JRA Distinguished Artist Sibylle Peretti Workshop and Lecture @ Smithsonian Renwick Gallery

Sibylle Peretti; “Siblings”; glass; 15″ x 22″ x 10″, 2005. What stands out in artist Sibylle Peretti’s artwork are the intense images of children in nature – part dream and part fairy tale.

As part of the James Renwick Alliance “Distinguished Artist” series – glass artist Sibylle Peretti was in Washington, DC for a workshop and presentation at the Smithsonian Renwick Gallery.

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Artist Sibylle Peretti demonstrates her techniques at the JRA Distinguished Artist workshop held at Weisser Studio.

The JRA gets to pull their thumb out!

The JRA gets to pull their finger out!

Sibylle’s workshop – held at Weisser Studio was great fun, the attendees were able to see how Sibylle creates the molds and forms for her enigmatic artwork. 

The JRA held dinners in her honor  – and many were able to talk with the artist about her inspirations, process and history. 

Michael Janis introduces JRA Distinguished Artist Sibylle Peretti

Michael Janis introduces JRA Distinguished Artist Sibylle Peretti

On Sunday, May 22, Sibylle Peretti presented her works to the audience that gathered at the Smithsonian Renwick Gallery. The Renwick Gallery has had such a tremendous upturn in attendance with the “Wonder” exhibit – that even with the constant rain, a sizable crowd listened in rapt attention.

The JRA has had so many great artist presentations – we can’t wait for the next one! Click HERE to jump to the James Renwick Alliance Distinguished Artist Series page.

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Sibylle Peretti talking about her work at the Smithsonian Renwick Gallery

James Renwick Alliance Presents Artist Sibylle Peretti @ Smithsonian Renwick Gallery

Sibylle Peretti; "Land Mine"; slumped, engraved, painted and silvered glass, paper; 60" x 80" x 0.5"; 2015

Sibylle Peretti; “Land Mine”; slumped, engraved, painted and silvered glass, paper; 60″ x 80″ x 0.5″; 2015

The James Renwick Alliance (JRA) was created as an independent national nonprofit organization to celebrate the achievements of America’s craft artists and to foster scholarship, education and public appreciation of their art.  Founded in 1982, the Alliance helps support our nation’s showcase of 20th century American craft, the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC. 

 figurative glass art, feminist art

Sibylle Peretti; “Twins” cast glass, 18″ x 24″ x 10″; 2010

As part of the JRA Distinguished Artist Series, on  the JRA will welcomes glass sculptor Sibylle Peretti to speak about her work and inspirations at the Renwick Gallery – home to the Smithsonian American Art Museum’s collection of contemporary craft and decorative art.

Sibylle Peretti at work.

Sibylle Peretti at work.

Sibylle Peretti is an artist who grew up surrounded by traditional glassmaking. Trained as a glass designer at the State School for Glass Making in Zwiesel Germany, she learned techniques of enameling, engraving, cutting and designing glass. She expanded the range of her artistic voice as she received an MFA from the Academy of Fine Art in Cologne and was trained as a Glass Designer at the School for Glassmaking in Zwiesel, Germany. Sibylle Peretti lives and works in both New Orleans, LA and Cologne, Germany. Sibylle often works collaboratively with her husband – artist Stephen Paul Day

Sibylle Peretti; "To Know A Hawk" cast glass, 16" x 17" x 13", 2013

Sibylle Peretti; “To Know A Hawk” cast glass, 16″ x 17″ x 13″, 2013

Her work has won numerous awards and endorsements, including grants from the Pollock-Krasner Foundation and the Joan Mitchell Foundation as well as the 2013 United States Artist Fellowship for her glass sculptures and multimedia collages, which combine photography & drawing with surface interventions such as engraving, mirroring and glass slumping. Children and nature, as symbols of innocence and promise, are the central themes in Sibylle’s work.

Her work is included in the permanent collections of the Corning Museum of Glass, Corning, NY; Carnegie Museum of Art (Pittsburgh, PA), Museum of American Glass (Milleville, NJ), Montreal Museum of Fine Arts (Canada), Museum für Kunsthandwerk (Frankfurt, Germany), Hunter Museum (Chattanooga TN), Speed Museum (Louisville,KY), and 21c Museum (Louisville, KY).

The JRA invites the public to join Sibylle Peretti at the newly renovated Smithsonian Renwick Gallery as she talks about her work and career.

Lecture Date: Sunday, May 22, 2016
Time: 2:00 pm – 3:00 pm

Lecture Venue: Grand Salon, Renwick Gallery

The JRA’s mission is to promote education, support and appreciation of craft. If you’d like to learn more about the group, please see the JRA website.

Photos from 21st Century Glass Exhibit

21st Century Glass post studio glass

Maryland’s Salisbury University Galleries had an exhibition of glass artworks reflecting the expanded nature of contemporary sculptural glass art. Curated by Steven Durow, the head of Salisbury University’s glass program, the show featured a diverse roster of artists. 

Sculpture by Sibylle Peretti

Sculpture by Sibylle Peretti

Said Steven about the exhibit’s effect on the students in Salisbury’s glass program:  ” I can say for certain that it was an eye opener for the students here! The students were blown away by the variety of the work. They had no idea that the material had so many possibilities”

Salisbury University exhibit on 21st Century Glass

Salisbury University students got schooled on glass as sculptural medium.

Steven also added that he felt the show was a success, and it was a success solely because of phenomenal  work done by amazing people.  

Artists featured in the show included Davin Ebanks, Sean Hennessey, Michael Janis, Weston Lambert, Carmen Lozar, Sibylle Peretti, Margaret Spacapan, Tim Tate, Erwin Timmers, Audrey Wilson and Walter Zimmerman. 

Glass sculptures by Carmen Lozar

Glass sculptures by Carmen Lozar

21st Century Glass

If Its Tuesday, It Must Be Belgium

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Michael Janis’ glass artwork is on exhibit at Belgium’s Glazen Huis as part of an international show titled “The Glass Canvas”, curated by J. Maes. The gallery exhibition is seen as a meeting between old and new in a glass context of religion, architecture, art and entertainment. The show contrasts historical glass artwork with contemporary glass work, from 14th and 16th century stained glass, 19th century glass photo negatives to work from current art glass leaders.
This exhibition is an investigation into the use of glass as a canvas. It is a series of confrontations of the glass canvas in its physical appearance (smooth-rough light-dark transparent screen-reflection miniature-monumental), but also in the psychological experience (accessible-unreachable reveal-blur protect-invite). Going from the canvas as a mediator between inside and outside, to the glass surface as an image former or transformer, as a classical canvas or carrier of a concept that appears as a rigid skin or as a flexible weaving. The glass canvas presents itself as a breakable membrane that gives access to the unreachable reality, which it reflects or deforms, fragments or defragments.The glass canvas is a virgin surface that is covered with paints and emulsions or damaged by chemical or mechanical attacks, but in its clear state can be used as a high gloss protector.”
Artists exhibited : J.Schaechter [US], A.Salvador [IT], W.Berckmans [BE], M.Dukers [IT], F.Jespers [BE], F.Federer [GB], L.Semecka [CZ], S.Peretti [DE/US],M.Janis [US], R.Hawes [CA], N.Sandberg [US], T.Lahaie [US], J.Röder [DE], D.Sandersley [GB], K.Vanderstukken [BE/CA], I.Rosschaert [BE], M.Martens [BE], G.Pierson [BE], J.Caen [BE], E.Leibovitz [BE], W.Delvoye [BE].
‘The Glass Canvas – Glass as a canvas, as carrier through history’
April 10 – September 25, 2011
Het Glazen Huis
Flemish Center for Contemporary Glass Art
Dorp 14b, B-3920 Lommel, Belgium
http://www.hetglazenhuis.be/

Click here to jump to Glass Quarterly’s comments on “The Glass Canvas”