If Its Tuesday, It Must Be Belgium

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Michael Janis’ glass artwork is on exhibit at Belgium’s Glazen Huis as part of an international show titled “The Glass Canvas”, curated by J. Maes. The gallery exhibition is seen as a meeting between old and new in a glass context of religion, architecture, art and entertainment. The show contrasts historical glass artwork with contemporary glass work, from 14th and 16th century stained glass, 19th century glass photo negatives to work from current art glass leaders.
This exhibition is an investigation into the use of glass as a canvas. It is a series of confrontations of the glass canvas in its physical appearance (smooth-rough light-dark transparent screen-reflection miniature-monumental), but also in the psychological experience (accessible-unreachable reveal-blur protect-invite). Going from the canvas as a mediator between inside and outside, to the glass surface as an image former or transformer, as a classical canvas or carrier of a concept that appears as a rigid skin or as a flexible weaving. The glass canvas presents itself as a breakable membrane that gives access to the unreachable reality, which it reflects or deforms, fragments or defragments.The glass canvas is a virgin surface that is covered with paints and emulsions or damaged by chemical or mechanical attacks, but in its clear state can be used as a high gloss protector.”
Artists exhibited : J.Schaechter [US], A.Salvador [IT], W.Berckmans [BE], M.Dukers [IT], F.Jespers [BE], F.Federer [GB], L.Semecka [CZ], S.Peretti [DE/US],M.Janis [US], R.Hawes [CA], N.Sandberg [US], T.Lahaie [US], J.Röder [DE], D.Sandersley [GB], K.Vanderstukken [BE/CA], I.Rosschaert [BE], M.Martens [BE], G.Pierson [BE], J.Caen [BE], E.Leibovitz [BE], W.Delvoye [BE].
‘The Glass Canvas – Glass as a canvas, as carrier through history’
April 10 – September 25, 2011
Het Glazen Huis
Flemish Center for Contemporary Glass Art
Dorp 14b, B-3920 Lommel, Belgium
http://www.hetglazenhuis.be/

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Judith Schaechter Creativity Workshop

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The Sin Eater Glass 25 x 46 x 6 inches

As part of the James Renwick Alliance Distinguished Artist Series, Judith Schaechter will teach a Creativity Workshop on May 21, 2011. Designed to help artists explore ways to break through “artists block” and expand their creative practice, participants will engage in group discussions as well as individual exercises. On Sunday, May 22, Judith Schaechter will present a lecture on her work in the Grand Salon at the Renwick Gallery. The lecture will be free and open to the public.

Lockdown Glass 21 x 31 x 6 inches

Judith Schaechter, renowned stained glass artist, is the recipient of many grants, including the Guggenheim Fellowship, two National Endowment for the Arts Fellowships in Crafts, The Louis Comfort Tiffany Award, The Joan Mitchell Award, the Pew Fellowship in the Arts and a Leeway Foundation grant. Her work is in the collection of the Victoria and Albert Museum in London, the Philadelphia Museum of Art, The Corning Museum of Glass, The Smithsonian American Art Museum’s Renwick and numerous other collections. Judith’s work was included in the 2002 Whitney Biennial, and she is a 2008 USA Artists Rockefeller Fellow.

The Minotaur (detail) Glass 38 x 25 x 6 inches

Workshop Description:
Creativity is mysterious, miraculous and utterly crucial to an artists’ practice. Because Judith Schaechter herself experienced some difficult bouts of artist’ block, she did a great deal of research into this fascinating and elusive subject. How does one become inspired? How does one choose the one idea to pursue amongst many ideas? Are there techniques to improve oneself creatively?


Ultimately, Judith divided creativity into the following: Inspiration, Perspiration (developing ideas into pieces), Practice (work habits, motivation), Audience and Beliefs.
This workshop will begin with a questionnaire, which should identify areas of interest to the participants. Judith will then share a presentation on what she has discovered. Lively group discussions and individual exercises will follow.

Distinguished Artist Series workshops are $30 for members, $40 for non members. The subscription cost for all four programs is $100 for JRA members and $140 for non-members.
For more information or to register for any of these programs please e-mail: admin@jra.org