Erwin Timmers : Alchemical Vessel

The Smith Center for Healing and the Arts will have a special exhibit and fund raising benefit. Titled Alchemical Vessels‘, this initiative will feature the work of 125 artists, selected by 16 invited curators, to engage in a community dialogue on healing and transformation through the arts. Each artist has transformed a provided ceramic bowl using their own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, a circle of care, sacred space, nourishment, and even the alchemical vessel. 

Erwin Timmers “Message In A Bottle” kilnformed recycled glass, ceramic

Washington Glass School’s Co-Director has created a work using his signature cast recycled glass. In honor of Earth Day, we are posting about his work in the upcoming show.

Said Erwin of his artwork for the show at the Joan Hisaoka Healing Arts Gallery: “The alchemical vessel speaks about creating purity, harmony and the healing that flows from it.  My work focuses on the disharmony we see in nature and our environment, which has a pronounced impact on our own wellbeing. This [vessel] references how we, as a society, consume and discard resources without much consideration.  I use the water bottle, a vessel in its own right, as a symbol of a useful everyday object that people use and discard thoughtlessly and which has now been severely overused.  Last year we consumed 28 billion plastic bottles, and only roughly 15% of them got recycled.”

“Using the medium of casting recycled glass and specific techniques to manipulate this medium” said Erwin of his glass sculpture, “my work invites the viewer to consider not only the end product, but also the origin of the piece and the process of re-creation. I hope my work showcases the possibility and beauty of recycled material, while encouraging the viewer to consider his or her environmental impact.”

Joan Hisaoka Healing Arts Gallery at Smith Farm Center, 1632 U St NW, DC

Alchemical Vessels Benefit: May 17, 2013, 7-9pm

About the Benefit
100% of the ticket sale proceeds will go to support Smith Center’s life-enhancing work and programs for people living with and recovering from cancer.

Benefit Ticket information:

Benefit tickets $125: 125 Benefit tickets will be sold, and each ticket holder at this level will be given the opportunity to select a piece of art. Priority will be given by the order in which the tickets were purchased—so the first to buy a ticket will be awarded first pick of the 125 works, and so on. All 125 works will remain in the show until after the closing of the exhibition on June 7, at which time the new owners can pick them up.

Supporter ticket: $50: This price level is good for entrance to the Benefit only. Ticket holders at this level do not get to keep a piece of art.

If you have trouble purchasing tickets, please call 202.483.8600 or email them at outreach@smithcenter.org.

Glass Sparks: Erwin Timmers

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In honor of Earth Day, today’s artist profile is about eco-artist Erwin Timmers.

Erwin has become one of the area’s leading “green artists”. Recycling, waste, the environment and how they relate to society are recurring themes in his work – all of which he blames on his Dutch heritage. Erwin’s main medium is one of the least recycled building materials; float glass or window glass, and he has had to develop new techniques to work with this material.

Originally from Amsterdam, Erwin Timmers moved to California, graduating from Santa Monica College for Design Art and Architecture in 1995. Erwin’s artwork and sculpture has always incorporated recycled materials, and often integrated lighting elements. In 1999 he came to the Washington DC area and along with a new home came a new passion: Glass – creating the perfect marriage of metal and light. Combining this with found and recycled metal, his work carries strong environmental themes.

“Mr Cobrahead”, recycled materials, cast recycled glass

“Love Me, Love Me Not”, recycled steel, cast recycled glass, neon

Seeking to further his knowledge on using recycled glass, Erwin soon found there were few local options that taught glass techniques and recycled glass processes. And with little information available, Erwin became a pioneer in the field, developing his own kiln schedules. Fate would have it that he met up with Tim Tate, who was then starting the foundations for a glass school in Washington, DC. With his experimental approach and his easygoing, accessible teaching attitude, Erwin and Tim started the Washington Glass School in 2001. Erwin developed a number of courses that integrate his love of the materials and his environmental philosophies. His sustainable design knowledge has been sought by other glass schools, and besides courses here at the Washington Glass School, he has been teaching across the country, spreading the word about eco-friendly art.

Erwin Timmers chats with Italian glass Maestro Lino Tagliapietra.

Erwin has also become a leading consultant in LEED Certified artwork. He has received multiple public art commissions and is also featured in numerous private collections. The EPA had commissioned Erwin and the Washington Glass Studio to create an educational sculpture for the courtyard at the EPA’s Washington, DC headquarters.

Low-Impact Demonstration Project, Ariel Rios Courtyard, Washington, DC. Quinn Evans Architects, John Shorb Landscaping

Erwin Timmers and Evan Morgan installing recycled glass panels.

Recently completed architectural projects include recycled glass works for Prince George’s County Courthouse and for Fox Architects and he is currently working on an eco-friendly project for the new Safeway in Bethesda, MD. Erwin’s expertise in the field of environmental art is sought out by the media, with interviews on local news stations, including this video where Erwin’s demonstration of tempered glass did not go quite as planned. The Washington Post Magazine has just interviewed Erwin for an upcoming article on recycling, scheduled to come out this June. His artwork is featured in several books, notably “Art Glass Today” by Jeffrey Snyder and “Ideas for Creative Reuse” by Garth Johnson. Two more books that include work by Erwin are due out this Spring/Summer.

“Self Scrutiny”, cast recyled glass
photos: Anything Photographic

“Self Scrutiny” detail

Erwin’s environmental focused artwork has found an audience, from Miami International Art Fair to local and regional art gallery shows, including and upcoming engagement at Project 4 Gallery this summer. His work showcases the possibility and beauty of recycled material, while encouraging the viewer to consider his or her environmental impact.

“What We Leave Behind” cast recycled glass, steel.

Using glass salvaged from a Virginia office building refurbishment, disposable technology and ephemera from recent decades are expressed as though discovered from a future archaeological dig.


“What We Leave Behind” detail, 2000′s

photo by Anything Photographic

His work is not always appreciated in the manner he expected – a feature on his work on the Artist-a-Day website prompted viewers to ask if the work was made of Jello.

Erwin will be one of the artists featured in the upcoming LongView Gallery show Artists of the Washington Glass School: The First Ten Years.

Washington Glass School: The First 10 Years
LongView Gallery
1234 9th Street, NW, Washington, DC May 19 – June 19,2011
Artist Reception, May 19th, 6:30-8:30 PM

For other glass artist profiles

Diane Cabe
Sean Hennessey
Elizabeth Mears

Teddie Hathaway

Robert Kincheloe

Jeff Zimmer
Allegra Marquart