The Community College of Baltimore County (CCBC) new fall class schedule includes a trip to Washington Glass School!
The CCBC offers classes to the public that are designed to enlighten and offer social and cultural enrichment. Led by knowledgeable glass collector Howard Cohen, the CCBC will hold a tour of the Washington Glass School on November 16, 2021.
It will be the Best Class Ever. The more you know!
Please welcome Washington Glass School’s new Studio Coordinator – Christina Helowicz!
A graduate of Salisbury University, Christina brings a new vitality and freshness to the Washington Glass School. She has an impressive background in coldworking and casting, as well as teaching. She will be working at tweaking the School’s glass program soon!
Artists Erwin Timmers & Michael Janis will present an online ‘zoom’ presentation that will be part of the Art Alliance for Contemporary Glass (AACG) Online Education in Art Series – “Demystifying Public Art.”
Public art created by artists of the Washington Glass Studio both enrich and celebrate diverse communities. Successful projects include – The Monumental Doors for the Library of Congress, Laurel Library, the Washington DC Gateway Arch, and the West Palm Beach International Airport.
Michael Janis and Erwin Timmers will discuss how they navigate the complex processes from finding the projects to their ultimate creation and installation.
On Tuesday, September 15, at 2 p.m. Eastern time, AACG starts their Online Education Series called “FIRED UP” – click on the link to register for the free event:
The Art Alliance for Contemporary Glass is a not-for-profit organization whose mission is to further the development and appreciation of art made from glass.
The Alliance informs collectors, critics and curators by encouraging and supporting museum exhibitions, university glass departments and specialized teaching programs, regional collector groups, visits to private collections, and public seminars.
Mark your virtual calendars! August 22 Open Studio Tours goes ONLINE! See what the artists in the Glass School have been doing over the past months! 
This weekend’s pâte de verre class was a great success!
Instructor Teri Swinhart (Bailey) demonstrates how to apply color frit powder into specific areas for the class.
Pâte de verre is a kilncasting method that literally means “paste of glass”. The general premise is to mix frit granules with some sort of binder such as gum arabic, then apply the glass to the inner surface of a negative mold.
Teri Swinhart demonstrates proper frit application.
The Pâte de verre students made plaster molds in which they would cast the glass.
Lively discussion on ways to kilncast glass sculpture was explored by the class.
The students all loved the process and can’t wait til the firings are out of the kilns.
The DMV’s best and freshest media-specific artwork gallery – WGS Contemporary – will be at AQUA Art Fair in Miami>
WGS Contemporary’s mission is to contribute to thinking about art, new media, technology, and social issues through an open access forum, one that will facilitate contemporary and innovative projects worldwide. In that process WGS Contemporary aims at exposing the cutting edge work of artists working the new media frontiers of art. This year, WGS Contemporary will be one of the featured galleries at the prestigious Aqua Art Miami international contemporary art fair.
Steve Wanna “Myths of Creation”
Aqua Art Miami, which opens with a VIP Preview on Wednesday, December 4 and open to the public December 5 – 8, has become the premier destination for prominent collectors and art aficionados to procure works by young, emerging and mid-career artists. Throughout the years, Aqua Art Miami has continued to solidify itself as a completely unique art fair, consistently staying true to its signature relaxed yet energetic vibe. The 15th anniversary edition features 60 international exhibitors showcasing fresh new works, and set in the intimate exhibition rooms that open into a beautiful courtyard, all within a classic South Beach hotel.
WGS Contemporary will be showcasing works by artists: Teri Bailey, J Jordan Bruns, Michael Janis, Tim Tate, Erwin Timmers and Steve Wanna.
1530 Collins Avenue
Miami Beach, FL 33139
Peppermill Community Center public art by Washington Glass Studio and the Peppermill/Landover community.
Cassi Hayden, the Senior Visual Media Photographer for The Maryland-National Capital Park and Planning Commission (M-NCPPC) was at Peppermill Village Community Center covering an event recently and found the artwork (made by Washington Glass Studio) in front to be exceptionally beautiful!
Detail of the internally illuminated glass panels made with the Peppermill community as part of the public artwork.
Cassi took some shots attached high-res files for your use. All photos in this posting by: M-NCPPC/Cassi Hayden
The artwork reflects well in the glass of the new center – and on the community that inspired the creation!
Click HERE to see the public art sculpture in the daytime and how the work came to be!
Peppermill Community Center with the internally illuminated artwork “Telling Our Story…” by Washington Glass Studio.
The Maryland-National Capital Park and Planning Commission (M-NCPPC) commissioned Washington Glass Studio (WGS) to create a public art sculpture for the new addition to the Peppermill Community Center in Landover, MD.
Shop drawing of sculpture by WGS.
Some communities see public art as a way of enhancing or personalizing otherwise impersonal spaces. Others view it as a means to activate civic dialogue or provide a vehicle for the community to express its identity.
These landmarks and special events enhance our experience of a place and our quality of life. They engender a sense of pride and community identity. They reach audiences outside museums, galleries, and theaters, and they add to the beauty of everyday life. They declare the worth of a place and a time in our shared culture.
Erwin Timmers leads a community glass making workshop at the Washington Glass School.
As such, the design of the site-specific sculpture by WGS was centered on finding ways to get the community excited and engaged with the convergence of art, history and community. The proposal for the art was based on a 15’H tower of glass and steel that would be internally illuminated with over 100 glass inset panels. The artwork of the insets were to be created by involving the community via a series of glass-making workshops held at the Washington Glass School.
A great cross section of community came out to be part of the creation of the new public art for Peppermill Community Center.
The residents and stakeholders were tasked with showing what they felt important to them and what inspired them were made. Images of family, nature, the environment, their neighborhoods, their sports teams were rendered in glass.
All sorts of imagery and glass techniques were employed to great effect.
Cast glass images of the social groups – the sewing groups, the cheer squads, the state flag – even a Maryland blue crab were crafted. Historical references to the nearby horse farms and the old roller rink were included in the mix of glass panels. Part of the fun of the artwork is seeing how this mix of images and references all somehow work together.
The tower, titled :”Telling Our Story…” adds a powerful and dramatic artistic element at the new entry at the community center.
Shaping places—with landmarks and landscapes, events and ideologies—sets the stage for a critical part of our existence: our connection with our environment; with our past, present, and future; and with other human beings.
The mix of images and stories told create a compelling and inclusive mixture – each distinctive and unique – yet cohesive as a whole.
“Telling Our Story…”
Artist: Washington Glass Studio
Project Team: Teri Bailey, Michael Janis, Erwin Timmers, Tim Tate and Lee Kind.
Media: Cast and fused glass, steel, LED lighting, concrete.
Location: Peppermill Community Center, 610 Hill Rd, Landover, MD 20785
Client: The Maryland-National Capital Park and Planning Commission
Smithsonian Renwick Museum Curator-In-Charge Nora Atkinson is compelled to touch the artwork by Michael Janis and Tim Tate on her visit to Washington Glass School.
Nora Atkinson, Curator-in-Charge of the Smithsonian Renwick Museum and Robyn Kennedy, Smithsonian Renwick Chief Administrator pay a visit to the studio to have a look at the new collaborative glass installation by Tim Tate & Michael Janis.
Artist Michael Janis talks about the process and inspiration that he and artist Tim Tate used to make the stunning, collaborative artwork.
The two Renwick Museum leaders wanted a preview of the work titled, “All That Is Solid Melts Into Air” before it heads up to Chicago as part of Habatat Prime pop-up exhibit that is part of SOFA Expo in a few weeks (Oct 31-Nov 3).
Artist Erwin Timmers points out the features of his thoughtful glass sculptures to SAAM Curator Nora Atkinson and Chief Administrator, Robyn Kennedy.
And a walk thru of the Washington Glass School looking at the artists work – what great way to spend a spectacular Friday in DC.
Michael Janis describes his sgraffito glass technique to Smithsonian’s Robyn Kennedy and Nora Atkinson as they tour the work on exhibit.
The 9/11 anniversary always puts everyone in the Washington Glass School in a reflective mood.
Originally named “Meltdown” an original class schedule.
Washington Glass School started in 2001 (the original name of the school was “Meltdown”) with its first class scheduled for September 13th, 2001, at the Millennium Arts Center in SW Washington, DC.
After the tragedy of 9/11, Director Tim Tate and Erwin Timmers contacted the students – sure that no-one was going to go to a glass class in Washington, DC. All the students asked that the class continue – as they wanted some sense of normalcy and wanted to work at creating something.
Artist Diane Cooper Cabe was a student in the first class. Said Diane : “Being at Meltdown during that stressful, sad time with warm-hearted folks and creative work to do helped us all heal.” Photo circa 2002.
The School started strong – with early student exhibitions covered by the Washington Post and Washington Times. Classes continued thru the years with some great glass and art instructors: Liz Mears, Lucartha Kohler, Sean Hennessey, Joseph Cavalieri, Allegra Marquart, Bert Weiss and Debra Ruzinsky. Workshops by glass superstars Judith Schaechter and Therman Statom.
Tim Tate (L), Erwin Timmers (Center L) talk with a student about glass and steel sculpture. Photo circa 2001.
Many of the students and teaching assistants have went on to open their own studios and become renown artists in their own right – including Cheryl Derricotte, Jeff Zimmer, Teddie Hathaway, Audrey Wilson, Laura Beth Konopinski and (later a Co-Director of WGS) Michael Janis.
In 2003, the school was reorganized and moved to the Washington Sculpture on Half Street in SE. Renamed “The Washington Glass School” remained at that location until the city used eminent domain to clear the area (and demolish the building) to make room for the new Nationals baseball stadium.
Washington Glass School circa 2004.
In 2006, The Washington Glass School moved to Mount Rainier, MD, and to its current facility in 2007.
We look back on the memories of the past 18 years with a bittersweet mixture of pride, sentiment, and fondness for those days and love for those who have passed on.
And then take a deep breath and get back on to work.
A 2002 Washington Post newspaper article about the glass program – features Cheryl Derricotte and Erwin Timmers.