washington glass school murano italy art sculpture
Image of installation at Berengo Studios in Murano, Italy.

From Biennale Press Release 

GLASSTRESS 2022

2 JUNE – 27 NOVEMBER 2022

BERENGO ART SPACE FOUNDATION

Venice, 2022 

At the same time as the 59th Venice Biennale, the seventh edition of GLASSTRESS, scheduled from June 2 to November 27, 2022, brings together a group of important contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass.

The works will be housed in the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into an evocative exhibition space. On display will be works by artists who have already collaborated and exhibited at GLASSTRESS with Berengo Studio, such as Ai Weiwei, Jimmie Durham, Tony Cragg, Monira Al Qadiri, Thomas Schütte, as well as first-time attendees Vanessa Beecroft, María Magdalena Campos-Pons, Tim Tate, Paloma Varga Weisz and eL Seed, among others.

GLASSTRESS is a project by Adriano Berengo dedicated to promoting new connections between contemporary art and glass. Starting from its debut in 2009 as a side event of the Venice Biennale, over the years GLASSTRESS has made dozens of internationally renowned artists and designers passionate about the traditional craft of Murano glass blowing, who have tried their hand at creating suggestive and innovative works in glass with the support of the masters of Berengo Studio.

GLASSTRESS 2022 – ARTISTS

NEW ARTISTS

Vanessa Beecroft (Italy), María Magdalena Campos-Pons (Cuba), Judy Chicago (United States), Chiara Dynys (Italy), eL Seed (France), Leandro Erlich (Argentina), Ryan Gander (Great Britain), Michael Janis (United States), Alexander Evgenievich Ponomarev (Russia), Laurent Reypens (Belgium), Liam Scully (Great Britain), Chris Shea (United States), Paloma Varga Weisz (Germany), Osman Yousefzada (Great Britain).

RETURNING ARTISTS

Ai Weiwei (China), Monira Al Qadiri (Kuwait), Ayman Baalbaki (Lebanon), Tony Cragg (Great Britain), Jimmie Durham (United States), Jan Fabre (Belgium), Josepha Gasch-Muche (Germany), Kendell Geers ( South Africa), Marya Kazoun (Lebanon / Canada), Brigitte Kowanz (Austria), Karen LaMonte (United States), Tomáš Libertiny (Slovak Republic), Massimo Lunardon (Italy), Federica Marangoni (Italy), Prune Nourry (France), Anne Peabody (United States), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sean Scully (United States), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Tim Tate (United States) , Koen Vanmechelen (Belgium), Robert Wilson (United States), Rose Wylie (Great Britain), Erwin Wurm (Austria).

New CAH Exhibition: Fragile Beauty (May 9, 2022 – July 1, 2022)

With social injustice a common theme around the world, we are also currently witnessing the injustices committed against our natural environment. Like our ancestors, we sense nature’s vastness, yet we lack the same respect those indigenous peoples had for nature as a sentient being. We take the Earth’s vastness for granted. What we experience as nature pushing back is nature seeking balance.

Michael Janis: Transformation; cast glass, ceramic

With this exhibit, Fragile Beauty, 33 DC artists seek to bring a sense of balance to an array of environmental injustices. Their art and their vision advocate awareness, mindfulness, consciousness, and stewardship, offering pathways towards personal partnership with our planet. They tell their stories with painting, sculpture, prints, photography, and installations. They inform us of both the joyful and the sorrowful, the woeful and the hopeful. Their work will challenge, enlighten, and inform your sense of wonder for exploring the beauty, power, and magnificent mystery of our home planet. We thank these artists for their commitment to illuminating the importance of nurturing and protecting the fragile beauty of the place we all call home.

Fragile Beauty is the first juried art exhibition initiated by the DC Commission on the Arts and Humanities. The new Juried Exhibition Grant provides support for DC artists to exhibit their creative vision to the residents of Washington, DC.

-Jarvis Grant


Featured artists: Tammy Barnes, Jeffrey Berg, Monica Jahan Bose, Elizabeth Casqueiro, Gloria Chapa, Michèle Colburn, Chris Combs, Shaughn Cooper with Kelsye Adams, Frank Hallam Day, Anna U Davis, R.A. Dean, Julee Dickerson-Thompson, Cheryl D. Edwards, David Allen Harris, Michael Iacovone, Michael Janis, Noel Kassewitz, Sally Kauffman, Barry D. Lindley, Patrick McDonough, Regina Miele, Steven Muñoz, Werllayne Nunes, Chelsea Ritter-Soronen, Lisa K. Rosenstein, Carly Rounds, Amanda Sauer, Alexandra Silverthorne, Ira Tattelman, Roderick Turner, Jessica van Brakle, Dawn Whitmore, Bahar Yürükoğlu.

Fragile Beauty
May 9 – July 1, 2022
Monday – Friday, 9:00 am – 6:00 pm ET

Opening Reception
Thu, May 12, 2022
5:00 PM – 7:00 PM EDT
Masks are required

Location:
DC Commission on the Arts and Humanities
Gallery
200 I Street, SE
Washington, DC 20003
Gallery Hours:
Monday – Friday
9:00 am – 6:00 pm

Washington (State) Museum of Glass Showcases Washington (DC) Glass School Directors

Sculptures by each of the Washington Glass School Directors – Tim Tate, Erwin Timmers and Michael Janis- were acquired for the permanent collection of the Tacoma Museum of Glass (MOG).

Michael Janis, “Healing Words” 2009, kilnformed glass, glass powder imagery, 37″ x 19″ x 2″, Collection Museum of Glass.

A long-time Museum of Glass Trustee, Potomac, MD-based glass-art collector Robert Minkoff selected MOG to house his art collection before passing away in September 2020. Developed through decades of patronage and philanthropy, the collection celebrates the incredible diversity of glass art and its possibilities in the field of contemporary art.  With the addition of Robert Minkoff’s personal collection, the Museum’s glass holdings are now the largest in the Western United States.

The artworks by the Washington Glass School artists will be part of a yearlong exhibit Boundless Curiosity: A Journey with Robert Minkoff, opening April 2, 2022.

Organized by Museum of Glass and curated by Katie Buckingham, ‘Boundless Curiosity’ follows Minkoff’s love of glass and tells vibrant stories of glass’s evolution from a studio craft material. “The Minkoff Collection is a transformational gift to the Museum” said curator Katie Buckingham. “We are excited about the opportunity to widen the story of glass art and show compelling narrative sculptural work”.

MOG’s contemporary glass collection concentrates on how medium of glass interacts with modern day art. Citing “glass secessionism” (as defined by Tim Tate and William Warmus in their “21st Century Glass Conversations and Images” online group) there is a movement in glass art away from “technique” towards “artistic vision” and concept. Said Curator Buckingham “we all look forward to including the artworks by the Washington Glass School directors – the 3 Musketeers of Glass.”

Washington Glass School artists Erwin Timmers, Tim Tate and Michael Janis (aka aka- Athos, Porthos and Aramis)

Works by noted glass artists Dale Chihuly, Lino Tagliapietra, Debora Moore, Therman Statom, Amber Cowan, Susan Taylor Glasgow, Shane Ferro, Paul Stankard, and Laura Donefer round out the exhibit in the main gallery of the Museum. The Minkoff collection exhibition will kick off the Glass Art Society (GAS) 2022 international conference held in Tacoma, WA this May.

About Museum of Glass

Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Opened in 2002, the Museum has established a reputation for hosting impactful and engaging artist residencies, organizing nationally traveling exhibitions, and creating unique programs for visitors while building a growing permanent collection chronicling the development of modern and contemporary glass. 

Museum of Glass provides an environment for artists and the public to ignite creativity, fuel discovery, and enrich their lives through glass and glassmaking. MOG’s glass holdings are now the largest in the Western United States.

BOUNDLESS CURIOSITY: A JOURNEY WITH ROBERT MINKOFF

Opening April 2, 2022 thru 2023

Museum of Glass, 1801 Dock Street, Tacoma, WA 98402

www.museumofglass.org

“Reflections in Glass”, Solo show by Erwin Timmers at Allegany Arts Gallery

The Allegany Arts Council Saville Gallery presents Washington Glass School Co- Director Erwin Timmers in a solo exhibition “Reflections in Glass” from February 5 thru February 26, 2022. Recycling, waste, the environment, and the ways in which all three relate to society are recurring themes in his work.

Erwin Timmers cast recycled glass sculpture in the Saville Gallery, Cumberland, MD.

Said Timmers about his body of work on exhibit: “My work revolves around ideas of sustainable design and consumption in the urgent context of pressing societal changes and deepening global ecological concerns.
My artwork centers on the craft of design, combining modern and traditional fabrication techniques to develop new material-based knowledge and aesthetics of sustainability. My portfolio aims to spark specific kinds of awareness. “

“The objects I sculpt from recycled materials are moments of intersection and influence. As boundary objects, they play with conventions of form and function, material and method, production and consumption. I work less for the purposes of critique, but rather for the potential to generate open and inviting exchanges. An artist, successfully engaged in creative inquiry, notices, seeks out, or otherwise creates the conditions for novel convergence and the overlapping and dissolution of conventional boundaries.
I work at reinforcing metaphors of transformation and change. “

recycled glass

Timmers will also present a talk on how public art transforms communities. The event “Making Our Case For Public Art” is free and open to the public and all are invited to attend. The event will begin with a networking reception at 5:30PM with the program slated to kick off at 6:00PM.

The artists from the Washington Glass School are also on exhibit in a special show, featuring artworks by Tim Tate, Michael Janis, Patricia De Poel Wilberg, April Shelford, Vibha Bhatia and Clayton Lutu.

Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’. Erwin is currently working with architects and designers on several “green” design projects. His work in sustainable design can be seen in some of the large public art projects he has completed, including an award-winning project for the US EPA Ariel Rios South Courtyard Green Infrastructure Project, in Washington, DC, and the public artwork for the LEED certified Safeway supermarket in Bethesda, MD. Montgomery County honored Erwin Timmers as the county’s “Outstanding Artist” in 2018. The Museum of Glass (MOG) in Tacoma, Washington has recently acquired works by Timmers for its permanent collection.

Allegany Arts Council Saville Gallery
9 N. Centre Street
Cumberland, MD 21502
Reflections in Glass
February 5- 26, 2022

Making Our Case for Public Art
Friday, February 25, 2022 • 5:30PM – Cocktail Reception; 6:00PM – Program • Free to attend

Corning Museum of Glass Awards Cheryl Derricotte BIPOC Residency

The Corning Museum of Glass in New York is a not-for-profit museum dedicated to exploring a single material: glass. With almost a half a million visitors from around the world each year, the Museum’s campus is home to the world’s most comprehensive collection of glass, the world’s foremost library on glass, and one of the top glassworking schools (The Studio) in the world.

One of the features of the Studio is Corning’s Artist Residencies. The Artist-in-Residence programs at The Studio provide artists the opportunity to research and experiment with new techniques and subjects in their work. Artists-in-Residence are invited to utilize the resources of the Museum’s campus including The Studio, the extensive collections and archives of the Museum, and the Rakow Research Library.

One of Washington Glass School’s illustrious alumni – Cheryl Derricotte – was awarded by Corning this coming year’s Black, Indigenous, and People of Color Residency (BIPOC).

Originally from Washington, DC, Cheryl now lives and makes art in San Francisco, CA. Her art has been featured in the New York Times, The Guardian, The San Francisco Chronicle, MerciSF and the San Francisco Business Times.

The BIPOC (Black, Indigenous, and people of color) Residency is Corning Museum’s way of actively fostering a culture and community of inclusion that promotes, respects, and celebrates this community.

Artists spend a month at The Studio exploring new directions in glass art or expanding on their current bodies of work while using the immense resources of the world’s leading glass museum. During their residency, each artist gives a presentation about their work during a free public event in The Studio Lecture Room.

Congratulations Cheryl! Looking forward to your presentation and the works from the Residency!!

7th Annual Glass National @ Lorton Workhouse

Kate Barfield, Urban Season, 2020, Cast Glass, 17 in x 17 in

The Workhouse Arts Center in Lorton, VA has opened their 7th Annual Glass National — an exhibition highlighting contemporary functional and sculptural glass artworks being created throughout the country.

April Shelford, Almondine, 2020, Glass, 8 ½ in x 8 ½ in 2 in

This year’s juror, Jack Wax -Professor of Glass @ VCU, reviewed over 80 artworks and select 28 which incorporate a combination of a contemporary spirit and technical mastery of the material. Glass National is a unique opportunity to view and experience a variety of styles and techniques encompassing the glass artwork field today. Three Resident Artists from Washington Glass School – Trish Kent, April Shelford and Kate Barfield – were selected to be part of the exhibit! Congratulations All!

The exhibit is on view at the Workhouse Arts Center Vulcan Gallery from October 23, 2021 – January 9, 2022. Reception: January 8th, 2022, 6 – 8 PM. The gallery is currently open Wednesday, Thursday, Friday and Saturday 11:00am – 6:00pm and Sunday Noon – 5:oopm. The Workhouse Arts Center is located at: 9518 Workhouse Way Lorton, VA 22079

Trish Kent, The Divided States of America #3, 2020, Glass, mixed media, 19″x 14″

Jurors’ Statement:

There is quite an idiosyncratic nature to the application and implementation of individual “choice” in the jurying of a small exhibition of “artworks.”

I find this especially true when the parameters set forth limit the “words” that I person may “speak.” That is a novel that is circumscribed in advance to never employ the letter E certainly can “say” many things…but can it in the end range quite as far or as deep as a book without such constraints? We all make “rules” for ourselves in our studios, other-wise we’d quickly be overwhelmed by the entire world being invited in through the door! And…I know as well that certain of us welcome working under the onus of restraint. It is somehow freeing! Yo-yo Ma chooses not to play all of the instruments in the orchestra but to truly master but one.”

Trish Kent studio visit video – click to watch.

Community College of Baltimore County to Visit Washington Glass School

The Community College of Baltimore County (CCBC) new fall class schedule includes a trip to Washington Glass School!

Community College of Baltimore and Washington Glass School  co-teaching

The CCBC offers classes to the public that are designed to enlighten and offer social and cultural enrichment. Led by knowledgeable glass collector Howard Cohen, the CCBC will hold a tour of the Washington Glass School on November 16, 2021.

It will be the Best Class Ever. The more you know!

Janis/Porto Exhibit Dominates Detroit!

Michael Janis and Tony Porto glass/mixed media exhibit has dominated Michigan’s press as the news agencies and tv shows all feature works by the artists and their story.

Click here to read story in Detroit News.

Detroit News loves the new glass/mixed media works by Michael Janis and Tony Porto!

Local Fox News – Fox 2 – sent reporters into the gallery to interview Director Aaron Schey and get the story on the Not Grandmas Glass (NGG) exhibit and competition as well as an eyeful of the artworks. Click here to jump to one of the three interviews by Fox.

Fox 2 Detroit interviews Habatat Galleries’ Aaron Schey to dish about NGG and works by Michael Janis and Tony Porto.
“Friendship is Magic” and “Say Your Prayers and Take Your Vitamins” glass/mixed media artworks by Michael Janis and Tony Porto are on exhibit at Royal Oak gallery.

Click Here to jump to article about the Janis/Porto exhibit in the Oakland Press.

Click HERE to jump to article on Not Grandmas Glass exhibit in the C & G newspaper.

Material Matters @ CA’s Seager Gray Gallery

California’s Seager Gray Gallery specializes in contemporary fine art with a focus on works that combine content with a mastery of materials. Opening March 3rd, Seager Gray presents their 7th annual Material Matters exhibition – featuring works by WGS artists Tim Tate and Michael Janis.

Michael Janis and Tim Tate bas relief cast glass art sculpture

Michael Janis and Tim Tate; “To the Ends of the Earth”; 2020; 36 x 36 in; cast glass, mixed media

This year’s exhibition features 23 artists working in wood, cast glass, pastel, clay, encaustic, oil, aluminum, weaving, resin, stainless steel, graphite, glass powder, steel, shredded money, paper, glass beads, mica, wire, hand blown glass, beeswax, limestone, photography, thread, cardboard, latex iridescent watercolor and ceramic. Artists include Robert Adams, Dean Allison, Gale Antokal, Adrian Arleo, Kay Bradner, Joe Brubaker, Lia Cook, Stephen Paul Day, Daniella Dooling, Jane Hambleton, Michael Janis, Lisa Kokin, Dana Lynn Louis, Jann Nunn, Emily Payne, Sibylle Peretti, Ross Richmond, Jane Rosen, Liz Stekettee, Susan Stover, Tim Tate, Jessica Williams and Aggie Zed.

Material Matters
March 3 – March 31, 2020
Reception for the artists: Saturday, March 7 from 5:30 – 7:30pm

Seager Gray Gallery
108 Throckmorton Ave, Mill Valley, CA 94941

Click HERE to jump to catalog preview.