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Arts & Healing at Inova Schar Cancer Institute

Posted on July 9, 2019 by admin |

The dedication of the Joan Hisaoka Healing Arts Gallery at the Inova Schar Cancer Institute in Fairfax, VA took place Monday, July 8.

Inova Schar Cancer Institute located at 8081 Innovation Park Drive, Fairfax, VA 22031

The Arts & Healing Program at the Inova Schar Cancer Institute, a department of Inova Fairfax Hospital, is a collaboration with the Smith Center for Healing and the Arts, and uses art in its many forms to help support people in treatment and recovery and their loved ones. This innovative program includes a robust permanent art collection and ongoing exhibitions, performing arts events, and other workshops.

Opening dedication ceremony of the Arts & Healing program at the Inova Schar Cancer Institute.

The Arts & Healing Program is a resource for families, loved ones and the community to support Inova Schar’s core mission and philosophy to provide patient-centered care. New acquisitions and special site-specific artworks many DC area artists – including WGS’ Michael Janis, Tim Tate, and Allegra Marquart are in the new collection as well as works by Foon Sham, Valerie Theberge, Alan Binstock, Wendy Ross, and Susan Hostetler.

Artists Alan Binstock and Valerie Theberge with Arts Director Shanti Norris.

Sculpture by Foon Sham at the new Inova Schar Cancer Institute in Fairfax, VA.

The Joan Hisaoka Healing Arts Gallery at Inova Schar Cancer Institute is dedicated to exhibiting fine art that explores the innate connection between healing and creativity. Through a rotating exhibition schedule, the gallery features contemporary artists that address a diversity of significant themes, including spirituality, social change, multiculturalism, health, environmentalism and community.

One of the large commissioned artworks is a site-specific installation work by glass sculptor Michael Janis. The Washington Glass School blog has asked Michael to outline the work’s meanings and the processes he used to create the monumental recognition wall.

Dwight Schar Recognition Wall at Inova Schar Cancer Institute

Inspired by the story of Dwight Schar, founder and chairman of homebuilding and mortgage giant NVR, and donation by he and his wife to develop the cancer research institute that now bears their names, I worked at creating glass pieces that have both visual and spatial depth. Mr Schar’s mother died very young, lacking of good healthcare, and Mr Schar saw the creation of a cancer center and affording them the equipment and facilities needed to advance their treatments and research as a way to repay the community that supported his home building company.

Artist Michael Janis talks to the tour group about his unusual glass technique.

The artwork installation is a tribute to his history and largesse. A rendering of Dwight Schar made of crushed glass powder overlaps cast glass squares that depict references homes and community, as well as the advancements that science and research could bring to the world. In the center of the artwork installation, cancer awareness ribbons are the focal point, in its natural clear state, allowing all symbolic cancer awareness colors to be seen within. The end framing panels are a special iridescent glass that has many colors that shift intensity depending on the viewer perspective.

Inova Schar Center made in kiln-cast glass.

Inova Schar Cancer Institute fired in kiln-cast glass.

The central portrait of Mr Schar is made from crushed black glass powder. The fine powder was carefully manipulated with scalpel and brushes to form the detailed likeness and took many hours and kiln firings to complete.

The clear glass ribbons have become the symbol of the new Inova Schar Institute – and Washington Glass School was later commissioned to make smaller versions of the ribbons as commemorative sculptures for valued benefactors and volunteers to the new Cancer Center.

Lisa Ellis receives recognition for her work in creating the arts program at Inova Schar Institute.

Posted in architectural application glass, kiln fused glass, kiln-formed glass, Lillian Fitzgerald, michael janis, mike janis, narrative glass, painterly glass, process, Public Art, recognition award, sgraffito technique, sgrafitto, shanti norris, smith center, smith farm, studio glass, twenty first century glass, стекло искусство новое, فن الزجاج الجديد, アメリカのガラス芸術, 玻璃艺术

Erwin Timmers : Alchemical Vessel

Posted on April 21, 2013 by Michael Janis |

The Smith Center for Healing and the Arts will have a special exhibit and fund raising benefit. Titled ‘Alchemical Vessels‘, this initiative will feature the work of 125 artists, selected by 16 invited curators, to engage in a community dialogue on healing and transformation through the arts. Each artist has transformed a provided ceramic bowl using their own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, a circle of care, sacred space, nourishment, and even the alchemical vessel.

Erwin Timmers “Message In A Bottle” kilnformed recycled glass, ceramic

Washington Glass School’s Co-Director has created a work using his signature cast recycled glass. In honor of Earth Day, we are posting about his work in the upcoming show.

Said Erwin of his artwork for the show at the Joan Hisaoka Healing Arts Gallery: “The alchemical vessel speaks about creating purity, harmony and the healing that flows from it. My work focuses on the disharmony we see in nature and our environment, which has a pronounced impact on our own wellbeing. This [vessel] references how we, as a society, consume and discard resources without much consideration. I use the water bottle, a vessel in its own right, as a symbol of a useful everyday object that people use and discard thoughtlessly and which has now been severely overused. Last year we consumed 28 billion plastic bottles, and only roughly 15% of them got recycled.”

“Using the medium of casting recycled glass and specific techniques to manipulate this medium” said Erwin of his glass sculpture, “my work invites the viewer to consider not only the end product, but also the origin of the piece and the process of re-creation. I hope my work showcases the possibility and beauty of recycled material, while encouraging the viewer to consider his or her environmental impact.”

Joan Hisaoka Healing Arts Gallery at Smith Farm Center, 1632 U St NW, DC

Alchemical Vessels Benefit: May 17, 2013, 7-9pm

About the Benefit
100% of the ticket sale proceeds will go to support Smith Center’s life-enhancing work and programs for people living with and recovering from cancer.

Benefit Ticket information:

Benefit tickets $125: 125 Benefit tickets will be sold, and each ticket holder at this level will be given the opportunity to select a piece of art. Priority will be given by the order in which the tickets were purchased—so the first to buy a ticket will be awarded first pick of the 125 works, and so on. All 125 works will remain in the show until after the closing of the exhibition on June 7, at which time the new owners can pick them up.

Supporter ticket: $50: This price level is good for entrance to the Benefit only. Ticket holders at this level do not get to keep a piece of art.

If you have trouble purchasing tickets, please call 202.483.8600 or email them at outreach@smithcenter.org.

Posted in art from recycled material, cast recycled glass, earth day, earthday, erwin timmers, fused float glass, Joan Hisaoka Healing Arts, smith center, smith farm, sustainable art design

Smith Center Presents SOFAlab Acts of Translation

Posted on May 16, 2012 by Michael Janis |

SOFAlab: Acts of Translation

-Opens Friday, May 18, 7-9pm

Acts of Translation Between Art, Science, and Medicine

As mentioned in earlier post – Smith Center for Healing and the Arts has been host for SOFAlab – “Science of Art Laboratory” – created to initiate the spark of communication and to look for commonalities that can bring out new understanding and develop new tools of interactions from both the sciences and arts. The collaborative project created will be unveiled this coming Friday – at 7 pm.

SOFAlab Panelists:
Caroline Wellbery, Medical Doctor, Associate Professor, Georgetown University, PhD in Comparative Literature

Erwin Timmers, Green Artist, MFA Design Arts and Architecture, Co-founder Washington Glass School

The panels intended to illuminate new ways of thinking by showcasing conversations that bridge the healing arts, environmental realities, neuro-sciences and collaborative networking in the creation of art; and conversely to examine effective new scientific and medical observations, answering questions about how art and science instruct and help one another in raising awareness about environmental responsibility in the area of health care.

Looking at the collaborative efforts of three teams of artists and scientists, the evening will unfold their various conversations and inquiries as they have worked together to explore new avenues of awareness.

The collaborative team led by Caroline Wellbery and Erwin Timmers considered medical waste and its environmental impact. By looking at areas of concern that mutually affect artists and healers, they have developed conversations and questions about how art and science instruct and help one another in raising awareness about environmental responsibility in the area of health care.

The panel is funded by George Mason University’s Center for Consciousness and Transformation and coordinated by Shanti Norris, Smith Center for Healing and the Arts; Paul So, Krasnow Institute for Advanced Study at George Mason University; Helen Frederick, School of Art, George Mason University; and Hamiltonian Gallery. Interns Alex Giller, Aaron Van Andel, Scott Jemielity and Erwin Thamm assisted the program in 2011-12.

Opens Friday, May 18, 7-9pm

SMITH CENTER FOR HEALING AND THE ARTS : community. creativity. cancer support.

1632 U Street, NW, Washington, DC 20009

Erwin Timmers finishes up the mounting of the collaborative artwork that deals with issues of medical waste.

Posted in caroline wellberry, erwin timmers, george mason university, Hamiltonian Artists, smith farm, sofa lab

Science of Art Laboratory (SOFAlab) at The Glass School

Posted on February 28, 2012 by Chip Montague |

Erwin Timmers, Dr Caroline Wellberry and the students working on the SOFAlab collaborative art project.
photo by Elmo Thamm

Medical waste and its impact on climate change was the connective theme of the collaborative work. Using glass diverted from the waste stream, the Georgetown University students and Residents from the Fort Lincoln Clinic worked with Dr. Caroline Wellberry and Erwin Timmers this past weekend. The resulting glass and steel sculpture will be exhibited at Smith Center Gallery in May.

“Science of Art Laboratory” (SOFALab) was created to initiate the spark of communication and to look for commonalities that can bring out new understanding and develop new tools of interactions from both the sciences and arts with the aim that these interactions and findings can affect boarder intellectual and/or social changes.

The project is a collaborative effort from the Executive Director of Smith Center for Healing and the Arts, Shanti Norris; the Director of Printmaking at George Mason University, Helen Fredrick; and the Founder of Hamiltonian Artists and physics professor of George Mason University, Paul So. The SOFAlab is generously supported by the Center for Consciousness and Transformation from George Mason University.

The students listen as Erwin Timmers outlines the mold-making process.
photo by Elmo Thamm

Erwin Timmers and Helen Fredrick consult about the kiln-firing process.

Glass will be cast into the imagery that is formed in the kilns.
photo by Elmo Thamm

A Georgetown medical student gets to practice his surgical precision with moldmaking in the kiln. Just like the game of Operation, a steady hand is requisite.
Erwin Timmers has found the perfect element to cast into glass.
photo by Elmo ThammMore info to follow after the work is mounted and the show is all set in the Smith Farm Gallery – stay posted!

Posted in caroline wellberry, elmo thamm, erwin timmers, george mason university, paul so, smith farm, sofa lab

Hamiltonian SOFAlab @ Washington Glass School

Posted on October 10, 2011 by Chip Montague |

Hamiltonian SOFAlab meeting at L- R
Helen Frederick, Erwin Timmers, Paul So, Caroline Wellberry, Shanti Norris

Hamiltonian Artists seeks to broaden the cultural dialogue within our modern community. One of the arts program to further the dialogue is SOFAlab – where scientists and artists are paired for collaborative interaction. SOFAlab asks: How and where do art and science – two seemingly disparate disciplines of intellectual inquiry – overlap? And, at that confluence, what can practitioners of both disciplines learn to expand their unique fields of knowledge and to affect consciousness?

Hamiltonian Artists, Smith Farm Center for the Healing Arts and George Mason University have been furthering the dialog thru a series of “laboratory/studio” exchanges in which artists are be invited to observe and participate in laboratory sessions and scientists will be invited into artist’s studios for collaborative projects. Exploring similarities and differences in how scientists and artists use experimentation and visualization in their search for larger truths and making sense of the universe. The leader in recycled glass artwork, Erwin Timmers is collaborating with scientist Caroline Wellberry in the latest project.

Funding for this program was provided by:

Center for Consciousness and Transformation, George Mason University

with support from Hamiltonian Artists, Smith Farm Center for Healing and the Arts,

and George Mason University School of Art & Design.

Posted in george mason university, Hamiltonian Artists, smith farm, sofa lab

DC Artist Fellowship Exhibition at Smith Farm Gallery

Posted on August 14, 2010 by Chip Montague |

The DC Commission on the Arts and Humanities held the opening of their exhibition of visual artists that are competing for the 2011 DCCAH Artist Fellowship at Smith Farm’s Joan Hisaoka Gallery on Friday, Sept 13, 2010. Here are some shots of the gallery and the range of the artwork.

Artist Nancy Donnelly next to her flying glass birds “Trio”.

Visitor contemplates Sean Hennessey‘s cast glass and concrete “The Measure of Value”.

Top Left: Pat Goslee‘s “Pearling”; Below Left: Rania Hassan‘s mixed media “Ktog 29 (Knit Together)”; Right: Scott Brooks‘ “Patience”.

Top Left: Elaine Langerman‘s “Poem/Painting #1”; Below left: Tim Tate‘s glass and electronic “Safe In My Nest”; Right: Michael Janis‘ “Altered Memories”.

Left: Sondra Arkin‘s “Edge of Spring”; Center Top: Alec Simpson’s “Postcard From Berlin”; Below Center: Kate Macdonnell‘s “Median”; Right: Rex Weil’s “Hotland Vista #3”.

Les than one third of the artists will be selected to receive the fellowship – the selection committee has their work cut out for them! The exhibition runs thru August 25.

The Joan Hisaoka Gallery
at Smith Farm Center
1632 U Street, NW, Washington DC, 20009
August 13 – 25, 2010

Posted in artist fellowship, DC Commission on the Arts and Humanities, DCCAH, smith farm