Lorton Workhouse’s 4th Annual Glass National Exhibition 2018 Call for Entires

Lorton, VA’s Workhouse Arts Center (WAF) announces a call for entries for their 4th Annual Workhouse Glass National Exhibition 2018. This annual Workhouse Glass National Exhibition is an “Open Call” for functional and/or sculptural glass artworks.  The Workhouse Arts Center seeks to promote and display the breadth of contemporary glass artwork being created throughout the USA and Canada.

First Place 2017 - Barbara Atkinson

First Place 2017 – Barbara Atkinson

Juror- Carmen Lozar

Carmen Lozar is an artist and educator who lives in Bloomington-Normal, Illinois. Lozar directs the Merwin and Wakeley Galleries at Illinois Wesleyan University and is a member of the art faculty. She has taught at institutions around the world including Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft.  Her work is included in many collections including the Bergstrom Mahler Museum, WI and the Museum of Art and Design, NY.

Entry Guidelines
Open to all glass artists 18 years and older residing in the U.S. and Canada

All works must be primarily Glass. Mixed media works will be accepted only if glass materials are the primary media.  The juror will make final determinations.  Size is limited to artwork that fits through a standard door. Floor works must be firmly stable.  Large scale installations shall be installed by artist.  Wall-mounted pieces are limited to 20 lbs. per section.  Work must have been produced within the last 3 years.

Please visit www.workhousearts.orgfor a detailed prospectus or visit http://www.juriedartservices.com/index.php?content=event_info&event_id=1425  for detailed prospectus and to apply.

Entry Fee
All U.S. and Canadian artists- $30

JRA Day 2018 Applications for Craft Artists Now Available

The 11th Annual JRA Day
A Craft Artist Exhibition and Sale

The 11th annual JRA Day will be held on Saturday, December 1, 2018, at the Woman’s Club of Chevy Chase, in Chevy Chase, Maryland. To view last year’s web site on the event, go to www.jraday.org/home-2017.htmlJRA Day is open to all craft artists who are members of the James Renwick Alliance. Applications will be accepted on a first-come, first-served basis.  During the initial application period through June 15, 2018, preference will be given to artists who participated in last year’s show.  Please read the application form and contract carefully, as they describe the terms and conditions for participation in JRA Day. If you are not a JRA member, you may apply for the show, but participants must hold a paid membership in the organization within a month of acceptance in the event and on JRA Day.  Click HERE to jump to web page for more info.

For additional information on JRA membership go to www.jra.org/levels-benefits, call 301.907.3888, or email admin@jra.org.

doris.rossLast year’s JRA Day was a great success and the JRA offers free admission to the show. There is no booth fee for JRA Day.  Instead, the JRA will receive 40 percent of all proceeds from the artist’s sales.  Details are included in the application and contract.

JRA Day is sponsored by the James Renwick Alliance, an independent national nonprofit organization that celebrates the achievements of America’s craft artists and fosters scholarship, education and public appreciation of craft art. The JRA was founded in 1982 and fulfills its mission through public programs, publications, recognition of craft artists, and financial support, including contributions to the Renwick Gallery of the Smithsonian American Art Museum. For more information on the JRA, go to www.jra.org.

James Renwick Alliance Chrysalis Award for Emerging Artists

2018 Focus: Glass

Recognizing that emerging artists represent the future of the craft field, the James Renwick Alliance (JRA) sponsors an award recognizing an emerging craft artist showing merit, skill and innovation in their work. The awardee will receive a $5,000 award and a complimentary membership to the JRA for one year. The finalist will have an opportunity to give a brief presentation about their work during an award presentation in October 2018. Finalists may be recognized with an Honorable Mention, and a 1-year JRA membership.


The JRA Chrysalis 2018 award will focus on emerging artists working in the glass arts. The JRA is soliciting nominates broadly for consideration. Nominees will be screened for eligibility, with an independent panel of jurors invited to recommend which of the nominees should receive the award.

2018 Award Eligibility

The applicant must be working in the glass arts and show merit, skill, and innovation in their work. The artist must have completed a four-year academic program or equivalent training within the past 5 years. Applicants may not have had a solo commercial exhibition or be exclusively represented by a gallery or commercial entity.  The applicant must have residency in North America. Applicants are asked to supply up to five images of work completed in the past three years and answer all application questions.

Application fee: $30
Application deadline: August 1, 2018

More information and online application – click HERE to jump to JRA Chrysalis Award page.



Washington Glass School Open Studios Saturday, May 12th!

Works by artists & instructors of the Washington Glass School will amaze and delight!

Works by artists & instructors of the Washington Glass School will amaze and delight!

On Saturday, May 12, Washington Glass School, along with the studios, art organizations, and galleries throughout the Gateway Arts District will open their doors to the public. The event is free and open to all.


Over 100 individual artists will participate in the event, making the 2018 Spring Open Studios the region’s most prominent visual arts event. Audiences can attend art openings, artist demonstrations or purchase original artwork in an artist’s studio. This artist-led event presents a fantastic opportunity to connect with the region’s most important and economically vital centers of art production.    

A free shuttle bus will make stops from Artists by the Tracks in Mount Rainier to Pyramid Atlantic in Hyattsville.  Between studios and gallery stops, the Gateway Arts Districts offers several new food and drink options along Route 1 including the recently opened Pizzeria Paradiso in Hyattsville, known for its outstanding pizza and wide selection of craft beers. Pizzeria Paradiso will host a beer festival on May 12 from 12-5 p.m.



More information, including a self-guided map of the open studios visit the events’ Facebook page at www.facebook.com/2018springopenstudios in advance of the tour.

Washington Glass School artists scheduled to exhibit:
– Tim Tate
– Michael Janis
– Erwin Timmers
– Laura Beth Konopinski
– John Henderson
– Patricia Kent
– Patricia De Poel Wilberg
-Laurie Brown
-Debbi LoCicero
-Max DeMulder
-Nancy Kronstadt
-April Shelford

Audrey Wilson @ Seager Gray Gallery “Art of the Book”

Audrey Wilson, "Shooting Range", neon, found objects, 18" x 24" x 4"

Audrey Wilson, “Shooting Range”, neon, found objects, 18″ x 24″ x 4″

California’s Seager Gray Gallery signature show for the gallery, “The Art of the Book” will feature Washington Glass School’s former studio coordinator, Audrey Wilson. Ms Wilson is currently working on her MFA in glass at Kent State University. Her powerful work, “Shooting Range”, centers on the Columbine shooting. The book mounted in the piece is a school yearbook with photos of slain students crossed out and a map of the school. A neon gun is mounted on the work along with 13 bullets commemorating the 13 students lost.

This signature show for the gallery is in its 13th year and includes 42 works by 22 artists. The exhibition runs from May 2 to June 1, 2018.

Artists in the show include Robert Adams, Rhiannon Alpers, Tor Archer, Doug Beube, Renee Bott, Valérie Buess, Sara Burgess, Macy Chadwick, Brian Dettmer, Casey Gardner, Jaz Graf, Andrew Hayes, Charles Hobson, Rodger Jacobsen, Lisa Kokin, Linda Mueller, Emily Payne, Brian Singer, Dolph Smith, Tamar Stone, Barbara Wildenboer and Audrey Wilson.

Getting Off Your Glass for Earth Day


Recycling Glass = Love

As a way to make every day Earth Day  – Erwin Timmers “Going Green” class works at reducing the amount of glass in the waste stream by upcycling  – using recycled glass to make sculptural pieces and architectural elements.

The class eagerly explored ways to give new life to old glass – from bottles to recycled tempered float glass.  Glass chemistry, coloration, and firing temperatures were reviewed for each particular application. The class’ final workshop is next week, when dryplaster – bas  relief – casting with float glass will be explored.

Recycled glass never looked so lovely!

Recycled glass never looked so lovely!

The eco students learn how to make hand built refractory molds for glass casting.

The eco students learn how to make hand built refractory molds for glass casting.

Tim Tate 2018 Penland Auction Featured Artist

Tim Tate, 8 Bats, 4 Seasons, wood, mirrors, cast objects, LEDs, 36" x 36" x 6"

Tim Tate, 8 Bats, 4 Seasons, wood, mirrors, cast objects, LEDs, 36″ x 36″ x 6″. Photo: Pete Duvall.

Glass artist and mixed-media sculptor Tim Tate has been part of the Penland School of Crafts community for decades, and for 2018, the education center will showcase his work at this year’s auction gala. The Penland School of Crafts Annual Benefit Auction is the premiere craft auction in the southeast, providing funds to support the operations of Penland School of Crafts while introducing new artists to collectors and expanding public understanding and awareness of craft.

Tim’s featured piece 8 Bats, 4 Seasons is a remarkable assemblage of materials, history, and imagination.

Detail of bats

Detail of bats

8 Bats, 4 Seasons may remind viewers of a classic wood-framed mirror, but Tim has added a rich composition of imagery to the mirror’s face and then transformed it further into a dimensional portal that stretches toward infinity. “The beauty of endless mirrors is in creating a space that exists nowhere else on Earth,” Tim explains in a recent interview for American Craft. The work feels familiar and inviting and utterly mysterious all at once.

But the story goes deeper than beauty. Tim has imagined his mirror as an artifact, “an undiscovered object from the 1860s commissioned by Cornelius Vanderbilt during the Golden Era. He had just returned from his grand tour of Asia…” While the four seasons are a nod to Currier and Ives, Keats and Thoreau, and Western decorative traditions, the piece’s eight bats are a nod to China, where bats have long served as a symbol of good luck.

The wife of Cornelius Vanderbilt, after returning from their grand tour in Asia. It is clear that by this time she had become obsessed

The wife of Cornelius Vanderbilt, after returning from their grand tour in Asia. It is clear that by this time she had become obsessed with bats.


American Craft’s interview with Tim describes him as “as much explorer as artist, seeking out the uncharted.” With 8 Bats, 4 Seasons, Tim beckons us into a parallel world of his creation full of questions and possibility. All are invited to look into Tim’s mirror—and the space beyond it—at this summer’s Penland Benefit Auction.

Penland’s 33rd Annual Benefit Auction is August 10-11, 2018, which means the spectacular weekend is only four months away! Register now to join this gala event and the great craft, great friends, and great memories it celebrates.

2018 Annual Benefit Auction

Friday, August 10 & Saturday, August 11

About Penland’s Annual Auction
Entering its 33rd year in 2018, the auction attracts over 800 collectors and volunteers to the Penland campus in the mountains of North Carolina each August. The weekend brings artists and patrons together and provides collectors with opportunities to meet established and emerging artists, learn about trends in contemporary craft, and see and purchase exceptional new work. If you are passionate about art and interested in investing in the health and the future of the arts, join us for this gala event.

Erwin Timmers Creates Sculpture for DC’s Sculpture Biennial

Erwin Timmers' sketch of his sculpture for Foggy Bottom exibit.

Erwin Timmers’ sketch of his sculpture for Foggy Bottom exibit.

Arts in Foggy Bottom‘s sixth Outdoor Sculpture Biennial, co-curated by renowned DC artists Helen Frederick and Peter Winant, gives you the opportunity to see this unique neighborhood through the eyes of 15 emerging and established artists. WGS’ Erwin Timmers is one of the artists invited to the Biennial – and we catch up with him as he creates a new work to be installed near the Watergate complex.

Erwin Timmers casts with recycled glass

Erwin Timmers casts with recycled glass to create the sculpture inset portals.

The Foggy Bottom site is in the shadow of Watergate!

The Foggy Bottom site is in the shadow of Watergate!

All sculptures will be displayed in front of private homes during this free, six-month show.

Featured artists include:

           Adam Bradley
           David Brooks
           Brian Dailey
           Linda DePalma
           Nehemiah Dixon
           Emily Fussner
           Sean Hennessey
           Melissa Hill
           Jeremy Thomas Kunkel
           Richard Lew
           John Ruppert
           Nancy Sausser
           Lisa Scheer
           Valerie Theberge
           Erwin Timmers
Absence & Presence runs from April 28th through October 27, 2018. Visitors are invited to tour the exhibition at their convenience throughout the day. There is no admission fee.

The exhibition is presented on private properties between 24th-26th Streets NW and H-K Streets NW, and is accessible from the Foggy Bottom-George Washington University Metro stop.

VisArts’ Visability Art Lab Exhibit Features work by Max DeMulder

Max DeMulder

Max DeMulder, “Creatures of the Stormy Sea”; 2017, Acrylics on canvas, mixed media, 16″ x 20″. On exhibit at VisArts Concourse Gallery 4/6 – 4/29, 2018

A multimedia artist, Max DeMulder has started working at the Washington Glass School on several projects for the Washington Glass Studio. Max’s work in the studio has been focused on metal sculpture and he will be one of the WGS artists showing at the Open Studios this coming May 12th.

Max DeMulder

Max DeMulder

Max DeMulder is also an artist at Rockville’s VisAbility Art Lab, where several of his paintings will be on exhibit as part of the group exhibition featuring artists from the VisAbility Art Lab.

The VisAbility Art Lab show features works by: Corey Barbee, James Billian, Mara Clawson, Edward Chance, Max DeMulder, Carlin Jones, Shaun McDonald, Tyler Mumford, Stanley Roth, Lindsey Schaufelburger, D’Ante Whitlow, and Justin Valenti.

VisAbility Art Lab
April6-April29, 2018
Concourse Gallery of VisArts
155 Gibbs Street, Rockville, MD 20805

About the VisAbility Art Lab: VisAbility Art Lab is a supported art studio for emerging adult artists with disabilities who have a strong interest in making art part of their professional careers.  VisAbility Art Lab was founded as a partnership between VisArts and Madison House Autism Foundation with the goal to provide artists with a supported studio where they can explore and develop their artistic talents, participate in workforce development and life skills training, and forge a deeper and more meaningful relationship with the fully inclusive creative community.