Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022
Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.
Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.
When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass
With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.
Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate
They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints
Sandra Ainsley Gallery The Warehouse 100 Sunrise Avenue, Unit 150 Toronto, Ontario Canada M4A 1B3
View of Fondazione Berengo Art Space, Campiello della Pescheria 4
Bill just returned from visiting Venice and can give us great insights into how glass is being used in art today by artists from around the world. He will also talk about Glasstress, a project by Adriano Berengo to further Berengo’s mission to promote the use of glass in the world of contemporary art. The first Glasstress exhibition was launched in 2009 to establish a new platform for art made with glass and was founded as a collateral event of the Venice Biennale. This is the seventh edition of Glasstress, where Berengo Studios has brought together a group of leading contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass. The works are hosted inside the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into a suggestive exhibition space.
Sandra Ainsley Gallery, Canada’s leading glass art gallery, presents a collaborative exhibition from Washington Glass School artists Tim Tate and Michael Janis titled “One Story is Not Enough“. The exhibition will feature their individual works along with joint pieces that highlight the narrative sculpture.
L-R: Tim Tate, Sandra Ainsley, Daniel Ainsley at the opening of “One Story Is Not Enough”.
Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
Michael Janis’ kilncast glass L-R “The Color of Shadows” & “The Place Between Memories”
With these confines, Tim and Michael create works in many techniques, but if you stand slightly back and see their history, a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful. They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
On Friday, June 17, at 1 PM (Eastern time), the Art Alliance for Contemporary Glass (AACG) will hold an online zoom MeetUp and Tim Tate and Michael Janis will tour exhibition and talk about their careers and process. Join the AACG to watch it live, or else catch it on YouTube after Friday.
“There’s A Big Hole In The Sky” – Collaborative sculpture by Tim Tate, Michael Janis, and Chris Shea.
The Venice Biennale is an international art exhibition featuring architecture, visual arts, cinema, dance, music, and theatre that is held in the Castello district of Venice, Italy every two years during the summer. This year’s Venice Biennale includes a collateral event – ‘Glasstress’ – held at the historic Berengo Studios in Murano, Italy.
The 59th International Art Exhibition features a sculptural collaboration between DC glass artists Tim Tate, Michael Janis and Brandywine metal sculptor Chris Shea, representing the USA.
Detail of Tate,Janis,Shea artwork showing cast glass and metalwork .
Chris Shea’s incredible metal work frames out Tim Tate’s lush fields of cast glass elements (detailed figures, flowers, insects) and in center, a glass sgraffito panel by Michael Janis.
A central concern in “There’s a Big Hole in The Sky” is that viewers need to abandon their apathy towards climate change. This monumental sculpture brings to light the effects of global warming on the earth as most areas will be facing frequent flooding. Despite the growing evidence of climate change, and humanity as the driver of that change, there remains a hardcore 20 percent or so that reject the whole notion of it and a healthy percentage that remain unconvinced that humans are causing it. And on top of those dismal statistics, many believe that climate change does not represent a threat to them. The artwork is an invitation to understand, to act, and to prepare. But if political solutions to climate change don’t materialize soon, it may also be an invitation to come to terms with loss.
Image of installation at Berengo Studios in Murano, Italy.
From Biennale Press Release
GLASSTRESS 2022
2 JUNE – 27 NOVEMBER 2022
BERENGO ART SPACE FOUNDATION
Venice, 2022
At the same time as the 59th Venice Biennale, the seventh edition of GLASSTRESS, scheduled from June 2 to November 27, 2022, brings together a group of important contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass.
The works will be housed in the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into an evocative exhibition space. On display will be works by artists who have already collaborated and exhibited at GLASSTRESS with Berengo Studio, such as Ai Weiwei, Jimmie Durham, Tony Cragg, Monira Al Qadiri, Thomas Schütte, as well as first-time attendees Vanessa Beecroft, María Magdalena Campos-Pons, Tim Tate, Paloma Varga Weisz and eL Seed, among others.
GLASSTRESS is a project by Adriano Berengo dedicated to promoting new connections between contemporary art and glass. Starting from its debut in 2009 as a side event of the Venice Biennale, over the years GLASSTRESS has made dozens of internationally renowned artists and designers passionate about the traditional craft of Murano glass blowing, who have tried their hand at creating suggestive and innovative works in glass with the support of the masters of Berengo Studio.
GLASSTRESS 2022 – ARTISTS
NEW ARTISTS
Vanessa Beecroft (Italy), María Magdalena Campos-Pons (Cuba), Judy Chicago (United States), Chiara Dynys (Italy), eL Seed (France), Leandro Erlich (Argentina), Ryan Gander (Great Britain), Michael Janis (United States), Alexander Evgenievich Ponomarev (Russia), Laurent Reypens (Belgium), Liam Scully (Great Britain), Chris Shea (United States), Paloma Varga Weisz (Germany), Osman Yousefzada (Great Britain).
RETURNING ARTISTS
Ai Weiwei (China), Monira Al Qadiri (Kuwait), Ayman Baalbaki (Lebanon), Tony Cragg (Great Britain), Jimmie Durham (United States), Jan Fabre (Belgium), Josepha Gasch-Muche (Germany), Kendell Geers ( South Africa), Marya Kazoun (Lebanon / Canada), Brigitte Kowanz (Austria), Karen LaMonte (United States), Tomáš Libertiny (Slovak Republic), Massimo Lunardon (Italy), Federica Marangoni (Italy), Prune Nourry (France), Anne Peabody (United States), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sean Scully (United States), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Tim Tate (United States) , Koen Vanmechelen (Belgium), Robert Wilson (United States), Rose Wylie (Great Britain), Erwin Wurm (Austria).
State Hermitage Museum in St Petersburg, Russia opened a stunning new exhibit: GLASSTRESS. WINDOW TO THE FUTURE, that runs from 11 September to 31 October 2021. The latest edition of Glasstress, the internationally acclaimed exhibition that showcases artworks made with glass by contemporary artists, is a joint venture by The State Hermitage Museum with Fondazione Berengo and Berengo Studio, and features an array of award-winning artists from around the world.
This isn’t the first time Berengo Studio has worked with the Hermitage. In fact, back in 2015 the exhibition Glasstress 2015 Gotika, was organized by the State Hermitage and held in the Palazzo Franchetti in Venice during the Venice Biennale. The display included items from the museum’s collection – armour, religious objects, and other works of applied art made in the Gothic and Neo-Gothic styles – that were presented in a dialogue with pieces created by contemporary artists in Murano at Berengo Studio. This year, the works of over fifty contemporary world renown artists created works inspired by “the future”.
Glasstress. Window to the Future is one of the museum’s largest exhibitions of contemporary art, occupying more than ten halls, including the monumental expanse of the Grand Enfilade and White Hall, as well as the intimate spaces of the Courtyard Gallery and the Red Halls in the General Staff Building. They will become the setting for miniature sculptures, large-scale installations, chandeliers several metres in size and even video art. The works reflect the artists’ striking complex ideas and show how glass can be “pushed out of its comfort zone” and combined with other materials.
Participating artists: Ai Weiwei, Erdağ Aksel, Polly Apfelbaum, Charles Avery, Miroslaw Balka, Fiona Banner, Renate Bertlmann, Monica Bonvicini, Penny Byrne, Loris Cecchini, César, Jake & Dinos Chapman, Mat Collishaw, Petah Coyne, Tony Cragg, Jimmie Durham, Jan Fabre, Josepha Gasch-Muche, Kendell Geers, Abdulnasser Gharem, Michael Joo, Ilya & Emilia Kabakov, Marya Kazoun, Karen Lamonte, Vik Muniz, Hans Op De Beeck, Tony Oursler, Mimmo Paladino, Cornelia Parker, Anne Peabody, Jaume Plensa, Laure Prouvost, Qiu Zhijie, Antonio Riello, Sean Scully, Wael Shawky, Sudarshan Shetty, Song Dong, Lino Tagliapietra, Tim Tate, Pascale Marthine Tayou, Kaneuji Teppei, Gavin Turk, Koen Vanmechelen, Joana Vasconcelos, Fred Wilson, Wu Jian’an, Erwin Wurm, Yin Xiuzhen.
This Friday, September 3rd, Michigan’s Habatat Galleries presents the opening of Glass Art Fair exhibition at 11:00 a.m. ET. This will be the VIP preview day for the online art fair as it opens to the public virtually the next day. This presentation includes many of available works that will be featured in the Habatat Galleries 50th in-person celebration.
Michael Janis’ kilncast glass is featured in Habatat Galleries 50th Anniversary exhibit.
Artists from around the world have been invited to this event and the gallery expects a large turnout since all have been apart for so long. During the pandemic Habatat has been pioneering the world of virtual glass art events including Glass49, GlassArtFair, the new annual Not Grandma’s Glass exhibition, and the highly apropos Viral Glass exhibition. Director Aaron Schey has created a treasure trove of digital presentations over the last year via Habatat Now programs which are viewable on YouTube.
Gallery founder Ferdinand Hampson shares his thoughts about Habatat’s Legacy: Founded in 1971, Habatat has promoted, legitimized, and elevated a new art material to a point of recognition by the art community. Fifty years later we evolved with glass. We continue our efforts towards the mainstream though we are no longer outsiders. Fine art collectors, museums, and noted art publications have in many cases recognized the medium and shared in the excitement of what this material can do and be, in the hands of creative artists worldwide.
Tim Tate and Michael Janis’ collaborative work – “The Poetry of Everyday Objects” is featured.
In Washington, DC- the perfect thing to do is visit a museum! The Phillips Collection’ new exhibit “Inside Outside Upside Down” features works by WGS artists Tim Tate & Michael Janis! Below is installation view, “Inside Outside, Upside Down” at the The Phillips Collection, Washington, DC, July 12 – September 17, 2021.
Photograph by Gregory R. Staley. Image courtesy of The Phillips Collection.
Or… if one can’t get to the museum- take a virtual online 3D tour! Click HERE to jump to Phillips Collection online tour.
Image of 3D tour courtesy of The Phillips Collection.
Virtual Opening and Awards Presentation July 16, 2021, 7-8 PM
Join The Phillips Collection as they celebrate the opening of “Inside Outside, Upside Down” and announce the prize winners of our juried invitational. Click HERE to jump to Phillips Collection Opening Event RSVP page.
Tim Tate, “Justinian’s Oculus”
This juried invitational celebrates The Phillips Collection’s 100th anniversary in 2021, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.
Michael Janis, “How We Take Care of Each Other” 2021, kilnformed glass, glass powder imagery
Inside Outside, Upside Down makes vivid the turmoil, strength, and resiliency of the human spirit in the face of the past year’s global covid-19 pandemic and social upheaval. All artworks in the show are recent works produced between March 2020 and February 2021. Works by WGS artists Tim Tate and Michael Janis have been selected for the exhibition.
mMichael Janis, DETAIL “How We Take Care of Each Other”, 2021
Jurors Phil Hutinet, Founding Publisher of East City Art Abigail McEwen, Associate Professor of Latin American Art, University of Maryland Elsa Smithgall, Senior Curator, The Phillips Collection Renée Stout, DC-based Artist
Guest Curator Renée Stout is an internationally renowned artist who has been based in Washington, DC, since 1985. Originally trained as a painter with a BFA from Carnegie Mellon University, Stout currently works across a variety of media, including painting, drawing, mixed media, sculpture, photography, and installation. She is the recipient of many awards, including an Adolph and Esther Gottlieb Foundation Award and the Women’s Caucus for Art Lifetime Achievement Award.
Featured Artists Cathy Abramson Simone Agoussoye Maremi Andreozzi Carol Antezana Desmond Beach Julia Bloom Michael Booker Kimberly Brammer Nikki Brugnoli Florencio Campello Carlos Carmonamedina Sandra Chen Weinstein Peter Cizmadia Wesley Clark Dominick Cocozza Robin Croft Sora DeVore Sarah Dolan Mike Dowley Nekisha Durrett Tae Edell Bria Edwards Kate Fleming Chawky Frenn Amelia Hankin Michael Hantman Leslie Holt Michael Janis Jane Kell Jean Jinho Kim Katherine Knight Ara Koh Kokayi Gary Kret Kate Kretz Catherine Levinson Kirsty Little Kim Llerena Aaron Maier-Carretero Timothy Makepeace David Mordini Barbara Muth Werllayne Nunes Zsudayka Nzinga Jennifer O’Connell John Pan Judith Peck Shedrick Pelt Kristina Penhoet Marta Pérez García Lydia Peters Junko Pinkowski Dominick Rabrun Mojdeh Rezaeipour Marie Ringwald Janathel Shaw Joseph Shetler Nicolas F. Shi Tim Tate Julio Valdez Jessica Valoris Ian White Richard L. Williams Jr. Colin Winterbottom
The Phillips Collection, 1600 21st Street, NW, Washington, DC.
Inside Outside, Upside Down is organized by The Phillips Collection.
This juried invitational is part of the museum’s centennial exhibition, Seeing Differently: The Phillips Collects for a New Century.
Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.
In coordination with Pride month, Tacoma, Washington, Museum of Glass will host conversations with artists included in Transparency: An LGBTQ+ Glass Art Exhibition on Thursdays from June 10 through mid July. Hosted by a MOG educator, each artist will be invited to show and discuss their featured work, followed by an opportunity for questions from the virtual audience. Thursday, July 8 at Noon PT (3pm ET) will feature WGS Co-Director Tim Tate.
Tim Tate, “The Moment” Aluminum, Mirrors, Quills , LEDs, 32 × 32 × 4 in
Tim Tate will be speaking as an artist about Queer Glass and its use in Craftivism with the Tacoma Museum of Glass on July 8th. As a survivor of the AIDS Pandemic and our current pandemic, he has made work on this topic for 35 years. In this talk he will connect the the two with his work over that time. Its a live Facebook talk, and free to anyone.
Tim Tate, “Justinian’s Oculus”, 2021 33 x 33 x 4 inches. Cast lead crystal
Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Now in its 18th year, MOG has established a reputation for hosting impactful and engaging artist residencies, organizing and exhibiting nationally traveling exhibitions, and creating unique programs for visitors, all while building a growing permanent collection chronicling the development of modern and contemporary glass.
Works by Tim Tate and Michael Janis will be featured at Habatat Galleries online venue.
Intersect Chicago is replacing SOFA virtually for the 2020 art fair edition due to COVID-19.
Going “Live” online from November 6-12, with a dedicated VIP Preview day on November 5, 2020, the fair will feature a special focus for each day, including: Glass, Contemporary Art, Ceramic and Craft, Design, Outsider Art, Fiber Art, and Public Art / Sculpture.
Intersect Chicago Art Fair will showcase work by WGS artist Michael Janis at Habatat Galleries
For more information on the Art Fair – click HERE.
