>This weekend, the Washington Glass School celebrated its 10th Anniversary with a big birthday bash held at Long View Gallery, where the exhibit Artists of the Washington Glass School: The First Ten Years was held. The critically acclaimed show had sold very well – much to the delight of both the gallery and the artists! Altho the Long View Gallery show is over – there still is time to catch work by the students of the Washington Glass School – over at Gallery 555dc – on exhibit until the end of June.
A big thanks to our artists, students, instructors, family, friends, supporters, aficionados – we all appreciate the love and support that allowed us to reach this milestone! Washington Glass School
Anne Plant describes her work.
Absorbed in the works.
Awesome Washington Glass School cake by theatrical designer Marie Schneggenburger.
Tim Tate lights the 10 birthday candles.
Directors Erwin Timmers, Tim Tate and Michael Janis lead the cheering and singing.
Blowing out the candles.
Altho this show is over :(
There will be more events and fun coming up, as the Washington Glass School moves on to the Next Ten Years.
Artists Talk @ Long View Gallery
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Opening Night of Washington Glass School Exhibit
“Artists of the Washington Glass School: The First 10 Years” opened to huge crowds last week and a review of the artworks in the Washington Post has created tremendous interest.
This Sunday, June 5th, from 3-4, Long View Gallery presents an Artist’s Talk.
Want to know more about the work? Want to see the exhibit up-close with someone who knows what was that artist thinking? Want to gossip with the artists that made made the Washington Post art critic Michael O’Sullivan “feel like a monkey in front of a ball of shiny, shiny tin foil“?
Here’s your chance – come join us!
Long View Gallery’s Siobhan Gavan snuggling with Washington Glass School Director & Monkey Keeper Tim Tate.
“Artists Talk” @ Washington Glass School exhibition / Long View Gallery Washington, DC The exhibition runs through June 19, 2011.
Long View Gallery is located at 1234 9th Street, N.W., Washington, DC
202-232-4788. For more information: www.longviewgallery.com.
Installing Washington Glass School @ Long View Gallery
>The installation of the Washington Glass School retrospective at Long View Gallery’s incredible space has begun.
Long View Gallery, 1234 9th Street, NW Washington, DC
L-R Robert Wiener & Sean Hennessey‘s works installed and looking good.
m. l. duffy’s glass & steel sculpture comes rolling up 9th. Erwin Timmers directs the sidewalk traffic to make delivery… easier.
Jennie Lindstrom helps out the crew.
m. l. duffy’s cast glass and steel piece located at the front of the gallery.
Jennie then gets working on her artwork installation – next to glass artwork by Jackie Greeves.
Washington Glass School: The First 10 Years
Long View Gallery
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
Closing Reception Sunday June 19, 2-5 PM
phone: 202.232.4788
Washington Glass School – The First 10 Years
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The Washington DC area has become internationally renowned as an emerging center of glass art. At the forefront of this charge is the Washington Glass School, where the instructors, artists and students have brought narrative and content into glass, dragging it away from decorative craft and into the rarefied atmosphere of the contemporary fine art scene. The Washington Glass School has produced artists whose art can be found in museums and collections world-wide and is advancing the Studio Glass Movement with its explorations of narrative, technology and skills. This represents the largest and most important movement in the Washington art scene since the Color School of the 70’s/80’s. 
This May, the Washington Glass School celebrates a momentous milestone – its 10th year. DC’s Long View Gallery presents “Artists of the Washington Glass School – The First Ten Years” showcasing over 20 artists and 10 years of integrating glass into the contemporary art dialogue. While it recognizes the past and present, The First 10 Years is intended to instigate – and celebrate – the new directions contemporary glass is exploring through various artistic metaphors. 
Featured artists include: Tim Tate, Michael Janis, Erwin Timmers, Elizabeth Mears, Syl Mathis, Lea Topping, Robert Kincheloe, Alison Sigethy, Dave D’Orio, Anne Plant, Jeffery Zimmer, Teddie Hathaway, Jackie Greeves, Kirk Waldroff, Debra Ruzinsky, Tex Forrest, Diane Cabe, Robert Wiener, Nancy Donnelly, Sean Hennessey, Cheryl Derricotte, Jennifer Lindstrom, Michael Mangiafico, Allegra Marquart and m.l.duffy. 
In bringing The First 10 Years to Washington, DC, Long View asks artists and audience alike to cast aside traditional notions of glass art and participate in a new form of dialogue; one that looks to the future and not the past.
The Washington Glass School Movement has focused almost entirely on the narrative content aspects of glass, breaking away from the technique-driven vessel movement of the last millennium. By focusing on cross-over sculptural work, mixed media and new media (such as interactive electronics and video), the impact this movement has had on the work of contemporary art has been felt internationally. This is the perfect chance to see a cross section of artists who have led this evolution.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
For more information
http://www.longviewgallerydc.com/
email: info@longviewgallery.com
(202)232-4788
A Bit of A Tease
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Next month, the LongView Gallery will present : “Artists of the Washington Glass School – The First Ten Years“. In bringing The First Ten Years to Washington, DC, LongView Gallery asks artists and audience alike to cast aside traditional notions of glass art and participate in a new form of dialogue; one that looks to the future and not the past. This exhibition is still in the process of being curated by the gallery, but one of the works submitted is so amazing, below is a sneak peak of the show.
Elizabeth Ryland Mears and William “Tex” Forrest have created a collaborative sculpture piece. The illuminated work is over 6′ tall, made of flameworked glass, steel wire & fabric.
Liz Mears & Tex Forrest’ design sketch
Full-size sample
Liz & Tex at the glass school for a photo shoot of the finished sculpture
Elizabeth Mears shows the tactile detail of the glass….”embellishments”
The finished work – photography by Anything Photographic.
Detail of the lampworked glass
The First Ten Years is intended to celebrate – and instigate– the new directions contemporary glass is exploring through various artistic metaphors. Featured artists include: Tim Tate, Michael Janis, Erwin Timmers, Elizabeth Mears, Syl Mathis, Lea Topping, Robert Kincheloe and others.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19,2011
Artist Reception, May 19th, 6:30-8:30 PM
Glass Sparks: Diane Cabe
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Moving into the Capitol Hill/Half Street campus – circa 2003.
Diane Cabe was one of the Washington Glass School’s first Resident Artists – helping set up the main classroom in 2003 at the Half Street, DC location. Her glass studies included courses at The Studio at the Corning Museum of Glass, where she studied with Lucartha Kohler, author of Glass: An Artist’s Medium. She was a Bullseye E-merge Finalist in 2004 and has exhibited at many area fine art galleries including the Fraser Gallery ,Target Gallery, VisArts Gallery, and the Glenview Mansion. Diane’s work was part of the seminal “Compelled by Content” exhibition of narrative glass held in 2005.
Diane’s glass portfolio comprises both sculptural and functional pieces. She is a resident artist with the Art Glass Center at Glen Echo, where she now teaches casting and other forms of kilnformed glass.
Diane’s cast glass purses are meant to evoke the bags, purses, satchels, backpacks that would sit with her wherever she would travel, holding her life. Diane sees the bags as how one holds treasured objects, secrets and the important items that define one’s life, paradoxically rendering them in beautiful translucent glass.
Some of Diane’s recent works expands on exploring items from the domestic life; La Bella Figura is about personal memories, reflections, sensations. Diane said of the work that it …”is a tribute to my genetic inheritance that has compelled me to find beauty in mundane objects”…
La Bella Figura
Glass, Wood, Copper, Mica
DC’s Longview Gallery juried invitational exhibition showcasing the people and work of the artists of the Washington Glass School. The show opens in May.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
Click HERE to jump to Diane’s artwork website.
For other glass artist profiles:
Glass Sparks: Sean Hennessey
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The Measure of Value
He began his relationship with the Washington Glass School by teaching mold making and concrete casting and assisting various classes. Slowly and steadily Sean began including more and more glass into his mixed media sculptures. By 2010 Sean focused primarily in glass and became a resident artist at the Washington Glass School. His current work uses a combination of glass, concrete, found objects, and steel to create works based on mythologies, philosophy, personal experiences, and whimsy. |
We Share What We Have
Glass, Concrete, Steel
24″x13″
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| A Dream of Flying Glass, Concrete, and Steel 24×13 Sean creates pieces that have the feel of archaeological finds, as if messages from today have been uncovered in some not too distant future. The earthiness of the concrete in his pieces suggests age and patina, slightly covering and obscuring his glass reliefs. He equates the glass with ethereality and the concrete as a corporeal coating. His work touches on issues of overcoming in everyday life–judging yourself and being judged by others, finding and maintaining inspiration, and dealing with dreams and hopes than conflict with our reality.
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| Ghost Light Glass, Concrete, Steel 43″x13″ Sean uses the Dry Plaster Relief Casting technique in his work. He sets up boxes inside the kiln, fills the box with sifted plaster power, makes impressions in the plaster, places sheets of float glass on top of the box and fires the glass to slump into the mold.
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| It’s a dusty process |
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Example of a Mold used for Dry Plaster Relief Casting Once the glass is removed from the kiln, Sean uses special primers and polymers to add a coating of cement to the surface. |
Glass castings fresh out of the kiln.
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| Adding layers of concrete to the glass
But it’s not done yet! Apparently Sean loves adding many complicated processes into each piece! He then goes on to stain, sand, and distress the concrete, adding to the sense of age and antiquity. Sometimes he will paint the back of the glass using translucent coatings to allow light to come through. He then welds up steel frames to finish off his work.
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Finding Your Power
Glass, Concrete, Steel 42″x13″
Sean will be one of the artists exhibiting at DC’s Longview Gallery juried invitational exhibition showcasing the people and work of the artists of the Washington Glass School. The show opens in May.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
Click HERE to jump to Sean’s artwork website.
For other glass artist profiles:
Glass Sparks: Jackie Greeves
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15″ x 19 1/2″ x 1/2″
In the past thirty years, Jackie Greeves has evolved from being a nationally recognized studio potter, an enamelist whose work was exhibited both nationally and internationally, and an award winning glass artist. What has remained consistent has been the artist reaching for the emotional presentation of themes from her early training in Japan.
Quand Je Pense
Glass, .999 silver foil, .999 silver wire, copper wire, copper electroformed
perimeter
14 1/2″ x 14″ x 1/2″
In the 1960’s, she received a degree in Biology and Chemistry and worked as a bacteriologist for the Food and Drug Administration. In the early ‘70’s she spent three years studying ceramics in Tokyo, Japan with master Yamagami Norikazu. During her time as a ceramicist, she was a recipient of a National Endowment for the Arts grant for her work in clay and was a frequent exhibitor in both the Philadelphia Craft Show and the Smithsonian Craft Show.
During the 1980’s, Jackie also served as advisor for the Mayor’s Committee on Art and Culture in Baltimore, Maryland; as exhibit director of the Tomlinson Craft Collection in Baltimore; and as assistant to the Dean, Maryland College of Art and Design in Silver Spring, Maryland.
In the 1990’s, Jackie began metalsmithing and enameling at Montgomery College, where she is presently an adjunct professor in the art department.
From the 2000’s until present, Jackie has pursued the use of glass in combination with enamel and its techniques, is presently working in metal and glass creating small sculptures evoking a sense of depth and emotion. Jackie has taught courses on copper electroforming at the Washington Glass School over the years
Jackie will be one of the artists exhibiting at DC’s Longview Gallery juried invitational exhibition showcasing the people and work of the artists of the Washington Glass School.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM