The CCBC offers classes to the public that are designed to enlighten and offer social and cultural enrichment. Led by knowledgeable glass collector Howard Cohen, the CCBC will hold a tour of the Washington Glass School on November 16, 2021.
It will be the Best Class Ever. The more you know!
In Washington, DC- the perfect thing to do is visit a museum! The Phillips Collection’ new exhibit “Inside Outside Upside Down” features works by WGS artists Tim Tate & Michael Janis! Below is installation view, “Inside Outside, Upside Down” at the The Phillips Collection, Washington, DC, July 12 – September 17, 2021.
Or… if one can’t get to the museum- take a virtual online 3D tour! Click HERE to jump to Phillips Collection online tour.
Featuring dynamic work across media by 64 artists of the greater DC region, this juried invitational celebrates The Phillips Collection’s 100th anniversary, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.
SPECIAL EXHIBITION – JULY 17-SEPTEMBER 12, 2021
Inside Outside, Upside Downoffers a slice of the turbulent past year, one that left us confused, battered, and disoriented. Out of the palpable thoughts and feelings expressed in the works on view, five themes emerged: “Innocence Interrupted” recognizes the young children and young adults whose lives were upended by the constant fear and uncertainty brought on by so much violence and death; “Days of Reckoning and the Right to ‘Be’” speaks to the forced realization that our country is at a major crossroads, as many long-established societal systems have become increasingly out of touch, obsolete, and even detrimental to a population whose needs are constantly evolving; “Bearing Witness” represents the artists who document the times in which they live, making sure that we record, reflect, and remember; “Introspection and Reflection” examines what happens when Washington, DC, is forced to come to a standstill, with some of us sitting quietly with ourselves, while others had to confront the dynamics of their relationships; and “Hope and Healing” illustrates how art has the ability to help us process and heal in times of pain and great loss, allowing us to celebrate the simple joys in life.
Taken together, the works in this exhibition affirm the human need to make sense of traumatic experiences and ultimately transcend them, either by creating from that place or in spite of it. In this way, these works offer a collective call for healing. They invite us to appreciate the beauty in the world around us, find comfort in our family and friends, and unearth the things that are revealed to each of us when life requires us to sit still with ourselves.
Asheville, NC’s Center for Craft is the founding partner of Warren Wilson College’s Master’s in Critical Craft Studies—the first and only low-residency graduate program in craft history and theory. They are developing a directory of self-identified Asian American and Pacific Islanders (AAPI) working through craft today, and will continue to gather listings until August 31, 2021.
This project is a directory and a tool on what conversations come next? How does research catalyze community, action, and visibility?
Why focus on Asian American and Pacific Islanders working through craft?
According to the Pew Research Center, Asian Americans are one of the fastest growing groups in the US since 2000. Despite nearly 23 million Asian American in the US population, a recent study by Leading Asian Americans to Unite for Change (LAAUNCH) found that 58% of their respondents could not name a prominent Asian American (Hint: Vice President Kamala Harris).
Drawing inspiration from the Black Power Movement, students at the University of California, Berkeley are credited with unifying pan-Asian groups under the term “Asian American” in the 1960s. This grouping deliberately rejected the outdated, geographically-based, and problematic term “Oriental.”
In the 1980s, the U.S. Census expanded the category, combining Asian American and Pacific Islanders. Today, this governmentally-determined grouping feels too broad to many, as it includes more than 20 countries and thousands of Pacific Islands, each with unique histories, cultures, languages, and craft histories.
This project is intended to catalyze conversations, be a conversation starter and to bring people of AAPI heritage together.
If you are a craft researcher, please consider this directory a tool for making connections. Instead of reading about the Center for Craft , talk directly with them to understand who the AAPI are, what we make, and how we shape American Craft.
Currently, at Asheville’s Center for Craft in the John Cram Partner Gallery is ROLODEX. Craft a Conversation. This exhibit, curated by Namita Gupta Wiggers is this project is centered on the people of the AAPI craft communities, their descriptions of themselves, and their connections to craft – rather than on the objects they create.
Virtual Opening and Awards Presentation July 16, 2021, 7-8 PM
Join The Phillips Collection as they celebrate the opening of “Inside Outside, Upside Down” and announce the prize winners of our juried invitational. Click HERE to jump to Phillips Collection Opening Event RSVP page.
This juried invitational celebrates The Phillips Collection’s 100th anniversary in 2021, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.
Inside Outside, Upside Down makes vivid the turmoil, strength, and resiliency of the human spirit in the face of the past year’s global covid-19 pandemic and social upheaval. All artworks in the show are recent works produced between March 2020 and February 2021. Works by WGS artists Tim Tate and Michael Janis have been selected for the exhibition.
Jurors Phil Hutinet, Founding Publisher of East City Art Abigail McEwen, Associate Professor of Latin American Art, University of Maryland Elsa Smithgall, Senior Curator, The Phillips Collection Renée Stout, DC-based Artist
Guest Curator Renée Stout is an internationally renowned artist who has been based in Washington, DC, since 1985. Originally trained as a painter with a BFA from Carnegie Mellon University, Stout currently works across a variety of media, including painting, drawing, mixed media, sculpture, photography, and installation. She is the recipient of many awards, including an Adolph and Esther Gottlieb Foundation Award and the Women’s Caucus for Art Lifetime Achievement Award.
Featured Artists Cathy Abramson Simone Agoussoye Maremi Andreozzi Carol Antezana Desmond Beach Julia Bloom Michael Booker Kimberly Brammer Nikki Brugnoli Florencio Campello Carlos Carmonamedina Sandra Chen Weinstein Peter Cizmadia Wesley Clark Dominick Cocozza Robin Croft Sora DeVore Sarah Dolan Mike Dowley Nekisha Durrett Tae Edell Bria Edwards Kate Fleming Chawky Frenn Amelia Hankin Michael Hantman Leslie Holt Michael Janis Jane Kell Jean Jinho Kim Katherine Knight Ara Koh Kokayi Gary Kret Kate Kretz Catherine Levinson Kirsty Little Kim Llerena Aaron Maier-Carretero Timothy Makepeace David Mordini Barbara Muth Werllayne Nunes Zsudayka Nzinga Jennifer O’Connell John Pan Judith Peck Shedrick Pelt Kristina Penhoet Marta Pérez García Lydia Peters Junko Pinkowski Dominick Rabrun Mojdeh Rezaeipour Marie Ringwald Janathel Shaw Joseph Shetler Nicolas F. Shi Tim Tate Julio Valdez Jessica Valoris Ian White Richard L. Williams Jr. Colin Winterbottom
The Phillips Collection, 1600 21st Street, NW, Washington, DC.
Inside Outside, Upside Down is organized by The Phillips Collection.
This juried invitational is part of the museum’s centennial exhibition, Seeing Differently: The Phillips Collects for a New Century.
In coordination with Pride month, Tacoma, Washington, Museum of Glass will host conversations with artists included in Transparency: An LGBTQ+ Glass Art Exhibition on Thursdays from June 10 through mid July. Hosted by a MOG educator, each artist will be invited to show and discuss their featured work, followed by an opportunity for questions from the virtual audience. Thursday, July 8 at Noon PT (3pm ET) will feature WGS Co-Director Tim Tate.
Tim Tate will be speaking as an artist about Queer Glass and its use in Craftivism with the Tacoma Museum of Glass on July 8th. As a survivor of the AIDS Pandemic and our current pandemic, he has made work on this topic for 35 years. In this talk he will connect the the two with his work over that time. Its a live Facebook talk, and free to anyone.
Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Now in its 18th year, MOG has established a reputation for hosting impactful and engaging artist residencies, organizing and exhibiting nationally traveling exhibitions, and creating unique programs for visitors, all while building a growing permanent collection chronicling the development of modern and contemporary glass.
On June 19, 1865, Black Texans in Galveston, still living in slave conditions, finally learned that Abraham Lincoln had abolished slavery two years previously.
Let’s make Juneteenth a commemorative, not of the horrific institution our country embraced, but rather as a showcase of the strength in the American spirit to recognize wrong and set about making it right. In this same spirit America moves ahead today in leveling playing fields and achieivng ever greater equality. Let us celebrate all that Juneteenth teaches us about our country’s greatness in our use of the heart to hear and to learn and to work together for all that is good and just.
Saturday, June 5th, 2021, the Annual American Glass Guild (AGG) Conference starts – all online this year! WGS Co-Director Michael Janis is the keynote speaker; at 3pm (EDT) he will talk about how Washington Glass Studio approaches their Public Art projects.
Please welcome Washington Glass School’s new Studio Coordinator – Christina Helowicz!
A graduate of Salisbury University, Christina brings a new vitality and freshness to the Washington Glass School. She has an impressive background in coldworking and casting, as well as teaching. She will be working at tweaking the School’s glass program soon!
We bid a fond farewell to our Studio Coordinator extraordinaire – Teri Swinhart – moves out West, to sunny Los Angeles. We will miss her skills, knowledge of glass and casting, and her unique charm!
Best of Luck to Teri and Derek Swinhart! Come back and visit often!