Virginia Athenaeum Sculpture Invitational features WGS Directors

Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.

An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.

Detail of Tim Tate’s work in the “Eclipse” exhibit

Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms.
Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”

Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.

Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow.
Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”

Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.

Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.

Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”

Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Talk: Sunday, February 23, 2 pm
Participating artists:
Michael Janis
Lori Katz
Mike Price
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh

The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Street, Alexandria, VA 22314

Washington Glass School: A Legacy of Art, Resilience, and Community

Washington Glass School ca 2004, located in the Washington Sculpture Center in SE DC.

In the aftermath of the 2000 Artomatic show, renowned glass artist Tim Tate and metal/eco-artist Erwin Timmers felt the need to create a space for the growing glass art community in Washington, DC. Their solution was the founding of what was first called “Meltdown”—the future Washington Glass School. The school’s very first class, held on September 13, 2001, came in the shadow of one of the most tragic days in American history. While the founders initially considered canceling the session, the overwhelming desire of the students to move forward created an indelible bond. The class became a healing space, where sadness and fear were channeled into creativity and connection.

Meltdown Studio class schedule 2001
Early light fixture class (ca 2002) shows off their finished works.

From those early days, the Washington Glass School (WGS) has embraced community and resilience as core values. In 2003, the school relocated from its original home—now the Rubell Museum in DC’s Southwest neighborhood—to the Washington Sculpture Center. Michael Janis, an innovative artist who joined the school that year, became a director by 2005. His leadership, alongside Tate and Timmers, continued to steer the school as it grew in reputation.

Future WGS Director Michael Janis (center) in his first class at Washington Glass School, 2003.
Michael Janis works with students from DC’s Stuart Hobson Middle School (ca 2004).

In 2006, a turning point came when the school’s building was taken by eminent domain to make way for the Washington Nationals’ baseball stadium. Unfazed, the WGS team moved just outside the District to Mount Rainier, Maryland. It’s been their home ever since, where they continue to teach, collaborate, and create public art.

WGS Directors (L-R Michael Janis, Tim Tate, Erwin Timmers)

WGS has evolved into a dynamic hub for artistic exploration, encouraging artists to challenge the conventional limits of glass as an art medium. Their collaborative spirit thrives, with glass artists working alongside creatives from other disciplines, producing public art that speaks to the heart of the community.

kelly towles, washington glass school
In 2024, DC artist Kelly Towles painted a mural “I ❤ Glass” on the facade of the glass school.

Tim Tate & Joyce Scott = ? The Art of Glass

Goya Contemporary – where for the past 25 years has built a progressive reputation for creating visionary, historically relevant exhibitions, features glass artists Joyce Scott and Tim Tate together in a show titled “Now: Collaborations by Joyce J Scott and Tim Tate“. The centerpiece of the show is a 9ft long cast glass wall entitled “Now”. This was a 7-month project with Joyce and Tim that deals with societal issues that were being discussed in our culture while we were producing it. Issues included racism, homophobia, misogyny and the war in Ukraine.

Goya Contemporary

Mill Centre Studio 214, 3000 Chestnut Avenue, Baltimore, Maryland 21211

NOW: Collaborations by Joyce J. Scott and Tim Tate
Reception: April 20, 2024, 4:00 – 6:00 pm
April 12- June 12, 2024

Glass Art Magazine Covers Tim Tate’s Legacy In Glass

The January / February 2024 issue of Glass Art Magazine has a spread all about WGS Co-Founder and Co-Director Tim Tate. Artist & Author Sara Sally LaGrand writes about Tim’s story and how he has put his life experiences and feelings into his art. The article covers his history and how his artwork includes aspects of not only his life as a gay artist, but as a vehicle to promote the ideation of a more inclusive world.

Tim Tate & Joyce Scott, “NOW”; 2022, cast glass

The Glass Art Magazine issue also covers Tim’s recent collaboration with artist Joyce Scott, making a 6’H x 9’W wall sculpture titled “NOW” that incorporated themes of Racial Equality, Woman’s Rights and LGTBQIA+ issues that our world struggles to come to terms with.

Joyce Scott and Tim Tate Spill the Tea at Hillwood Museum.

L-R Wilfried Zeisler, chief curator and deputy director of Hillwood with artists Joyce J. Scott and Tim Tate.

Some photos from the last night’s talk at DC’s Hillwood Museum – ‘A Conversation with Joyce J. Scott and Tim Tate’.

Tim Tate, Christina Waddler and Joyce Scott

Artists Joyce J. Scott and Tim Tate had an engaging and insightful conversation moderated by Wilfried Zeisler, chief curator and deputy director of Hillwood.

Joyce and Tim talked about their artistic practices and inspiration for their work, including the stories and process behind “Him” by Scott and A Century of Longing by Tate, both featured in the current Glass: Art. Beauty. Design. exhibition. https://hillwoodmuseum.org/exhibitions/glass

Joyce and Tim talked about their current projects, including the process of working collaboratively on a monumental glass project.

Dinner with the artists at the Hillwood Museum.

Glass: Art. Beauty. Design. is on display thru January 14, 2024

https://hillwoodmuseum.org/

Hillwood Museum

4155 Linnean Avenue, NW

Washington, D.C. 20008

Deborah Czeresko & Tim Tate at Asheville Art Museum

If you are anywhere near Asheville  next week, think about stopping by and joining glass artist Deborah Czeresko, winner of the reality competition series Blown Away, and Tim Tate, artist and Director of the Washington Glass School, for an exciting conversation exploring both artists’ long history of using glass sculpture to highlight LGTBQ rights. Both artists will share images of earlier pieces while discussing their artistic journeys, work, and the art world.  Thursday, Oct. 5, 5:30 – 6:30

Click on link to register: https://shop.ashevilleart.org/collections/event-tickets/products/hospitality-workers-date-night

Joyce Scott and Tim Tate Collaboration Unveiled!

Joyce Scott & Tim Tate; “NOW”, 6′ x 9′; cast glass, mixed media. Photo by Pete Duvall.

Now that Joyce Scott’s 50-year retrospective has been announced, we can share this image of the Dr Joyce Scott/Tim Tate collaborative mural that has been in creation for over 6 months! What a joy to get to work with this huge icon of contemporary art and MacArthur Fellow!

Artist Joyce Scott, Goya Contemporary Gallery Exec Director Amy Eva Raehse and Tim Tate work on the collaborative mural at Washington Glass Studio, 2023.

Titled “NOW” the work measures 9ft W x 6ft H and the mixed media, cast glass wall focuses on topics around racial inequality, women’s rights and LGTBQ+ issues.

Detail of panel in “NOW” by Dr Joyce Scott and Tim Tate.

Said Tim about the work – “This is a once in a lifetime project, and I couldn’t be prouder of any piece I have ever made.”

Detail of panel in “NOW” by Dr Joyce Scott and Tim Tate.

The artwork is available at Goya Contemporary in Baltimore and will be on display there in Sept or Oct. (Check with gallery).

Tim Tate Talks! Art Clinic Online hosts online presentation by famed founder of Washington Glass School.

Saturday, July 22nd, from 10:30 am til 11:30 am – join Queer Glass Artist and Co-Director of the Washington Glass School, Tim Tate as he talks about his art work and his upcoming “Utopian Queer Futurism” exhibit on Art Clinic Online. The episode will be hosted by Jamianne Jacobim, Executive Director of the James Renwick Alliance.

Want more?! Watch ACO presentation of Eco-artist and WGS’s Co-Founder Erwin Timmers work and inspirations on youtube. Click on image below:

Watch WGS Co-Founder Erwin Timmers’ ACO talk on youtube.

Happy Holidays from Washington Glass School and Studio

Tis the Season!

All of us at the Washington Glass School & Studio Wish You and Family a Joyous Holiday Season! And a Happy Healthy New Year!

Artists and Educators from the Washington Glass School

(L-R) Patricia De Poel Wilberg, Erwin Timmers, Christina Helowicz, Nancy Kronstadt, Kate Barfield, Tim Tate, April Shelford, Michael Janis, Trish Kent and John Henderson. Not pictured: Graciela Granek, Sean Robinson, Diane Cabe, Gabrielle Morris, Kyle Crosby, and Daphne Matyas.

Washington Glass Studio Returns to Art Basel / Art Miami Fairs!

CONTEXT Art Miami 2022

Miami’s Longest Running International Art Fair Art Miami and sister fair CONTEXT Art Miami featured artwork by many artists from the Washington Glass Studio.

View into part of the Alida Anderson Art Projects space in Miami

On Tuesday, November 29, 2022, almost 20,000 guests came to the opening of the 10th edition of the sister fair to Art Miami. CONTEXT Art Miami is dedicated to the development and reinforcement of emerging and mid-career artists, and the vibrant contemporary and modern art fair was the natural setting for the works carried by Alida Anderson Art Projects (AAAP).

Tim Tate’s endless mirror series are a favorite of visitors to the fair.

This year’s AAAP booth at CONTEXT Art Miami showed works by glass mixed media artwork by Christina Helowicz, Michael Janis, Tony Porto, Tim Tate and Erwin Timmers. It also featured mixed media works by J Jordan Bruns, Lenny Campello, and Steve Wanna.

Tony Porto chats up collector group describing the collaborative sculptures made with Michael Janis.

Some Art Miami Highlights:

Christina Helowicz installs her blown glass /mixed media sculpture at the Art Miami fair.
Erwin Timmers with a San Francisco collector that acquired his cast recycled artwork for her collection.
Nora Atkinson, Curator-in-Charge for the Smithsonian’s Renwick Gallery flanked by Michael Janis & Tony Porto.
Lenny Campello (center) describes Michael Janis’ new glass panel artwork.
Christina Helowicz, Director of Alida Anderson Art Projects talks about Steve Wanna’s paintings.
alida anderson, michael Janis and Tony porto, christina helowicz, f lennox campello, lenny, erwin timmers at dinner.

The artists at CONTEXT Art Miami raise their glass in toast! Salud! Amor! Dinero! Clockwise from left bottom: Steve Wanna, Erwin Timmers, Michael Janis, J Jordan Bruns, Christina Helowicz, Tony Porto, Lenny Campello, Joe Ivacic, Danny Marder.