State Hermitage Museum in St Petersburg, Russia Features Tim Tate

Tim Tate’s “Justinian’s Oculus” 33″ x 33″ x 4″; Cast Lead Crystal

Last year, as the Glass School blog noted, “Glasstress – Window to the Future” the internationally acclaimed joint venture exhibition by Russia’s State Hermitage Museum with Fondazione Berengo and Berengo Studio showcased artworks made with glass by contemporary artists with a grand opening at the Hermitage Museum in St. Petersburg.

Tim Tate’s cast glass work was made in Italy’s Berengo Studios.

The exhibition catalog has been released – and on the cover is the cast glass work by WGS director Tim Tate! His cast glass sculpture, “Justinian’s Oculus ” is the show’s signature featured work.

It would help if one could read Russian Cyrillic….

Glasstress is a project by Adriano Berengo to further his mission to promote the use of glass in the world of contemporary art. The first Glasstress exhibition was launched in 2009 to establish a new platform for art made with glass. Founded as a Collateral Event of the Venice Biennale of Arts, although its roots will always remain in Murano it has gone on to tour the world.

Russia’s Hermitage Museum Features Tim Tate

State Hermitage Museum in St Petersburg, Russia opened a stunning new exhibit: GLASSTRESS. WINDOW TO THE FUTURE, that runs from 11 September to 31 October 2021.
The latest edition of Glasstress, the internationally acclaimed exhibition that showcases artworks made with glass by contemporary artists, is a joint venture by The State Hermitage Museum with Fondazione Berengo and Berengo Studio, and features an array of award-winning artists from around the world.

This isn’t the first time Berengo Studio has worked with the Hermitage. In fact, back in 2015 the exhibition Glasstress 2015 Gotika, was organized by the State Hermitage and held in the Palazzo Franchetti in Venice during the Venice Biennale. The display included items from the museum’s collection – armour, religious objects, and other works of applied art made in the Gothic and Neo-Gothic styles – that were presented in a dialogue with pieces created by contemporary artists in Murano at Berengo Studio.
This year, the works of over fifty contemporary world renown artists created works inspired by “the future”.


Glasstress. Window to the Future is one of the museum’s largest exhibitions of contemporary art, occupying more than ten halls, including the monumental expanse of the Grand Enfilade and White Hall, as well as the intimate spaces of the Courtyard Gallery and the Red Halls in the General Staff Building.
They will become the setting for miniature sculptures, large-scale installations, chandeliers several metres in size and even video art. The works reflect the artists’ striking complex ideas and show how glass can be “pushed out of its comfort zone” and combined with other materials.

Participating artists: Ai Weiwei, Erdağ Aksel, Polly Apfelbaum, Charles Avery, Miroslaw Balka, Fiona Banner, Renate Bertlmann, Monica Bonvicini, Penny Byrne, Loris Cecchini, César, Jake & Dinos Chapman, Mat Collishaw, Petah Coyne, Tony Cragg, Jimmie Durham, Jan Fabre, Josepha Gasch-Muche, Kendell Geers, Abdulnasser Gharem, Michael Joo, Ilya & Emilia Kabakov, Marya Kazoun, Karen Lamonte, Vik Muniz, Hans Op De Beeck, Tony Oursler, Mimmo Paladino, Cornelia Parker, Anne Peabody, Jaume Plensa, Laure Prouvost, Qiu Zhijie, Antonio Riello, Sean Scully, Wael Shawky, Sudarshan Shetty, Song Dong, Lino Tagliapietra, Tim Tate, Pascale Marthine Tayou, Kaneuji Teppei, Gavin Turk, Koen Vanmechelen, Joana Vasconcelos, Fred Wilson, Wu Jian’an, Erwin Wurm, Yin Xiuzhen.