Washington Glass School: A Legacy of Art, Resilience, and Community

Washington Glass School ca 2004, located in the Washington Sculpture Center in SE DC.

In the aftermath of the 2000 Artomatic show, renowned glass artist Tim Tate and metal/eco-artist Erwin Timmers felt the need to create a space for the growing glass art community in Washington, DC. Their solution was the founding of what was first called “Meltdown”—the future Washington Glass School. The school’s very first class, held on September 13, 2001, came in the shadow of one of the most tragic days in American history. While the founders initially considered canceling the session, the overwhelming desire of the students to move forward created an indelible bond. The class became a healing space, where sadness and fear were channeled into creativity and connection.

Meltdown Studio class schedule 2001
Early light fixture class (ca 2002) shows off their finished works.

From those early days, the Washington Glass School (WGS) has embraced community and resilience as core values. In 2003, the school relocated from its original home—now the Rubell Museum in DC’s Southwest neighborhood—to the Washington Sculpture Center. Michael Janis, an innovative artist who joined the school that year, became a director by 2005. His leadership, alongside Tate and Timmers, continued to steer the school as it grew in reputation.

Future WGS Director Michael Janis (center) in his first class at Washington Glass School, 2003.
Michael Janis works with students from DC’s Stuart Hobson Middle School (ca 2004).

In 2006, a turning point came when the school’s building was taken by eminent domain to make way for the Washington Nationals’ baseball stadium. Unfazed, the WGS team moved just outside the District to Mount Rainier, Maryland. It’s been their home ever since, where they continue to teach, collaborate, and create public art.

WGS Directors (L-R Michael Janis, Tim Tate, Erwin Timmers)

WGS has evolved into a dynamic hub for artistic exploration, encouraging artists to challenge the conventional limits of glass as an art medium. Their collaborative spirit thrives, with glass artists working alongside creatives from other disciplines, producing public art that speaks to the heart of the community.

kelly towles, washington glass school
In 2024, DC artist Kelly Towles painted a mural “I ❤ Glass” on the facade of the glass school.

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