On Saturday, September 17th, all are invited to join the James Renwick Alliance (JRA) and celebrate their 40 years supporting CRAFT with an Open Studio Block Party at the Washington Glass School & surrounding artist studios. The festivity will include open studios, artist demonstrations, LuvPlates food truck, a live mural painting and, of course, anniversary cake! Noon to 3 pm. Registration is strongly encouraged. https://www.jra.org/jracraftevents/jracraft-block-party
Participating artists and organizations include:
Zenith Foundation Mobile Wood Truck featuring a woodturning demonstration by the Montgomery County Woodturners
Blue Fire Ceramic Studio featuring a tile painting demo by Robert Devers and a Balik demo by Kelly Posey
Washington Glass School including Michael Janis, Tim Tate, Erwin Timmers, Christina Helowicz, with a demonstration of enameling on glass by Patricia De Poel Wilberg - Multimedia artist Martha Jackson Jarvis
Mosaic artist Valerie Theberge featuring a mosaic demonstration - Orange Door Studios including Ellyn Weiss, Veronica Szalus, Brian Williams and Ellen Sinel
Painter Janis Goodman
Blue Door Studios including Alec Simpson
Otis Street Art Projects including the studios of Chris Bohner, Gloria Chapa, Chris Combs, Elizabeth Curren, Art Drauglis, Liz Lescault, Kirsty Little, Shelley Lowenstein, CeCi Cole McInturff, Lisa Rosenstein, David Mordini
Sharing a laugh in the Glass Studio. L-R Tim Tate, Joyce Scott, Cecelia Wichmann
The legendary artist – Joyce Scott– who was awarded the 2016 MacArthur Foundation “genius grant” is making artwork in the Glass School. Joyce is a printmaker, weaver, sculptor, performance artist, and educator, but she is probably most well known for her work in jewelry, beadwork, and glass. Her art reflects her take on all aspects of American popular culture, her ancestry, and her community.
Artists Tim Tate & Joyce Scott working in the front studio kilns.
Joyce is working with Tim Tate – creating new work for Joyce’s retrospective at the Baltimore Museum of Art. She was joined with Cecilia Wichmann – Associate Curator of Contemporary Art at the Baltimore Museum of Art.
WGS Co-Director Michael Janis describes to Joyce Scott the “one that got away” … in the glass school.L-R Christina Helowicz, Tim Tate, Joyce Scott, Cecelia Wichmann
McLean Project for the Arts (MPA) – on of the DMV leading contemporary visual arts organizations will present an invitational exhibition focused on Artist/Educators.
Continuum: Artists Teaching Artists is an invitational exhibition highlighting works by artists who give significant time to teaching, mentoring, and community-building, while continuing to sustain and develop strong and innovative personal bodies of work. Continuum includes works from Artist/Educators from most of the area colleges and universities, including George Mason, George Washington, Georgetown, Northern Virginia Community College, University of Maryland, and Maryland Institute College of Art. Also represented are some teaching institutes such as the Washington Glass School.
All of the participants are as dedicated to their on-going artistic practice as they are to their students, and vice versa.
Continuum featured artists include: David Carlson, Patrick Craig, Robert Devers, Kate Fitzpatrick, Helen Frederick, Janis Goodman, Reni Gower, Michael Janis, Maria Karametou, Steve Prince, John Ruppert, Foon Sham, Judy Southerland, Tim Tate, Erwin Timmers, Stephanie Williams, Sue Wrbican, Peter Winant.
Continuum: Artists Teaching Artists
September 16 – November 10, 2022
Opening Exhibition Reception September 22, 2022 from 7-9pm
The Public Art Archive (PAA) is a free, continually growing database of completed public artworks. The Archive aims to raise awareness about the value of public art and help make it possible for stakeholders to advance the professionalism of public artists and practitioners in allied fields.
The Laurel Library artwork “Involve Me and I Learn” made by Washington Glass Studio.
The PAA has an easy-to-use website that allows one to search for completed public artwork on its site using various descriptors. It also creates a fun graphic map of the artworks across the United States and PAA map can also be used to create awareness and help guide tours of public art in local communities.
We are proud to announce that our Laurel Library public art project “Involve Me and I Learn” community-based sculpture was selected from over 500 submissions representing diverse and innovative public art from all 50 US states for inclusion in the new map. The PAA website also includes other Washington Glass Studio public art projects, including the Library of Congress doors, Florida’s West Palm Beach Tourism Office, and the Beanes Community Center, and others.
Images of the selected USA Public Art installations are currently being made into the new map by Colorado-based illustrator Kara Fellows, which we will share with all upon its completion.
Original Public Art map – in the new version – Laurel Library will be in all its glory!
Michael Janis, “Allowing Our Past to Become Part of Ourselves” detail, 2022, fused glass, glass powder imagery. Photo by Pete Duvall.
17 national and international finalists have been selected for this biennial exhibition in glass art, featuring newly created, innovative works.
Glass is itself a transformation: created when ordinary sand encounters extreme heat. In this breathtaking exhibition, glass is transformed again, this time by 17 contemporary artists from across the globe. The resulting work pushes the boundary of traditional craft techniques and takes glass from the realm of the ordinary to the extraordinary.
Transformation 11: Contemporary Works in Glass is Contemporary Craft’s 2022 Elizabeth R. Raphael Founder’s Prize juried exhibition. The winning artist and their work will be announced and presented at the public opening of the exhibition on Friday, September 9, 2022, where they will receive a cash prize. The 2022 prize will be awarded in the category of glass, and must meet the requirement that it has been made within the last 12 months and addresses the theme of “transformation.” Seventeen contemporary artists from across the globe explore creative concepts and innovative approaches in their use of the glass medium, with the winning artist sending additional works to demonstrate the breadth of their work.
The 2022 Raphael Prize finalists are: Dean Allison, Pittsburgh, PA; Eunsuh Choi, Rochester, WI; Donald Friedlich, Madison, WI; Michael Janis, Washington, DC; Lauren Kalman, Detroit, MI; David King, Danville, KY; Eriko Kobayashi, Carbondale, IL; Weston Lambert, Tacoma, WA; Patrick Martin, Emporia, KS; Hisayoshi Muto, Yatomi, Aichi, Japan; Aya Oki, San Bernardino, CA; Miroslava Ptackova, Zlín, Zlínský kraj, Czech Republic; David Schnuckel, Rochester, NY; Michaela Spruzinova, Ústí Nad Labem, brná, Czech Republic; Ben Wright, Stanwood, WA; Ayano Yoshizumi, Everard Park, SA, Australia; and Hoseok Youn, Toledo, OH.
The jury for the 2022 prize includes Anna Rothfuss, Project Development Manager, Derix Art Glass Consultants, LLC U.S., Portland, OR; Heather McElwee, Randi & L. Van V. Dauler, Jr. Executive Director, Pittsburgh Glass Center, Pittsburgh, PA; Alexandra Raphael, enameller, London, England; Catherine Raphael, metalsmith and writer, Pittsburgh, PA; Rachel Saul Rearick, Executive Director, and Kate Lydon, Director of Exhibitions (retired), Contemporary Craft, Pittsburgh, PA
Contemporary Craft, 5645 Butler Street, Pittsburgh, PA 15201
Contemporary Craft hours: Mon-Sat: 10 AM – 4 PM
September 9, 2022 – March 18, 2023
This opening is free and open to the public.
ABOUT CONTEMPORARY CRAFT
Contemporary Craft presents contemporary art in craft media by regional, national, and international artists. Contemporary Craft offers cutting edge exhibitions focusing on multicultural diversity and contemporary art, as well as a range of artist-led studio workshops, community engagement programs, and a store. Located at 5645 Butler Street in the Upper Lawrenceville neighborhood of Pittsburgh, PA. For more information, visit www.contemporarycraft.org
Michael Janis & Tim Tate at Toronto’s Sandra Ainsley Gallery June 4 – July 30, 2022
Toronto, Canada’s famed Sandra Ainsley Gallery present the narrative glass artworks by WGS Co-Directors Tim Tate and Michael Janis. The show, titled “One Story is Not Enough” featured works by each artist as a solo, and a number of their collaborative wall murals.
Michael Janis’ imagery in frit powder is reflected in the gallery’s piano surface.
When Michael Janis and Tim Tate met, almost 20 years ago, they discovered a shared fascination of narrative sculpture- one that seeks to arrive at an image that is both unflinchingly candid in physical representation and psychologically evasive. Working together, they are interested in the simultaneous read of an immediately recognizable image that asks the viewer to linger over history and meanings that unfurl more slowly. Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
“The Poetry of Everyday Objects” by Michael Janis & Tim Tate, 2021; Size:6H x 6W’; Cast Glass
With these confines they create work in many techniques, but if you stand slightly back and see their history a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful.
Detail – “The Poetry of Everyday Objects”, Michael Janis & Tim Tate
They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
Tim Tate, Lenticular series, 2022, each panel 41″H x 41″W, lenticular prints
Sandra Ainsley Gallery The Warehouse 100 Sunrise Avenue, Unit 150 Toronto, Ontario Canada M4A 1B3
WGS Studio artist Sean Robinson responded to the call for artists at Cid Bolduc Gallery in Provincetown, MA. Sean’s glass art was immediately selected for exhibition for the month of July! Congrats Sean!!
Artist Sean Robinson works his magic with glass at Cid Bolduc Gallery.
The Cid Bolduc Gallery (CBG) is located at 53 Badford Street in Provincetown, MA.
CBG is open for the 2022 season on Thursday, Friday and Saturday from noon to 5 p.m.
Michael Janis; “Current State”, 2020. Kilnformed glass, glass powder imagery, 4 panels – each 20” x 30”
The Art Clinic Online (ACO) community aims to create a supportive arts environment in an online setting. The ACO features online presentations where members can ask them questions about their vision and create a forum for the equal exchange of art ideas and art information as well as opportunities.
If you are interested in joining the online presentation, email Mariana for the zoomlink- mkastrin@gmail.com
View of Fondazione Berengo Art Space, Campiello della Pescheria 4
Bill just returned from visiting Venice and can give us great insights into how glass is being used in art today by artists from around the world. He will also talk about Glasstress, a project by Adriano Berengo to further Berengo’s mission to promote the use of glass in the world of contemporary art. The first Glasstress exhibition was launched in 2009 to establish a new platform for art made with glass and was founded as a collateral event of the Venice Biennale. This is the seventh edition of Glasstress, where Berengo Studios has brought together a group of leading contemporary artists from Europe, the United States, Latin America, Africa and China in an ambitious exhibition that explores the infinite creative possibilities of glass. The works are hosted inside the Berengo Art Space Foundation in Murano, an old abandoned furnace transformed a few years ago into a suggestive exhibition space.
Sandra Ainsley Gallery, Canada’s leading glass art gallery, presents a collaborative exhibition from Washington Glass School artists Tim Tate and Michael Janis titled “One Story is Not Enough“. The exhibition will feature their individual works along with joint pieces that highlight the narrative sculpture.
L-R: Tim Tate, Sandra Ainsley, Daniel Ainsley at the opening of “One Story Is Not Enough”.
Mark, line and material become an extension of touch in the act of representation. The relationship of hand to subject, negotiated through the material, can elicit a response of both visual and tactile.
Michael Janis’ kilncast glass L-R “The Color of Shadows” & “The Place Between Memories”
With these confines, Tim and Michael create works in many techniques, but if you stand slightly back and see their history, a huge thread of interconnected stories weave through their work from day one. The beauty comes into focus and the viewer sees the edges of a world not dissimilar to this one, but so much more thoughtful. They present this glimpse into that alternative world, seemingly unstuck in time somewhere between past and future.
On Friday, June 17, at 1 PM (Eastern time), the Art Alliance for Contemporary Glass (AACG) will hold an online zoom MeetUp and Tim Tate and Michael Janis will tour exhibition and talk about their careers and process. Join the AACG to watch it live, or else catch it on YouTube after Friday.
