John Henderson Creates Baltimore Public Art

John Henderson’s sculpture being installed at the park site.

This summer, WGS Studio artist John Henderson has been working with emerging young artists from Baltimore, MD to create new public art sculptures and murals. Baltimore’s “Arts On The Avenue (AOTA ) Program ” – is a place-based outdoor public arts initiative centered on residential neighborhoods and commercial districts undergoing community transformation. AOTA projects are site specific, with the intent of beautifying outdoor public spaces that promote peoples health, happiness, and well being.

Artist John Henderson presents certificates to each of the community participants.
All those who participated in the AOTA.

In addition to beautification of public spaces, another goal of AOTA is exposing children & youth to the creating process. This creative process or art therapy is more about the process not the outcome. In working with children and youth, this non verbal process in which the activities embodies the person and the expression is projected on the canvas. The end result is a finished mural. There can be discussions around what was created or not or a contemporary theme, such as “What is Family to You”, the therapy works to release emotions from deep within. We believe that this method of inserting young people to the visual arts has proven to be an effective efficient way of handling and overwhelmed PTSD, while at the same time creating a healthier community and improving the quality of life for the participants and residents in the community.

The community celebrates the completed works of art!
Baltimore City youth participating in a AOTA mural project

The Arts on the Avenue (AOTA) Program places culturally relevant artworks, created by local artist, along major vehicular corridors and identifiable gateways into a community. AOTA’s purpose is to stimulate revitalization efforts, in priority investment areas that align with local government neighborhood development strategies, attract new investments into communities, build strong connections with community stakeholders, and improve the quality of life for the residents through its ability to ignite the imagination, encourage thought and to prompt discourse.

Detail of the mural shows a bold, fun mix of colors.

Community College of Baltimore County to Visit Washington Glass School

The Community College of Baltimore County (CCBC) new fall class schedule includes a trip to Washington Glass School!

Community College of Baltimore and Washington Glass School  co-teaching

The CCBC offers classes to the public that are designed to enlighten and offer social and cultural enrichment. Led by knowledgeable glass collector Howard Cohen, the CCBC will hold a tour of the Washington Glass School on November 16, 2021.

It will be the Best Class Ever. The more you know!

Online Virtual Tour of Phillips Collection

In Washington, DC- the perfect thing to do is visit a museum! The Phillips Collection’ new exhibit “Inside Outside Upside Down” features works by WGS artists Tim Tate & Michael Janis! Below is installation view, “Inside Outside, Upside Down” at the The Phillips Collection, Washington, DC, July 12 – September 17, 2021.

Photograph by Gregory R. Staley. Image courtesy of The Phillips Collection.

Or… if one can’t get to the museum- take a virtual online 3D tour! Click HERE to jump to Phillips Collection online tour.

Michael Janis glass art Phillips Collection Museum.
Image of 3D tour courtesy of The Phillips Collection.

Online Opening “Inside Outside Upside Down”

Featuring dynamic work across media by 64 artists of the greater DC region, this juried invitational celebrates The Phillips Collection’s 100th anniversary, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.

SPECIAL EXHIBITION – JULY 17-SEPTEMBER 12, 2021

Inside Outside, Upside Down offers a slice of the turbulent past year, one that left us confused, battered, and disoriented. Out of the palpable thoughts and feelings expressed in the works on view, five themes emerged: “Innocence Interrupted” recognizes the young children and young adults whose lives were upended by the constant fear and uncertainty brought on by so much violence and death; “Days of Reckoning and the Right to ‘Be’” speaks to the forced realization that our country is at a major crossroads, as many long-established societal systems have become increasingly out of touch, obsolete, and even detrimental to a population whose needs are constantly evolving; “Bearing Witness” represents the artists who document the times in which they live, making sure that we record, reflect, and remember; “Introspection and Reflection” examines what happens when Washington, DC, is forced to come to a standstill, with some of us sitting quietly with ourselves, while others had to confront the dynamics of their relationships; and “Hope and Healing” illustrates how art has the ability to help us process and heal in times of pain and great loss, allowing us to celebrate the simple joys in life.

Taken together, the works in this exhibition affirm the human need to make sense of traumatic experiences and ultimately transcend them, either by creating from that place or in spite of it. In this way, these works offer a collective call for healing. They invite us to appreciate the beauty in the world around us, find comfort in our family and friends, and unearth the things that are revealed to each of us when life requires us to sit still with ourselves.

See the works in online catalog:

https://issuu.com/thephillipscollection.org/docs/ioud_single_pages/72

Join The Phillips Collection in an online opening of Inside Outside, Upside Down and announce the prize winners of the Phillips juried invitational.

Virtual Opening and Awards Presentation
EXHIBITION OPENING – JULY 16, 7-8 PM

Click Here for more info on opening reception.

The Phillips Collection – 1600 21st St NW, Washington, DC 20009

AAPI Craft Directory

Asheville, NC’s Center for Craft is the founding partner of Warren Wilson College’s Master’s in Critical Craft Studies—the first and only low-residency graduate program in craft history and theory. They are developing a directory of self-identified Asian American and Pacific Islanders (AAPI) working through craft today, and will continue to gather listings until August 31, 2021.

This project is a directory and a tool on what conversations come next? How does research catalyze community, action, and visibility? 

Why focus on Asian American and Pacific Islanders working through craft? 

According to the Pew Research Center, Asian Americans are one of the fastest growing groups in the US since 2000. Despite nearly 23 million Asian American in the US population, a recent study by Leading Asian Americans to Unite for Change (LAAUNCH) found that 58% of their respondents could not name a prominent Asian American (Hint: Vice President Kamala Harris). 

Drawing inspiration from the Black Power Movement, students at the University of California, Berkeley are credited with unifying pan-Asian groups under the term “Asian American” in the 1960s. This grouping deliberately rejected the outdated, geographically-based, and problematic term “Oriental.” 

In the 1980s, the U.S. Census expanded the category, combining Asian American and Pacific Islanders. Today, this governmentally-determined grouping feels too broad to many, as it includes more than 20 countries and thousands of Pacific Islands, each with unique histories, cultures, languages, and craft histories.

This project is intended to catalyze conversations, be a conversation starter and to bring people of AAPI heritage together.

If you are working through craft and of AAPI heritage, add your information.

If you are a craft researcher, please consider this directory a tool for making connections. Instead of reading about the Center for Craft , talk directly with them to understand who the AAPI are, what we make, and how we shape American Craft. 

Michael Janis ward 5 dc
ROLODEX. Craft a Conversation at the Center for Craft, Jun 4–Aug 20, 2021

Currently, at Asheville’s Center for Craft in the John Cram Partner Gallery is ROLODEX. Craft a Conversation. This exhibit, curated by Namita Gupta Wiggers is this project is centered on the people of the AAPI craft communities, their descriptions of themselves, and their connections to craft – rather than on the objects they create.

Center for Craft, 67 Broadway St, Asheville, NC 28801.

Image of ROLODEX. Craft a Conversation, at the John Cram Partner Gallery.

Michael Janis, Tim Tate: Inside Outside Upside Down

Phillips Collection Inside Outside, Upside Down JULY 17-SEPTEMBER 12, 2021.

Virtual Opening and Awards Presentation July 16, 2021, 7-8 PM

Join The Phillips Collection as they celebrate the opening of “Inside Outside, Upside Down” and announce the prize winners of our juried invitational. Click HERE to jump to Phillips Collection Opening Event RSVP page.

Tim Tate ward 3
Tim Tate, “Justinian’s Oculus”

This juried invitational celebrates The Phillips Collection’s 100th anniversary in 2021, building on the legacy of founder Duncan Phillips and his commitment to presenting, acquiring, and promoting the work of artists of the greater DC region.

Michael Janis DC ward 5
Michael Janis, “How We Take Care of Each Other” 2021, kilnformed glass, glass powder imagery

Inside Outside, Upside Down makes vivid the turmoil, strength, and resiliency of the human spirit in the face of the past year’s global covid-19 pandemic and social upheaval. All artworks in the show are recent works produced between March 2020 and February 2021. Works by WGS artists Tim Tate and Michael Janis have been selected for the exhibition.

Michael Janis, Washington, Dc ward 5
mMichael Janis, DETAIL “How We Take Care of Each Other”, 2021

Jurors
Phil Hutinet, Founding Publisher of East City Art
Abigail McEwen, Associate Professor of Latin American Art, University of Maryland
Elsa Smithgall, Senior Curator, The Phillips Collection
Renée Stout, DC-based Artist

Guest Curator
Renée Stout is an internationally renowned artist who has been based in Washington, DC, since 1985. Originally trained as a painter with a BFA from Carnegie Mellon University, Stout currently works across a variety of media, including painting, drawing, mixed media, sculpture, photography, and installation. She is the recipient of many awards, including an Adolph and Esther Gottlieb Foundation Award and the Women’s Caucus for Art Lifetime Achievement Award.

Featured Artists
Cathy Abramson
Simone Agoussoye
Maremi Andreozzi
Carol Antezana
Desmond Beach
Julia Bloom
Michael Booker
Kimberly Brammer
Nikki Brugnoli
Florencio Campello
Carlos Carmonamedina
Sandra Chen Weinstein
Peter Cizmadia
Wesley Clark
Dominick Cocozza
Robin Croft
Sora DeVore
Sarah Dolan
Mike Dowley
Nekisha Durrett
Tae Edell
Bria Edwards
Kate Fleming
Chawky Frenn
Amelia Hankin
Michael Hantman
Leslie Holt
Michael Janis
Jane Kell
Jean Jinho Kim
Katherine Knight
Ara Koh
Kokayi
Gary Kret
Kate Kretz
Catherine Levinson
Kirsty Little
Kim Llerena
Aaron Maier-Carretero
Timothy Makepeace
David Mordini
Barbara Muth
Werllayne Nunes
Zsudayka Nzinga
Jennifer O’Connell
John Pan
Judith Peck
Shedrick Pelt
Kristina Penhoet
Marta Pérez García
Lydia Peters
Junko Pinkowski
Dominick Rabrun
Mojdeh Rezaeipour
Marie Ringwald
Janathel Shaw
Joseph Shetler
Nicolas F. Shi
Tim Tate
Julio Valdez
Jessica Valoris
Ian White
Richard L. Williams Jr.
Colin Winterbottom

The Phillips Collection, 1600 21st Street, NW, Washington, DC.

Inside Outside, Upside Down is organized by The Phillips Collection.

This juried invitational is part of the museum’s centennial exhibition, Seeing Differently: The Phillips Collects for a New Century.

Tacoma Museum Of Glass Features A Talk on Queer Glass with Artist Tim Tate – July 8, 2021

Tim Tate “We Rose Up”, 2017, Cast objects, mirrors, and LED’s, 32 × 32 × 4 in.

In coordination with Pride month, Tacoma, Washington, Museum of Glass will host conversations with artists included in Transparency: An LGBTQ+ Glass Art Exhibition on Thursdays from June 10 through mid July. Hosted by a MOG educator, each artist will be invited to show and discuss their featured work, followed by an opportunity for questions from the virtual audience. Thursday, July 8 at Noon PT (3pm ET) will feature WGS Co-Director Tim Tate.

Tim Tate, “The Moment” Aluminum, Mirrors, Quills , LEDs, 32 × 32 × 4 in

Tim Tate will be speaking as an artist about Queer Glass and its use in Craftivism with the Tacoma Museum of Glass on July 8th. As a survivor of the AIDS Pandemic and our current pandemic, he has made work on this topic for 35 years. In this talk he will connect the the two with his work over that time. Its a live Facebook talk, and free to anyone.

Tim Tate, “Justinian’s Oculus”, 2021 33 x 33 x 4 inches. Cast lead crystal

Tacoma Museum of Glass Livestream info: MOG Transparent Conversations

Link to Facebook live event: Transparent Conversations: Tim Tate

Located in Tacoma, Washington, Museum of Glass is a premier contemporary art museum dedicated to glass and glassmaking in the West Coast’s largest and most active museum glass studio. Now in its 18th year, MOG has established a reputation for hosting impactful and engaging artist residencies, organizing and exhibiting nationally traveling exhibitions, and creating unique programs for visitors, all while building a growing permanent collection chronicling the development of modern and contemporary glass.

Juneteenth

On Wednesday, Congress overwhelmingly voted to establish Juneteenth National Independence Day as a legal public holiday. Juneteenth is the first federal holiday to be established since Martin Luther King Jr. Day in 1983.

On June 19, 1865, Black Texans in Galveston, still living in slave conditions, finally learned that Abraham Lincoln had abolished slavery two years previously. 

Let’s make Juneteenth a commemorative, not of the horrific institution our country embraced, but rather as a showcase of the strength in the American spirit to recognize wrong and set about making it right. In this same spirit America moves ahead today in leveling playing fields and achieivng ever greater equality. Let us celebrate all that Juneteenth teaches us about our country’s greatness in our use of the heart to hear and to learn and to work together for all that is good and just.

All Welcome Christina Helowicz!

Christina Helowicz

Please welcome Washington Glass School’s new Studio Coordinator – Christina Helowicz!

A graduate of Salisbury University, Christina brings a new vitality and freshness to the Washington Glass School. She has an impressive background in coldworking and casting, as well as teaching. She will be working at tweaking the School’s glass program soon!

tim tate and christina helowicz
Tim Tate reviews the latest castings out of the kiln with Christina Helowicz.