American Craft Magazine Profiles WGS’ Tim Tate

WGS Co-Director Tim Tate is featured in the American Craft Dec/Jan 2018 magazine with an article by William Warmus.

WGS Co-Director Tim Tate is featured in the American Craft Dec/Jan 2018 magazine with an 8-page article by William Warmus. Photos by Pete Duvall.

The American Craft Council (ACC) is the leading arts nonprofit cultivating a culture of making. The ACC’s award-winning magazine seeks to “inspire, telling the behind-the-scenes stories of artists and designer-makers, while exploring the multifaceted benefits of creative living”.

A humorous take on what the ACC magazine cover should have looked like. (Note: this is not the real issue cover!)

A humorous take on what the ACC magazine cover should have looked like. (Note: this is not the real issue cover!)

As such, the December/January 2018 issue of the magazine features a story by author/critic William Warmus that delves deep into Tim’s softer side. Exploring Tim’s history in the glass world, William writes about the what drives his work, and about the development of the Facebook “Glass Secessionism” page and the backlash created by the online conversation. 

Dec/Jan 2018 American Craft magazine cover (the real one).

Dec/Jan 2018 American Craft magazine cover (the real one).

 

Listen Up! Glass Art Magazine Podcast Features Tim Tate on NLM “Transparency” Exhibit

glass.art.magazine.Podcast.talking.out.your.assThe National Liberty Museum’s exhibit, Transparency: An LGBTQ+ Glass Art Exhibition began in June 2017 and ran through August 6, 2017. For more than 40 years, LGBTQ+ identifying people have gathered in the month of June to commemorate their struggles, celebrate their identities, and advocate for their communities. Known as “LGBT Pride Month” or simply “Pride” this worldwide phenomenon reminds us that the freedom to live our truth is necessary for a liberated society. For Pride 2017, the National Liberty Museum hosted the nation’s first museum exhibit of studio glass works produced exclusively by artists of the LGBTQ+ community.

Tim Tate, "We Rose Up"

Tim Tate: “We Rose Up”

Glass Art Magazine covers artists online and in print and also via their new podcast series, “Talking Out Your Glass“. The series features interviews and discussions with world-renowned glass artists and respected experts in hot, warm, and cold glass. 

Episode 31 ~ National Liberty Museum: Transparency

This episode features a podcast tour of the National Liberty Museum and its recent exhibition of work made by LGBT+Q glass artists. Featuring interviews with artists Tim Tate, Jenny Pohlman and Sabrina Knowles. Click on link below to have a listen.

Tim Tate is Aces in London!

WGS Co-Director Tim Tate wins award at London Contemporary Art Competition!

LCALondon Contemporary Art has created a platform for artists to showcase their work in the heart of London and has brought together a unique blend of talents from all around the world. Carefully selected from over 800 applicants, LCA endeavoured to present a diverse show displaying a broad range of techniques, mediums and philosophies. The exhibition showcases 21 National and International artists who demonstrate the very best in creative process, craftsmanship and technique. First Place and the first ever LCA Prize winner  was Emma Leone Palmer, and our Tim Tate was awarded second place! 

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Detail of Tim Tate’s “Endless Cycle”; 36 x 36 x 4; Glass, Aluminum, Poly-Vitro, electronics

There will also be a Public’s Choice Award which will be open to all members of the public submitted through a ballot box in the gallery. The votes will be tallied at the end of the show on the 26th February.

Well Done Mr Tate!!!

Witness Tim Tate’s Infinite Mirror Sculpture

Artist Tim Tate has been pulling traditional craft into new realms and depths. Tim shared his newest series “Witnesses of Wonders” and the work is incredible. In this series,Tim has been using elements that were 3-D printed at Catholic University’s modeling department combined with infinity mirrors to expand the sensation of unlimited space in the artwork. 

From Tim’s artist statement about his series:

Tim Tate, "21st Century Guernica"; Glass, Cast Images, LED; 36" x 36 x 4". In this piece a ring of translucent refugee boats float in the center, all with no where to turn to. The center ring is shared with red poppies, the symbol for war remembrance in England. The outer edge is made up of individual images from the powerful Picasso painting entitled Guernica.

Tim Tate, “21st Century Guernica”; Glass, Cast Images, LED; 36″ x 36 x 4″. In this piece a ring of translucent refugee boats float in the center, all with no where to turn to. The center ring is shared with red poppies, the symbol for war remembrance in England. The outer edge is made up of individual images from the powerful Picasso painting entitled Guernica.

“I try to entice the viewer to look deeply into and completely experience my windows into alternative dimensions. My works create an optical and bodily illusion of infinity through apparently limitless space. There is an intimacy created by viewing deeply into a circular opening, as if peering through a portal to witness another endlessly repeating reality.

Tim Tate, 21st Century Guernica - detail .  Said Tim about the imagery of the refugee boats, " Refugees right now are trying to escape unspeakable atrocities and protect their families who are turned away at country after country. This is the shame of our decade. "

Tim Tate, 21st Century Guernica – detail . Said Tim about the imagery of the refugee boats, ” Refugees right now are trying to escape unspeakable atrocities and protect their families who are turned away at country after country. This is the shame of our decade. “

 

The constant repetition of imagery also speaks to us of timelines: ones that go endlessly into the future or extend endlessly into the past. These repetitions reference society mired into static social patterns, some good, some bad.

Tim Tate. "21st Century Guernica" detail.    "Picasso made his painting in mostly tones of black white and gray "to drain the life out of them". I drenched them in red and returned color to them because this horror is happening right now in this world....in fact this very second." said Tim Tate.

Tim Tate. “21st Century Guernica” detail. “Picasso made his painting in mostly tones of black white and gray “to drain the life out of them”. I drenched them in red and returned color to them because this horror is happening right now in this world….in fact this very second.” said Tim Tate.

We look inside these portals as if seeing into a dream, fully realizing that this is but an illusion. But even though we know it is a illusion that should not stop us from freely examining it, and hopefully seeing another world at the same time.

Tim Tate, "The Endless Cycle"; 36 x 36 x 4"; Glass, Aluminum, Poly-Vitro, electronics

Tim Tate, “The Endless Cycle”; 36 x 36 x 4″; Glass, Aluminum, Poly-Vitro, electronics

Uncomfortable with any single defining time, I prefer sliding through the centuries; from 19th century Victorian techno-fetishism, to mid and late 20th century references to endless mirrors and studio glass to 21st century electronics and political focus. Perhaps all my work can be defined by how uncomfortable I am with definitions.” Tim Tate.

For more images of Tim Tate’s newest works – click HERE to have a look at his website

Tim Tate, "The Endless Cycle". Said Tim about this work: "For every man shown here, 1000 people died last year because of gun violence. For every gun shown here, a child dies every day. A hard lesson we have to learn from Orlando.....only by joining together can we hope to curtail gun violence."

Tim Tate, “The Endless Cycle”. Said Tim about this work: “For every man shown here, 1000 people died last year because of gun violence. For every gun shown here, a child dies every day. A hard lesson we have to learn from Orlando…..only by joining together can we hope to curtail gun violence.”

The Process: Site-Specific Art Project by Washington Glass Studio

dia.bethesda.concepts.glass.art.wall_panel.washington.LED

Design sketches of the two lobby areas were created.

wisconsin.ave.bethesda.glass.sample.art

Sample showing glass colorways.

Washington Glass Studio recently completed commissions for artwork in a refurbished downtown Bethesda building lobby. Working with art consultants, Directions in Art, Washington Glass Studio began creating artwork options for two levels of an office building that was undergoing a major renovation. 

The proposed floor-to-ceiling glass artwork was designed to be fully backlit with LED panels, giving the artwork a strong visual punch.  The artwork proposals were presented to the client, and the direction on colors was approved. 

Crushed glass (frit) was used to make the large circles of glass color.

Crushed glass (frit) was used to make the large circles of glass color.

 

Working with the building architects, the design was modified to allow for a stainless steel surrounding frame. The framework would conceal the electrical transformers required for the LED wall. Timing and coordination issues for installation on two separate floors were addressed, as were wall structure concerns.

Artists Audrey Wilson and Erwin Timmers discuss the fabrication of the glass panels.

Artists Audrey Wilson and Erwin Timmers discuss the fabrication of the glass panels.

Layers of fused glass created the desired textures and colors.

Layers of fused glass created the desired textures and colors.

Installation of the main lobby artwork.

Installation of the main lobby artwork.

The finished artwork. WGS Project team: Tim Tate, Erwin Timmers, Michael Janis, Audrey Wilson

The finished artwork. WGS Project team: Tim Tate, Erwin Timmers, Michael Janis, Audrey Wilson

SCOPE NYC Features Washington Glass School Artists

michael janis glass art new york scopeMichigan’s Habatat Galleries will be exhibiting at SCOPE New York March 3rd – 6th of 2016! Make sure to plan to stop by Habatat Galleries Booth for the most exciting display at the show – as they will be featuring works by Sean Hennessey, Michael Janis and Tim Tate!

With over 75 art fairs spanning more than 15 years, SCOPE is celebrated as the premier showcase for international emerging contemporary art and multi-disciplinary creative programming. Renowned for its uncanny ability to forecast new visual trends that are embraced globally, SCOPE Art Shows garner extensive critical acclaim. With an attendance of 1.2 million visitors, SCOPE Art Show is the largest and most global emerging art fair in the world.

SCOPE New York opens on Thursday, March 3, 2016, with a VIP Preview benefit, and will run March 3 – 6, 2016. 

scope_logo

SNY15-Map

SCOPE PAVILION
Metropolitan West
639 W 46th St
New York, NY 10036

PUBLIC TRANSPORTATION
Easily accessible by the MTA subway and train services:
SUBWAY
A C E | 1 2 3 | B D F M | N Q R

PENN STATION
NJ TRANSIT | AMTRAK | LIRR


Washington Glass School Dances In the New Year!

Dance With Us The rhythm of the cosmos Is a waltz In three steps Dream Create Sustain

Dance With Us
The rhythm of the cosmos
Is a waltz
In three steps
Dream
Create
Sustain

The crew at Washington Glass School wish all a joyful, bright, healthy, prosperous and happiest new year ahead! May this new year bring all the crazy colors and fun in life!

“Learn from yesterday, live for today, hope for tomorrow.” — Albert Einstein 

Washington Glass School Goes All SOFA Chicago

SOFA_CHICAGO_500x500Every fall Chicago, IL hosts the critically acclaimed Sculpture Objects & Functional Art Expo, more commonly known as SOFA. SOFA Chicago 2015 will be held November 6 – 8, 2015 at Navy Pier’s Festival Hall, where masterworks from top international galleries and dealers from numerous countries will exhibit. An opening night preview will be held Thursday, November 5. On par with Art Basel and TEFAF Maastricht, the critically acclaimed art fair has been continuously run every year since 1994. What distinguishes SOFA from other top art events is its focus on three-dimensional artworks that cross the boundaries of fine art, decorative art and design. SOFA is noted for its exceptional presentation of artwork by international galleries and it is enhanced by the many talks to attend in the Lecture Series given by award-wining designers and artists. 

This year, a number of Washington Glass School artists will be featured at the art fair, and the artists are bringing new works that have taken them in new directions. Tim Tate will be giving a “Booth Talk” at Habatat Galleries (space #1400) on Saturday, Nov 7 @ 1:00 pm. Just after that talk, at 2:00 pm, Sean Hennessey and Michael Janis will be featured at the Art Alliance for Contemporary Glass (AACG) Ice Cream Social on the terrace at Navy Pier.

Allegra Marquart, "The Princess and the Pea", 2015, Cast glass shapes wall mounted over a sewn panel, 14"x 28"

Allegra Marquart, “The Princess and the Pea”, Cast glass shapes wall mounted over a sewn panel, 14″x 28″ photo: Pete Duvall

Allegra Marquart (Maurine Littleton Gallery, Space #821) has mixed her cast glass with textile, exploring the new possibilities for color, texture and especially line. Allegra has been stitching connections that create open, delicate looking backgrounds that complements and comments on the bolder glass shapes which are mounted slightly in front.  The glass and the threads compliment concepts of fragility and ambiguity. 

Sean Hennessey

Sean Hennessey, clockwise from top left: “The Doors that May Open”, “The Relentless Path Upward”, “The Gift of Time”, “From Mud and Soap”, cast glass, imagery, steel, LED; 24″ x 36

 

 

 

 

 

 

Sean Hennessey (Habatat Galleries, Space #1400) will be presenting works that take him in a new direction, both in terms of the brightness of the colors and in the use of a separate panel that incorporates photographed and drawn imagery, telling a slightly different side of the story from the larger panel. 

Audrey Wilson (Alida Anderson Art Projects, Space #402) makes her debut at the art fair. Her new mixed media works explore alternate and extraordinary realms.

Audrey Wilson, " Luminiferous Aether Electrode"

Audrey Wilson, ” Luminiferous Aether Electrode”, Cast glass, electronics, found objects, photo Pete Duvall

Michael Janis (Maurine Littleton Gallery, Space #821) explores concepts of identity with his frit powder (sgraffito) drawings with cast glass elements. New this year are his ceramic and glass sculptures.

Michael Janis, "Regeneration", cast glass, ceramic, 14” x 16” x 12” photo: Pete Duvall

Michael Janis, “Regeneration”, cast glass, ceramic, 14” x 16” x 12” photo: Pete Duvall

 

 

 

Tim Tate (Habatat Galleries, Space #1400) is showing his new illuminated pieces, his infinity series. Tim entices the viewer to look deeply into his created environments, create an optical and physical illusion of infinity through apparent limitless space.  There is an intimacy created by viewing deeply into a circular opening, as if peering through a portal to another reality.

Tim Tate, "Violet Tattoo Infinity", Cast Poly-Vitro, Glass, Lighting; photo: Pete Duvall

Tim Tate, “Violet Tattoo Infinity”, Cast Poly-Vitro, Glass, Lighting; photo: Pete Duvall

 

 

 

 

 

SOFA Chicago November 5-8, 2015

NAVY PIER
600 East Grand Avenue
Chicago, IL 60611

chicago.sofa.floor_plan.map.2015

Chicago SOFA Floor Plan 2015

Janis & Tate @ Catholic University Architecture Department? Fab!

Washington Glass School’s Professor Michael Janis and Professor Tim Tate will present a lecture on glass art and architecture to students and faculty of Catholic University’s School for Architecture and Planning (CUArch) at the Crough Center for Architectural Studies as part of the Fall 2015 Fab Lab Lecture series.

Catholic University Architecture Department presents Michael Janis and Tim Tate

Catholic University Architecture Department presents Michael Janis and Tim Tate

We have just 3 things to say about this:

Fab.

U.

Lous!

The Uncomfortable Balance

blue eye

The Uncomfortable Balance

Words and artwork by Tim Tate; photos by Anything Photographic

I am a child of studio glass. I was, and can continue to be, in love with the sheer beauty of glass and art in general. As a lifelong student of Penland School of Crafts I developed a love of all things natural and extremely well made. Regardless of the medium, the more beautiful and skillfully constructed , the more intriguing the work.She Goes Walking after Midnight

I also have another side to my brain. I love all things thought provoking. I love edgier art, I love time based work…..I love video, electronics and technology in mixed media sculpture.

So I always have a choice when I create a piece.  Do I make it achingly gorgeous or do I embrace the edgier technology? Certainly if I choose one way or the other, my life will be made easier.  There are many more opportunities for makers of beautiful objects…..and many more institutions that love time based media.

As much as I want to though, I do neither.  Neither Ultra-Baroque or Techno-fetish, but a bit of both.  Whichever side of my brain calls to me, I always still hear the other whispering.  I live uncomfortably in the middle, always trying to find that balance between these 2 worlds.  The beauty of one side’s sweetness is always tempered with the saltiness of the other.Azelea Infinity

I have lived in this limbo of discomfort for so many years that it has begun to feel like the natural order of things.  The tension caused between the two sides always viscerally present, like a ghost photo at the turn of the last century.  Always hovering there, but just beyond reach, just out of direct sight and never fully resolving which side will gain dominance.  

So here I stand on the rope, feeling very balanced after so many years of not falling. 

4 seasons

Tim Tate

August, 2015