Earlier in the year, Greenbelt Metro Apartments LLC, in partnership with the City of Greenbelt, commissioned WGS artist Erwin Timmers team to create three-dimensional artwork to be installed at Motiva, a new 354-unit residential development in Greenbelt, MD.
Erwin Timmers, original concept design for Motiva
The artwork design was to be a place marker that enlivens the Motiva Greenbelt complex and surrounding area. Erwin Timmers also outlined how sustainable design would be integrated into his design, using recycled glass.
Motiva Concept: Two tall stylized plant shapes will grace the side of the public plaza at the main entrance. The plant “stems” will be the structural elements and have branches coming out the sides which will hold circular glass flower shapes. The structure will be made of powder coated steel, with a coloring that shifts from green below to yellow and red above. The plant stems will bow outward and then come closer together toward the top. They seem to form an entrance or gateway. The two shapes will be similar, but uniquely different.
Community glass making workshop at the Washington Glass Studio was held earlier this year.
The glass inset panels that form the petal circles will be made with neighborhood community participation, in workshops held at the Washington Glass Studio.
The Greenbelt community enthusiastically joins in making the newest public art for their town. Color selection was treated with the utmost care.
Timmers said that the inspiration for his nature inspired design comes from the MOTIVA complex’s natural surroundings and the environment. Flowering plants that are native to the area include Black-Eyed Susans, Asters, and more. Flowers are often a symbol of growth and opportunity, and the artist said “just as wildflowers need diversity to make a healthy eco-system, so do people…”
Artist Erwin Timmers helps Greenbelt resident volunteer create their first glass masterpiece. The public art “stems” arrive at Powdercoat studio to receive their colorful finishes.Steel framework for the glass “petals” are prepped for their protective paint finishes.
The finished install date will be Mid-September – more about this great project as we get photos!!
Concept 1 design by Michael Janis for DC’s OP & CAH TAP project in Ward 5
WGS Co-Director Michael Janis’ public art design (concept 1 & 2) for DC’s memorial to the Enslaved People that built the US Capitol has many steps before the Mayor’s approval. One can see -and vote! – on the two concepts online :https://engage.dc.gov/JD4865#tab-50371
The DC Commission on the Arts and Humanities (CAH), in collaboration with the DC Office of Planning (OP), awarded Janis the commission create the significant project that aims to shed light on the often overlooked role of over 200 enslaved people whose labor laid the foundation for one of the most iconic symbols of democracy.
Photo of first community input event in Ward 5 site, April 20, 2024
If you have always wanted a studio space to work on your kiln-formed glass, but didn’t have room where you live, or didn’t have a huge amount to invest in a giant glass studio…..then you might like the thought of becoming one of the studio artists here at the Washington Glass School!
Your table/studio space runs $450 per month, and not only do you finally have a dedicated space for you to work in, but you also join a vibrant and successful community of glass artists and opportunities.
As a studio artist – besides being part of a community, you have access to the studio’s cold shop facility and kiln firings.
The Washington Glass School (near the Rhode Island/ Route 1 Eastern Ave border of the District of Columbia) is now accepting applications for artist incubator studio spaces (available immediately).
The upcoming community presentation on June 22nd at the Landon Park Recreation Center will provide a platform for Ward 5 residents to view and discuss the proposed design for the memorial. This event is not only a preview of the memorial but also an invitation for the community to contribute their voices to this landmark project.
The memorial aims to be a poignant reminder of the systemic racism and exploitation that have marred American history, while also celebrating the resilience and enduring legacy of those who were enslaved. Situated in the nation’s capital, this tribute will join the ranks of many other monuments and memorials, enriching the narrative with stories of those who have been historically marginalized. As the Nation’s capital, monuments and commemorative works have typically been focused on or reserved for commemoration to individuals or subjects of national importance within the monumental core, the original L’Enfant City, and mostly in Wards 1, 2, 3, and 6. Many of these subjects participated in slavery, systemic racism, and the mistreatment of, or took actions that suppressed equality for, persons of color, certain groups of people, and women.
In a historic move to acknowledge and honor the invaluable contributions of enslaved individuals who helped build the U.S. Capitol, the DC Commission on the Arts and Humanities (CAH), in collaboration with the DC Office of Planning (OP), has selected WGS Co-Director Michael Janis to design the Ward 5 Public Art Memorial. This significant project aims to shed light on the often-overlooked role of over 200 enslaved people whose labor laid the foundation for one of the most iconic symbols of democracy.
Janis, Co-Director of the Washington Glass School (WGS), has been actively engaging with the DC Ward 5 community to ensure that the memorial resonates with the local residents and accurately reflects the historical significance and human stories behind the Capitol’s construction. This community-centered approach underscores the importance of collective memory and inclusivity in public art.
DC’s Commemorative Works Program reviews proposals submitted by sponsors, but since the program was established in 2001 has received only a handful of applications for local subjects. OP’s Commemorate DC work includes technical assistance to community partners in Wards 4, 5, 7, and 8 to identify commemorative subjects and sites before supporting efforts in Wards 1, 2, 3, and 6. The Office of Planning’s partners are convening meetings with community groups and residents to discuss subjects to commemorate, appropriate sites, and concept designs of commemorative works. Concept designs will be reviewed by the Commemorative Works Committee who will make a recommendation on each proposal to the Mayor and District Council, who have final review and approval. A link to the 4 initial Commemorative projects here.
The DC Public Art Memorial is more than a work of art; it is a symbol of reconciliation, education, and recognition. It will invite all visitors to reflect on the past and encourage ongoing dialogue about equality and justice.
Join Michael Janis, the DC CAH & OP along with the Ward 5 community on June 22nd to participate in the outlining of a project that seeks to honor the past and inspire a future of inclusivity and acknowledgment. This is an important occasion for Washington, DC, and for the nation, as we begin this transformative initiative.
L-R: The Divided States of America; Trish Kent, Le Singe; Patricia de Poel Wilberg, Rejoice O Windup Bird; Kate Barfield, Twisting, John Henderson
Get ready to experience an artistic revolution and discover the future of sculpture. The Montpelier Arts Center of the M-NCPPC, Department of Parks and Recreation in Prince George’s County, proudly presents its 43rd annual invitational sculpture exhibition. Curated by Howard Cohen, this show, titled “Connections and Conversations” features the visionary talents of artists of the Washington Glass School, with a spotlight on the transformative medium of glass, where boundaries are pushed and traditions redefined.
Echoes; Michael Janis
Join us to see how these remarkable artists illuminate the diverse worlds we live in, using glass to spark conversations and create profound connections. This isn’t just an exhibit—it’s a vibrant conversation about our diverse world. Don’t miss this chance to see how glass can tell stories, bridge gaps, and ignite inspiration through community engagement and artistic innovation.
Don’t miss this chance for an unforgettable journey through art, innovation, and community and discover the endless possibilities of glass as a medium.
Connections and Conversations: Works by Artists from the Washington Glass School
Exhibition Dates: June 7 – July 28, 2024
Public Reception: June 7, 2024, 7 – 9 PM
Lunch and Lecture: June 14, 2024, 12 Noon (Reservations Required – Call 301-377-7800)
As the nation’s capital, Washington, DC is home to many monuments and memorials honoring individuals and events of national significance mainly within the monumental core, the original L’Enfant City, and mostly in Wards 1, 2, 3, and 6. Many of these subjects participated in slavery, systemic racism, and the mistreatment of, or took actions that suppressed equality for, persons of color, certain groups of people, and women. The DC Commission on the Arts and Humanities (CAH), in partnership with the DC Office of Planning (OP) selected WGS Director Michael Janis as the artist to create DC’s Ward 5 Public Art Memorial to commemorate the Enslaved People Who Built the US Capitol. Contributions of more than 200 enslaved people helped build the U.S. Capitol, an international symbol of Democracy.
Artists engaged by DC CAH to create the new Public Art
From 1792 to 1800 enslaved people, many from the Baltimore area, arrived in DC on Bladensburg Road and were forced to quarry stone, clear the building site, create sculptures, and work long hours in inhospitable weather six days a week.
DC Ward 5 Public Art Memorial
The Capitol would not have been constructed without their labor and craftsmanship, yet much of their history has yet to be documented and brought to light.
Michael has been meeting with the Ward 5 community groups and the first community presentation of the concept is scheduled for June 22, 2024, from 2-4 pm at the Landon Park Recreation Center, 2901 20th St NE, Washington, DC 20018.
Promotion of Public Art Project featuring Michael Janis “The Artist”.
If you are interested in participating – click link to sign up (at bottom of page) for updates from Commemorate DC. Don’t miss out on this incredible opportunity to be a part of history!
Goya Contemporary – where for the past 25 years has built a progressive reputation for creating visionary, historically relevant exhibitions, features glass artists Joyce Scott and Tim Tate together in a show titled “Now: Collaborations by Joyce J Scott and Tim Tate“. The centerpiece of the show is a 9ft long cast glass wall entitled “Now”. This was a 7-month project with Joyce and Tim that deals with societal issues that were being discussed in our culture while we were producing it. Issues included racism, homophobia, misogyny and the war in Ukraine.
Goya Contemporary
Mill Centre Studio 214, 3000 Chestnut Avenue, Baltimore, Maryland 21211
Join the Artomatic Glass Reception on April 26th and meet with artists from what Washington Post Arts Critic Mark Jenkins called “…internationally renowned arts group, the Washington Glass School.” In the galleries: Artomatic: Unpretentious, approachable, convivial – Washington Post, April 5, 2024 There will be artists talking of their works and inspirations, nibblies, and fun glass prizes!
Come and see how the DC area has become the Awakening Force of Glass… or at least the Rebel Alliance!
ARTOMATIC 2024 2100 M Street NW, Washington, DC 20037
Great review of Artomatic culture event in the Washington Post. Art critic Mark Jenkins enjoys the all-sorts arts experience and singles out the glass art for comment, including using WGS artist Michael Janis’ artwork titled “Waiting for the Moments that Never Come” as the illustrative work for the show. Writes Mark:
“…Among the various business and governmental sponsors of this year’s Artomatic is a small but internationally renowned arts group, the Washington Glass School. The Mount Rainier, Md., studio has taken a large chunk of the building’s fifth floor to showcase the elegant creations of co-founders Tim Tate and Erwin Timmers and several other glass virtuosos. Tate, who credits Artomatic with playing a significant role in his career, is showing a sculpture that riffs on Leonardo da Vinci’s “Vitruvian Man.” The provocatively androgynous update positions eight glass figures — male, female and combined — in a circle surrounded by mirrors and lights that simulate a sense of endless replication…”
In the galleries: Artomatic: Unpretentious, approachable, convivial – Review by Mark Jenkins, Washington Post, April 5, 2024
By contrast – have a read about how the Washington Post art critic Blake Gopnik thought of the 2004 Artomatic exhibit:
…”The result is the second-worst display of art I’ve ever seen. The only one to beat it out, by the thinnest of split hairs, was the 2002 Artomatic, which was worse only by virtue of being even bigger and in an even more atrocious space, down by the waterfront in a vacant modern office building. I won’t dwell on the art. And I certainly won’t name names…There may just be a few decent things hidden in the mix — with so many thousands of objects on display, the law of averages says there must be. But three hours’ worth of looking didn’t spot too many. Some of the glasswork looked all right. (Glass is such a gorgeous medium it’s hard to screw it up, and you need some basic training even to begin to work in it.)
Artomatic 2004: Hanging Is Too Good for It by Blake Gopnik
The James Renwick Alliance for Craft (JRA) is a vibrant group of art enthusiasts, collectors, artists, educators, students and art professionals who share a passion for contemporary American craft. Their group explored Artomatic on Sunday March 25th- and for fun, picked their favorite works of craft-based art that they found. Great to have the collector group be introduced to new art and artists! No particular order to this list (with AOM Room listed)
Full Top Ten pList: Erwin Timmers (Glass lobby L5), Jun Lee (7057), Davide Prete (808), Michael Sirvet (6108), Jeff Wilson (7058), Valerie Theberge (808), Laurel Lukazewski (5094), Griffon Dillon (Glass Lobby L5), Anthony D’Amico (818, 5100) & Melissa Burley (5103). Congrats to the JRA picks- but all at AOM are winners!
