Artist Michael Janis installs his work “intersectionality”
Washington Glass School artists Michael Janis and Erwin Timmers are hard at work installing their stunning sculpture installations at the historic Athenaeum in Old Town Alexandria, VA. Their works are part of Eclipse, a highly anticipated sculpture invitational featuring a dynamic collection of large-scale art pieces.
Don’t miss the opening reception on Friday, January 17th, from 6-8 PM—a perfect chance to meet the artists, explore their captivating creations, and experience the beauty of this extraordinary exhibit.
Erwin Timmers adds the final elements to his installation titled “Vibin'”
Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture show opening Jan 16th at the Athenaeum that examines light and shadow, liminal space, and the passage of time.
An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interplay of light and shadow. The works of Washington Glass School artists Tim Tate, Erwin Timmers, and Michael Janis seems to fit so seamlessly into such a thematic framework, each offering a unique interpretation of these ideas through their distinct techniques and narratives.
Detail of Tim Tate’s work in the “Eclipse” exhibit
Tim Tate is known for combining traditional glass craft with modern video elements and digital media to create mixed-media sculptures that explore themes of memory, mortality, and the passage of time. His works often embody themes of transformation, obscuration, revelation, and the interplay of light and shadow. In this exhibition, Tate’s work symbolizes the moment of revelation that occurs during an eclipse, where hidden truths or forgotten histories come to light. His lenticular prisms that shift between imageries effectively capture the fleeting moment of an eclipse where light is temporarily blocked yet still visible in other forms. Said Tate: “In my lenticular series, I aim to capture the nature of memory and perception. By layering multiple images within a single lens, I create a sense of depth and dimensionality that shifts and changes as the viewer moves.”
Detail of Erwin Timmer’s cast recycled glass artwork featured in “Eclipse” exhibit.
Erwin Timmers is deeply committed to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration within the “Eclipse” exhibition. Timmers uses discarded materials to create beautiful forms, highlighting the potential for transformation in the most unexpected places—much like an eclipse, which temporarily alters perception and understanding. His work often conveys a narrative of reclaiming what is cast aside, fitting well into the exhibition’s overarching theme of cycles of destruction and rebirth. Once destined for landfills, the recycled materials are reborn as testaments to the power of transformation and the importance of reexamining our relationship with the natural world. Timmers’ recycled glass sculptures also play with light, given the translucent nature of glass, adding a dynamic interplay of illumination and shadow. Said Timmers about his work in the Eclipse series: “I explore the intersection of environmental waste and beauty. By casting discarded materials into sensuous forms, I aim to reveal the beauty hidden within the discarded and the forgotten. As we stand at the edge of ecological crisis, I believe that art can serve as a catalyst for change, inspiring us to reimagine our place within the delicate balance of the ecosystem.”
Detail of Michael Janis’ “A New Dawn” glass artwork featured in “Eclipse” exhibit.
Michael Janis’ sgraffito glass portraits, which often explore identity, human emotion, and societal themes, align with the “Eclipse” theme by focusing on the layers of human experience and the partial obscuration of self. His technique of layering powdered glass to create complex imagery is akin to the way an eclipse gradually reveals or conceals—shadows and light playing across the surface, revealing deeper meanings. His works evoke the internal eclipses we face—moments where parts of ourselves or our histories are hidden or revealed depending on the perspective or light shed on them. Janis’ portraits also symbolize the personal and psychological aspects of an eclipse, dealing with identity, transformation, and the hidden aspects of the self that come to light.
Said Janis of his frit powder portraits: “Each element of my artwork serves as a kind of representation of the chaotic nature of human existence. By abstracting the realistic figures, I highlight the intricate layers that shape our identities, both internal and external. These divisions symbolize the diverse aspects of our personalities, experiences, and cultural influences that converge within a single being.”
Eclipse An Athenaeum Sculpture Invitational Curated by Alison Sigethy January 16, 2025 – February 23, 2025 Artist Reception: Friday, January 17, 6 – 8 pm Artist Talk: Sunday, February 23, 2 pm Participating artists: Michael Janis Lori Katz Mike Price Carol Prusa Sarah Hood Salomon Salih Zeki Sayar Murat Sener Michael Enn Sirvet Tim Tate Erwin Timmers Maduka Uduh
The Athenaeum is home to the Northern Virginia Fine Arts Association (NVFAA), an organization dedicated to the maintenance and preservation of the building and the celebration of regional arts. The Athenaeum Gallery 201 Prince Street, Alexandria, VA 22314
To end 2024 on a positive note – We are looking forward to 2025: DC’s new Cedar Hill hospital commissioned Washington Glass Studio to make a ‘DC themed’ glass mural (8 foot x 5 foot high). All our studio artists were invited to make inset panels in their glass style. Just started process fitting out glass panels into the steel framework- here’s a sneak peek! The artwork will be installed early in 2025!! Happy New Year!
Artists involved include: Nancy Kronstadt, Erwin Timmers, Tim Tate, Arden Colley, John Henderson, Patricia de Poel Wilberg, Graciela Granek, April Shelford, Jaelin Jones, Jun Lee, Trish Kent, Chip Montague and Michael Janis.
Gisela and Ben Huberman. Photo by Miriam Rosenthal
It is with profound sadness that we at the Washington Glass School share the news of the passing of Gisela Huberman (Gigi). Gigi was a remarkable force in the arts community—a passionate advocate, a generous supporter, and a cherished friend to so many.
Gigi Huberman outlines James Renwick Alliance goals at the Smithsonian Renwick Gallery 2013
Gigi was a vibrant and accomplished woman whose energy and intellect left an indelible mark on everyone she met. She was a businesswoman, author, and connoisseur of contemporary art and glass. Together with her husband Ben, Gigi became a vital supporter of contemporary craft, building a collection that celebrated innovation and creativity.
Gigi Huberman with artist Joyce Scott at the Military Women’s Memorial 2013
During her years in Washington, DC, Gigi was deeply involved in organizations that enriched the arts community. She was an active member of the James Renwick Alliance (JRA), where her passion for contemporary craft was matched by her dedication to fostering a supportive community of artists, collectors, and enthusiasts. Gigi also championed local organizations such as the Washington Project for the Arts and Artomatic, demonstrating her commitment to nurturing emerging artists and amplifying their voices. In addition to her role as a patron, Gigi a linguist who one chaired the languages department at American University, transitioned into a career as a communications lawyer. She also co-owned multiple radio stations and shared co ownership of telecommunications towers.
Born in Mexico, Gigi’s vibrant personality, her warmth, laughter, and boundless enthusiasm were also expressed in her series of mystery novels with her central character Gloria Berk. Depicted as intelligent, witty, and resourceful – were these traits reflecting a literary or intellectual ideal or were the modeled on Huberman’s own experiences?
Gigi’s connection to the Washington Glass School was heartfelt and deeply appreciated. She saw the potential in glass to tell stories, to push boundaries, and to connect people. Her encouragement and enthusiasm for our work were a gift that we will forever treasure.
Image of Huberman’s Potomac residence features many works by artists of Washington Glass School.
Those who knew Gigi will remember her not only for her support of the arts but also for her fiery spirit. She was a firecracker—bold, dynamic, and unafraid to speak her mind. Her vibrant personality lit up every room she entered, and her laughter and insight will be sorely missed.
Gigi Huberman presenting JRA artists at the Smithsonian Art Museum.
As we grieve the loss of Gigi, we are also filled with gratitude for the legacy she leaves behind. Her love for the arts, her belief in the power of creativity, and her unwavering support for artists will continue to inspire us. We send our deepest condolences to her husband Ben, her family, and all who were lucky enough to call her a friend.
Rest in peace, dear Gigi. You will be missed more than words can express, but your light will shine on in the art you championed and the lives you touched.
Resident Artist Jun Lee preps her bas-relief glass panel.Jun Lee, dimensional cast glass panel, 14″ x 14″, 2024
Join us for the Washington Glass School’s Holiday Open Studios on Saturday, December 14th, from 12-5 PM! Explore a dazzling collection of glass art and other creations by our talented Resident Artists and Instructors, just in time for holiday gift shopping or adding unique pieces to your collection.
Erwin Timmers, cast recycled glass & steel, 15″H x 20″W x 5″D, 2024
Virginia’s Lorton Workhouse Arts Center opened their 10th Annual Glass International, an exhibition highlighting the depth and breadth of contemporary functional and sculptural glass art. This year, in celebration of Workhouse Arts’ 10th year exhibiting glass they opened eligibility to include artists working internationally.
Kate Barfield “Dream of the Wind-Up Bird”Patricia de Poel Wilberg
Washington Glass School was well represented by WGS Resident Artists Kate Barfield, Patrica de Poel Wilberg, and April Shelford- congratulations!
Washington Glass School artists (L-R) April Shelford, Kate Barfield, Patrica de Poel Wilberg, Arden Colley.
Exhibiting Glass International Artists: Karen Abbott, Kate Barfield, Denise Bohart Brown, Beryl Brenner, Lee Campbell, Guillermo Castaneda Jr., Marcy Chevali, Anthony D’Amico, Patricia de Poel Wilberg, Jeanne Marie Ferraro, Olga Gobernik Kon, Ruth Gowell, Jennifer Hand, Mollie Hansen, Jennifer Hecker, Marla Heiner, Sara Hitchcock, Mary Jones, Martin Kremer, Kelly Lacy, Becca Low, Sandi Martina, Kimberly McKinnis, Shawn Messenger, Paul Messink, Jack Schmidt, Michael Scupholm, April Shelford, Madeline Shir, Ori Shir, Aric Snee, Chuchen Song, Tim Spurchise, Heather Sutherland, Tabitha Thierjung, Katherine Thomas, Exer Thurston, Michael Tracy, Snuffy Wright
Winter Open Studios Set for Dec 14th! Mark Your Calendars!
Join us in the DC region’s largest one-day visual arts event! On Saturday, Dec. 14th, from Noon til 5PM, Washington Glass School and its Resident Artists, Teachers and Students will participate in the Winter Open Studios! See what we’ve been up to! Come visit hundreds of working artist studios in the Gateway Arts District, along Route 1 from the DC line/ Mount Rainier up to Hyattsville, MD.
Washington Glass School 3700 Otis Street, MD Rainier, MD
This Election Day 2024 is SO important! Make your voice heard! Washington Glass School’s Resident Artist Patricia Kent’s glass art shines light on democracy!
Trish Kent, VOTE!, 2024, kilnformed glass. 24″W x 60″H. Trish Kent, The Divided States of America, 2023, kilnformed glass, mixed mediaArtist Trish Kent talks about their statement glass artwork at Montpelier Arts Center in 2024.
Did you ever wonder about the mosaic art pieces you may have seen in archeological sites? Mosaics are one of the most beautiful and ancient ways to create art and express ideas. There are several materials that can be used to create mosaics. In this class, you will be able to learn different techniques to create your own mosaic art that will endure the passing of time. You will learn how to prepare a mosaic substrate, learn to cut glass, design and finish 2 plaques of 8 by 8 inches on your own. Most of the work will be done on the first workshop day. The mosaic has to truly dry before applying grout, therefore, we will meet the next day to apply the grout and do final touches. Class Full! email to be on waitlist!!
