International Glass + Clay: Collective Imagination Pt 4

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 4 of 5

                                                                                                 

Tim Tate / Glass / US

Tim Tate is a Washington, DC native, and has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. He was awarded the title of “Rising Star of the 21st Century” from the Museum of American Glass and was also the recipient of the 2009 Virginia Groot Foundation award for sculpture. His work has been shown at the Milwaukee Art Museum, the Fuller Museum, the Asheville Art Museum and the Museum of Arts and Design in New York. He is a 2012 Fulbright Scholar recipient at Sunderland University in England.

                                                                                                

Inge Paneels / Glass / UK

Inge Panneels has been designing and making architectural or sculptural glass pieces since 1998. Inspiration for her work is driven by location and circumstance and life’s rich tapestry a recurrent theme. Inge is originally from Belgium now lives and works in the Scottish Borders but works throughout the UK. Inge also lectures part time at the Glass and Ceramics Department of the University of Sunderland.

A body of sculptural work exploring mapping is emerging; such as “Liverpool Map (2011) commission for the Museum of Liverpool, with new work being developed inspired by residencies at Mercator Museum (Belgium) and Jedburgh Abbey in 2012, to be completed in 2013.
                                                                                                

Nancy Donnelly / Glass / US

Nancy Donnelly is a studio artist at the Washington Glass School. She makes 2- and 3-dimensional art glass using color and imagery drawn from her painter’s training. Her work can be seen at Foundry Gallery and elsewhere in the Washington area.

                                                                                                

Philippa Whiteside / Ceramics / UK

Philippa Whiteside graduated from Sunderland University in 2010 with a BA Hons in Glass and Ceramics. She was awarded a 12 month scholarship with Creative Cohesion, supported by Sunderland City Council. In May 2011, Philippa was elected Director of Creative Cohesion where she now runs her ceramic studio. Philippa expores her fascination with lettering and words, and often combines ceramics with textile decoration and texture.
                                                                                               

Allegra Marquart / Glass / US

Allegra Marquart came to Baltimore, Maryland in 1976 to teach printmaking at the Maryland Institute College of Art (MICA). Gradually she became recognized for her narrative imagery that revolves around the joys, absurdities and surprises of human experience. Her prints are held in collections including the Zimmerli Art Museum, the Baltimore Museum of Art, the Philadelphia Museum of Art and the Huntsville Museum of Art. In 2001 she began to explore the possibilities of realizing her images in glass. Allegra began interpreting old stories and intricately rendering them on colorful glass panels. Her glass work was represented in a recent contemporary glass art exhibition at the Museum of American Glass at Wheaton Arts. One of her glass towers is also in the collection of the National Institute of Health in DC.

                                                                                           

Stephen Beardsell / Glass / UK

Stephen Beardsell graduated from the University of Sunderland achieving an MA in glass 2006 and BA in glass and ceramics 2001. Working in sculpture for the past 17 years, Stephen creates mixed media sculptures that sit comfortably in the natural environment without conflicting with their immediate surroundings. Stephen crafts his glass artwork employing many techniques, including blown glass, hot sculpting, and hot casting into sand or graphite moulds, kiln form glass. He recently kiln cast the largest singular piece of glass in the UK – a large oval red lens weighing 350kg (770 lbs), cast in a Czech glass. 
                                                                                           

Ani Kasten / Ceramics / US

Ani Kasten has been working in the ceramic medium since 2000, beginning with an apprenticeship with British ceramist Rupert Spira. After a year in England, Ani traveled to Kathmandu, Nepal where she spent four years as head of a project for developing stoneware technology for a community of artisan potters in the village of Thimi. Her training in England and the exotic working environment in Nepal have infused Ani’s sculptural vessels with a combined aesthetic, drawing on minimalist British studio ceramics, as well as ancient, weathered, hand-made objects born from traditional cultures throughout Asia. After leaving Nepal, Ani began working in Oakland, California where the fresh natural beauty of the California coastline juxtaposed with extreme urban deterioration began to inform the language of her work. From 2007 through 2009, Ani was an Artist in Residence at Red Dirt Studio in Mt. Rainier, MD, where she worked closely with ceramic artist Margaret Boozer, and further developed her distinct combination of sculpture and vessel work, showing her ceramics nationally at galleries and craft shows.

                                                                                                 

Click Here to jump to US / UK Artist Profile Part 1
Click Here to jump to US / UK Artist Profile – Part 2
Click Here to jump to US / UK Artist Profile – Part 3
                                                                                                 There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Criss Chaney “Vessel”

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate using metal wire and sheet inclusions into cast glass, and painting a layer of metal powders onto the inside mould surface. They will also demonstrate cold techniques for applying metals to a finished piece of glass, and options for patination using common household chemicals. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, superstar UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

International Glass + Clay: Collective Imagination Pt 3

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 3 of 5

                                                                                                 

Margaret Boozer / Clay / US

Margaret Boozer lives and works in the Washington, DC metro area. She received a BFA in sculpture from Auburn University and an MFA in ceramics from New York State College of Ceramics at Alfred University. Her work is included in the collection of the Smithsonian American Art Museum, The Museum of the City of New York, The US Department of State, The Wilson Building Public Art collection and in many private collections. Boozer taught for ten years at the Corcoran College of Art and Design before founding Red Dirt Studio in Mt. Rainier, MD where she directs a ceramics and sculpture seminar. Recent projects include a commissioned installation at the US Embassy in Djibouti and writing a chapter for  U. S. Geologic Survey’s Soil and Culture. Recent exhibitions include Swept Away: Dust, Ashes and Dirt at the Museum of Arts and Design in New York.
                                                                                                

David D’Orio / Glass / US


David D’Orio has a BFA in sculpture from the University of Hartford and has worked in glass for over 15 years. His artwork features mixed media, glass and steel. Dave is Director of DC GlassWorks, one of the DC area’s premier public access hot glass shop, located in Hyattsville, MD. His work has been shown at Artomatic in Crystal City, the Marlboro Gallery of Prince George’s Community College and last year was part of the Arlington Arts Center Solos. At this past Artomatic Art Fair, the James Renwick Alliance gave Dave’s installation sculpture its ‘Award of Recognition’. David was awarded second place in the 2012 Trawick Art Prize.
                                                                                                

Robyn Townsend / Glass / UK


Robyn Townsend‘s work is focused in areas of psychology, biology and philosophy, but the key theme of her work is the human condition.  Working in glass as well as casting with industrial materials to create a unique aesthetic and lifelike atmosphere, Robyn shows people for their similarities rather than their differences, their universally qualities that are consistent regardless of race, culture, gender or political background. Robyn says of her work: “I am using intimate and recognizable body parts that give no hint of identity, to highlight the anonymity of people as well as reflect how our actions, often guided by our internal thoughts and fears, allow us to form our own human nature and create ourselves.
                                                                                                

Cate Watkinson / Glass / UK

Cate Watkinson of Watkinson Glass Associates has over 20 years experience as an architectural glass artist, designing and fabricating architectural glass to commission for a wide variety of applications. During this period she has been instrumental in developing the potential of glass in the public realm. Her projects range from decorative glass panels for public and private buildings to street furniture and sculptural public art pieces. She has also exhibited her works in galleries in the UK and across Europe. Through commissioned works Cate has built up a wide range of innovative techniques and has gained significant knowledge and experience working with glass on a large scale in the public realm, not only in aesthetic terms but also in design of structure and durability of materials used. Since 2006 she has held the post of Subject Leader and Senior Lecturer in Architectural Glass at the University of Sunderland in the UK.
                                                                                               

Michael Janis / Glass / US

Michael Janis developed a focus on kiln-glass after working for twenty years as an architect in the United States and Australia. Now Co-director of the Washington Glass School, Michael has taught at the Penland School of Crafts, California’s Bay Area Glass Institute, and The Glass Furnace (Istanbul, Turkey). His work has been shown at major galleries and art fairs and is included in the permanent collection of the Art Institute of Chicago. In 2011, Michael mounted a solo exhibition at the Fuller Craft Museum (Massachusetts). His work was featured in Corning Museum of Glass publication ‘New Glass Review’, and he was named a “Rising Star” by the Creative Glass Center of America. In 2012, awarded a Fulbright Scholarship, Michael went to the UK’s University of Sunderland and National Glass Centre. He was an Artist-in-Residence at the Institute for International Glass Research (IIRG). American Craft Magazine will have an 8-page profile of Michael and his work in the 2013 April/May issue.
                                                                                           

Criss Chaney / Glass / UK

Criss Chaney is an internationally recognized glass artist, who has exhibited extensively in the UK, Europe, and the United States. Including a solo exhibition at the Museum Humanum in Austria. For years she has been developing techniques for combining glass and metals, exploiting methods for working with both materials. Her pieces make people question their views on glass and push the boundaries between glass and other media. She now makes her work at Creative Cohesion in Sunderland, where she has recently completed a large public art commission. Criss’ work is about the human experience, spirituality and the subconscious.
                                                                                                 

Click Here to jump to US / UK Artist Profile Part 1
Click Here to jump to US / UK Artist Profile Part 2
                                                                                                

There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Criss Chaney “Vessel”

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate using metal wire and sheet inclusions into cast glass, and painting a layer of metal powders onto the inside mould surface. They will also demonstrate cold techniques for applying metals to a finished piece of glass, and options for patination using common household chemicals. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, superstar UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

International Glass + Clay: Collective Imagination Pt 2

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 2 of 5

                                                                                                 

Sean Hennessey / Glass / US

Sean Hennessey is a mixed media artist based in Washington, DC. Working in glass, concrete, steel, light and video, Sean creates imaginative wall relief works inspired by architectural sculpture and drawing narrative content from philosophical, mythological, historical and personal interpretations. Sean has received fellowships with the city of the District of Columbia, an award of Craft Excellence from the James Renwick Alliance, and is in the collection of the US State Department Art in Embassies Program. His work has been seen on the Discovery Channel, National Geographic, HGTV, The Kennedy Center and at Aqua Art Miami. Sean is currently a Resident Artist at the Washington Glass School.
                                                                                                

James Maskrey / Glass / UK

James Maskrey started working with glass in 1990. He originally trained as an apprentice and subsequently worked for 7 years at a hot glass studio in Dorset, in South West England. He left to study glass at The Surrey Institute of Art and Design, graduating in June 2000. After graduation he was appointed as Artist in Residence at the Surrey Institute. In 2001 James joined the Glass and Ceramics department at The University of Sunderland, where he graduated with an MA in Glass with distinction in 2004. His work is held in many collections including The Crafts Council, Dan Klein and Alan J.Poole (National Museum of Scotland), Perth Museum and Art Gallery, Northlands Creative Glass, The Captain Cook Memorial Museum, Manchester Metropolitan University special collection and Crystallex (Czech Republic). He has exhibited widely in the UK, in the USA and at the International Glass Symposium in the Czech Republic.
                                                                                                  

Joe Hicks / Ceramics / US

Joe Hicks has been living in Washington DC where he moved after receiving a BA in Art from Shippensburg University in 2000.  He enrolled at The George Washington University where he studied for three years earning his MFA in Ceramics in 2005.   Joe Hicks currently maintains a studio for his own ceramic vessels and sculpture work, participating in ceramic and sculptural exhibitions on the regional and national level.   He directs the ceramic program at Gallaudet University and is an Adjunct Professor of ceramics at The George Washington University.
                                                                                                 

Dr Margareth Troli / Glass / UK

Dr Margareth Troli is based at the National Glass Centre (UK) in Sunderland where she explores the integration of digital technologies in her artwork. She completed a Phd in 2011 with the support from the Art and Humanities Research Council (AHRC). She developed technical approaches for the Studio Glass through the investigation of waterjet cutting. Margareth’s research has also been presented at international conferences, and she has received numerous prizes, awards and scholarships for her artwork. Margareth has participated in several international exhibitions and design fairs such as the British Glass Biennale (UK,) 100% Design, (UK), SOFA New York, Designers Block, (UK), Coburger Glass Prize Exhibition, (DE), Design Mart (UK) and The British Parliament.

                                                                                                 

Tamara Laird / Ceramics / US

Tamara Laird has a wide range of experience, teaching and studying internationally. In 1985 she moved to Nairobi Kenya, where she worked at the National Museums of Kenya on a United Nations Preservation project for the Island Community of Lamu, and as Professor of Art [Ceramics] at Kenyatta University. In 1994, Tamara relocated to Bangkok, Thailand, where she carried out extensive research, visiting individual artists, traditional village production practices, and full-scale industrial ceramic factories. Sponsored by the Thai Government, Tamara joined an educational tour of Industrial Production Facilities. Tamara has also traveled through Mexico, documenting production methods that integrate traditional and contemporary industrial production. Her frequent travel throughout Italy, researching Italian Majolica from Deruta in the north to Vietri in the south, continues a life long habit of documentation, focusing on connections between local culture, artistic development and traditional practice. These experiences have been integrated into her teaching practice, bringing universal craft education practice to the classroom.
                                                                                            

Syl Mathis / Glass / US

Syl Mathis has been with the Washington Glass School from its first “glass and steel” workshop. Self-taught as a glass carver, Syl combines investment casting techniques, high pressure abrasive carving, and cold-working techniques to create sculptural pieces in glass that often reflect stylized natural artifacts. His imaginative and skillful use of design–designs which are combinations of man-made and natural forces–not only reflects a love of Nature which invites meditation and thoughtfulness, but also, eloquently highlights the beauty of Nature’s own patterns with a precision that transcends the mere manipulation of tools or careful, mechanical dexterity. As a professional educator, Syl is a firm believer in process, the process of creative expression and of learning; as such, each carving is both a piece of art and the first step in a journey that promises to deepen our perception of Nature.

                                                                                                 

Click Here to jump to US / UK Artist Profiles Part 1
                                                                                                

There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Phil Vickery and Roger Tye @ DC Glassworks 2009

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate their techniques for combining glass and metals, exploiting methods for working with both materials. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

International Glass + Clay: Collective Imagination Pt 1

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 1 of 5

                                                                                                 

Colin Rennie / Glass / UK

Colin Rennie has worked with glass as a material for sculpture since 1992. He developed a love of glassblowing and cold glass working while at Edinburgh College of Art.  He currently teaches at the University of Sunderland where he runs the BA Hons Programme in glass and ceramics, and also at the University of Wolverhampton and Sars Potteries, Musee atelier du Verre In France.  In that time his work has achieved recognition in major collections and competitions, including the Victoria and Albert Museum London,  Ebletoft Glass Museum Denmark,  Hsin-Chu Municipal Glass Museum, Taiwan, Ernsting Stiftung Glasmuseum Germany, and nomination for the Jerwood prize for glass. 
                                                                                                

Novie Trump / Ceramics / US

Novie Trump is a DC based sculptor and installation artist working primarily in ceramic and mixed media. Formally trained in classical archaeology at the University of North Carolina, her work has been selected for juried and invitational exhibitions in the US and Europe and has been featured in numerous publications.  Winner of the  Strauss Fellowship, she has been awarded numerous grants and commissions for several public art works, the most recent at the National Institutes of Health in Washington, DC. She has served on several nonprofit boards of arts organizations, currently she serves as the Chair of the Distinguished Artist Series for the James Renwick Alliance.
                                                                                              

Erwin Timmers / Glass / US

Erwin Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’. Recycling, waste, the environment and how they relate to society are recurring themes in his work – and, as an educator, Erwin has developed a number of courses that integrate ecological sustainability into the program. His work featured in various prominent collections and has received commissions from numerous commercial enterprises, such as Starwood Urban, The United States EPA Headquarters, Maryland’s Prince George’s County Courthouse and the US Library of Congress.
                                                                                                 

Dr Andrew Livingstone / Ceramics / UK

Dr Andrew Livingstone holds a BA(Hons), MA and a PhD, The Authenticity of Clay and its Redefinition within Contemporary Practice: Ceramic Familiarity and the Contribution to Expansion. He is an academic at the University of Sunderland where he leads both MA Ceramics and CARCuos the Ceramic Arts Research Centre. He recently exhibited in ‘Red Hot’ an exhibition of clay in contemporary art in Germany together with Ai Weiwei and Richard Deacon. His research area is focused on ceramics in the widest sense engaging with material, process and the social contexts in which ceramics operate. The familiarity of ceramic material and object take center stage within his research, where both the handmade and ready made are employed within both installation and conceptual applications. Andrew’s work operates within the expanded field of ceramics and investigates the employment of and interface between digital media, film, animation, photography and non-ceramic intervention. 

                                                                                                 

Jeff Herrity / Ceramics / US

Jeff Herrity had along career in Internet marketing helping non-profit organizations integrate offline and online communications, including membership and donor development  fundraising efforts. After 15 years in the industry, Jeff decided to change paths and pursue art and art education at the Corcoran College of Art+Design, where he graduates May 12, 2012. His work currently explores the relationships we create in a give-and-take marketing driven culture.
                                                                                            

Brian Thompson / Glass / UK

Professor Brian Thompson is Associate Dean of Faculty of Arts, Design & Media at the University of Sunderland. He has been awarded numerous prizes including: the Norwich School of Art Fellowship, the Pernod prize and the Peter Stuyvesant Art prize.From a background in fine art, he maintains a continuing practice in sculpture and drawing, exhibiting his work. Brian’s sculptures reference how journeys explore landscapes, how paths get worn, compress and build up over many generations; how rivers cut and change course as they journey to the sea. These routes and points where they cross reveal the topography of the world and tell us something about how we come to know and navigate in nature.

                                                                                                 

Phil Vickery / Glass / UK

Phil Vickery is an international award winning glass artist who is based in the North East of England. Phil was awarded the Renwick Award for Distinction in Glass in 2009, and in 2011 was chosen for one of five Honorary Diplomas of the Jutta Cuny – Franz Foundation, Germany. Most recently he was the winner of the Art In Lyddington award for best 3D in show, UK, 2012. His work involves two references concepts of thought, human nature, and the subconscious. His technique showcases the process, movement and fluidity of glass; gathering over and over again to make the internal twisting more encased and to form an aesthetic of maelstroms in water.
                                                                                                

There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Phil Vickery and Roger Tye @ DC Glassworks 2009

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate their techniques for combining glass and metals, exploiting methods for working with both materials. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

Presentation about Penland School of Crafts at Washington Glass School

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Have you ever wanted to attend classes at Penland? Not sure what Penland is all about? Come join us for a discussion and power point presentation about one of the most beautiful and supportive artists communities on earth. Topics we will cover are :

~what classes they are offering

~best choices for your experience level

~upcoming scholarships and their application deadlines

~what is the Penland Experience all about

~why are so many artists committed and dedicated for life to help Penland succeed.

 

Please join us Saturday, Feb. 9th at 11:30am at the Washington Glass School for this labor of love. Few places have influenced the artist at the glass school and the artists of the Washington region as profoundly as Penland. If you are already a devotee, come join us and help spread the word about this unequaled opportunity for artists.

Where : Washington Glass School

                 3700 Otis St.

                 Mt. Rainier, Md. 20712   (2 blocks out of DC)

                 202-744-8222

When: Sat, Feb. 9th from 11:30 am to 12:30pm

International Exhibit of Glass + Clay : Shared History

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Queen Victoria strolls thru the grounds of the Washington Glass School and Flux Studios.

The British Are Coming!

US/UK exhibit of glass and ceramics, March 1 – 23, in Washington, DC.

Using an art exhibition as a bridge between two countries, the Sister City  program will be bringing together Sunderland, England and Washington, DC in a show that celebrates the medias of glass and clay, as well as celebrating the relationships between the two cities.

USA / Syl Mathis / Glass 

Opening March 1, 2013, at Washington, DC’s Edison Place Gallery will be an exhibit of expressive glass and ceramic artwork, as well as narrative sculptures that blend craft materials with digital technologies and, in turn remove the boundaries between the traditional categories of craft, art, and design.

USA / Novie Trump / Ceramic

Artists and artwork will soon be arriving from the UK’s Creative Cohesion and University of Sunderland, and DC – based artists represented by the Washington Glass School and Flux Studios will be acting as “cultural ambassadors” facilitating the exchange of ideas and images. In addition to a spectacular exhibit, a number of demos and workshops are planned during the month at the gallery and the DC area studios.

UK / Roger Tye / Glass

This will be the third collaboration with DC’s Sister City of Sunderland – in 2008 “Glass 3” was held in Georgetown; in 2009, 38 artists from Sunderland participated in the 10th Artomatic, held near the Navy Yard.  
Washington Glass School’s Fulbright Scholars Michael Janis and Tim Tate taught at both the University of Sunderland and at Creative Cohesion studios during their Fulbright assignment in 2012, and look forward to renewing the close relationship created by these collaborations.

US Fulbrighters Janis & Tate 2012 workshop at Creative Cohesion studios in Sunderland, England

The International Glass + Clay show opens March 1st and will run through Friday, March 23, The exhibit is free and open to the public.  The Gallery Place Metro station is within walking distance of the Gallery


The Downtown Business Improvement District (Downtown BID), in partnership with Artomatic, Inc., the Office of the Secretary for the District of Columbia, and Sunderland City Council, have together organized the international exhibit, hosted at Pepco’s Edison Gallery. 

International Glass and Clay 2013
Edison Place Gallery
702 Eighth Street (between G & H Streets)
Washington, DC 

Washington Glass Welcomes New Studio Coordinator

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Audrey Wilson


The Washington Glass School welcomes its new studio coordinator – Audrey Wilson!
Originally from Columbus, Ohio, Audrey has a BA from Kent State University. Audrey has worked at the Chrysler Museum Glass Studio as the studio and teaching assistant, working with the museum’s visiting glass artists.  
Audrey’s artwork references nature and organic forms, and she specializes in kiln casting, pate de verre and sand casting with mixed media. 

Audrey Wilson Fragility of Human Nature
recycled glass,
 pate de verre with oil paint  

Besides her work in glass, Audrey has a BA in art education, and will begin teaching classes soon at the school.

Erwin Timmers outlines the studio schedules with Audrey.

Make a point of stopping by the school and introducing yourself to Audrey!

"Elements of 21st Century Reliquaries" Sculpture Class

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A reliquary is a receptacle for keeping and displaying sacred objects (relics). In Victorian times, bell jars (cylindrical glass vessels with a rounded top and an open base) were used to protect and display fragile objects.

The artwork reliquaries of ceramic sculptor Novie Trump and mixed media sculptor Tim Tate are filled with meaning, symbolism, and are powerfully evocative. Both artists work seem inspired by an almost obsessive sense of remembrance.

One might ask: How do they make such introspective & complex works – and more importantly, how are their processes applicable for other artists looking to reference our need to create spaces for the things we hold dear?

The two DC area superstar sculptors have teamed up to teach a special sculpture class – Elements of 21st Century Reliquaries.

Novie draws on her archeology training as she creates ceramic houses, books, birds, boats and reliquaries, many that look as though they might have been unearthed on an archeological dig. She explores ideas of nest/hive/home over and over in the work. 

“…I often use archetypal symbols taken from ancient myths and tales. These iconic images take many forms: the bird as harbinger and messenger, bones as touchstones of quiet power, the forest as a threshold to the unknown. These symbols are used to express such universal human experiences as love, loss, fear, death, courage and transformation.” Novie Trump


Mixed media/video artist Tim Tate uses blown glass jars to capture universal emotions and experiences with haunting video reliquaries that push the boundaries between fine art and fine craft. Tim’s sculptures ask you to surrender your guarded self and feel the range of emotions that they provoke.

“Revelation — and in some cases self-revelation, is the underlying theme of my electronic reliquaries. But the important revelations here are in the viewer’s response to my hybrid art form and its conceptual nature.  I try to bare everything — the guts of my materials and my inner thoughts — in deceptively simple narrative videos set into specimen jars. These works are phylacteries of sorts, the transparent reliquaries in which bits of saints’ bones or hair — relics — are displayed. In many cultures and religions, relics are believed to have magical or spiritual powers, especially for healing. My relics are temporal, sounds and moving images formally enshrined, encapsulating experiences like cultural specimens. And perhaps, to the contemporary soul, they are no less reliquaries than those containing the bones of a saint.” Tim Tate

Class 1304 – Elements of 21st Century Reliquaries

Reliquaries with internal healing objects have been important cultural objects for centuries. They have been made with a wide variety of materials. But what makes a reliquary in the 21st century? What elements can go inside? Which materials seem most appropriate in modern times? In this class we will utilize clay and glass to explore current concepts in reliquary forms. This class will be split between a clay and kiln cast glass studio, allowing each participant the use of both materials and many techniques. There will be a wine and cheese reception at the end of this workshop to allow friends to see the work in a professional setting.

Instructor Tim Tate, Novie Trump
Dates Sat/Suns in July/Aug (July 14,15,21,22,28,Aug 4,11)
Time 1pm to 5pm
$600

Interested? Click HERE to jump to the Washington Glass School online schedule.


Novie Trump is a sculptor whose work is in public and private collections throughout the United States and Europe. Her ceramic sculpture has been selected for juried and invitational exhibitions and has been featured in books and publications. She is the founder and director of Flux Studios, a studio in Mount Rainier, MD 



Tim Tate is a Washington, DC native, and has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. He was the recipient of the 2009 Virginia Groot Foundation award for sculpture. He is a 2012 Fulbright Scholar recipient and was Artist-In-Residence at the Institute for International Glass Research (IIRG) in the UK.

Washington Glass School Open Studio Saturday, May 12, 2012

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 The 8th Annual Gateway Open Studio Tour takes place this coming Saturday, May 12, 2012, from Noon til 5:00 PM. 17 Venues – 70 Studios will be open – come on in and have a look at one of the DC areas most exciting arts scenes!  

Washington Glass School will be participating – check out the artworks by Tim Tate, Erwin Timmers, Michael Janis, Robert Kincheloe, Nancy Donnelly, Mick Coughlan and more!

Flux Studios will be open – see what Novie Trump, Laurel Lukaszewski, Jessica Beels and others have been working on!


Stop by next door at Red Dirt Studios – the ceramics by Margaret Boozer, JJ McCracken, Siobhan Rigg and more!

Check out Erwin Timmers’ newest glass sculptures made from recycled glass!


The Gateway Arts District is just over the DC/MD border of Eastern Avenue, along Route One.


Click HERE to jump to the Gateway Open Studio website.

Amazing Penland/Asheville Art Tour

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Hey There…

I wanted to take this time to tell you a bit about an upcoming art experience I have organized on behalf of the James Renwick Alliance. Over the years, my favorite and the most enjoyable trips I ever take is to Penland School of Crafts outside of Asheville North Carolina. This area of the country is dense with amazing artists. You may know my work, but you may not know what Penland and the artists in the Asheville area have meant to my career.

I first attended a class at Penland in 1989. It was a survey casting class…the only non-blowing class I could find anywhere in the country. Without hot glass facilities in the Washington region, I wanted to focus my skills towards a different aesthetic…one that I could work with while back at home. Thus began my lifelong relationship with this spectacular school and the generous artists who surrounded it. Here is a link to an article that goes into depth on why I have such a strong commitment to this area.

http://washingtonglass.blogspot.com/2012/01/compelled-by-tim-tate.html ;

A central focus of this trip will be attending Penland’s Annual Benefit Auction, the centerpiece of a gala weekend in the North Carolina Mountains featuring the sale of over 200 craft items. The Penland auction is one of the premier collecting events in the Southeast, and it is a wonderful opportunity to interact with fellow craft enthusiasts. Additionally, we will be visiting the studios of some of the most talented artists surrounding Asheville and the region. This will honestly be the best 5 day excursion you have ever taken…at least I’m gonna try to make it that way!. Here is the schedule of events:

Wednesday, August 8

We arrive in at the Inn at Little Switzerland on the Blue Ridge Parkway with spectacular views of the valley…a favorite spot for travelers in this area….either by plane or driving down, your choice. If you come by plane, you would come to Asheville, where we will arrange pick up. Our plan is to share the cars that come down, and caravan to each location. Close to both Asheville and Penland, this will be our base. Our first event will be a Wednesday evening welcome dinner and cocktails at the Inn.

Inn at Little Switzerland

Thursday, August 9th

After a quick bite at the Inn, we leave at 8:30 and head out to see the sites of Asheville and to some amazing artists studios for private tours. Most of these studios are in the surrounding area, but we will end up in the heart of the city. Here is a list of those studios:

Michael Sherrill

Ceramist Michael Sherrill received a visual arts fellowship from the North Carolina Arts Council in 1992. His work is in several major collections, including the Mint Museum of Art, Charlotte, North Carolina and the Renwick Museum. He has been making pots for more than twenty years. Originally, his work was completely functional, but it has evolved into work that is now wholly sculptural. He is one of the most thoughtful and articulate sculptors of our time.

Michael Sherrill


Stoney Lamar
Lamar received his BS degree in industrial arts (wood technology) from Appalachian State University. A friend’s borrowed lathe led him away from his original goal to design and build furniture, however, to sculptural woodturning. He apprenticed with Mark and Melvin Lindquist and the year’s experience there freed him from many self-imposed restrictions and limitations of traditional lathe approaches. It opened new avenues and processes for the expression of his aesthetic.

His work is in such collections as High Museum of Art (Atlanta), American Craft Museum (NY), Renwick Gallery, Smithsonian Institute, Yale University Gallery of Art, Mint Museum of Craft & Design (NC), Minneapolis Institute of Art, Wustum Museum of Fine Arts and the Detroit Institute of Art.

Lunch that day will be at Stoneys restaurant just outside Asheville.

Stoney Lamar


Hoss Haley
Hoss Haley has worked in metal for over twenty years, creating sculpture, paintings, and public art. Hoss’s work is in several collections including Lowes Corporation, McColl Center for Visual Art, and the Mint Museum of Craft + Design, and he is represented by the New Gallery of Modern Art in Charlotte, NC. Hoss has been a resident artist at Penland School of Crafts and the John Michael Kohler Arts Center.

Hoss Hailey


Dan Essig
Frequently thought of as the pre-eminent book art maker in this country, you will not find any of Daniel Essig’s books on the shelves of a library. These wordless works of art are sewn, woven and carved into magnificent artists’ books and sculptures. Formerly a photographer, Essig is inspired by found objects that he comes across every day. A self-described hoarder, he will incorporate these items—fossils, shells, coins and old nails—into his artwork. His studio is located next to the Grove Point Inn, where we will peak in for a quick look at their amazing Stickley Collection.


Dan Essig



Blue Spiral Gallery
No trip to Asheville would be complete without a visit to the famous Blue Spiral Gallery. This amazing gallery presents work by exceptional Southern artists and object makers in a beautifully renovated building in the heart of downtown Asheville. The light-filled, 15,000 square-foot gallery spans three floors connected by an open stairway. This spacious setting allows Blue Spiral 1 to offer considerable diversity, affording accessibility to various tastes and aesthetics.


Blue Spiral Gallery


Now, on to dinner! We are planning our meal at the spectacular Posana Restaurant in the center of Asheville. Then back to the Inn at Little Switzerland.

Posana Restaurant


Friday, August 10th
Today we will stay closer to Penland, exploring several studios and then joining in the festivities surrounding the Penland auction, which begin at 3pm with auction previews.

Christina Cordova/Pablo DeSato
This husband and wife team have their amazing studios on the grounds of Penland itself, and are 2 of the most widely known artists on this tour.

De Soto Glass Design was formed around the idea of creating and designing objects that enhance living spaces and environments. As a company we make a wide variety of work. A large portion of what we do revolves around glass blown vessels and functionally oriented works. Lighting design is quickly becoming an influential part of the sum. We also use our facilities and skills for creating glass blown objects for other designers and artists.

Cristina Cordova is a studio artist living in Penland,NC. Originally from Puerto Rico, she received her BA from the University of Puerto Rico in Mayaguez and went to earn her MFA from the New York State College of Ceramics at Alfred University. In 2005 she concluded a three year residency at Penland School of Crafts in North Carolina. She was the recipient of an American Craft Council Emerging Artist Grant as well as a North Carolina Arts Council Fellowship Award.


Christina Cordova


Pablo Sato


Lunch this day will be on grounds at the Penland Dining Hall.

Penland Gallery
No trip to Penland would ever be complete without a visit to the Penland Gallery. The Penland Gallery–featuring work by artists affiliated with Penland School of Crafts–is a stop worth adding to your trip through Western North Carolina. It is the perfect place to choose a gift, add to your craft collection, or learn about contemporary craft. You will see such artists as Marc Petrovic, Marc Peisser and yours truly, Tim Tate.

Marc Petrovic

Now its on to the auction. It begins at 3pm with the silent auction in the new state of the art facilities in the Print/Letterpress Studio. Dozens of Penland’s artists will be showing there. Then on to a lovely dinner and wine under the beautiful tent overlooking the valley on Penland’s grounds while the main Friday night auction goes on. After this, its back for a quick cocktail at the Inn at Little Switzerland.

Auction Tent under the Penland Sky


Saturday, August 11th
The morning begins with coffee and breakfast at The Barns at Penland, where we will be treated to a show by the resident artists here at Penland. Always a highlight and much fun. from the we attend a show given by the Core Students where we will see the work of tomorrows most promising artists. On to the Saturday silent auction and artist chats….then on to the main festivities of the luncheon and live auction. This will definitely be the highlight of the weekend!

Resident Artist Barns at Penland

2 major works will be the big spotlight! One by Beth Lipman, one by Dan Clayman….both stunning!

Beth Lipman

Dan Clayman


After the auction we will head back to the Inn at Little Switzerland, where we will have time to freshen up before a lovely farewell cocktail and dinner party where you will be able to swap stories with the new friends you made on this spectacular trip!

Sunday, August 11th
travel day…..those that need a ride to the airport, we will arrange it.

Please give me this opportunity to show you why I hold this area of the country in such high esteem. I guarantee it will be a stupendous trip.

To reserve a space for this trip, its first come and space is limited. Contact Cecie at the James Renwick Alliance at admin@jra.org or call to 301- 907-3888

Tim Tate
Co-Director
Washington Glass School
3700 Otis St.
Mt. Rainier, Md. 20712
WashGlass.com